Barbara Stanwyck (1907–1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women—and America's highest-paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy. Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity. Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs—at the very top of her profession—and offers a close, sympathetic reading of her performances in all their range and complexity.
The first book on Hitchcock that focuses exclusively on his work with actors Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.
The polar regions, perhaps more than any other places on Earth, give the geophysical scientist a sense of exploration. This sensibility is genuine, for not only is high-latitude ?eldwork arduous with many locations seldom or never visited, but there remains much fundamental knowledge yet to be discovered about how the polar regions interact with the global climate system. The range of opportunities for new discovery becomes strikingly clear when we realize that the high latitudes are not one region but are really two vastly di?erent worlds. The high Arctic is a frozen ocean surrounded by land, and is home to fragile ecosystems and unique modes of human habitation. The Antarctic is a frozen continent without regular human habitation, covered by ice sheets taller than many mountain ranges and surrounded by the Earth’s most forbidding ocean. When we consider global change as applied to the Arctic, we discuss impacts to a region whose surface and lower atmospheric temperatures are near the triple point of water throughout much of the year. The most consistent signatures of climate warming have occurred at northern high latitudes (IPCC, 2001), and the potential impacts of a few degrees increase in surface temperature include a reduction in sea ice extent, a positive feedback to climate warming due to lowering of surface albedo, and changes to surface runo? that might a?ect the Arctic Ocean’s salinity and circulation.
Into Action is the story of the Irish Defence Forces’ role as international peacekeepers since 1960. While primarily posted to uphold the transition towards peace in overseas conflicts, they have at times inevitably been forced to fight back against often aggressive opposition. Dan Harvey’s fascinating and accessible history follows the major military incidents in the peacekeepers’ sixty-year campaign, from Niemba, the Siege at Jadotville, and Elizabethville in the Congo to At-Tiri in Lebanon, and Durbol in Syria. These are to name just a few of the military engagements that involved supreme bravery on behalf of the Irish Defence Forces and, at times, ended in terrible tragedy. Dan Harvey’s detailed account of the military operations they were involved in reveal the defence forces’ effective responses to crisis and conflict; how they stood firm during ethnically-motivated rioting in Gracancia or intervened in the midst of a clash between Chadian government forces and rebel attackers, and how the Irish nation was halted into mourning in November 1960 by news that nine soldiers of the 33rd Irish Battalion had been killed by Baluba warriors near Niemba in the Congo. These are the deeds and tragedies that have come to define Ireland’s role in international peacekeeping. Into Action reveals the true story of this role and the immense courage that have underlined its operations from the beginning.
Contingent Encounters offers a sustained comparative study of improvisation as it appears between music and everyday life. Drawing on work in musicology, cultural studies, and critical improvisation studies, as well as his own performing experience, Dan DiPiero argues that comparing improvisation across domains calls into question how improvisation is typically recognized. By comparing the music of Eric Dolphy, Norwegian free improvisers, Mr. K, and the Ingrid Laubrock/Kris Davis duo with improvised activities in everyday life (such as walking, baking, working, and listening), DiPiero concludes that improvisation appears as a function of any encounter between subjects, objects, and environments. Bringing contingency into conversation with the utopian strain of critical improvisation studies, DiPiero shows how particular social investments cause improvisation to be associated with relative freedom, risk-taking, and unpredictability in both scholarship and public discourse. Taking seriously the claim that improvisation is the same thing as living, Contingent Encounters overturns long-standing assumptions about the aesthetic and political implications of this notoriously slippery term.
The rhythms of jazz and beat poetry punctuate this sweeping, firsthand account of New York City’s 1950s literary scene from the Bowery to Spanish Harlem National bestselling author Dan Wakefield first came to New York City in 1952 with the intention of receiving a proper literary education on the ivied campus of Columbia University. An equally enlightening experience, he quickly found, was hiding in the smoky bars and cafés of Greenwich Village frequented by the most talented writers of the fifties, including James Baldwin, Joan Didion, and Allen Ginsberg. Wakefield recounts drinking at the White Horse Tavern, Dylan Thomas’s Village haunt, as well as the offices of Esquire and the Nation, capturing rare, intimate moments of spirited camaraderie between some of the most influential artists of their generation. Like Hemingway’s recollections of 1920s Paris in A Moveable Feast, New York in the ’50s showcases a city in its artistic heyday, replete with Wakefield’s remembrances of brushing shoulders with literary icons such as Jack Kerouac and Norman Mailer, and watching Thelonious Monk play jazz at the Five Spot Café. Wakefield’s experience as a journalist and chronicler of Americana allows him to capture the subtleties of a decade of unparalleled artistic expression.
Some people claim that audiences go to the movies for the genre. Others say they go for the director. But most really go to see their favorite actors and actresses. This book explores the work of many of classic Hollywood's influential stars, such as James Cagney, Bette Davis, Cary Grant and Katharine Hepburn. These so-called "pre-Brando" entertainers, often dismissed as old fashioned, were part of an explosion of talent that ran from the late 1920s through the early 1950s. The author analyzes their compelling styles and their ability to capture audiences.
