Not all mysteries have to be about a crime. In Finding Richman the search is for someone who is giving away lots of money to needy everyday folks. The interaction between searchers ranges from dictatorial to romantic. The rich man knows he is being pursued, but still continues to give funds taken from a surprising source. The reason for his giving is inspiring, as is his testimony. Throughout the search, God makes his presence known. As the searchers get closer to their prey, God gets closer to impacting their lives as well.
One of the founding fathers of bioethics describes the development of the field and his thinking on some of the crucial issues of our time. Daniel Callahan helped invent the field of bioethics more than forty years ago when he decided to use his training in philosophy to grapple with ethical problems in biology and medicine. Disenchanted with academic philosophy because of its analytical bent and distance from the concerns of real life, Callahan found the ethical issues raised by the rapid medical advances of the 1960s—which included the birth control pill, heart transplants, and new capacities to keep very sick people alive—to be philosophical questions with immediate real-world relevance. In this memoir, Callahan describes his part in the founding of bioethics and traces his thinking on critical issues including embryonic stem cell research, market-driven health care, and medical rationing. He identifies the major challenges facing bioethics today and ruminates on its future. Callahan writes about founding the Hastings Center—the first bioethics research institution—with the author and psychiatrist Willard Gaylin in 1969, and recounts the challenges of running a think tank while keeping up a prolific flow of influential books and articles. Editor of the famous liberal Catholic magazine Commonweal in the 1960s, Callahan describes his now-secular approach to issues of illness and mortality. He questions the idea of endless medical “progress” and interventionist end-of-life care that seems to blur the boundary between living and dying. It is the role of bioethics, he argues, to be a loyal dissenter in the onward march of medical progress. The most important challenge for bioethics now is to help rethink the very goals of medicine.
In considering the greatest of these films over time, Mr. Kimmel explains why When Harry Met Sally (1989) was called the greatest movie Woody Allen never made. Or how off-screen relationships helped My Man Godfrey (William Powell and Carole Lombard were divorced but remained friends) but interfered with Sabrina (where Audrey Hepburn was carrying on an off-screen affair with co-star William Holden, though her character was supposed to be falling in love with her other co-star, Humphrey Bogart). From Trouble in Paradise (1932) to There's Something About Mary (1998), Bridget Jones's Diary (2001), and Love, Actually (2003), Mr. Kimmel uncovers the idealized and often uproarious images of true love that have grown to become part of our understanding of romance. In I'll Have What She's Having he helps us meet the actors, screenwriters, directors, and producers who accomplished this trick and shows us how they pooled their talents and did it.
This book is an exploration of the political struggle for visibility engendered by the growing number of women-centered popular films and a critical analysis of the intensifying misogynistic backlash that have accompanied such advances in the depiction of women on screen. The book draws from a variety of theoretical and methodological tools to provide critical cultural analysis and alternative readings of women-strong films and their important role in society. The authors engage with popular culture and the popular press, media studies, and rhetorical criticism examining new modes of communication while providing historical context to help make sense of these oppositional readings. The book includes case studies on Mad Max: Fury Road, Wonder Woman, Atomic Blonde, Star Wars, and Ghostbusters to analyze critical responses, men’s-rights activist boycotting campaigns, online harassment, and the political economy that precede and accompany the creation and presentation of these films. This is an accessible and timely analysis of the rise of feminist-friendly and women-led films and the inevitable counterculture of misogyny. It is suitable for students and researchers in Media and Communication Studies, Gender and Media, and Cultural Studies.
Fair Progress? Economic Mobility across Generations around the World focuses on an issue that has gotten much attention in the developed world, but will present new data and analysis covering most of the world including developing economies. The analysis considers whether those born in poverty or in prosperity are destined to remain in the same economic circumstances into which they were born, and looks back over a half a century at whether children's lives are better or worse than their parents' in different parts of the world. It suggests local, national, and global actions and policies that can help break the cycle of poverty, paving the way for the next generation to realize their potential and improve their lives.
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