After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, colour, and depth in his evocative images. In Road to Seeing, Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography--whether enrolled in school or not--and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own.
Beautifully illustrated with color photographs, maps, graphs, and tables, the Oklahoma Winter Bird Atlas offers ornithologists and amateur birders alike a wealth of easy-to-read information about the status of bird species in Oklahoma. A companion to the Oklahoma Breeding Bird Atlas, this landmark volume by biologist Dan L. Reinking provides a detailed portrait of more than 250 species, from the oft-spotted Red-tailed Hawk, Dark-eyed Junco, and Northern Flicker to the rarely seen Blue-headed Vireo, Cassin’s Finch, and Verdin. The atlas—one of the first of its kind for winter birds—uses a combination of species accounts, grouped by scientific order, and illustrations to provide a systematic inventory of winter bird distribution across Oklahoma’s counties. Each species account includes a photograph of the featured bird in winter plumage, along with a brief description outlining the times of year it appears in the state, its habitat, its distribution across the state’s counties, and its behavior. Maps indicate surveyed locations in which the species was spotted, while charts and tables further describe the bird's abundance. The data compiled in this volume represent the work of more than 75 volunteers who conducted bird counts in both early and late winter for the George M. Sutton Avian Research Center. The data span five winters, 2003 to 2008, and 577 blocks of land. Comprehensively researched and thoughtfully presented, the Oklahoma Winter Bird Atlas will prove an invaluable resource for evaluating trends in bird populations that change over time due to such factors as urban expansion, rural development, and climate change.
After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, colour, and depth in his evocative images. In Road to Seeing, Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography--whether enrolled in school or not--and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Rogue Agent is an exceptional series debut..." BestThrillers.com This 'Agent' series opener follows Tom Wiseman's Criminal Investigative Division investigation into a missing UN Helicopter, as it spirals into territory where dark, secretive, and powerful forces collude. Pitted against brutal contract killers and a lethal double agent from his past, Tom quickly discovers that going rogue and uncovering the truth at all cost, is a death sentence. “Fast-paced and packed with hard-hitting action, Dan J. Ford mixes conspiracies and suspense to serve up a fun, unique reading experience that hits all the right notes. Strap in for this one!” — Ryan Steck, The Real Book Spy and author of OUT FOR BLOOD.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
An exhilarating spy thriller inspired by a true story about the precious secrets up for grabs just after the fall of the Berlin Wall—from the acclaimed author of The Cover Wife “Fesperman accurately depicts the corrosive effect of life under a surveillance society, debasing both the watchers and the watched.... Most Cold War spy novels focus on the Manichaean ideological struggle between East and West; this one successfully explores a grayer era.” —Ben Macintyre, The New York Times On a chilly early morning walk on the wooded outskirts of Berlin, Emil Grimm finds the body of his neighbor, a fellow Stasi officer named Lothar, with a gunshot wound to the temple and a pistol in his right hand. Despite appearances, Emil suspects murder. A few months earlier he would have known just what to do, but now, as East Germany disintegrates, being a Stasi colonel is more of a liability than an asset. More troubling still is that Emil and Lothar were involved in a final clandestine mission, one that has clearly turned deadly. Now Emil must finish the job alone, on uncertain ground where old alliances seem to be shifting by the day. Meanwhile, CIA agent Claire Saylor, sent to Berlin to assist an Agency mop-up action against their collapsing East German adversaries, has just received an upgrade to her assignment. She'll be the designated contact for a high-ranking foreign intelligence officer of the Stasi, although details are suspiciously sketchy. When her first rendezvous goes dangerously awry, she realizes the mission is far more delicate than she was led to believe. With the rules of the game changing fast, and as their missions intersect, Emil and Claire find themselves on unlikely common ground, fighting for their lives against a powerful enemy hiding in the shadows.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
The new, revised, and updated edition of the popular textbook for introductory accounting courses Accounting plays a central role in a multitude of areas, from everyday personal finance to global corporate operations. Introduction to Accounting helps students understand the concepts, principles, methods, and mechanisms of the field. Designed to benefit all students, regardless of major, this innovative textbook integrates life skills and business skills to provide an accessible, engaging introduction to accounting. Rather than separating financial accounting from managerial accounting, this textbook demonstrates how to plan and evaluate business activities from both external and internal reporting perspectives. Now in its eight edition, Introduction to Accounting enables students to understand both the nature and functions of business and the mechanics of the bookkeeping process. Three organizing themes—the accounting information system, business processes, and the balanced scorecard—help students learn why and how activities are planned and evaluated by different stakeholders. Based on extensive instructor feedback, as well as the authors’ six decades of combined teaching experience, this new edition has been thoroughly revised to enhance readability and highlight real-world examples. A complete array of pedagogical tools includes improved and expanded learning objectives, updated definitions, questions and problem sets, newcritical-thinking and ethical-challenge exercises, and more. Focuses on accounting as an information system used in each business processes to provide information to plan and evaluate activities Stimulates interest in the field of accounting with relatable, reader-friendly narrative Employs various pedagogical devices to stimulate active and cooperative learning for students Uses the example of Apple, Inc. throughout the text to illustrate central concepts and significant issues Includes extensive online support including test problems and essay exercises for every chapter of the text, PowerPoint slides and Excel templates, downloadable solution manuals, and links to professional resources Offering a wealth of instructor resources, Introduction to Accounting, 8th Edition is ideally suited for introductory accounting courses in both high school and university-level settings.
