99 Poems: New & Selected for the first time gathers work from across his career, including a dozen remarkable new poems. Gioia has not ordered this selection chronologically. Instead, his great subjects organize this volume into broad themes of mystery, remembrance, imagination, place, stories, songs, and love. The result is a book we might live our lives alongside, and a reminder of the deep and abiding pleasures and reassurances that poetry provides us.
Fascinating snapshots of remarkable encounters which, when brought together, chart a delightfully unusual path to literary success."―Booklist "Reading this memoir is like being at one of those memorable dinner parties, attended by the best and brightest, sparkling with wit and excellent conversations. You don’t want it to be over, the conversations to end! But with books, you need not worry. You can go back to the party, savor it, reread it again, and again."―Julia Alvarez, author of In the Time of the Butterflies and Afterlife “Gioia has been uncommonly lucky in meeting many major poets, among them Elizabeth Bishop. His portrait of her in these pages is shrewd and subtle. The famously elusive poet quivers into life here.”―Jay Parini, author of Borges and Me: An Encounter In Studying with Miss Bishop, Dana Gioia discusses six people who helped him become a writer and better understand what it meant to dedicate one’s life to writing. Four were famous authors―Elizabeth Bishop, John Cheever, James Dickey, and Robert Fitzgerald. Two were unknown―Gioia’s Merchant Marine uncle and Ronald Perry, a forgotten poet. Each of the six essays provides a vivid portrait; taken together they tell the story of Gioia’s own journey from working-class LA to international literary success.
Looking at opera from the standpoint of its texts, as only a gifted poet and librettist can do, Dana Gioia examines why a surprisingly small number of operas have attained a secure place in the repertory. His insight into the workings of this uniquely lyrical fusion of the arts makes Weep, Shudder, Die not only a definitive assessment of the importance of poetry to the operatic undertaking, but a gift to opera lovers everywhere. Read…Reflect…Delight!" —Ted Libbey, author of The NPR Listener’s Encyclopedia of Classical Music “Weep, Shudder, Die should be read by anyone who enjoys opera, or who cares about its place in today's world. Dana Gioia explores, with imagination and insight, the relationship between the libretto and the music. I learned a great deal in reading it, and at the same time enjoyed the experience immensely.” —Henry Fogel, Former President, Chicago Symphony Orchestra and League of American Orchestras A unique book about opera—personal, impassioned, and provocative. Weep, Shudder, Die explores opera from the perspective by which the art was originally created, as the most intense form of poetic drama. The great operas have an essential connection to poetry, song, and the primal power of the human voice. The aim of opera is irrational enchantment, the unleashing of emotions and visionary imagination. Gioia rejects the conventional view of opera which assumes that great operas can be built on execrable texts. He insists that in opera, words matter. Operas begin as words; strong words inspire composers, weak words burden them. Ultimately, singers embody the words to give the music a human form for the audience. Weep, Shudder, Die is a poet’s book about opera. To some, that statement will suggest writing that is airy, impressionistic, and unreliable, but a poet also brings a practical sense of how words animate opera, lend life to imaginary characters, and give human shape to music. Written from a lifelong devotion to the art, Gioia’s book is for anyone who has wept in the dark of an opera house.
“Gioia joins W. H. Auden, Randall Jarrell, and D. H. Lawrence in embracing criticism that is insightfully intellectual and surprisingly personal . . . Always a canny discussant of contemporary poetics, Gioia again provides vital guidance for evaluating poetry that will appeal to tenured professors and armchair aficionados alike.”―Booklist Dana Gioia, one of America's leading poet-critics, explains why poetry exists and why we need it in this sparkling collection of essays. More personal than any of Gioia’s earlier works, Poetry as Enchantment reflects a lifetime of thought and experience. Gioia, the author of Can Poetry Matter?, talks about poetry in a radically different way than it is currently being taught or discussed. In the title essay, he explains that poetry is speech raised to the level of song, and though poetry may often be misunderstood as intellectual, it moves us the way music does. Poetry charms its readers, creating a heightened experience of attention. It addresses readers in the fullness of their humanity, simultaneously speaking to the mind, emotions, imagination, memory, and physical senses. Without academic jargon, Poetry as Enchantment relates literature to the questions of life.