Who isn’t in awe of Vanessa Redgrave? Her career on stage and screen remains vital and her extreme-left political stands are still quite controversial. This is the moment, and this is the biography, to take stock of Vanessa Redgrave both as actress and as political activist with a critical, objective study of her life and career. It is also time to account for her unparalleled achievements as an empathetic actress of considerable genius.Anyone who has seen Redgrave in her numerous stage and film roles will know why she is the very best we have. The radiant, fearless, daring, perverse and always unpredictable Redgrave is the brightest light in the forest of her famous family.
What Now is written to assist people through times of change. It’s particularly relevant in these very trying times of COVID-19. It is not a how-to manual; it’s an entertaining and humbling account of how one person discovered the most powerful transformation force of all! How he recreated himself after being unceremoniously sacked from the job he had dreamed about as a teenager. What Now tells the story of how a barefoot and frightened little boy from the remote bush of Australia went on to play State of Origin for Queensland, represent Australia and achieve his dream of being a Head Coach, leading the London Broncos alongside Sir Richard Branson onto the hallowed turf of Wembley Stadium. After tragically losing his father at the tender age of three, he unconsciously sought out older people as role models. In his story, Dan Stains reflects on his quest in search of the most powerful transformational force available. The lessons he uncovered on this journey lead the reader on a path to reveal their own What Now. The rollercoaster ride takes the reader on a sometimes uneasy and humbling path. From the foothills of East Cooyar, to the raucous applause of screaming fans at the best football stadiums in the world, Dan discovers that the ‘open sesame’ to change is by simply loving all of life, including and especially yourself, and the rest is taken care of.
I operated under the theory that a good union doesn't have to be dull."—Moe Foner "Don't waste any time mourning—organize."—Joe Hill Moe Foner, who died in January 2002, was a leading player in 1199/SEIU, New York's Health and Human Service Union, and a key strategist in the union's fight for recognition and higher wages for thousands of low-paid hospital workers. Foner also was the founder of Bread and Roses, 1199's cultural program created to add dimension and artistic outlets to workers' lives. Foner produced a musical about hospital workers; invited Woody Guthrie and Pete Seeger to perform for workers and their children; presented stars such as Ossie Davis and Ruby Dee, Sidney Poitier, Harry Belafonte, and Alan Alda; and installed the only permanent art gallery at a union headquarters. One of Foner's last projects was a poster series called "Women of Hope," which celebrates African American, Native American, Asian American, and Latina women including Maya Angelou, Maxine Hong Kingston, Septima P. Clark, and the Delaney sisters Sarah and Elizabeth. Today his legacy is the largest and most important cultural program of any union. Not for Bread Alone traces Foner's development from an apolitical youth whose main concerns were basketball and music to a visionary whose pragmatism paved the way for legislation guaranteeing hospital workers the right to unionize. Foner writes eloquently about his early life in Brooklyn as the son of a seltzer delivery man and about many of the critical developments in the organization of hospital workers. He provides an insider's perspective on major strikes and the struggle for statewide collective bargaining; the leadership styles of Leon Davis, Doris Turner, and Dennis Rivera; and the union's connection to key events such as the civil rights movement and the Vietnam War.
With routes spanning the province, here is everything you need to explore the highways and byways of Munster – on two wheels. This popular guide has now been updated to include the Waterford Greenway, which officially opened in spring 2017. The route, set against the glorious backdrop of the Comeragh Mountains, runs for 46km along an old railway line between Waterford and Dungarvan, crossing three stunning viaducts and taking in charming villages along the way. Graded cycles along the greenway are outlined, from shorter jaunts to suit families, through challenges for intermediate cyclists, up to a 92km loop of the whole route for the experienced. Each of the routes in the guide is graded by difficulty, from the gentlest, shortest circuits in Cork, through Tipperary, Limerick and Clare, to the thigh-burning Ring of Kerry, and Waterford's Copper Coast and Grand Vee. Each cycle is prefaced with summary information and illustrated with photos, a custom-drawn map and a gradient graph. You will also learn about the historical sites and natural landmarks you'll see along the way, as well as getting tips on where to stop for a coffee. Cycle stunning coastal roads on the Wild Atlantic Way. Challenge yourself on mountain passes. Pedal through tranquil woods and lakesides, charming towns and villages. Discover routes to suit all abilities and many hidden gems.
Francona explores his tenure in Boston, examining how the beleaguered Red Sox reached incredible highs and equally incredible lows under his management, including several championship victories.
At a time when global politics is being reshaped, the accountability of those we put in power has never been more vital. In Making Up the Numbers, Dan Boyle, former chairman of the Green Party, applies his first-hand experience of non-traditional politics in Ireland to assess the role of minor parties in government and in coalition. This book is an essential contribution to our understanding of the 'others' vote in Irish politics.
