This extraordinary book, written during the four months that Daniel Berrigan was resisting arrest and living underground, is an unexpected gift. Rather than being merely an account of a fugitive's life, this is a spiritual work of the highest order, the work of an unusual man brooding over injustice, war, and love and setting forth his vision of what a man can become. His starting point is St. John of the Cross, from whom the author draws the inspiration that informs his unorthodox commentary on The Dark Night of the Soul. Here, John is the guru, the master to whom the disciple comes for enlightenment, the one whose vision inspires the disciple as he searches for his own vision. As the commentary moves on, it becomes the instrument by which Father Berrigan extends his own moral commitment to explore and reaffirm his spiritual philosophy, his concern for the world, his intense desire to awaken and move society in a nonviolent way. The result is a magnificent outpouring of prose and poetry--intense, personal, witty; the exposition of the heart of a man.
From the Foreword: "Daniel Berrigan is not an academic Scripture scholar searching for an (always elusive) 'original meaning' of the text. His concern is for the significance of the text to us--in the here and now...[He] has long been known to be a prophet, someone who courageously speaks God's will for our warring world...For Daniel Berrigan, Genesis speaks to our time and our world..." For seven years, Daniel Berrigan pondered the themes, meanings, contradictions, and implications of the Bible's most well-known and well-cherished "Book of Beginnings." In light of the escalating violence, military occupations, and global acts of terrorism that have characterized the beginning of our twenty-first century, Genesis: Fair Beginnings, then Foul yields both sorrowful and hopeful reflections as Berrigan walks his readers through the Scripture, searching for stories of ancestry and origins that can "shed a measure of light on dark days." Bringing together lively midrash, biblical exegesis, and stirring social and political critique, Daniel Berrigan marries the keen eye of a biblical scholar with the heart and words of a poet revealing for today's generations the book of Genesis, in all of its aspects, fair and foul.
Committed radical that he is, Daniel Berrigan, launches his personal rockets against the social evils that disturb and preoccupy him. Beginning with a long autobiographical piece he traces the influences that brought him first to a radical stance and then to a direct confrontation with society. From this very intimate statement he develops his theme of a need for nonviolent revolutionary change in his reflections on his own trial and sentencing, in his thoughtful examination of the true implications of Christianity, and in his consideration of prophets as revolutionaries. In a long dialog with an SDS student about the 1969 Black/White confrontation at Cornell University, he relates the questions raised by that crisis to the larger crises of American life. Finally, he directs two stinging parables at the well-fed and the complacent. Probing and provocative, this work illuminates starkly the agonizing decisions people must make.
Daniel: Under the Siege of the Divine is a powerful, poetic commentary on one of the Bible's most politically charged books by one of America's greatest peacemaking prophets, Daniel Berrigan. Using the insights he has gained from a lifetime of nonviolent resistance to war and empire, Berrigan walks us through these ancient biblical stories of nonviolent resistance to war and empire, pointing out how we can learn from Daniel and his friends to keep the faith, stay hopeful, and resist every war, injustice, and empire today. It is not only one of Berrigan's best books, but one of the best commentaries on the book of Daniel. Through the scripture and the author's life, we discover the power and duty of civil disobedience to the culture of war and divine obedience to the God of peace.
This new edition of Daniel Berrigan's classic autobiography To Dwell in Peace, with a new afterword by the author, takes us through his childhood in Syracuse; his early years as a Jesuit, teacher, priest, and poet; his bold 1968 Catonsville Nine action, when he poured homemade napalm on draft files in opposition to the U.S. war on Vietnam; and his ongoing civil disobedience, which led to his going underground and subsequent two-year imprisonment. We read of friends like Thomas Merton, Dorothy Day, William Stringfellow, and his brother Philip Berrigan, with whom he participated again in the 1980 Plowshares Eight disarmament action. Daniel Berrigan's breathtaking story and the poetic way he tells it inspire and challenge us to resist war, pursue nuclear disarmament, and undertake a similar journey to peace, hope, and justice.
