This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
A New York Times–bestselling author’s moving novel about an astronaut returning to Earth, and the small steps and giant leaps love requires. Richard Baedecker thinks his greatest challenge was walking on the moon, but then he meets a mysterious woman who shows him his past. Join Baedecker as he comes to grips with the son and wife he lost owing to his passion for space exploration, his forgotten childhood, and the loss he experienced during the deadly flight of the Challenger. The most difficult exploration of his life is not the cold, rocky crevices of the moon, but the warm interior of his heart. Brilliant and beautifully written, Phases of Gravity is a masterpiece about love and loss that transports readers far beyond the confines of space and time. Phases of Gravity is a thoughtful, deeply involving novel from an author who has earned numerous honors, including the World Fantasy Award for Song of Kali and the Hugo Award for Hyperion.
“BCS” High school cheerleader Stacy Kent dreams of an ideal future with her boyfriend, star halfback Tucker Hamilton. After unexpected tragedy befalls the couple, she is left with a life-altering decision. Surprised to discover she is pregnant and feeling isolated from her divorced parents, Stacy is confronted by a future she never expected. In a misguided attempt at avoiding this responsibility, she is met in her dreams by a stranger, who carefully guides her through an unknown future for her child. Exposed to both beautiful and unsettling glimpses into her child's life, Stacy must reexamine her belief that to remain free of this responsibility is the right one. Forced to watch her child endure hardship and success, Stacy comes to a surprising realization about her own tenuous relationship with her mother. Will she seek to repair the damage done from years of defiance, or will she continue to embrace the unsettled anger between them? Will she allow her child the freedom to discover life on her own or chase her now-hollow, unfulfilled dreams? Whatever the outcome, it will require a level of commitment she is uncertain she can attain.
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.
This book contains essays on Fascism, Nazism and the Holocaust by distinguished scholar Professor Dan Stone. It examines issues such as race science and the racial state, Nazi race ideology, slave labour, concentration camps, British reaction to the rise of Nazism and the Holocaust, the search for missing persons in the chaos of postwar Europe and the postwar revival of fascism. Though mainly focused on Nazi Germany, it also makes comparisons with other fascist movements and regimes in Romania and elsewhere. This book will be of great interest to scholars and students of antisemitism, fascism, Nazism, World War II, genocide studies and the Holocaust.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Wrestling is as much a part of winter in Iowa as is snow and cold. Dreams of state championships begin in elementary school and, since 1972, come to fruitionor heartbreakingly fall shortat an arena in Des Moines in February or March. The tournament finals sell out, and individuals and teams carve their names on the sports history tree each year. Some champions were deaf, some were amputees, but all earn the respect of thousands for their work ethica hallmark of the states populace. Is this heaven? No, its better than that. Its high school wrestling in Iowa!
The world's foremost entrepreneurial coach shows you how to make a mindset shift that opens the door to explosive growth and limitless possibility--in your business and your life. Have you ever had a new idea or a goal that excites you... but not enough time to execute it? What about a goal you really want to accomplish...but can't because instead of taking action, you procrastinate? Do you feel like the only way things are going to get done is if you do them? But what if it wasn't that way? What if you had a team of people around you that helped you accomplish your goals (while you helped them accomplish theirs)? When we want something done, we've been trained to ask ourselves: "How can I do this?" Well, there is a better question to ask. One that unlocks a whole new world of ease and accomplishment. Expert coach Dan Sullivan knows the question we should ask instead: "Who can do this for me?" This may seem simple. And it is. But don't let the lack of complexity fool you. By mastering this question, you will quickly learn how billionaires and successful entrepreneurs like Dan build incredible businesses and personal freedom. This book will teach you how to make this essential paradigm-shift so you can: • Build a successful business effectively while not killing yourself • Immediately free-up 1,000+ hours of work that you shouldn't be doing anyway • Bypass the typical scarcity and decline of aging and other societal norms • Increase your vision in all areas of life and build teams of WHOs to support you in that vision • Never be limited in your goals and ambitions again • Expand your abundance of wealth, innovation, relationships, and joy • Build a life where everything you do is your choice--how you spend your time, how much money you make, the quality of your relationships, and the type of work you do Making this shift involves retraining your brain to stop limiting your potential based on what you solely can do and instead focus on the nearly infinite and endless connections between yourself and other people as well as the limitless transformation possible through those connections.
