Star Trek and History: Race-ing toward a White Future is the premier book not only on race in Star Trek, but also the first to address whiteness in contemporary American film and television.
Islamic extremism is the dominant security concern of many contemporary governments, spanning the industrialized West to the developing world. Narrative Landmines explores how rumors fit into and extend narrative systems and ideologies, particularly in the context of terrorism, counter-terrorism, and extremist insurgencies. Its concern is to foster a more sophisticated understanding of how oral and digital cultures work alongside economic, diplomatic, and cultural factors that influence the struggles between states and non-state actors in the proverbial battle of hearts and minds. Beyond face-to-face communication, the authors also address the role of new and social media in the creation and spread of rumors. As narrative forms, rumors are suitable to a wide range of political expression, from citizens, insurgents, and governments alike, and in places as distinct as Singapore, Iraq, and Indonesia—the case studies presented for analysis. The authors make a compelling argument for understanding rumors in these contexts as “narrative IEDs,” low-cost, low-tech weapons that can successfully counter such elaborate and expansive government initiatives as outreach campaigns or strategic communication efforts. While not exactly the same as the advanced technological systems or Improvised Explosive Devices to which they are metaphorically related, narrative IEDs nevertheless operate as weapons that can aid the extremist cause.
Off the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close analysis of scripts in the context of the screenwriting paraindustry—from “how to write a winning script” books to screenwriting software—to explore the state of screenwriting today. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. Designed for students, producers, and writers who want to understand what studios want and why they want it, this book also examines how scripting is developing in the convergent media, beneath and beyond the Hollywood tentpole. By addressing specific genres across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.
Having received such lavish praise for the first volume of his definitive taxonomic handbook, Daniel Otte now turns his attention to the bandwing grasshoppers. As before, the book includes: - Highly detailed, full-color drawings of all species, including more than one color phase when appropriate; - Illustrated keys and lists of principal recognition features; - Information on distributional limits, habitat preferences, ecology, behavior, and life cycle; - Excellent point-distribution maps; - Pertinent references, taxonomic index, history of name changes, and an explanation of the characters used to derive phylogenies. Like its predecessor, this volume will be useful to scientists in agriculture, environmental assessment, biogeography, grassland ecology, and insect taxonomy. It will also appeal to amateur naturalists.
The core of this book is the life story of a manuscript codex, British Library Royal MS 13 E IV: the Latin Chronicle (from the Creation to 1300) of Guillaume de Nangis, copied in the abbey library of St-Denis-en-France. The authors shed new light on the production process, identifying the illuminator of the Royal MS and naming the scribe. Detailed evidence links the codex to important events in history, such as the Council of Constance, and famous actors like Jean de France, duc de Berry, Sigismund of Luxembourg, Thomas Howard, duke of Norfolk, and Henry VIII, to name a few. The authors show how it traveled from one capital to the other, narrating the entire life and interesting times of this codex. Another dimension of this study accounts for all twenty-two copies of the Chronicle, now scattered in nine cities from London to Vienna, placing each one in a scrupulously drawn stemma codicum and sketching its history.
A history of Harvard Law School in the twentieth century, focusing on the school’s precipitous decline prior to 1945 and its dramatic postwar resurgence amid national crises and internal discord. By the late nineteenth century, Harvard Law School had transformed legal education and become the preeminent professional school in the nation. But in the early 1900s, HLS came to the brink of financial failure and lagged its peers in scholarly innovation. It also honed an aggressive intellectual culture famously described by Learned Hand: “In the universe of truth, they lived by the sword. They asked no quarter of absolutes, and they gave none.” After World War II, however, HLS roared back. In this magisterial study, Bruce Kimball and Daniel Coquillette chronicle the school’s near collapse and dramatic resurgence across the twentieth century. The school’s struggles resulted in part from a debilitating cycle of tuition dependence, which deepened through the 1940s, as well as the suicides of two deans and the dalliance of another with the Nazi regime. HLS stubbornly resisted the admission of women, Jews, and African Americans, and fell behind the trend toward legal realism. But in the postwar years, under Dean Erwin Griswold, the school’s resurgence began, and Harvard Law would produce such major political and legal figures as Chief Justice John Roberts, Justice Elena Kagan, and President Barack Obama. Even so, the school faced severe crises arising from the civil rights movement, the Vietnam War, Critical Legal Studies, and its failure to enroll and retain people of color and women, including Justice Ruth Bader Ginsburg. Based on hitherto unavailable sources—including oral histories, personal letters, diaries, and financial records—The Intellectual Sword paints a compelling portrait of the law school widely considered the most influential in the world.