Some people claim that audiences go to the movies for the genre. Others say they go for the director. But most really go to see their favorite actors and actresses. This book explores the work of many of classic Hollywood's influential stars, such as James Cagney, Bette Davis, Cary Grant and Katharine Hepburn. These so-called "pre-Brando" entertainers, often dismissed as old fashioned, were part of an explosion of talent that ran from the late 1920s through the early 1950s. The author analyzes their compelling styles and their ability to capture audiences.
Drake wasn’t expecting visitors … Which is why he was so wary when Hazel told him about the two strangers pulling into their drive. Drake watched as the two men got out of their car and walked toward them. They were Easterners; the cut of their business suits announced that. They didn’t look like hoods. And they weren’t cops. Drake had a built-in radar for fuzz. But there was something cop-like in the swaggering attitude. Whoever they were Drake didn’t like them. Especially when they tried to get smart with Hazel. That’s when Drake shot one in the arm. They quit fooling around then and handed Drake and envelope. It was from Washington. About his friend Karl Erikson in a Spanish prison. Drake wasn’t thinking right then about his friend. He was thinking that some damn fool in Washington had blown his cover. And he had better get the hell away fast before his past caught up with him again.
1920, central Russia. The Red Terror tightens its hold. Kolya has deserted his Red Army unit and returns home to bury his brother and reunite with his wife and sons. But he finds the village silent and empty. The men have been massacred in the forest. The women and children have disappeared.In this remote, rural Russian community the folk tales that mothers tell their children by candlelight take on powerful significance, and the terrifying legend of Koschei, The Deathless One, begins to feel very real. Kolya sets out on a journey through dense, haunting forests and across vast plains against the bitter winter, in the desperate hope he will find his wife and two boys—and find them alive. But there are very dark things in Kolya's past. And, as he strives to find his family, there's someone—or something—following his trail . . .
Revenge has never been served so cold. Joe Kurtz, former investigator and convicted felon, is on parole. But the years he spent in Attica didn't make his old haunts any safer. Back on the streets of Buffalo, he's already marked by a local Mafia don. As if watching his back weren't enough work, Kurtz has also been hired by a gravely ill John Frears, whose daughter met a grisly fate at the hands of a murderer. Frears wants one thing before he dies: for Kurtz to find the fiend that the authorities couldn't. But the calculating killer -- a master at changing identities -- has a little unfinished business of his own. Dodging a contract on his head and tracking a serial killer on the loose, Kurtz plunges headfirst into the icy waters of revenge as both victim and avenger.