The polar regions, perhaps more than any other places on Earth, give the geophysical scientist a sense of exploration. This sensibility is genuine, for not only is high-latitude ?eldwork arduous with many locations seldom or never visited, but there remains much fundamental knowledge yet to be discovered about how the polar regions interact with the global climate system. The range of opportunities for new discovery becomes strikingly clear when we realize that the high latitudes are not one region but are really two vastly di?erent worlds. The high Arctic is a frozen ocean surrounded by land, and is home to fragile ecosystems and unique modes of human habitation. The Antarctic is a frozen continent without regular human habitation, covered by ice sheets taller than many mountain ranges and surrounded by the Earth’s most forbidding ocean. When we consider global change as applied to the Arctic, we discuss impacts to a region whose surface and lower atmospheric temperatures are near the triple point of water throughout much of the year. The most consistent signatures of climate warming have occurred at northern high latitudes (IPCC, 2001), and the potential impacts of a few degrees increase in surface temperature include a reduction in sea ice extent, a positive feedback to climate warming due to lowering of surface albedo, and changes to surface runo? that might a?ect the Arctic Ocean’s salinity and circulation.
Historians have generally ranked John Tyler as one of the least successful chief executives, despite achievements such as the WebsterAshburton treaty, which heralded improved relations with Great Britain, and the annexation of Texas. Why did Tyler pursue what appears to have been a politically selfdestructive course with regard to both his first party, the Democrats, and his later political alliance, the Whigs? Monroe has set out to explain the beliefs that led to Tyler=s resigning his Senate seat and exercising politically suicidal presidential vetoes as well as examines the crises Tyler faced during his term in the House: the Panic of 1819, the financially tottering national bank, and the Missouri debate.
The secrets of one of history’s greatest orators are revealed in “one of the most stunningly original works on Abraham Lincoln to appear in years” (John Stauffer, professor of English and history, Harvard University). For more than 150 years, historians have speculated about what made Abraham Lincoln truly great. How did Lincoln create his compelling arguments, his convincing oratory, and his unforgettable writing? Some point to Lincoln’s study of grammar, literature, and poetry. Others believe it was the deep national crisis that gave import to his words. Most agree that he honed his persuasive technique in his work as an Illinois attorney. Here, the authors argue that it was Lincoln’s in-depth study of geometry that made the president’s verbal structure so effective. In fact, as the authors demonstrate, Lincoln embedded the ancient structure of geometric proof into the Gettysburg Address, the Cooper Union speech, the first and second inaugurals, his legal practice, and much of his substantive post-1853 communication. Also included are Lincoln’s preparatory notes and drafts of some of his most famous speeches as well as his revisions and personal thoughts on public speaking and grammar. With in-depth research and provocative insight, Abraham Lincoln and the Structure of Reason “offers a whole new angle on Lincoln’s brilliance” (James M. Cornelius, Curator, Lincoln Collection, Abraham Lincoln Presidential Library and Museum).
**A Washington Post "Notable Nonfiction Book of 2016"** ON A TRANQUIL SUMMER NIGHT in July 2012, a trio of peace activists infiltrated the Y-12 National Security Complex in Oak Ridge, Tennessee. Nicknamed the “Fort Knox of Uranium,” Y-12 was supposedly one of the most secure sites in the world, a bastion of warhead parts and hundreds of tons of highly enriched uranium—enough to power thousands of nuclear bombs. The three activists—a house painter, a Vietnam War veteran, and an 82-year-old Catholic nun—penetrated the complex’s exterior with alarming ease; their strongest tools were two pairs of bolt cutters and three hammers. Once inside, these pacifists hung protest banners, spray-painted biblical messages, and streaked the walls with human blood. Then they waited to be arrested. WITH THE BREAK-IN and their symbolic actions, the activists hoped to draw attention to a costly military-industrial complex that stockpiles deadly nukes. But they also triggered a political and legal firestorm of urgent and troubling questions. What if they had been terrorists? Why do the United States and Russia continue to possess enough nuclear weaponry to destroy the world several times over? IN ALMIGHTY, WASHINGTON POST REPORTER Dan Zak answers these questions by reexamining America’s love-hate relationship to the bomb, from the race to achieve atomic power before the Nazis did to the solemn 70th anniversary of Hiroshima. At a time of concern about proliferation in such nations as Iran and North Korea, the U.S. arsenal is plagued by its own security problems. This life-or-death quandary is unraveled in Zak’s eye-opening account, with a cast that includes the biophysicist who first educated the public on atomic energy, the prophet who predicted the creation of Oak Ridge, the generations of activists propelled into resistance by their faith, and the Washington bureaucrats and diplomats who are trying to keep the world safe. Part historical adventure, part courtroom drama, part moral thriller, Almighty reshapes the accepted narratives surrounding nuclear weapons and shows that our greatest modern-day threat remains a power we discovered long ago.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Student create fantasy sports teams by picking real-life professional football players, and then follow their players' statistics and calculate their teams' total points using algebraic or nonalgebraic methods specifically designed to complement the math skills they are learning.
