Second Chances celebrates the strength and love of friendships. There is laughter, sorrow, the power of friends, and faith that all will be right. How it is possible to live again, get a second chance, when you thought none was left. You truly can get by with some help from your friends.
In The Colonization of Land in Matthew's Gospel, Maziel Barreto Dani proposes that land is constructed as a colonized and subjugated entitl. Traditional scholarship claims that the Gospel of Matthew is detached from spatial-territorial discussions and that geographical land concerns are displaced with Christology. Dani, however, reinterprets multiple implicit and explicit references to land in the Gospel to show continuity, rather than discontinuity, with the Hebrew Bible’s concerns with material land promises. She does so by engaging the Gospel within its broader Roman, Hellenistic, and Jewish contexts where the theme of land possession is pervasive. Central to the Gospel and the imperial contexts from which it emerges are contestations over the land and proclamations to whom the land belongs. Dani argues that while Judea and neighboring lands are under the firm control of Roman imperial power during the first century CE, Matthew’s Gospel envisions Rome’s demise and the control of land being transferred to an alternative empire governed by the sovereign rule of God. Though God liberates the land from Rome’s oppressive grasp and restores land promises to the righteous poor at Jesus’ return, the land fails to escape colonial control. That is, the world, while relinquished from Roman hegemony, is reasserted under God’s power and domination. In arguing that Matthew’s Gospel employs an imperializing agenda involving land reclamation, the Gospel may be a source for validating and justifying the modern colonization of foreign and occupied land under the guise of God’s purposes. The Colonization of Land in Matthew's Gospel challenges colonial ideologies which oppress not only peoples but the lands which they inhabit.
A warm, wise, and urgent guide to parenting in uncertain times, from a longtime reporter on race, reproductive health, and politics In We Live for the We, first-time mother Dani McClain sets out to understand how to raise her daughter in what she, as a black woman, knows to be an unjust -- even hostile -- society. Black women are more likely to die during pregnancy or birth than any other race; black mothers must stand before television cameras telling the world that their slain children were human beings. What, then, is the best way to keep fear at bay and raise a child so she lives with dignity and joy? McClain spoke with mothers on the frontlines of movements for social, political, and cultural change who are grappling with the same questions. Following a child's development from infancy to the teenage years, We Live for the We touches on everything from the importance of creativity to building a mutually supportive community to navigating one's relationship with power and authority. It is an essential handbook to help us imagine the society we build for the next generation.
French Feminist Theory offers an introduction to the key concepts and themes in French feminist thought, both the materialist and the linguistic/psychoanalytic traditions. These are explored through the work of a wide range of theorists: Simone de Beauvoir, Chantal Chawaf, Helene Cixous, Catherine Clement, Christine Delphy, Marguerite Duras, Colette Guillaumin, Madeleine Gagnon, Luce Irigaray, Julia Kristeva, Nicole-Claude Mathieu, Michele Montreley, Monique Plaza, Paola Tabet and Monique Wittig. The book outlines the philosophical and political diversity of French feminism, setting developments in the field in the particular cultural and social contexts in which they have emerged and unfolded.
Ultrasonic Periodontal Debridement A practical and comprehensive reference to all aspects of ultrasonic debridement in periodontal therapy, now fully updated and revised Ultrasonic Periodontal Debridement, Second Edition presents both theory and practice of ultrasonic debridement, including all the information needed to understand this clinical process and apply the knowledge to clinical practice. The Second Edition includes three entirely new chapters and expanded sections in all existing chapters, as well as updating the content and references throughout. The revision greatly expands the number of illustrations and incorporates the most recent advances in periodontal debridement therapy. The book begins with an introduction to the history and principles of ultrasonic technology and technique, then discusses practical guidance for using safe, effective, and efficient ultrasonic periodontal debridement in clinical practice. It is vividly illustrated, with hundreds of images, and emphasizes detailed, step-by-step descriptions. Ultrasonic Periodontal Debridement: Provides a common-sense, easy-to-read approach to topics ranging from pathophysiology to??clinical tips and tricks Features updates to reflect changes to practice and theory, with new chapters discussing??ultrasonic instrumentation for implant maintenance, aerosol transmission, and??aerosol management Presents hundreds of images to accompany the step-by-step descriptions, including images of left- and right-handed clinician-patient positioning specific to the use of ultrasonic instruments Supports dental students, dental hygiene and dental therapy students, practicing dentists, dental hygienists, and dental therapists in understanding and applying concepts related to ultrasonic debridement Ultrasonic Periodontal Debridement is a useful reference for students in dentistry, dental hygiene, and dental therapy, as well as for practicing dentists and dental hygienists and therapists.
Cyberpunk and Cyberculture explores the work of a wide range of writers- Acker, Cadigan, Rucker, Shierley, Sterling, Williams and, of course, Gibson - setting their work in the context of science fiction, other literary genres, genre cinema - from Metropolis to Terminator to The Matrix - and contemporary work on the culture of technology.
English painter John William Waterhouse (1849-1917) communicates his aesthetic vision through his use of color. Throughout his career, he experimented with color as an element with seemingly spatial qualities. His works have an unusual formalism--figures and settings often appear not merely realistic but somewhat hyperreal. Yet paradoxically Waterhouse's works border on the abstract, prioritizing chromatic features over content. They invite us to focus on colors--and through them line, shape, texture and rhythm--in much the same way as works by Kandinsky, Klee, Matisse or Pollock.
A new contribution to literature that grapples with grief, death and the shape of what's left behind Who would think to call Ophelia a corpse? She is but a woman emptied of herself. In 1993, when she was 18 years old, Dani Netherclift witnessed the drowning deaths of her father and brother in an irrigation channel in North-East Victoria. Or, she saw her father and brother disappear beneath an opaque surface and never saw these loved ones again. But also, never stopped imagining the shape of this bodily loss. Not viewing the bodies grows into a form of ambiguous loss that makes the world dangerous, making people seem liable to suddenly vanishing. What would it have been like to have seen them, after the fact? To have looked upon their bodies. To picture the emptied vessels of her father and brother is to reach toward a sense of closure; a form of magical thinking in which goodbye is made possible. Vessel pulls together a language of space and ruin, interleaving stories of what it means to lose the physical body of a person you love with a bricolage of literature, history and (vessel) translations, and the realisation that all bodies become in the end bodies of text, beautifully written palimpsests—elegies—inked on the skins of the dead.
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