When the southern African country of Rhodesia was reborn as Zimbabwe in 1980, democracy advocates celebrated the defeat of a white supremacist regime and the end of colonial rule. Zimbabwean crowds cheered their new prime minister, freedom fighter Robert Mugabe, with little idea of the misery he would bring them. Under his leadership for the next 30 years, Zimbabwe slid from self-sufficiency into poverty and astronomical inflation. The government once praised for its magnanimity and ethnic tolerance was denounced by leaders like South African Nobel Prize-winner Desmond Tutu. Millions of refugees fled the country. How did the heroic Mugabe become a hated autocrat, and why were so many outside of Zimbabwe blind to his bloody misdeeds for so long? In A Predictable Tragedy: Robert Mugabe and the Collapse of Zimbabwe Daniel Compagnon reveals that while the conditions and perceptions of Zimbabwe had changed, its leader had not. From the beginning of his political career, Mugabe was a cold tactician with no regard for human rights. Through eyewitness accounts and unflinching analysis, Compagnon describes how Mugabe and the Zimbabwe African National Union-Patriotic Front (ZANU-PF) built a one-party state under an ideological cloak of antiimperialism. To maintain absolute authority, Mugabe undermined one-time ally Joshua Nkomo, terrorized dissenters, stoked the fires of tribalism, covered up the massacre of thousands in Matabeleland, and siphoned off public money to his minions—all well before the late 1990s, when his attempts at radical land redistribution finally drew negative international attention. A Predictable Tragedy vividly captures the neopatrimonial and authoritarian nature of Mugabe's rule that shattered Zimbabwe's early promises of democracy and offers lessons critical to understanding Africa's predicament and its prospects for the future.
Complète les deux ouvrages publiés dans la même collection, d'Alison Saunders, Stephen Rawles et Alison Adams. L'index des noms et des lieux enrichit la bibliographie des oeuvres secondaires consacrées aux emblèmes français et en facilite l'utilisation.
The Spanish Civil War was idealized as a poet’s war. The thousands of poems written about the conflict are memorable evidence of poetry’s high cultural and political value in those historical conditions. After Franco’s victory and the repression that followed, numerous Republican exiles relied on the symbolic agency of poetry to uphold a sense of national identity. Exilic poems are often read as claim-making narratives that fit national literary history. This Ghostly Poetry critiques this conventional understanding of literary history by arguing that exilic poems invite readers to seek continuity with a traumatic past just as they prevent their narrative articulation. The book uses the figure of the ghost to address temporal challenges to historical continuity brought about by memory, tracing the discordant, disruptive ways in which memory is interwoven with history in poems written in exile. Taking a novel approach to cultural memory, This Ghostly Poetry engages with literature, history, and politics while exploring issues of voice, time, representation, and disciplinarity.
In his collective portrait of the common people, Roche offers a rich and fascinating description of their lives—their housing, food, dress, financial dealings, literature, domestic life, and leisure time. Roche’s highly readable style and use of contemporary quotations enliven the reader’s view of eighteenth-century Paris and Parisians.
A long-lost French novel in which three soldiers return home from an unpopular, unspeakable war When On Leave was published in Paris in 1957, as France's engagement in Algeria became ever more bloody, it told people things they did not want to hear. It vividly described what it was like for soldiers to return home from an unpopular war in a faraway place. The book received a handful of reviews, it was never reprinted, it disappeared from view. With no outcome to the war in sight, its power to disturb was too much to bear. Through David Bellos's translation, this lost classic has been rediscovered. Spare, forceful, and moving, it describes a week in the lives of a sergeant, a corporal, and an infantryman, each home on leave in Paris. What these soldiers have to say can't be heard, can't even be spoken; they find themselves strangers in their own city, unmoored from their lives. Full of sympathy and feeling, informed by the many hours Daniel Anselme spent talking to conscripts in Paris, On Leave is a timeless evocation of what the history books can never record: the shame and the terror felt by men returning home from war.