This handbook deals with the question of how people can best live and work with others who come from very different cultural backgrounds. Handbook of Intercultural Training provides an overview of current trends and issues in the field of intercultural training. Contributors represent a wide range of disciplines including psychology, interpersonal communication, human resource management, international management, anthropology, social work, and education. Twenty-four chapters, all new to this edition, cover an array of topics including training for specific contexts, instrumentation and methods, and training design.
“There has never been a better book about hip-hop…a record-biz portrait that jumps off the page.”—A.V. Club The perfect read for music lovers and business aficionados alike, The Big Payback reveals the secret histories of the early long-shot successes of Sugar Hill Records and Grandmaster Flash, Run DMC’s crossover breakthrough on MTV, the marketing of gangsta rap, and the rise of artist/entrepreneurs like Jay-Z and Sean “Diddy” Combs. THE INSPIRATION FOR THE VH1 SERIES THE BREAKS The Big Payback takes readers from the first $15 made by a “rapping DJ” in 1970s New York to the multi-million-dollar sales of the Phat Farm and Roc-a-Wear clothing companies in 2004 and 2007. On this four-decade-long journey from the studios where the first rap records were made to the boardrooms where the big deals were inked, The Big Payback tallies the list of who lost and who won. 300 industry giants like Def Jam founders Rick Rubin and Russell Simmons gave their stories to renowned hip-hop journalist Dan Charnas, who provides a compelling, never-before-seen, myth-debunking view into the victories, defeats, corporate clashes, and street battles along the 40-year road to hip-hop’s dominance. INCLUDES PHOTOGRAPHS
In the spring of 2009 Dan Maes was a no name, small businessman who announced he was running for Governor of Colorado. No one cared. By August 2010 his name would be know across Colorado and he would be surprising even the sagest of political pundits as he racked up win after win. While hundreds of thousands of grassroots supporters from the Tea Party to the Republican Party rallied around this breath of fresh air, not everyone in the GOP was pleased about it. On the request of many in Running Without Cowboy Boots Dan exposes the truth about his rapid rise in popularity, his tireless campaigning, and the corrupt party politics inside the Colorado GOP during his campaign that changed the direction of Colorado politics for years to come. Strap in for a 2 year rollercoaster ride of Rocky Mountain Highs, Washington DC lows and a Journey of Faith as Dan shares what really happened in his campaign.
Book and CD. The story of Badfinger is among the most tragic in the history of rock'n'roll. They were championed by the Beatles, yet their two principal songwriters committed suicide. An expose of the music business, Without You also serves as a tribute to the band's work. This revised edition includes a CD of over 72 minutes of music and interviews, 300 photos, complete listing of studio dates and concerts, and a discography.
“[Dan Albert] has a way of bringing automotive history to life.” —Jason Fogelson, Forbes The plain, old-fashioned, human-driven car built the American economy and helped shape our democratic creed. Driver’s ed made teenagers into citizens; auto repair made boys into men. For nearly a century, car culture has triumphed. But have we finally reached the end of the road? Fewer young people are learning to drive. Ride hailing is replacing car buying, and with electrification, a long and noble tradition of amateur car repair will soon come to an end. When a robot takes over the driver’s seat, what’s to become of us? Are We There Yet? carries us from horseless buggies to superhighways, and like any good road trip, it’s an adventure so fun you won’t even notice how much you’ve learned along the way.
