This book gives you an overview of the Kazakh nation - its traditions and customs. It will help you understand the Kazakh people. It is good for those, who are interested in travelling and learning about different countries, for those, who work and live in Kazakhstan, or for those, who are thinking of visiting the country...
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
No bird is common, if we use “common” to mean ordinary. But birds that are seen more commonly than others can seem less noteworthy than species that are rarely glimpsed. In this gathering of essays and illustrations celebrating fifty of the most common birds of the Upper Midwest, illustrator Dana Gardner and writer Nancy Overcott encourage us to take a closer look at these familiar birds with renewed appreciation for their not-so-ordinary beauty and lifeways.Beginning with the garishly colored male and the more gently colored female wood duck, whose tree cavity nest serves as a launching pad for ducklings in the summer months, and ending on a bright yellow note with the American goldfinch, whose cheerful presence enlivens the midwestern landscape all year long, Overcott combines field observations drawn from her twenty-plus years of living and birding in Minnesota's Big Woods with anecdotes and data from other ornithologists to portray each species' life cycle, its vocalizations and appearance, and its habitat, food, and foraging methods as well as migration patterns and distribution. Infused with a dedication to conserving natural resources, her succinct yet personable prose forms an ideal complement to Gardner's watercolors as this renowned illustrator of avian life worldwide revisits the birds of his childhood. Together art and text ensure that the wild turkey, great blue heron, sharp-shinned hawk, barred owl, pileated woodpecker, house wren, ovenbird, field sparrow, rose-breasted grosbeak, red-winged blackbird, and forty other species of the Upper Midwest are never seen as common again.
Practical Ethics in Architecture and Interior Design Practice presents the basics of design practice through ethical scenarios, ushering design students into real-world experiential learning. Each chapter begins with a detailed story involving a complicated set of practical and ethical dilemmas, exemplifying those encountered each day in the world of professional practice. Practice-based topics such as contracts and project delivery methods, marketing design services, cross-cultural collaboration, virtual connectivity, social justice and sustainable design, soft skills, and other related professional practice themes are anchored in realistic scenarios. While all the stories are fictional, in writing them the authors drew from over seventy-five combined years of professional experience in architecture and interior design as well as many years of academic experience in teaching professional practice and ethics to architecture and interior design students. Each story is followed by discussion questions and suggested additional resources. This book provides a unique integrated perspective into the allied fields of architecture and interior design with topics relevant to both fields as well as specific to each profession. It prepares students of both disciplines for the broad issues of professional practice and encourages them to become ethical practitioners ready to contribute effectively to design teams and to ask the right questions.
From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton’s sax-playing and Obama’s shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates? With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.
Lessons in Creativity from Musical Theatre Characters marries art and science with a new and exciting collaboration between one of the world’s leading creativity scholars and an internationally renowned musical theatre composer. This book will help readers tap into their creativity and unleash their own creative potential as they start their careers. Blending cutting-edge research, juicy anecdotes, lived experience, hands-on activities, and gentle advice, authors James C. Kaufman and Dana P. Rowe take readers on a journey to explore and enhance their own creativity. Each chapter addresses a key aspect of creativity, from how to overcome blocks to understanding one’s personal strengths all through the lens of Musical Theatre characters along with insights from those within the industry. Kaufman and Rowe shatter creativity myths (such as the tormented artist or having one big break) that may be harming the reader’s potential growth. Probing questions, fun quizzes, and engaging exercises will help the reader reflect on the material and develop strategies for their next step. All throughout, the readers can learn from the tales of Sweeney Todd, Maria Von Trapp, Alexander Hamilton, Christine Daaé, and countless others to inspire their own creativity. This book is ideal for aspiring theatre professionals, students of performing arts, and theatre and creativity scholars.
Courageous and vulnerable, April has survived Philadelphia’s tough city streets. But when her sister disappears, April’s search will lead her to the Pennsylvania Amish countryside—where the peaceful setting belies a brand of danger all its own . . . With a childhood shattered by alcoholism and abandonment, April learned the hard way to trust only herself and her younger sister, Rose. But suddenly, Rose is gone without a word—and April’s purpose in life is to find her. She has only one ally: Joseph Young, a handsome Amish man with whom she’s struck up an unlikely flirtation in the bakery where she works. He’s knowledgeable, steadfast—and when they join forces, April’s life takes a radical turn . . . In the heart of Amish farm country, April and Joseph grow closer. Yet April fears there’s no future for them. Especially when vicious, too-personal warnings and strange attacks make her wonder just whom Joseph is really trying to protect. And as her unconventional investigation roils a community with much to conceal, April will find some secrets are killer—and some dreams may be too lethal to trust . . .
Radio Boy By: Dana Pritchett Radio Boy is part of an expanding tale that follows a group of middle-American children through their misadventures and growth. It is a study in the untainted openness and curiosity of youth that leads to friendship, trust, sometimes danger, as well as the aspects of self-discovery. It is fiction created in a mind that read Huckleberry Finn, watched the Little Rascals on TV, and marveled at the comic book fantasies of the twentieth century. The author hopes that this book will spark memories of readers’ own youthful exploits, adventures, narrow escapes, or broken bones, triumphs and failures, special places and special friends. Maybe open the minds of youthful readers to the possibilities in their own dreams.