This book offers a cross-national analysis of contemporary issues and challenges for the governing of urban regions. The case studies on Germany, Spain, France, Greece, The Netherlands, Finland, the UK, Switzerland, Australia, the US and Canada, place particular emphasis on the tensions building on metropolitan governing capacity and democratic legitimacy. The authors develop and use an analytical framework focused on the dynamics of place and make an original contribution to the debates on the nature of metropolitan governance.
Daniel Cottom traces the vagabond word "bohemia" as it migrated across national borders over the course of the nineteenth century—from France to the United States, England, Italy, Spain, and Germany—and how it was transformed, contested, or rejected along the way.
This book was first presented as the Anthony Hecht Lectures in the Humanities given by Daniel Albright at Bard College in 2012. The lectures have been revised for publication.
A new and holistic interpretation of one of the non-fiction sensations of the nineteenth century, Ernest Renan's Life of Jesus, this volume demonstrates how Renan's controversial work intervened in a remarkable range of debates in nineteenth-century French cultural life: not merely religious, but also social, intellectual, and cultural.
Information Systems Management is intended to sensitize the heads of organizations to the issues raised by information systems (IS). Through its pedagogical presentation, this book ensures that issues related to IS are not left solely to the experts in the field. This book combines and analyzes three key concepts in IS science: governance, urbanization and alignment. While governance implies the implementation of a certain number of means, bodies and procedures to manage IS more effectively, urbanization involves visualization methods to enable the manager to take into account the different levels of the organization of an IS and their coherence. Finally, alignment assesses the ability of the IS to make a significant contribution to the organization's strategy.
This response to the current crisis in the field of literary studies describes the fundamental flaws of poststructuralist literary criticism, which has become a self-serving enterprise at the expense of scholarship at large and students in particular. Outlining an improved approach that meets the expectations of 21st-century students and teachers, the author proposes a new definition of the literary object of study which addresses the inconsistencies of the literary canon by including nontraditional narratives such as films, comic books and pop songs.
« Mémoires du comte Belliard, lieutenant-général, pair de France écrits par lui-même, recueillis et mis en ordre par M. Vinet, l'un de ses aides-de-camp. Paris, Berguet et Petion, 1842, 3 vol. in-8°. Publication décousue où des lettres de Murat à Belliard en 1812 suivent le récit de la bataille de Valmy. Les affaires d'Espagne, une conversation avec l'Empereur à Dresde, des lettres de Napoléon à Murat du 25 août au 13 octobre 1813, un récit de la capitulation de Paris, une lettre du capitaine Magnien sur la défection de Souham, l'entrevue à Fontainebleau en 1814 avec un illuminé qui veut annoncer à l’Empereur qu’il régnera encore mais que des malheures plus grand suivront, etc. en forment l’essential. » p 15/16 - Professeur Jean Tulard, Bibliographie Critique Des Mémoires Sur Le Consulat Et L'Empire, Droz, Genève, 1971 TOME I seul.
This book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement.
2020 James Beard Award Winner The major new cookbook by the pioneer from Bread Alone, who revolutionized American artisan bread baking, with 60 recipes inspired by bakers around the world. At twenty-two, Daniel Leader stumbled across the intoxicating perfume of bread baking in the back room of a Parisian boulangerie, and he has loved and devoted himself to making quality bread ever since. He went on to create Bread Alone, the now-iconic bakery that has become one of the most beloved artisan bread companies in the country. Today, professional bakers and bread enthusiasts from all over the world flock to Bread Alone's headquarters in the Catskills to learn Dan's signature techniques and baking philosophy. But though Leader is a towering figure in bread baking, he still considers himself a student of the craft, and his curiosity is boundless. In this groundbreaking book, he offers a comprehensive picture of bread baking today for the enthusiastic home baker. With inspiration from a community of millers, farmers, bakers, and scientists, Living Bread provides a fascinating look into the way artisan bread baking has evolved and continues to change--from wheat farming practices and advances in milling, to sourdough starters and the mechanics of mixing dough. Influenced by art and science in equal measure, Leader presents exciting twists on classics such as Curry Tomato Ciabatta, Vegan Brioche, and Chocolate Sourdough Babka, as well as traditional recipes. Sprinkled with anecdotes and evocative photos from Leader's own travels and encounters with artisans who have influenced him, Living Bread is a love letter, and a cutting-edge guide, to the practice of making "good bread.
