Set in the romantic glow of 1920s Paris, a captivating novel of New York socialite and model Lee Miller, whose glamorous looks and joie de vivre caught the eye of Man Ray, one of the twentieth century’s defining photographers. 1929, Montparnasse. Model and woman about town Lee Miller moves to Paris determined to make herself known amidst the giddy circle of celebrated artists, authors, and photographers currently holding court in the city. She seeks out the charming, charismatic artist Man Ray to become his assistant but soon becomes much more than that: his model, his lover, his muse. Coming into her own more fully every day, Lee models, begins working on her own projects, and even stars in a film, provoking the jealousy of the older and possessive Man Ray. Drinking and carousing is the order of the day, but while hobnobbing with the likes of Picasso and Charlie Chaplin, she also falls in love with the art of photography and finds that her own vision can no longer come second to her mentor’s. The Woman in the Photograph is the richly drawn, tempestuous novel about a talented and fearless young woman caught up in one of the most fascinating times of the twentieth century.
Crossing on the Paris chronicles the experiences of three women from different generations and classes whose lives intersect on a majestic ocean liner traveling from Paris to New York"--
Psychologists throughout the world are being asked to assess an increasingly diverse clientele: immigrants, refugees, second and third generations still influenced by different cultures and languages, and indigenous peoples now moving towards the mainstream. Most are ill-equipped by training and experience to understand, assess, and subsequently treat such clients competently and ethically. Virtually all agree on the need for culture-sensitive assessment, but it has proven difficult to provide adequate services, despite good intentions and funding. Too often, clients who may have different worldview and health-illness beliefs are marginalized. For many reasons, standard assessment instruments designed, researched, and normed on a few groups in the United States--the MMPI-2, the Rorschach, and the TAT--are used as though they were universally applicable. Most busy practitioners have little time to investigate alternatives developed for use with one new group or another, focused on one issue or another, generally in a research context. In this book, Richard Dana proposes a new model of multicultural assessment practice and points directions for future training and research. He presents general, culture-specific, and step-by-step instrument-specific guidelines for the use of the standard armamentarium with different groups. Throughout, he highlights exciting new interpretive possibilities the traditional tests offer that should be regularly exploited, but emphasizes the importance of recognizing psychometric limits. Four extended examples of the use of one or several instruments with a specific group offer concrete illustrations of the model in action. Multicultural Assessment: Principles, Applications, and Examples constitutes an invaluable new resource for psychologists and for their students and trainees.
This powerful narrative recounts the tumultuous time in Honduras that witnessed then-President Manuel Zelaya deposed by a coup in June 2009, told through first-person experiences and layered with deeper political analysis. It weaves together two perspectives; first, the broad picture of Honduras since the coup, including the coup itself, its continuation in two repressive regimes, and secondly, the evolving Honduran resistance movement, and a new, broad solidarity movement in the United States. Although it is full of terrible things, this not a horror story: this narrative directly counters mainstream media coverage that portrays Honduras as a pit of unrelenting awfulness, in which powerless sobbing mothers cry over bodies in the morgue. Rather, it’s about sobering challenges and the inspiring collective strength with which people face them. Dana Frank is a professor of history at the University of California, Santa Cruz. She is the author of Baneras: Women Transforming the Banana Unions of Latin America from Haymarket Books. Since the 2009 military coup her articles about human rights and U.S. policy in Honduras have appeared in The Nation, New York Times, Politico Magazine, Foreign Affairs.com, The Baffler, Los Angeles Times, Miami Herald, and many other publications, and she has testified in both the US Congress and Canadian Parliament.
Set in the romantic glow of 1920s Paris, a captivating novel of New York socialite and model Lee Miller, whose glamorous looks and joie de vivre caught the eye of Man Ray, one of the twentieth century’s defining photographers. 1929, Montparnasse. Model and woman about town Lee Miller moves to Paris determined to make herself known amidst the giddy circle of celebrated artists, authors, and photographers currently holding court in the city. She seeks out the charming, charismatic artist Man Ray to become his assistant but soon becomes much more than that: his model, his lover, his muse. Coming into her own more fully every day, Lee models, begins working on her own projects, and even stars in a film, provoking the jealousy of the older and possessive Man Ray. Drinking and carousing is the order of the day, but while hobnobbing with the likes of Picasso and Charlie Chaplin, she also falls in love with the art of photography and finds that her own vision can no longer come second to her mentor’s. The Woman in the Photograph is the richly drawn, tempestuous novel about a talented and fearless young woman caught up in one of the most fascinating times of the twentieth century.
Crossing on the Paris chronicles the experiences of three women from different generations and classes whose lives intersect on a majestic ocean liner traveling from Paris to New York"--
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