This wonderful collection of music for the mandolin includes bluegrass; old-time fiddle tunes; classical music (including the complete solo part for the Vivaldi mandolin concerto and the "Canzonetta" from Mozart's "Don Giovanni"); American, Irish, Jewish, Russian and Italian songs; reels; jigs; hornpipes; hymns and gospel songs; minstrel songs; patriotic; blues and jazz; children's songs; and cowboy and country ballads. This collection consists of over a hundred selections in standard music notation and TAB. Lyrics for singing and chord symbols for optional accompaniment is included. Also included are tremolo exercises, a guide to fingering, chord charts for guitar and mandolin, the history of the mandolin, and interesting comments about the history and performance of each song.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
Wall Street Journal Bestseller New York Times bestselling author Dan Heath explores how to prevent problems before they happen, drawing on insights from hundreds of interviews with unconventional problem solvers. So often in life, we get stuck in a cycle of response. We put out fires. We deal with emergencies. We stay downstream, handling one problem after another, but we never make our way upstream to fix the systems that caused the problems. Cops chase robbers, doctors treat patients with chronic illnesses, and call-center reps address customer complaints. But many crimes, chronic illnesses, and customer complaints are preventable. So why do our efforts skew so heavily toward reaction rather than prevention? Upstream probes the psychological forces that push us downstream—including “problem blindness,” which can leave us oblivious to serious problems in our midst. And Heath introduces us to the thinkers who have overcome these obstacles and scored massive victories by switching to an upstream mindset. One online travel website prevented twenty million customer service calls every year by making some simple tweaks to its booking system. A major urban school district cut its dropout rate in half after it figured out that it could predict which students would drop out—as early as the ninth grade. A European nation almost eliminated teenage alcohol and drug abuse by deliberately changing the nation’s culture. And one EMS system accelerated the emergency-response time of its ambulances by using data to predict where 911 calls would emerge—and forward-deploying its ambulances to stand by in those areas. Upstream delivers practical solutions for preventing problems rather than reacting to them. How many problems in our lives and in society are we tolerating simply because we’ve forgotten that we can fix them?
Anyone who ever served in the military can tell a similar story. The circumstances change and the names are different, but when you deal with young soldiers anything is probable. Hill tells the reader about many of these young men and women in some very funny situations. He also details what it is like to be the commander of a unit with 200 or more of these soldiers, in peacetime and in war. In telling the story of his long and varied career, he offers some real leadership gems that carry over to industry. As one observer quipped, every Lieutenant should read this book before spending a day with troops; he will either resign his commission or stay in the military until they kick him out. The author refers to the family members of military members as the real heroes in the military. You will gain a whole new appreciation of what it is like to be an Army spouse. Hill and his wife, Carla, moved 16 times during his 24 year career. Once children came along, it meant new adventures, along with new schools and new friends. The term Army Brat is worn with pride, but it is a title that is hard earned. One knows that military families are nomads, but the author explains how assignments happen and the consequences of decisions on careers and promotion. He tells the reader about dealing with the ubiquitous assignment offi cer. The citizen who has never been around the military will learn a great deal about the inner workings of the career Army Officer and those who support them. You will laugh out loud at some of these tales and cry when you learn about the sacrifices these soldiers and the families make. You will swell with pride when you hear how some of these men respond from unspeakable adversity. Hill is unabashedly proud of all veterans and as the title states, he is proud of his many years of serviceHe is Proud of What he wasA soldier.
Crosby, Holiday, Sinatra, Fitzgerald, Garland, and Streisand were the major interpreters of the American songbook, and this is the interlocking story of their lives and careers. Here is the epic tale of how these artists dominated American popular music over a fifty-year period, a roller coaster ride that gains momentum through the 1930s and '40s, reaches a crest of magical creativity in the 1950s and early '60s, and then crashes down by the early 1970s, a half century when the great American songbook dominated the airwaves and the fight for racial equality came to the forefront. Ella was beloved in her time, and she is still beloved. Frank is still the king of the songbook, but Bing's legacy is just as vital once you start listening to his unprecedented 1930s output. The best songs from Judy's greatest triumph, her 1963–64 TV series, are shared endlessly online. The legend of Billie grows by the year, and the basis of this should be appreciation and wonder for her own great artistry in the 1930s. Barbra is a living legend and still a commercial force to be reckoned with, the last exemplar of the songbook and its glories. All six of these singers reach out to us and show us new ways of expression and new ways to dream. Their song is largely ended but the melody lingers on.
