Few would dispute the pitching greatness of Sandy Koufax--but was Paul Pettit better? Jim Baxes was once compared to the great Pie Traynor yet few baseball fans have ever heard of him. John Elway was undeniably one of the greatest quarterbacks in pro football history but could he have been an even better baseball player? For most fans greatness is measured in trophies and awards and confirmed by consistency over time. During his 70 years in baseball, renowned scout George Genovese witnessed some of the most talented players ever to play the game--some of them unknown to fans. He recalls the careers of unsung greats like Nestor Chavez, Matt Harrington and Derek Tatsuno, who never gained lasting fame despite unrivaled talent.
YouTube sensations Dan Howell (danisnotonfire) and Phil Lester (AmazingPhil) were just two awkward guys who shared their lives on the Internet…until now. Dan Howell and Phil Lester, avoiders of human contact and direct sunlight, actually went outside. Traveling around the world on tour, they have collected hundreds of exclusive, intimate, and funny photos, as well as revealing and candid side notes, to show the behind-the-scenes story of their adventure. Fans of Dan and Phil’s #1 New York Times bestseller, The Amazing Book Is Not on Fire, and their more than 10 million YouTube subscribers will love this full-color book featuring never-before-seen photos and stories from Dan and Phil.
Dan Lovett was an important part of Eyewitness News history. Al Primo, founder of the original Eyewitness News at WABC-TV in 1968 in New York Dan has always had a great passion for sports, and his knowledge comes crystal clear in this book. Plus, anybody with hair that good has to have something going just below it. Ron Franklin, former lead college football broadcaster on ESPN A mans man in the true sense of the word. He has the unmatched ability to put your mind into his story. A legendary storyteller; plus, he is a great friend and gentleman. Dan Pastorini, former Houston Oilers quarterback I tossed him out of my garage in gasoline alley at Indy, but felt bad about it because he was from my hometown. Dan came around and showed me he wanted to learn about racing. He is a great broadcaster and cares about my sport. A. J. Foyt, first four-time winner of the Indianapolis 500 I knew when I first hired him he would be a great broadcaster on the radio. He could talk about the farm report and make it the most important story of the day. Curt Brown, member of the Missouri Broadcasters Hall of Fame Dan knows how to tell the story in this book. If you like sports, youll Lovett. Sam Huff, hall of fame linebacker of the Giants and Redskins
Is white-collar crime victimless? Often, it becomes a very deadly game when the powerful become greedy.This is the story of two young beginning reporters trying to survive in 1959. Together, they fight heroically, wade into the murky waters of widespread official fraud, corruption, murder, and engage in a new war against domestic abuse and violence!On his 19th birthday, Toby Miller has already experienced a lifetime of tragedy. There are always consequences to actions, and destiny has a difficult road for this engineering hopeful turned journalist, and his beautiful partner.Mob danger lurks around every corner, and professional challenges are a daily occurrence in a pressure-packed environment.Steering through the daily pitfalls of a new career and the dangers created by a deadly criminal enterprise, make Danny Boy Stories--120 Letters an exciting romantic adventure.
The Ecstatic Imagination provides the first general theory of psychedelic experiences. Merkur refutes several theories that have been used to explain single categories of psychedelic experience, and offers instead a unitary theory that is applicable to all varieties. The book treats self-reports of psychedelic experiences as a wealth of neglected data which forms the basis to expand the psychoanalytic model of human imagination. An exhaustive phenomenology of the varieties of LSD, mescaline, and psilocybin experiences in Western and Native American cultures is joined together with psychoanalytic theories drawn from the classical, ego psychological, and object relations schools. Where existing theories prove inadequate to the discussion of data, original formulations are offered. The result is a rigorously psychoanalytic approach to the process of self-actualization.
