In Break Any Woman Down, Dana Johnson explores race, identity, and alienation with unflinching honesty and vibrant language. Hip and seductive, her stories often feature women discovering their identities through sexual and emotional intimacy with the men in their lives. In the title story, La Donna is a black stripper whose white boyfriend, an actor in adult movies, insists that she stop stripping. In "Melvin in the Sixth Grade," eleven-year-old Avery has a crush on a white boy from Oklahoma who, like Avery, is an outsider in their suburban Los Angeles school. "Markers" is as much about a woman's relationship with her mother as it is about the dissolution of her relationship with an older Italian man. Dana Johnson has an intuitive sense of character and a gift for creating authentic voices. She effortlessly captures the rhythmic vernaculars of Los Angeles, the American South, and various immigrant communities as she brings to life the sometimes heavyhearted, but always persevering, souls who live there.
From Japanese-made tin spaceships from the 1950s and 1960s to the latest Roswell collectibles, this price guide is the first to tackle UFO and alien memorabilia. 8-page color section.
Brevet Major Miller served as a regimental adjutant and rose in rank to captain. He describes in detail the hardships and routines of camp life and the battles from Fort Donelson to Jonesboro. This post-war memoir includes descriptions and impressions of such leaders as Ulysses S. Grant.
Discusses the issue of global warming and what we can do to prevent its rise. This book addresses how people must use energy more efficiently, develop alternative energy sources, and lower emissions technologies.
The stereotype of the woman missionary has ranged from that of the longsuffering wife, characterized by the epitaph Died, given over to hospitality, to that of the spinster in her unstylish dress and wire-rimmed glasses, alone somewhere for thirty years teaching heathen children. Like all caricatures, those of the exhausted wife and frustrated old maid carry some truth: the underlying message of the sterotypes is that missionary women were perceived as marginal to the central tasks of mission. Rather than being remembered for preaching the gospel, the quintessential male task, missionary women were noted for meeting human needs and helping others, sacrificing themselves without plan or reason, all for the sake of bringing the world to Jesus Christ.Historical evidence, however, gives lie to the truism that women missionaries were and are doers but not thinkers, reactive secondary figures rather than proactive primary ones. The first American women to serve as foreign missionaries in 1812 were among the best-educated women of their time. Although barred from obtaining the college education or ministerial credentials of their husbands, the early missionary wives had read their Jonathan Edwards and Samuel Hopkins. Not only did they go abroad with particular theologies to share, but their identities as women caused them to develop gender-based mission theories. Early nineteenth-century women seldom wrote theologies of mission, but they wrote letters and kept journals that reveal a thought world and set of assumptions about women's roles in the missionary task. The activities of missionary wives were not random: they were part of a mission strategy that gave women a particular role inthe advancement of the reign of God.By moving from mission field to mission field in chronological order of missionary presence, Robert charts missiological developments as they took place in dialogue with the urgent context of the day. Each case study marks the beginning of the mission theory. Baptist women in Burma, for example, are only considered in their first decades there and are not traced into the present. Robert believes that at this early stage of research into women's mission theory, integrity and analysis lies more in a succession of contextualized case studies than in gross generalizations.
Radio Boy By: Dana Pritchett Radio Boy is part of an expanding tale that follows a group of middle-American children through their misadventures and growth. It is a study in the untainted openness and curiosity of youth that leads to friendship, trust, sometimes danger, as well as the aspects of self-discovery. It is fiction created in a mind that read Huckleberry Finn, watched the Little Rascals on TV, and marveled at the comic book fantasies of the twentieth century. The author hopes that this book will spark memories of readers’ own youthful exploits, adventures, narrow escapes, or broken bones, triumphs and failures, special places and special friends. Maybe open the minds of youthful readers to the possibilities in their own dreams.
A practical guide to working with the principles of polyvagal theory beyond the therapy session. Deb Dana is the foremost translator of polyvagal theory into clinical practice. Here, in her third book on this groundbreaking theory, she provides therapists with a grab bag of polyvagal-informed exercises for their clients, to use both within and between sessions. These exercises offer readily understandable explanations of the ways the autonomic nervous system directs daily living. They use the principles of polyvagal theory to guide clients to safely connect to their autonomic responses and navigate daily experiences in new ways. The exercises are designed to be introduced over time in a variety of clinical sessions with accompanying exercises appropriate for use by clients between sessions to enhance the therapeutic change process. Essential reading for any therapist who wants to take their polyvagal knowledge to the next level and is looking for easy ways to deliver polyvagal solutions with their clients.
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