“Levin’s luminous latest reckons with the disorientation of contemporary America. . . . Through the fog of doubt, Levin summons ferocious intellect and musters hard-won clairvoyance.”—Publishers Weekly, starred review Dana Levin’s fifth collection is a brave and perceptive companion, walking with the reader through the disorientations of personal and collective transformation. Now Do You Know Where You Are investigates how great change calls the soul out of the old lyric, “to be a messenger―to record whatever wanted to stream through.” Levin works in a variety of forms, calling on beloveds and ancestors, great thinkers and religions―convened by Levin’s own spun-of-light wisdom and intellectual hospitality―balancing clear-eyed forensics of the past with vatic knowledge of the future. “So many bodies a soul has to press through: personal, familial, regional, national, global, planetary, cosmic― // ‘Now do you know where you are?’” “Dana Levin is the modern-day master of the em-dash.”—New York Times Magazine "The book weaves in and out of prose, and it’s no wonder that the haibun is the generative form in these pages. A form invented by Basho so that he could move from the prose of his travelogues to the quick intensities of haiku, back and forth. Emily Dickinson does the same thing in her letters. And because this is a poet of the western United States—born outside of Los Angeles and raised in the Mojave, then two decades in Santa Fe, now in middle America, St. Louis—maybe it’s right to think of her work in terms of storm clouds: if the prose is an anvil cloud, the flash of poetry at the end is lightning.”—Jesse Nathan, McSweeney’s
Readers will find that this work carries the pulse of their darkest sorrows, in the breath of their humanity. Highly recommended."—Library Journal "Intimate and hypnotic."—Ploughshares "Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi "Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review "Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament." They took you in an ambulance even though you were dead, they took you and my sister said Why are you saving her if she is dead? shey shey— Curve of sky a crescent blade. Vultures wheeling on thermal parapets, shunyata, void that flays— Yak butter, barley flour and tea: you watch him make the paste. Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.
Both noted poets themselves, X.J. Kennedy and Dana Gioia write of their subject with a humor, style, and verve that makes the joys of poetry accessible to all. An introduction to a balance of contemporary and classic poems. Casebooks offer in-depth look at an author or clusters of works, for example " Latin American Poetry." Authors Joe Kennedy and Dana Gioia provide inviting and illuminating introductions to the poets included and to the elements of poetry. Coverage of writing about literature is also included. For those interested in learning about poetry.
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