Beijing, 1322. Wu Johanna is the granddaughter of the legendary trader Marco Polo. In the wake of her father's death, Johanna finds that lineage counts for little amid the den of intrigue that is the Great Khan's court. Johanna's future – if she has one – lies with her grandfather, in Venice, more than a continent away at the very edge of the known world. So, with a small band of companions, she takes to the Silk Road – that storied collection of routes that link the silks of Cathay, the spices of the Indies and the jewels of the Indus to the markets of the West. But the journey will be long and arduous, for the road ahead is beset by burning sands and ice-fanged mountains, thieves and fanatics, treachery and betrayal.
For the young child, art is a way of solving problems, conceptualizing the world, and creating new possibilities. In Everyday Artists, the author addresses the disconnect that exists between the teaching of art and the way young children actually experience art. In doing so, this book questions commonly held notions and opens up exciting new possibilities for art education in the early childhood classroom. A practicing teacher herself, Bentley uses vignettes of children’s everyday activities—from block building to clean-up to outdoor play—to help teachers identify and scaffold the genuine artistic practice of young children. Book Features: Tangible examples of everyday arts experiences told through lively classroom stories.An examination of the teacher’s role with suggestions of appropriate ways to support children’s artistic expression.Clear explanations of how inquiry and creativity contribute to the overall thinking and learning of the young child.A “Voice of the Teacher” section that offers teaching strategies for extending children’s thinking and learning.A wide-range of ideas for teachers who feel they do not know how to “do” art. Dana Frantz Bentley is a teacher researcher and preschool teacher at Buckingham Browne and Nichols School in Cambridge, Massachusetts. She received a Doctorate of Education, Art, and Art Education from Teachers College, Columbia University. “Much has been written about the role of the arts in education, especially about the importance of the arts to early childhood learning. Dana Frantz Bentley endows the arts with an additional and central kind of significance rooted in a broad conception of cognition.” —From the Foreword by Judith M. Burton, Teachers College, Columbia University “Like the young children she describes, Dana Frantz Bentley is an ‘everyday artist,’ making something ‘beautiful’ of her informed and thoughtful pedagogy. There is much to learn from the artful reflection and generative inquiry of this inspired early childhood educator.” —Jessica Hoffmann Davis, author of Why Our Schools Need the Arts
Gender, Genre, and Race in Post-Neo-Slave Narratives provides an innovative conceptual framework for describing representations of slavery in twenty-first century American cultural productions. Covering a broad range of narrative forms ranging from novels like The Known World to films like 12 Years a Slave and the music of Missy Elliott, Dana Renee Horton engages with post-neo-slave narratives, a genre she defines as literary and visual texts that mesh conventions of postmodernity with the neo-slave narrative. Focusing on the characterization of black women in these texts, Horton argues that they are portrayed as commodities who commodify enslaved people, a fluid and complex characterization that is a foundational aspect of postmodern identity and emphasizes how postmodern identity restructures the conception of slave-owners.
The first history of keyboard improvisation in European music from the time of Beethoven through the later nineteenth century, Dana Gooley's Free Play: Fantasies of Improvisation in Nineteenth-Century Music describes the motives, intentions, and musical styles of the nineteenth century's leading improvisers, and traces the evolution of the performance practice into a glorified ideal.
Are you currently dealing with life’s adversities and knocking it out of the park, or are you struggling with negativity and wishing you could get through this time of struggling with a better frame of mind? Some days, you are doing well with what life is tossing at you, and other days, life reduces you to a person you don’t want to be, let alone have other people see. If this describes you, come join the hot mess express with a “choose your own adventure” set of devotionals. Through It is a book of fifty devotionals across multiple categories of emotions. Additionally, journal prompts are provided to move the information from reading to application and internalization. Dana C. Branson shares her experiences trying to deal with adversity as a Christian, social worker, and flawed person. While she doesn’t have all the answers, what she does provide is insight, support, guidance, humor, and lived examples. Through It mixes God’s word with the realness of being human and dealing with difficult events. It will help you be intentional with your thoughts and actions while also focusing on God’s grace and mercy, promises and wisdom, even when they seem out of reach. “Through It contains Dana Branson’s candid and sometimes raw reflections from her journey through difficult seasons. Her training as a professor, her experience as a social worker, and her authentic faith in Christ combine to offer much needed empathy and wisdom for those going through life struggles. Read it and be encouraged.” Christopher W. Morgan, dean and professor of theology, School of Christian Ministries, California Baptist University
Dana Stabenow was born in Alaska before Statehood, grew up on and around fishing boats, and worked for an air taxi service, a cannery, and later, on the oilfields of the North Slope. Today, she's an Edgar Award-winning mystery writer with over 25 Alaska-based novels to her credit. Stabenow knows Alaska. Writing for Alaska Magazine, she revisits old haunts and explores new ones to capture the vital pioneering spirit of her home state. From cruising the Inner Passage to hiking the Chilkoot Trail, from bidding on bachelors at Talkeetna's Winterfest to a behind-the-scenes look at the Iditarod sled dog race, Alaska Traveler collects over 50 of Stabenow's columns about life on America's last frontier. It's Alaska in all seasons – not just the summer months – and in all its quirky, iconoclastic glory. Travellers planning a trip to Alaska will find much to inspire them, as will those just interested to read more about the state that residents call The Great Land.
People love weird facts. And this gift hardcover is bursting with 208 pages of all sorts of amazing, arcane, interesting, and shocking bits of information about everything under the sun—and then some. Put together by an expert team of fact finders and pop culture specialists, this collection includes fascinating facts that could be useful to students, collectors, tourists, and enthusiasts alike. • Nearly 1,000 amazing, not-so-useless facts
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