Dana Gioia has been hailed for decades as a master of traditional lyric forms, whose expansive and accessible poems are offerings of rare poignancy and insight. In Meet Me at the Lighthouse, he invites us back to old Los Angeles, where the shabby nightclub of the title beckons us into its noirish immortality. Elsewhere, he laments the once-vibrant neighborhood where he grew up, now bulldozed, and recalls his working-class family of immigrants. Gioia describes a haunting from his mother on his birthday, Christmas Eve. Another poem remembers his uncle, a US Merchant Marine. And “The Ballad of Jesús Ortiz” tells the story of his great-grandfather, a Mexican vaquero who was shot dead at a tavern in Wyoming during a dispute over a bar tab. “I praise my ancestors, the unkillable poor,” Gioia writes. This book is dedicated to their memory. Including poems, song lyrics, translations, and concluding with an unsettling train ride to the underworld, Meet Me at the Lighthouse is a luminous exploration of nostalgia, mortality, and what makes a life worth living and remembering.
Executive Summary for a report which gathers & collates the best national data available to provide a reliable & comprehensive overview of American reading today. This report relies on large, nat. studies conducted on a regular basis by U.S. fed. agencies, supplemented by academic, foundation, & business surveys. Although there has been measurable progress in recent years in reading ability at the elementary school level, all progress appears to halt as children enter their teenage years. There is a general decline in reading among teenage & adult Americans. Both reading ability & the habit of regular reading have greatly declined among college grad. The declines have demonstrable social, economic, cultural, & civic implications. Charts & tables.
So much of what we live goes on inside— The diaries of grief, the tongue-tied aches Of unacknowledged love are no less real For having passed unsaid. What we conceal Is always more than what we dare confide. Think of the letters that we write our dead. —from “Unsaid” Dana Gioia has long been celebrated as a poet of sharp intelligence and brooding emotion with an ingenious command of his craft. 99 Poems: New & Selected gathers for the first time work from across his career, including many remarkable new poems. Gioia has not arranged this selection chronologically but instead has organized it by theme in seven sections: Mystery, Place, Remembrance, Imagination, Stories, Songs, and Love. The result is a book that reveals and renews the pleasures, consolations, and sense of wonder that poetry bestows.
The 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia. The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.
Looking at opera from the standpoint of its texts, as only a gifted poet and librettist can do, Dana Gioia examines why a surprisingly small number of operas have attained a secure place in the repertory. His insight into the workings of this uniquely lyrical fusion of the arts makes Weep, Shudder, Die not only a definitive assessment of the importance of poetry to the operatic undertaking, but a gift to opera lovers everywhere. Read…Reflect…Delight!" —Ted Libbey, author of The NPR Listener’s Encyclopedia of Classical Music “Weep, Shudder, Die should be read by anyone who enjoys opera, or who cares about its place in today's world. Dana Gioia explores, with imagination and insight, the relationship between the libretto and the music. I learned a great deal in reading it, and at the same time enjoyed the experience immensely.” —Henry Fogel, Former President, Chicago Symphony Orchestra and League of American Orchestras A unique book about opera—personal, impassioned, and provocative. Weep, Shudder, Die explores opera from the perspective by which the art was originally created, as the most intense form of poetic drama. The great operas have an essential connection to poetry, song, and the primal power of the human voice. The aim of opera is irrational enchantment, the unleashing of emotions and visionary imagination. Gioia rejects the conventional view of opera which assumes that great operas can be built on execrable texts. He insists that in opera, words matter. Operas begin as words; strong words inspire composers, weak words burden them. Ultimately, singers embody the words to give the music a human form for the audience. Weep, Shudder, Die is a poet’s book about opera. To some, that statement will suggest writing that is airy, impressionistic, and unreliable, but a poet also brings a practical sense of how words animate opera, lend life to imaginary characters, and give human shape to music. Written from a lifelong devotion to the art, Gioia’s book is for anyone who has wept in the dark of an opera house.