The Monk - The Artist - The Aunt - The Essayist - The Woman - The Jesuit - The Mother - Self-Portrait Berrigan's Portraits is his first completely biographical work, and it is perhaps his most intimate book. Here he speaks candidly of some of the people he has known and admired, people of fame and people who will probably never be memorialized or even remembered outside these pages. Here are Thomas Merton, Dorothy Day, Peter Maurin--guides to the vision that has inspired Berrigan's own witness to Christian peace. Here is an unknown woman painter, dying of cancer but gifted with uncanny powers of insight. Here are members of Berrigan's own family: a tough-minded aunt, who found in the currently outmoded pieties of the past a remedy for the terrible day-in-and-day-out of the religious life; his own mother, providential, foreseeing, compassionate. Lastly there is a self-portrait--not in a convex mirror, not a picture at an exhibition--of what has been the meaning of these various people and of their influence on him and his work.
The prophets exhort us to defend the poor; but we lionize the rich. They assure us that chariots and missiles cannot save us; yet we seek refuge under their cold shadow. They urge us to forgo idolatry; but we compulsively fetishize the work of our hands. Above all, the prophetic Word warns us that the way to liberation in a world locked down by the spiral of violence, the way to redemption in a world of enslaving addictions, the way to genuine transformation in a world of deadened conscience and numbing conformity, is the way of nonviolent, sacrificial, creative love. But neither polite religion nor society is remotely interested in this--which is why Jesus had to translate and midwife the prophetic insights for his companions in their historical moment. Dan has done the same for us in ours. As this reading of Exodus attests, he has a keen eye for both text and context, and exegetes both with his life. Thus does he help us shed our denial, connect the dots, and move from our pews to the streets. --from the foreword by Ched Myers
Berrigan draws clear parallels between Deuteronomy's time of mingled triumph and broken law and the present moment in history, uncovering the stories within the story of this complex biblical book.
Sorrow Built a Bridge: Friendship and AIDS chronicles Daniel Berrigan's work with people with AIDS during the 1980s at St. Vincent's Hospital in New York City. For decades Berrigan protested war and nuclear weapons. Then in the early 1980s he also began to minister to those dying of cancer. When AIDS exploded in New York, he offered to accompany the dying at St. Vincent's, one of the first and best care facilities in the nation for people with AIDS. This account tells of the suffering of those with AIDS, an epidemic which now afflicts millions around the globe. It also shows a compassionate Christian response to such suffering. In the process, Berrigan once again teaches us how to make peace. "I list myself among the many admirers of Father Daniel Berrigan. His writings are always poetic and inspirational, his message ever timely and beneficial. Sorrow Built a Bridge is no exception. Father Dan has put a human face on AIDS, the malady which has reached epidemic proportions. He recounts here his own personal journey and ministry with fourteen specific persons for whom 'death was given a royal welcome.' He does not dwell on the causes of AIDS nor does he pass judgment on its victims doomed to 'atrocious suffering.' Father Dan gives meaning to his own experience by choosing and reflecting on selected scripture passages. He also connects his encounters with the deaths of those who were once 'young and vigorous' with his own peacemaking. In both cases, 'dreams turn into nightmares,' 'old hatreds don new fatigues' and 'immunity systems break down both in a person and in a nation.' This book is a special gift to those committed to compassionate care for persons with AIDS." Bishop Walter F. Sullivan (from the Foreword)
The trouble with our state," Daniel Berrigan writes in his great poem, "was not civil disobedience, which in any case was hesitant and rare. . . . The trouble with our state--our state of soul, our state of siege, was civil obedience." This poem, like the many others gathered here together by Daniel Berrigan's friend and editor, Rev. John Dear, continues his famous critique of the American war machine and summons readers to carry on his campaign of nonviolence for the abolition of war, violence, and nuclear weapons. "In this collection, I've brought together some of his most well-known political poems, poems from prison, poems from resistance, and a few never before published," John Dear writes in his foreword. "I hope they will inspire us to take up where Daniel Berrigan left off--following the nonviolent Jesus by resisting the culture of war, racism, nuclear weapons and environmental destruction and pursuing a new culture of justice, disarmament and environmental sustainability." May we heed his call and carry on the gospel journey of civil disobedience, creative nonviolence, and divine obedience to "seed hope," "flower peace," and trace "a liberated zone of paradise." "In looking over the selections, I'm thinking of poetry and nonviolence," Bill Wylie-Kellermann writes in his introduction. "There is certainly the matter of bringing more poetics to action, for which Berrigan enjoys virtually a charism. This is not just in the recounting, plucking an action from the street and telling it in verse (there are any number of such here), but for casting actions in symbol, metaphor, liturgy, even sacrament. Enact the poem; embody it." He continues, "Poetry also has a freedom about it, akin to what Gandhi called non-attachment to results. Like prayer, or sacrament for that matter, one offers a poem into the world, setting it loose and letting it go. It is. A germinating seed. In that sense, this book is a seed packet of nonviolent resistance. The sower has cast it. Upon Earth. Upon us all.