Beckett and Aesthetics, first published in 2003, examines Samuel Beckett's struggle with the recalcitrance of artistic media, their refusal to yield to his artistic purposes. As a young man Beckett hoped that writing could provide psychic authenticity and true representation of the physical world; instead he found himself immersed in artificialities and self-enclosed word games. Daniel Albright argues that Beckett escaped from this bind through allegories of artistic frustration and through an art of non-representation, estrangement and general failure. He arrived, Albright shows, at some grasp of fact through the most indirect route available. Albright explores Beckett's experimentation with the notion that an artistic medium might itself be made to speak. This powerful and highly original book explores Beckett's own engagement with radio, film, and television, prose and drama as part of an attempt to escape the confines of the aesthetic. Albright's Beckett becomes a sophisticated theorist of the very notion of the aesthetic.
Writing the Holocaust provides students and teachers with an accessibly written overview of the key themes and major theoretical developments which continue to inform the nature of historical writing on the Holocaust. Holocaust studies is at a paradox: while historians of the Holocaust defend it as a legitimate and well-defined area of research, they write against a complex political and ideological background that undermines any claim for it as a normative field of historical study. Writing the Holocaust offers a lucid enquiry into this complex field by demonstrating the impact of current theories from the humanities and social sciences upon the treatment of Holocaust studies.
Much of the world today is convulsed in an epic struggle between the Christian West and Islam. Scholars seeking to understand the issues look back in history to unearth the roots of this conflict. Of great value in this effort are the writings of an eyewitness, a devoted Christian who served as chief financial officer of the Umayyad Empire and wrote at the time Islam was developing. John of Damascus (675-750) authored two major works, the Heresy of the Ishmaelites and the Disputation between a Christian and a Saracen, to provide an apologetic response to Islam from a Christian perspective. His writings shed light on many questions that are pertinent today: When was the Qur'an actually written? What was the role of the powerful caliph Abd al-Malik in the making of Muhammad? How did the theological issues related to the deity of Christ and the Trinity develop in the early days of Islam? This book delves into the life of John and studies his apologetic writings in detail, utilizing the first English translation from the critical text. It seeks to address these questions thoughtfully, provide valuable insights from the past, and then equip today's church as it engages with Islam.
Annexed by France in 1481, Provence still retains its own distinct culture, traditions, and language. While many primarily French authors, like Emile Zola, have dabbled in Provencal literature, this book is dedicated to those whose lives and writing careers have been devoted to this temperate and beautiful land. Included are analyses of the important literary contributions of groups or schools, like the Troubadours and the Felibres; poets like Frederic Mistral and Henri Bosco; playwrights such as Marcel Pagnol; novelists like Alphonse Daudet; and more recent writers such as Marie Mauron and Jean-Claude Izzo. Photographs of many of the authors illustrate the text, which includes English translations of extracts, so that even readers unfamiliar with the language of Provence can enjoy its literature. This introduction is ideal both for those who have enjoyed the work of the featured authors before and for those who are yet to be exposed to the charms of Provencal.
The essays collected in this volume were initially presented at the Third International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, May 16-18, 2009. The conference was organised on the basis of the success of its predecessors in 2005 and 2007, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen twenty-one volumes in print, with another twelve in press or in the process of being written. The 2009 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. Fifty-six delegates from twenty-one countries across the world attended the May 2009 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.
English is the 'second language' of A la recherche du temps perdu. Although much has been written about Proust's debt to English literature, especially Ruskin, Daniel Karlin is the first critic to focus on his knowledge of the language itself - on vocabulary, idiom, and etymology. He uncovers an 'English world' in Proust's work, a world whose social comedy and artistic values reveal surprising connections to some of the novel's central preoccupations with sexuality and art. Anglomanie- the fashion for all things English - has been as powerful a presence in French culture as hostility to perfide Albion; Proust was both subject to its influence, and a brilliant critic of its excesses. French resistance to imported English words remains fierce to this day; but Proust's attitude to this most contentious aspect of Anglo-French relations was marked by his rejection of concepts of national and racial 'purity', and his profound understanding of the necessary 'impurity' of artistic creation.
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