In a time of war and magic, can a hero choose between the love of his family and the fate of the world... Edoria is at war. Artos Hestrom retreats back to his home town of Corsin where he is given the task of retrieving a powerful crystal called the Eldon Star. The ageing Artos uses deceit and lies to procure people to help him on the journey and the plight of a halfman, half-elf called Chet, provides the perfect cover. Artos' nephew, Ethan, freely volunteers to accompany him without knowing his true motives, but Ethan's death has been foreseen in a vision. Knowing that Ethan would certainly die if he is included on the journey, Artos must choose between the fate of his family and the fate of the world. Standing in his way is the evil Sorcerer, Ruehl, who has waged war in Edoria with his blood-thirsty hordes of Kròkos. Ruehl uses his minions to relentlessly scour the land for the crystal. Betrayals, challenges and loss set up a final confrontation with the evil Sorcerer where there can be only one victor.
The new history of the book has constituted a vibrant academic field in recent years, and theories of print culture have moved to the center of much scholarly discourse. One might think typography would be a basic element in the construction of these theories, yet if only we would pay careful attention to detail, Joseph A. Dane argues, we would find something else entirely: that a careful consideration of typography serves not as a material support to prevailing theories of print but, rather, as a recalcitrant counter-voice to them. In Out of Sorts Dane continues his examination of the ways in which the grand narratives of book history mask what we might actually learn by looking at books themselves. He considers the differences between internal and external evidence for the nature of the type used by Gutenberg and the curious disconnection between the two, and he explores how descriptions of typesetting devices from the seventeenth and eighteenth centuries have been projected back onto the fifteenth to make the earlier period not more accessible but less. In subsequent chapters, he considers topics that include the modern mythologies of so-called gothic typefaces, the presence of nontypographical elements in typographical form, and the assumptions that underlie the electronic editions of a medieval poem or the visual representation of typographical history in nineteenth-century studies of the subject. Is Dane one of the most original or most traditional of historians of print? In Out of Sorts he demonstrates that it may well be possible to be both things at once.
An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.
An ambitious intern at the FBI’s paranormal unit patrols Baltimore for a vampire in this urban fantasy romance series opener. This mind-blowing new series introduces Sloan Skye, an ambitious intern at the FBI’s paranormal unit, where the usual rules of crime fighting don't apply . . . Sloan has a sky-high IQ, a chaotic personal life, and a dream: to work for the FBI. Her goal is within reach until an error lands her with the FBI’s ugly stepchild: the new Paranormal Behavioral Analysis Unit. She’ll get to profile criminals, but the pool of suspects is a little more…diverse. Yet even as Sloan tackles her first case—a string of victims, all with puncture wounds to the neck—she can’t silence her inner para-skeptic. To catch the killer she’ll have to think like one. That means casting aside her doubts, and dealing with bizarre nightmares that started with the job. But the strangeness is only beginning, as Sloan pieces together the shocking truth about a case that's more personal than she ever would have guessed.
“[A] fascinating perspective on how America’s early voyages of commerce and discovery to the exotic South Seas helped the new nation forge its identity.” —Eric Jay Dolan, bestselling author of Black Flags, Blue Waters Drawing on private journals, letters, ships’ logs, memoirs, and newspaper accounts, True Yankees traces America’s earliest encounters on a global stage through the exhilarating experiences of five Yankee seafarers. Merchant Samuel Shaw spent a decade scouring the marts of China and India for goods that would captivate the imaginations of his countrymen. Mariner Amasa Delano toured much of the Pacific hunting seals. Explorer Edmund Fanning circumnavigated the globe, touching at various Pacific and Indian Ocean ports of call. In 1829, twenty-year-old Harriett Low reluctantly accompanied her merchant uncle and ailing aunt to Macao, where she recorded trenchant observations of expatriate life. And sea captain Robert Bennet Forbes’s last sojourn in Canton coincided with the eruption of the First Opium War. How did these bold voyagers approach and do business with the people in the region, whose physical appearance, practices, and culture seemed so strange? And how did native men and women—not to mention the European traders who were in direct competition with the Americans—regard these upstarts who had fought off British rule? The accounts of these adventurous travelers reveal how they and hundreds of other mariners and expatriates influenced the ways in which Americans defined themselves, thereby creating a genuinely brash national character—the “true Yankee.” Readers who love history and stories of exploration on the high seas will devour this gripping tale. “The book is informative and entertaining, a rare combination. Highly recommended.” —Choice
Retired high school teacher Gwen Franklin has a new pet valet business with her BFF, and a whole new leash on life. But a killer is about to come sniffing around . . . Gwen Franklin is looking forward to spending her retirement drinking her favorite coffee and reading mystery novels. Those peaceful plans are brought to heel by her best friend, Nora. Sporting stiletto heels, leggings, and a “more is better” makeup routine, fifty-something Nora Goldstein has a penchant for marrying—and divorcing—rich men. Now that Gwen’s got free time, Nora figures they should start a dog-walking and pet-sitting service together. But it’s far from a walk in the park when the corpse of Linda Fletcher is found in Nora’s kitchen. Linda was Nora’s nemesis, and the large knife protruding from her chest points to murder. With no doubt that her bestie’s being framed, Gwen puts her sleuthing skills—acquired from reading every Agatha Christie mystery—to the test as she digs through suspects, including four disgruntled ex-husbands, ten greedy ex-stepchildren, not to mention all her exes’ exes. But with death threats and another body surfacing, can Gwen curb a killer before her own (dog) days come to an end?
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