This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.
The popes of Avignon, beginning with the election of John XXII in 1316 & ending with the deposition of Benedict XIII in 1415, laid claim to the movable property of some 1,200 ecclesiastical persons, exercising a power that has subsequently been named "jus spolii," the "right of spoil." This term to designate the right of the pope to collect the goods of deceased clerics for his own use seems to appear for the first time at the end of the 15th cent. Chapters: Intro. Definitions; The Law of Succession to Clerics' Property; The Pope as Protector of Clerical Property & the Testamentary License; "Jus spolii" & "plenitudo potestatis"; The Admin. & Documen'n. of Spoils; The Extent & Incidence of the Right of Spoil; & Repertory of Cases of the Papal Right of Spoil.
While books on the medical applications of x-ray imaging exist, there is not one currently available that focuses on industrial applications. Full of color images that show clear spectrometry and rich with applications, X-Ray Imaging fills the need for a comprehensive work on modern industrial x-ray imaging. It reviews the fundamental science of x-ray imaging and addresses equipment and system configuration. Useful to a broad range of radiation imaging practitioners, the book looks at the rapid development and deployment of digital x-ray imaging system.
The most complete reference work on mosquitoes ever produced, Mosquitoes of the World is an unmatched resource for entomologists, public health professionals, epidemiologists, and reference libraries.
Metabolic inhibitors and receptor antagonists are indispensable tools for the molecular life scientist. By blocking specific enzymes or receptor-mediated signal transduction cascades, they simplify the analysis of complex cellular processes especially when it is essential to demonstrate that a process of interest is functionally linked to a particular enzyme or receptor. From antibiotics to statins, modern medicine relies on the reliability and ease-of-use of enzyme- and receptor-directed inhibitors and antagonists.The Inhibitor Index is a comprehensive, curated compendium of over 7,800 enzyme inhibitors and receptor antagonists, including many toxins, poisons, and metabolic uncouplers.
Woolf details here the ways in which English men and women first became seriously aware of and interested in their own and the world's past. Previous works have focused exclusively on the writings of a small minority of historians, yet, through using a variety of manuscript and printed sources, this study examines the wider 'historical culture' within which historical and antiquarian studies could emerge.
Recognizing the Gift puts twentieth-century Catholic theological conversations on nature and grace, particularly those of Henri de Lubac and Karl Rahner, into dialogue with Continental philosophy, notably the thought of Jean-Luc Marion and Paul Ricoeur. It argues that a renewed theology of nature and grace must build on the accomplishments of the recent past while acknowledging that an engagement with the political is unavoidable for theology. Ultimately, the aim is to revive and broaden discussion of nature and grace by drawing together the insights of contemporary theologians and Continental philosophers. Too often these areas of inquiry remain quite separate, in part due to differing priorities. This work tries to open that conversation, in part by critically pointing out, in dialogue with Ricoeur, the need in Marion’s work for an acknowledgment of recognition, reciprocity, and the political. It thus argues for a theology of nature and grace in terms of recognition of the gift, drawing out the reciprocal and political nature of gift and givenness in opposition to those, including Marion, who would seek to avoid politics and reciprocity as a proper avenue of inquiry for theology.
Off the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close analysis of scripts in the context of the screenwriting paraindustry—from “how to write a winning script” books to screenwriting software—to explore the state of screenwriting today. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. Designed for students, producers, and writers who want to understand what studios want and why they want it, this book also examines how scripting is developing in the convergent media, beneath and beyond the Hollywood tentpole. By addressing specific genres across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.
This book seeks to bring together the pragmatic theory of 'meaning as use' with the traditional semantic approach that considers meaning in terms of truth conditions. Daniel Gutzmann's new approach captures the entire meaning of complex expressions and overcomes the empirical gaps and conceptual problems associated with previous analyses.
This accessible primer has been completely revised and updated to provide a concise but comprehensive introduction to the basic concepts of population genetics and genomics.
From Daniel Freedman (Undying Love) and CROM (Golden Campaign), comes an original graphic novel about family, freedom, and killing monsters for loot. Marken and Maron, inseparable brothers, are dungeon raiders in a land ruled by corrupt royals and filled with fantastic dangers around every turn. But just as Marken decides that it's time to give up the raiding life, both brothers find themselves at the wrong end of the powers that be and stumble upon a secret that may unravel the entire political system.
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