In The Discipline of the Mountain Daniel Berrigan offers ways of imagining our plight through the poetic vision of Dante's Purgatorio. There can be found a faithful vision, an alternative, a truthful image of God, of ourselves, of history. Berrigan employs free, poetic adaptation of the original--its themes, moods, discourses, encounters--with a prose commentary relating the text to political-moral issues of the present day. With its themes of lust and hatred, religious strife and ecclesiastical corruption, military power and oppression, the Purgatorio is an apt allegory of modern society. Thirteenth-century kings and princes shade into twentieth-century colonels and shahs and juntas. The Discipline of the Mountain is evocatively illustrated by Robert F. McGovern.
Berrigan uses the story of Job to ignite our religious imagination and show us the way to effective protest and true faith. Continuing his series of livel reflections on Scripture, he inspires us to action and assures us of God's fidelity.
I have a sense that the times themselves, apart from more or less deliberately created crises, render strong things fragile, and fragile things mortally endangered. The times themselves are a permanent crisis. So writes Daniel Berrigan in this journal of reflections and musings from the late 1970s. First published in 1981, this book traces Berrigan's work after his release from Danbury Prison in 1972 for his part in the Catonsville Nine antiwar demonstration--from his experiences in Palestine, Northern Ireland, and France (where he lived with Thich Nhat Hanh), to his experiences as a teacher in Manitoba and Berkeley. Throughout, Berrigan ponders the commands of Christ, the struggle to be faithful to these commands, and why so few take them seriously. With wit and wisdom, Berrigan shares his faith journey and encourages us to stay faithful to that journey, to be peacemakers for the long haul.
One of Daniel Berrigan's best works, Minor Prophets, Major Themes, offers poetic, insightful commentary on the books of Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, and Malachai. From his own experience in the prophetic struggle to end war and injustice, Berrigan brings these ancient texts to new life and uses them to shed light on the life and death struggles for justice and peace today. The author takes these often neglected prophetic works and shows how they speak to us with even greater urgency, pushing us to become a prophetic people, to take up the major themes of justice, disarmament, nonviolence, compassion, and peace. There is simply no other commentary like it.
On May 17, 1968, at the height of the Vietnam War, nine men and women entered a Selective Service office outside Baltimore. They removed military draft records, took them outside, and set them afire with napalm. The Catholic activists involved in this protest against the war included Daniel and Philip Berrigan; all were found guilty of destroying government property and sentenced to three years in jail. Dan Berrigan fled but later turned himself in. The Trial of the Catonsville Nine became a powerful expression of the conflicts between conscience and conduct, power and justice, law and morality. Drawing on court transcripts, Berrigan wrote a dramatic account of the trial and the issues it so vividly embodied. The result is a landmark work of art that has been performed frequently over the past thirty-five years, both as a piece of theater and a motion picture.
Perhaps no Hebrew prophet speaks so directly to our time as Jeremiah. Perhaps no one can unveil his message and warning as can Daniel Berrigan, whose eloquence and courage, like Jeremiah's, expose the corruption of religious commitments, address national trauma and uncertainty, and proclaim the requirements of true lament and resolve. Daniel Berrigan's fiery, spiritual reading of the prophet Jeremiah evokes social action, religious courage, and personal witness.
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