“Gioia joins W. H. Auden, Randall Jarrell, and D. H. Lawrence in embracing criticism that is insightfully intellectual and surprisingly personal . . . Always a canny discussant of contemporary poetics, Gioia again provides vital guidance for evaluating poetry that will appeal to tenured professors and armchair aficionados alike.”―Booklist Dana Gioia, one of America's leading poet-critics, explains why poetry exists and why we need it in this sparkling collection of essays. More personal than any of Gioia’s earlier works, Poetry as Enchantment reflects a lifetime of thought and experience. Gioia, the author of Can Poetry Matter?, talks about poetry in a radically different way than it is currently being taught or discussed. In the title essay, he explains that poetry is speech raised to the level of song, and though poetry may often be misunderstood as intellectual, it moves us the way music does. Poetry charms its readers, creating a heightened experience of attention. It addresses readers in the fullness of their humanity, simultaneously speaking to the mind, emotions, imagination, memory, and physical senses. Without academic jargon, Poetry as Enchantment relates literature to the questions of life.
Fascinating snapshots of remarkable encounters which, when brought together, chart a delightfully unusual path to literary success."―Booklist "Reading this memoir is like being at one of those memorable dinner parties, attended by the best and brightest, sparkling with wit and excellent conversations. You don’t want it to be over, the conversations to end! But with books, you need not worry. You can go back to the party, savor it, reread it again, and again."―Julia Alvarez, author of In the Time of the Butterflies and Afterlife “Gioia has been uncommonly lucky in meeting many major poets, among them Elizabeth Bishop. His portrait of her in these pages is shrewd and subtle. The famously elusive poet quivers into life here.”―Jay Parini, author of Borges and Me: An Encounter In Studying with Miss Bishop, Dana Gioia discusses six people who helped him become a writer and better understand what it meant to dedicate one’s life to writing. Four were famous authors―Elizabeth Bishop, John Cheever, James Dickey, and Robert Fitzgerald. Two were unknown―Gioia’s Merchant Marine uncle and Ronald Perry, a forgotten poet. Each of the six essays provides a vivid portrait; taken together they tell the story of Gioia’s own journey from working-class LA to international literary success.
This report gathers & collates the best national data available to provide a reliable & comprehensive overview of American reading today. This report relies on the most accurate data available, which consists of large, nat. studies conducted on a regular basis by U.S. fed. agencies, supplemented by academic, foundation, & business surveys. Although there has been measurable progress in recent years in reading ability at the elementary school level, all progress appears to halt as children enter their teenage years. There is a general decline in reading among teenage & adult Americans. Both reading ability & the habit of regular reading have greatly declined among college grad. The declines have demonstrable social, economic, cultural, & civic implications. Illus.
Dana Gioia has been hailed for decades as a master of traditional lyric forms, whose expansive and accessible poems are offerings of rare poignancy and insight. In Meet Me at the Lighthouse, he invites us back to old Los Angeles, where the shabby nightclub of the title beckons us into its noirish immortality. Elsewhere, he laments the once-vibrant neighborhood where he grew up, now bulldozed, and recalls his working-class family of immigrants. Gioia describes a haunting from his mother on his birthday, Christmas Eve. Another poem remembers his uncle, a US Merchant Marine. And “The Ballad of Jesús Ortiz” tells the story of his great-grandfather, a Mexican vaquero who was shot dead at a tavern in Wyoming during a dispute over a bar tab. “I praise my ancestors, the unkillable poor,” Gioia writes. This book is dedicated to their memory. Including poems, song lyrics, translations, and concluding with an unsettling train ride to the underworld, Meet Me at the Lighthouse is a luminous exploration of nostalgia, mortality, and what makes a life worth living and remembering.
