“Daniel Cross Turner has made a key contribution to the critical study and appreciation of the diverse field of contemporary Southern poetics. “Southern Crossings” crosses a gulf in contemporary poetry criticism while using the idea—or ideas, many and contrary—of “Southernness” to appraise poetries created from the profuse, tangled histories of the region. Turner’s close readings are dynamic, even lyrical. He offers a new understanding of rhythm’s central place in contemporary poetry while considering the work of fifteen poets. Through his focus on varied yet interwoven forms of cultural memory, Turner also shows that memory is not, in fact, passé. The way we remember has as much to say about our present as our past: memory is living, shifting, culturally formed and framed. This is a valuable and important book that entwines new visions of poetic forms with forms of regional remembrance and identity.”—Natasha Trethewey, Pulitzer Prize winner and author of Native Guard: Poems Offering new perspectives on a diversity of recent and still-practicing southern poets, from Robert Penn Warren and James Dickey to Betty Adcock, Charles Wright, Yusef Komunyakaa, Natasha Trethewey, and others, this study brilliantly illustrates poetry’s value as a genre well suited to investigating historical conditions and the ways in which they are culturally assimilated and remembered. Daniel Cross Turner sets the stage for his wide-ranging explorations with an introductory discussion of the famous Fugitive poets John Crowe Ransom, Allen Tate, and Donald Davidson and their vision of a “constant southerness” that included an emphasis on community and kinship, remembrance of the Civil War and its glorified pathos of defeat, and a distinctively southern (white) voice. Combining poetic theory with memory studies, he then shows how later poets, with their own unique forms of cultural remembrance, have reimagined and critiqued the idealized view of the South offered by the Fugitives. This more recent work reflects not just trauma and nostalgia but makes equally trenchant uses of the past, including historiophoty (the recording of history through visual images) and countermemory (resistant strains of cultural memory that disrupt official historical accounts). As Turner demonstrates, the range of poetries produced within and about the American South from the 1950s to the present helps us to recalibrate theories of collective remembrance on regional, national, and even transnational levels. With its array of new insights on poets of considerable reputation—six of the writers discussed here have won at least one Pulitzer Prize for poetry—Southern Crossings makes a signal contribution to the study of not only modern poetics and literary theory but also of the U.S. South and its place in the larger world. Daniel Cross Turner is an assistant professor of English at Coastal Carolina University. His articles, which focus on regional definition in national and global contexts and on aesthetic forms’ potential to record historical transitions, appear in edited collections as well as journals including Genre, Mosaic, the Southern Literary Journal, the Southern Quarterly, and the Mississippi Quarterly.
Depictions of the undead in the American South are not limited to our modern versions, such as the vampires in True Blood and the zombies in The Walking Dead. As Undead Souths reveals, physical emanations of southern undeadness are legion, but undeadness also appears in symbolic, psychological, and cultural forms, including the social death endured by enslaved people, the Cult of the Lost Cause that resurrected the fallen heroes of the Confederacy as secular saints, and mourning rites revived by Native Americans forcibly removed from the American Southeast. To capture the manifold forms of southern haunting and horror, Undead Souths explores a variety of media and historical periods, establishes cultural crossings between the South and other regions within and outside of the U.S., and employs diverse theoretical and critical approaches. The result is an engaging and inclusive collection that chronicles the enduring connection between southern culture and the refusal of the dead to stay dead.