The statue was knee-high, but it carried a fortune in gold and gems, plus centuries of fame in the art world. Everyone wanted it, and for some no price was too high—love, money, or murder … Then Killain barged in. The redhead made the first pitch, and she had Killain twanging like a hopped-up fiddle—but not one note about the statue. The Blonde tried to bargain across a wide-screen bed, and she convinced Johnny that he should negotiate—but not about the statue. The Ape had a simple proposition: Hand over the statue or I’ll beat in your head! This annoyed Johnny Killain. Much bloodshed and many murders later …
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
It is 1989, and Jim Keating has hit absolute rock bottom. He’s lost his wife to cancer, his house to bankruptcy, and his job as a college basketball coach to what many outsiders believed to be a racially insensitive career-ending decision. He has also just about lost his mind, having slipped into a bout of serious depression. Attempting to pick up the pieces and start life over, Jim returns home to Worcester and rents a small apartment. Word gets out that the legendary Jim Keating has returned home, and everyone is eager to see him, despite what they’ve read in the news. In high school and college, Jim had been a star athlete. After a stint in the Army, he took a job as a college basketball coach. Although the teams and leagues changed over the years, Keating’s passion for basketball and commitment to the players he coached never faltered. Recognizing this, an old friend makes Jim an offer designed to help him restart his career. Soon, Jim finds himself in Burundi, Africa, where he is to create a basketball league that will bring two warring tribes—the Hutus and the Tutsis—together peacefully. These tribes have been in a civil war for years, and government officials believe one of the ways to guide them to peace is through sports. In Burundi, Jim has the chance to recommit himself to basketball, rediscover his true self, and bring peace to a nation in turmoil.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The Fire in Thunder Hollow is the second book of the Thunder Hollow series. The owls have prospered under the protection of Brownie, the golden eagle. The hollow is filled with the home trees of the owls. As the good times continue, the morals of the owls begin to slip. The young are not as well taught about social behavior. They begin to create problems for themselves. Soon, the younger owls have a secret hiding place and a charismatic young leader. The young leader wants to start a new community which would be ruled by him. When the young owls plans are discovered, they return to Thunder Hollow and settle down, all except the power-hungry young leader. Angry over his rejection, he sets fire to Thunder Hollow, destroying it. Only a few owls survive the fire by flying away. They fly so far that they cannot find their way home. Brownie, the eagle spendsevery summersearching for them, growing old and discouraged as the years roll by. The owls, living in a dismal swamp, are losing their memories of Thunder Hollow. Will Brownie find the owls before he dies of old age, or will the owls pay the ultimate price for their rebellious ways?
The winter festival is approaching for the hardy colony of Morphans, but no one is in the mood to celebrate. They’re trying to build a new life on a cold new world, but each year gets harder and harder. It’s almost as if some dark force is working against them. Then three mysterious travelers arrive out of the midwinter night, one of them claiming to be a doctor. Are they bringing the gift of salvation or doom? And what else might be lurking out there, about to wake up? An adventure featuring the Eleventh Doctor as played by Matt Smith and his companions Amy and Rory
As Florida is developed the native flora is often replaced with non-native plants. Wildlife habitat is reduced; water, fertilizer and pesticide usage increases; and the appearance of Florida is altered. But you can help reduce the damage being done to our ecosystems by viewing your yard as part of the natural system. This book will help you make a plan that will work for your yard and choose the native plants that will thrive there. You will have the joy of creating an aesthetically pleasing, life-supporting, and environmentally sensitive landscape. Methods for a small fruit and vegetable garden are also covered.
In The Silence of Bartleby, Dan McCall proposes a new reading of Herman Melville's classic short tale "Bartleby, The Scrivener." McCall discuss in detail how "Bartleby has been read in the last half-century by practitioners of widely used critical methodologies--including source-study, psychoanalytic interpretation, and Marxist analysis. He argues that in these elaborate readings of the tale, the text itself may be lost, for critics frequently seem to be more interested in their own concerns than in Melville's. Efforts to enrich "Bartleby" may actually impoverish it, preventing us from experiencing the sense of wonder and pain that the story provides. McCall combines close readings of Melville's tale with a lively analysis of over four decades of commentary, and he includes the complete text of story itself as an appendix, encouraging us to read the story on its own terms.
Now hikers can find the best dog-friendly hiking trails in western Washington. Author Dan Nelson provides information about leash laws, hiking methods most suitable for different-sized dogs, and how to choose routes where your dog will be least likely to disturb other hikers. Fun factor included, of course!These hikes are as varied as the hikers and their dogs. You'll find hikes from easy three-mile trips, such as Twin Falls, to a nine-mile hike on Blankenship Meadows Ramble. DiscoverPoodle Dog Pass and Dog Lake, too! Dramatic landscapes with awe-inspiring peaks, alpine meadows, wilderness lakes, and tumbling creeks are sure to please.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
* The best-selling guidebook for snowshoe routes in Washington* Trip planning chart makes snowshoe route selection easy: location, skill level, length, trail highlights, author's favorites, best time to go, and more-compared at a glanceThere are snowshoe outings for all skill levels, from beginner to experienced mountaineer. Many are within easy driving distance from metropolitan regions including Seattle, Tacoma, Everett, Bellingham, Olympia, and Yakima. Most trips start from Sno-Park areas for easy snowshoe access.
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
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