Who knew such a small tool would have such a huge impact on history? The magnetic compass has been used for almost 1,000 years. Explorers have been able to find their way around the globe with a compass as their guide. In this book, learn about the history of navigation, the science of magnetism, and how the many parts of a compass work together to put people on the right path. Follow the step-by-step instructions to make a compass of your own, and learn about the adventurous sport of orienteering. Then use these skills to explore the world right outside your door.
Sheltered for a long time within the public sector environment with high job security and professional research autonomy, defense R&D organizations faced unprecedented challenges when government support was being withdrawn and closure threatening. They needed to be led by a suitable vision in order to implement comprehensive changes to their operations and remain viable. This study explores this constitution of vision as a mechanism of intentional change, a strategic tool to reach the desired future for the organization. Going beyond the current literature, the authors ask to what extent, and how, organizational members reconstruct vision in a way that it can support or detain change, a question of importance for management scholars as well as professional managers in both public and private organizations.
Literature, 10th/e, the most popular introduction of its kind, is organized into three genres¤Fiction, Poetry, and Drama. As in past editions, the authors' collective poetic voice brings personal warmth and a human perspective to the discussion of literature, adding to students' interest in the readings. An introduction to a balance of contemporary and classic stories, poems, and plays. Casebooks offer in-depth look at an author or clusters of works, for example “Latin American Poetry.” Authors Joe Kennedy and Dana Gioia provide inviting and illuminating introductions to the authors included and to the elements of literature. Coverage of writing about literature is also included. For those interested in literature.
Following on from Daily Horoscope, this collection furthers Gioia's reputation for writing lucid, well-crafted, satisfying poems - and for being equally at ease with set forms and with experimental verse. The Gods of Winter was a Poetry Book Society choice.
Innovative clinicians share their experiences integrating Polyvagal Theory into their treatment models. Clinicians who have dedicated their work to bringing the benefits of the Polyvagal Theory to a range of clients have come together to present Polyvagal Theory in a creative and personal way. Chapters on a range of topics from compassionate medical care to optimized therapeutic relationships to clinician's experiences as parents extract from the theory the powerful influence and importance of cases and feelings of safety in the clinical setting. Additionally, there are chapters which: elaborate on the principle of safety in clinical practice with children with abuse histories explain the restorative consequences of movement, rhythm, and dance in promoting social connectedness and resilience in trauma survivors explains how Polyvagal Theory can be used to understand the neurophysiological processes in various therapies discuss dissociative processes and treatments designed to experience bodily feelings of safety and trust examine fear of flying and how using positive memories as an active "bottom up" neuroceptive process may effectively down-regulate defense shed light on the poorly understood experience of grief Through the insights of innovative and benevolent clinicians, whose treatment models are Polyvagal informed, this book provides an accessible way for clinicians to embrace this groundbreaking theory in their own work.
Classically, photo atlases of retinal dystrophies have been divided into sections that describe and depict a particular retinal finding or disease, after which a differential diagnosis of potential diseases or mutated genes is provided. However, given the rapid improvement in molecular diagnostics, and the exponential increase in our understanding of the phenotypes caused by each mutated gene, the paradigm has changed. Physicians are now more interested in the variable expressivity associated with mutations in each individual gene. Therefore, Retinal Dystrophy Gene Atlas catalogs the different phenotypes that have been reported with each mutated gene. Each section describes a gene and its known clinical phenotypes and features of disease, along with retinal photos of affected patients. Written by prominent retinal dystrophy specialists from the largest dystrophy centers worldwide, Retinal Dystrophy Gene Atlas contains more than 80 chapters, each of which describes the clinical and photographic manifestations of a specific gene. The chapters include stunning clinical color photographs of the retina, autofluorescence imaging, electrophysiologic findings, and cross-sectional imaging. Retinal Dystrophy Gene Atlas serves as a resource to aid genetic diagnosis in patients with retinal dystrophies.