“Daniel Cross Turner has made a key contribution to the critical study and appreciation of the diverse field of contemporary Southern poetics. “Southern Crossings” crosses a gulf in contemporary poetry criticism while using the idea—or ideas, many and contrary—of “Southernness” to appraise poetries created from the profuse, tangled histories of the region. Turner’s close readings are dynamic, even lyrical. He offers a new understanding of rhythm’s central place in contemporary poetry while considering the work of fifteen poets. Through his focus on varied yet interwoven forms of cultural memory, Turner also shows that memory is not, in fact, passé. The way we remember has as much to say about our present as our past: memory is living, shifting, culturally formed and framed. This is a valuable and important book that entwines new visions of poetic forms with forms of regional remembrance and identity.”—Natasha Trethewey, Pulitzer Prize winner and author of Native Guard: Poems Offering new perspectives on a diversity of recent and still-practicing southern poets, from Robert Penn Warren and James Dickey to Betty Adcock, Charles Wright, Yusef Komunyakaa, Natasha Trethewey, and others, this study brilliantly illustrates poetry’s value as a genre well suited to investigating historical conditions and the ways in which they are culturally assimilated and remembered. Daniel Cross Turner sets the stage for his wide-ranging explorations with an introductory discussion of the famous Fugitive poets John Crowe Ransom, Allen Tate, and Donald Davidson and their vision of a “constant southerness” that included an emphasis on community and kinship, remembrance of the Civil War and its glorified pathos of defeat, and a distinctively southern (white) voice. Combining poetic theory with memory studies, he then shows how later poets, with their own unique forms of cultural remembrance, have reimagined and critiqued the idealized view of the South offered by the Fugitives. This more recent work reflects not just trauma and nostalgia but makes equally trenchant uses of the past, including historiophoty (the recording of history through visual images) and countermemory (resistant strains of cultural memory that disrupt official historical accounts). As Turner demonstrates, the range of poetries produced within and about the American South from the 1950s to the present helps us to recalibrate theories of collective remembrance on regional, national, and even transnational levels. With its array of new insights on poets of considerable reputation—six of the writers discussed here have won at least one Pulitzer Prize for poetry—Southern Crossings makes a signal contribution to the study of not only modern poetics and literary theory but also of the U.S. South and its place in the larger world. Daniel Cross Turner is an assistant professor of English at Coastal Carolina University. His articles, which focus on regional definition in national and global contexts and on aesthetic forms’ potential to record historical transitions, appear in edited collections as well as journals including Genre, Mosaic, the Southern Literary Journal, the Southern Quarterly, and the Mississippi Quarterly.
A 5-step program for success on the AP U.S. History exam. The unique Cross-Platform format enables you to study the entire program in print, online, or on a mobile device. 5 Steps to a 5: AP U.S. History will guide your preparation program and help you build the skills, knowledge, and test-taking confidence you need to succeed. This fully revised edition covers the latest course syllabus and matches the latest exam. Features include: 6 complete practice AP U.S. History exams All the terms and concepts needed to get a top score 3 separate study plans to fit a test-taker's learning style About the Cross-Platform format: The Cross-Platform format provides a fully comprehensive print, online, and mobile program: Entire instructional content available in print and digital form Personalized study plan and daily goals Powerful analytics to assess test readiness Flashcards, games, and social media for additional support For the time-pressured AP student, this unparalleled digital access means that full study resources are always at hand.
A proven 5-step study guide for today’s digital learners preparing for the AP U.S. History exam The wildly popular test prep guide—updated and enhanced for today’s digital learners—AP U.S. History Cross-Platform Prep Course 2017 provides a proven strategy for achieving high scores on this demanding Advanced Placement exam, as well as access to the whole course in print, online, and on mobile devices. This logical and easy-to-follow instructional guide introduces an effective 5-step study plan to help students build the skills, knowledge, and test-taking confidence they need to reach their full potential. The book helps students master both multiple-choice and free-response questions and offers comprehensive answer explanations and sample responses. Written by an AP U.S. History teacher, this insider’s guide reflects the latest course syllabus and includes 6 full-length practice exams, plus the most up-to-date scoring information. With the Cross-Platform edition of this title, students can personalize an AP U.S. History study plan with daily goals; utilize analytics to track their progress; access flash cards and games for study on the go; and practice answering AP-level questions online or on their smartphones. The 5 Steps to a 5: AP U.S. History 2017 effective 5-step plan breaks down test preparation into stages: 1. Set Up Your Study Program 2. Determine Your Test Readiness 3. Develop Strategies for Success 4. Develop the Knowledge You Need to Score High 5. Build Your Test-Taking Confidence. 6 full-length practice exams · The 5 Steps to a 5 series has prepared millions of students for success
The World Is Charged: Poetic Engagements with Gerard Manley Hopkins is the first book to demonstrate the centrality of Gerard Manley Hopkins as an influence among contemporary poets.
Meet Louis Fellini. Louis lived in a time long ago when cats wore clothes, worked in cities, and went on picnics. But the cats dressed all the same, down to the shoes they wore. Louis Fellini was a different sort of cat. He wanted to be himself. But it isn’t as easy as you might think to be yourself, especially when everyone else looks the same, when everybody else is a . . . copy cat. But Louis Fellini found a way. He was just that kind of cat. He was the cat’s pajamas.
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