Fundamentals of Electric Propulsion Understand the fundamental basis of spaceflight with this cutting-edge guide As spacecraft engineering continues to advance, so too do the propulsion methods by which human beings can seek out the stars. Ion thrusters and Hall thrusters have been the subject of considerable innovation in recent years, and spacecraft propulsion has never been more efficient. For professionals within and adjacent to spacecraft engineering, this is critical knowledge that can alter the future of space flight. Fundamentals of Electric Propulsion offers a thorough grounding in electric propulsion for spacecraft, particularly the features and mechanisms underlying Ion and Hall thrusters. Updated in the light of rapidly expanding knowledge, the second edition of this essential guide detailed coverage of thruster principles, plasma physics, and more. It reflects the historic output of the legendary Jet Propulsion Laboratory and promises to continue as a must-own volume for spacecraft engineering professionals. Readers of the second edition of Fundamentals of Electric Propulsion readers will also find: Extensive updates to chapters covering hollow cathodes and Hall thrusters, based on vigorous recent research New sections covering magnetic shielding, cathode plume instabilities, and more Figures and homework problems in each chapter to facilitate learning and retention Fundamentals of Electric Propulsion is an essential work for spacecraft engineers and researchers working in spacecraft propulsion and related fields, as well as graduate students in electric propulsion, aerospace science, and space science courses.
What does a writer do when he has a family that includes a blacklisted member of the Hollywood Ten, the brains behind Tony the Tiger and the Marlboro Man, a trio of gay puppeteers, the world's leading birdwatcher, 1960s hippies, a Dutch stowaway who served in an all-black regiment during the American Civil War, and a convicted murderer? He tells their stories and secrets, illuminating 150 years of American life along the way. Dan Bessie begins the journey through his family history with his great-grandfather in the cargo hold of a ship bound for New York on the storm-tossed Atlantic. What follows are stories of his grandfather's various entrepreneurial schemes (including a folding butter box business), a grandmother who was voted "New York's prettiest shop girl" (and who resisted the recruitment efforts of various city madams), and his uncle Harry's Turnabout Theater in Los Angeles (a renowned puppet theater drawing patrons as diverse as Shirley Temple, Ray Bradbury, and Albert Einstein). An extraordinary strain of creativity runs through the Bessie and Burnett clans, and Rare Birds celebrates the colorful diversity of this remarkable and accomplished family. While their choices and professions run the gamut of the American experience in the twentieth century, the history of the nation can be traced in these people's lives. Bessie's passionate birds of a feather gather to sing their unique song across decades and generations.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
When you owe money to the biggest criminal in town you are going to need to step up your thieving game a notch… --- Service at the Red Rooster Inn isn’t what you’d call "good," or even "adequate." Darin would be the first to say so, and he owns the place. Evie isn’t much of a barmaid; Kat’s home-brewed ale seems to grow less palatable with each new batch; and Seraphina’s service at the bar leaves much to be desired. As for the bouncer, Big Tom, well, everyone learns right quick to stay on his good side. They may be bad at running an inn, but they’re the best team of con artists in the Old Queendom. When a prospective client approaches Darin with a high-paying job, he knows he should refuse. But the job is boosting a shipment of priceless imperial dream wine, the most coveted and expensive drink in the world. And, thanks to a stretch of bad luck, he's in deep to The Dame, who oversees criminal enterprises in this part of the Queendom. If they fail, they’re as good as dead, but if they succeed… well, it’s enough money to get square with the Dame and make all of their dreams come true. Plus, it's an option for Darin to stick it to the empress, who he has good reason to despise. Then again, there’s a very good reason no one has ever stolen imperial dream wine...
New York in the 50s is Dan Wakefield's story of a unique time and place in cultural history, when New York City was a hotbed of free love, hot jazz, radical politics, psychoanalysis, and artistic expression. Wakefield found himself in the middle of a world in which anything was possible, and he writes about the era with the keen eye of a historian and the first-hand knowledge and affection of one who lived through a fabled, fertile era. Wakefield enriches his recollections with the first-hand accounts of his friends and colleagues-Joan Didion, Gay Talese, Allen Ginsberg, William F. Buckley, James Baldwin, and others who made New York in the fifties the legend that still exerts such a powerful influence on American life. A documentary film based on the book will be shown at film festivals in the United States and abroad during 1999. A CD of the musical score, composed and produced by Steve Allee, has been released by AlleyOop Music Publishing.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
Computer Privacy Annoyances' shows readers how to keep private information private, stop nosy bosses, get off that incredibly annoying mailing list, and more. Unless you know what data is available about you and how to protect it, you're a sitting duck. 'Computer Privacy Annoyances' is your guide to a safer, saner, and more private life.
Computer Privacy Annoyances' shows readers how to keep private information private, stop nosy bosses, get off that incredibly annoying mailing list, and more. Unless you know what data is available about you and how to protect it, you're a sitting duck. 'Computer Privacy Annoyances' is your guide to a safer, saner, and more private life.
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