Musicals of the 1990s felt the impact of key developments that forever changed the landscape of Broadway. While the onslaught of British imports slowed down, the so-called Disneyfication of Broadway began, a trend that continues today. Beauty and the Beast and The Lion King became long-running hits, followed by more family-friendly musicals. The decade was also distinguished by a new look at revivals—instead of slavishly reproducing old shows or updating them with campy values, Broadway saw a stream of fresh and sometimes provocative reinventions, including major productions of My Fair Lady, Damn Yankees, Carousel, Show Boat, and Chicago. In The Complete Book of 1990s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1990s. This book discusses the era’s major hits (Miss Saigon, Crazy for You, Rent), notorious flops (Shogun, Nick & Nora, The Red Shoes), controversial shows (Passion, The Capeman), and musicals that closed during their pre-Broadway tryouts (Annie 2: Miss Hannigan’s Revenge, Whistle Down the Wind). In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sandra Bernhard, Michael Feinstein, Patti LuPone, Liza Minnelli, and Mandy Patinkin. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1990s Broadway Musicals provides a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The range of Walt Disney's accomplishments is remarkable. He is considered the most successful filmmaker in history. He won 32 Academy Awards, far more than those of any other filmmaker. He revolutionized the amusement park and resort industries, and his theme parks have been praised as among the most outstanding urban designs in the United States. As Ward Kimball, one of Walt Disney's most prominent animators, once said, "At the bottom line Walt was a down-to-earth farmer's son who just happened to be a genius." Walt Disney spent his formative years in Missouri. Some of the direct influences of these years on his career are documented in this book. "Snow White and the Seven Dwarfs," the first feature-length animated film to be produced, was inspired by a black-and-white, live-action silent film version of "Snow White" that he viewed as a teen-ager in Kansas City. A theatrical production of "Peter Pan" that he saw as a child in Marceline, Mo., led to his own animated version of the story. Born in Chicago in December 1901, he moved with his family to a farm near Marceline, where he lived from ages 4 to 9. "To tell the truth," Walt Disney once wrote, "more things of importance happened to me in Marceline than have happened since--or are likely to in the future." The town of Marceline was the inspiration for many features of future Disney theme parks, and the pastoral setting he lived in there is also reflected in many of his films. Except for a couple of years spent in Chicago and France, Disney lived in Kansas City from 1911 to 1923. During his years in Kansas City he learned the discipline that would enable him to persevere and prevail through the many hardships he experienced as a struggling filmmaker. It was in Kansas City that he trained to become a commercial artist and an animator, and Kansas City was the location of his first film production studio, Laugh-O-gram Films. Walt Disney's Missouri not only tells the story of the young Disney growing up, but it also paints a picture of the Kansas City he knew. With the bankruptcy of Laugh-O-gram Films, Disney moved to California, drawing with him many of his Kansas City colleagues, who would eventually win fame in animation themselves. This richly illustrated book describes Disney's Missouri years and chronicles his many connections and returns to the state until his death in 1966. The book also details two little-know projects in Missouri that Disney seriously considered in his later years--theme parks in his "hometown," Marceline, and in St. Louis. As his daughter Diane Disney Miller says in the foreword to the book, Walt Disney was "truly a Missourian.
The ultimate tour of United States' most inspiring speeches, quotes, and leaders—the perfect gift for kids who love history and want to make a difference in the future. Together in one essential collection, this selection of the United States' most important historical documents and speeches immerses kids in the ideas and words that have shaped American democracy. Now, this young history lovers must-have gift has been revised and revamped for the 21st century. From the Gettysburg Address to the 2015 Supreme Court ruling on same-sex marriage, this updated edition introduces the landmark statements and moments that are impacting our nation today. With powerful illustrations important background information and context, Words That Built a Nation is an up-to-date and breathtaking look at U.S. history.
For most of my life, I have been infected by wanderlust. When I see an airplane flying overhead or a ship on the horizon, I can’t help but ask myself, “I wonder where they are going?” Life, as it has evolved, has led me on a journey that is beyond my imagination. I participated in one of the most polarizing events in U.S. history, the Vietnam war. I also was a participant in, quite possibly, the most important event in U.S. labor history, the 1981 air traffic controllers’ strike. The second of those events led me to an amazing adventure. I lived outside of the United States for nine years. I have crossed the Pacific Ocean 11 times. I have crossed the Indian Ocean seven times. I have crossed the Atlantic Ocean more times than I can count. I have been on six of the seven continents and visited more than 90 countries. Along the way, a brilliant and beautiful young woman decided to become my partner and accompany me on that journey. This is the story of that adventure.
When Frank Kingston set a blood bounty on an innocent man, Zack Frost found himself hightailing it out of Indiana with a price on his head and a pack of bloodthirsty bounty hunters on his trail. Then his disaster-prone uncle arrived, and Frank knew he was in for a fight whether he wanted one or not!
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
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