Harness the power of data to transform classrooms through inquiry and analysis with this updated, best-selling resource When teachers examine the simple but complex act of teaching, the power yielded can be transformative. For three editions, teacher preparation and professional development providers have turned to this bestselling how-to guide for an authentic clear description of teacher inquiry and how to harness it for greatest effect. In this 4th edition, readers will journey toward understanding the link between teacher inquiry and the creation of data-driven classrooms by walking through some of today’s most relevant scenarios as well as timeless and enduring examples. Featuring helpful exercises and step-by-step instructions, this edition includes: • A head on discussion of equity and social justice and the role inquiry plays in tackling it • A look at professional practice doctoral programs as ripe context for inquiry • A complete chapter on the role literature plays in teacher research • A more seamless integration between the text and accompanying website Grab this text, raise your voice at the table of educational reform, and transform assumptions for more impactful teaching.
Based on interactive elements that apply to every reading situation, the authors explain instructional strategies that work best in the subject areas and how to optimize those classrooms for reading, writing, and discussion.
Formerly published by Chicago Business Press, now published by Sage Effective Training: Systems, Strategies, and Practices is unique in its integration of theory with effective and practical training applications. Authors P. Nick Blanchard, James W. Thacker, and Dana Cosby examine the relationship between change management and training, introduce the ADDIE model as an overarching framework for the training process, and consider perspectives relevant to small businesses. Additionally, this text provides a step-by-step process for developing learning objectives and highlights the importance of integrating both learning and design theories in creating successful training programs. The Seventh Edition adds new material while enhancing the ease of reading and understanding. The end of each relevant chapter (needs analysis, design, development and implementation, and evaluation) features an example of the process of developing an actual training program (Fabrics, Inc.). At the end of each chapter are discussion questions, cases, and exercises to enhance understanding.
In Thailand, two men hire a pair of international pirates to smuggle them, a small team of mercenaries, and some equipment aboard a freighter at a Russian port. It's frighteningly easy, and the ship sails east, toward the western coast of North America. The crew onboard the U.S. Coast Guard cutter Sojourner Truth, stationed in the Bering Sea along the Maritime Boundary Line, is busier than usual, catching fishing vessels on the wrong side of the line, but it's not enough to cause undue alarm. In Washington, D.C., a CIA analyst has been hearing rumors about the sale of radioactive material and military equipment on the black market in deep Russia but can't get it confirmed. The analyst, Hugh Rincon, originally from Alaska and more keenly aware than most in Washington of Alaska's vulnerability with its air force base and proximity to the Far East, begins to piece it all together. He can't get anyone to take him seriously, however, least of all the director of the CIA. Then Hugh learns that his estranged wife, Sarah Lange, is second in command on the Sojourner Truth in the Bering Sea at the heart of the potential conflict. And the chase is on. The first stand-alone thriller from the pen of Dana Stabenow, Edgar Award--winning author of many crime novels, delivers a nail-biting, action-packed read in Blindfold Game, international in scope and frighteningly real.
This study offers a clear, concise introduction to the Fascist-era practice, know as confino, of exiling antifascist dissidents to parts of Italy far from the dissidents’ homes, often on islands or in tiny inland villages. The book is organised in two sections. Part one provides a case study of the political colony on the island of Lipari and a historical overview of internal exile. Part two focuses on representations of confinement in literature and film. It examines the varieties of self-expression (e.g. memoirs, letters and literature) used by prisoners to describe their experiences, investigates how filmmakers interpret these events, places and people, and explores how film portrays the repression of homosexuality. A timely examination of the birthplace of European federalism, the book also contributes to our understanding of the legacy of confinement from both national and European perspectives.
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