A reformer who was always colorful, provocative, and controversial, Dan Walker became a political maverick, taking on Mayor Richard J. Daley’s vaunted Chicago machine and the powerful incumbent Richard Ogilvie to become the governor of Illinois. The Maverick and the Machine tells the dramatic story of Walker’s rise from dirt-poor beginnings to the pinnacle of power in Illinois and his conviction on charges of bank fraud that landed him in federal prison. This frank volume also probes the inner sanctum of the governorship and reviews the investigations of Governor Blagojevich’s administration and the criminal trial of former governor George Ryan. Best Memoir of 2008, San Diego Book Awards Illinois State Historical Society Certificate of Excellence, 2008
One of the year's Top Ten Books on Religion and Spirituality (Booklist), Being Alive and Having to Die is the story of the remarkable public and private journey of Reverend Forrest Church, the scholar, activist, and preacher whose death became a way to celebrate life. Through his pulpit at the prestigious Unitarian Church of All Souls in New York, Reverend Forrest Church became a champion of liberal religion and a leading opponent of the religious right. An inspired preacher, a thoughtful theologian and an eloquent public intellectual, Church built a congregation committed to social service for people in need, while writing twenty five books, hosting a cable television program, and being featured in People, Esquire, New York Magazine, and on numerous national television and radio appearances. Being Alive and Having to Die works on two levels, as an examination of liberal religion during the past 30 years of conservative ascendancy, and as a fascinating personal story. Church grew up the son of Senator Frank Church of Idaho, famous for combating the Vietnam War in the 1960s and the CIA in the 1970s. Like many sons of powerful fathers, he rebelled and took a different path in life, which led him to his own prominence. Then, in 1991, at the height of his fame, he fell in love with a married parishioner and nearly lost his pulpit. Eventually, he regained his stature, overcame a long-secret alcoholism, wrote his best books–and found himself diagnosed with terminal cancer. His three year public journey toward death brought into focus the preciousness of life, not only for himself, but for his ministry. Based on extraordinary access to Church and over 200 interviews with family, friends, and colleagues, Dan Cryer bears witness to a full, fascinating, at time controversial life. Being Alive and Having to Die is an honest look at an imperfect man and his lasting influence on modern faith.
An entertaining, deeply informative explanation of how high-level financial crimes work, written “with verve and wit” (The Sunday Times, London) by an industry insider who’s an expert in the field. The way most white-collar crime works is by manipulating institutional psychology. That means creating something that looks as much as possible like a normal set of transactions. The drama comes later, when it all unwinds. Financial crime seems horribly complicated, but there are only so many ways you can con someone out of what’s theirs. In Lying for Money, veteran regulatory economist and market analyst Dan Davies tells the story of fraud through a genealogy of financial malfeasance, including: the Great Salad Oil swindle, the Pigeon King International fraud, the fictional British colony of Poyais in South America, the Boston Ladies’ Deposit Company, the Portuguese Banknote Affair, Theranos, and the Bre-X scam. Davies brings new insights into these schemes and shows how all frauds, current and historical, belong to one of four categories (“long firm,” counterfeiting, control fraud, and market crimes) and operate on the same basic principles. The only elements that change are the victims, the scammers, and the terminology. Revealing some of the most famous frauds of the modern age, Davies explains how fraud has shaped the entire development of the modern world economy. For those “who like their true-crime stories laced with economics will enjoy these forays into the dark side” (Kirkus Reviews) this is a gripping and vivid look at modern market societies.
The Hollywood Stars were the most inventive team in baseball history, known for their celebrity ownership and movie star following during the Golden Age of Hollywood. In Lights, Camera, Fastball: How the Hollywood Stars Changed Baseball, Dan Taylor delivers a fascinating look at the Hollywood Stars and their glorious twenty-year run in the Pacific Coast League. Led by Bob Cobb, owner of the heralded Brown Derby restaurant and known more famously as the creator of the Cobb salad, the Hollywood Stars took professional baseball to a new and innovative level. The team played in short pants, instigated rule changes, employed cheerleaders and movie-star beauty queens, pioneered baseball on television, eschewed trains for planes, and offered fans palatable delicacies not before served at ballparks. On any given night, Clark Gable, Jimmy Stewart, Barbara Stanwyck, Humphrey Bogart, and dozens more cheered on their favorite team from the boxes and grandstands of Gilmore Field. During the Hollywood Stars’ history, its celebrity owners pushed boundaries, challenged existing baseball norms, infuriated rivals, and produced an imaginative product, the likes of which the game had never before seen. Featuring interviews with former players, Lights, Camera, Fastball is an inside look at a team that was far ahead its time, whose innovations are still seen in professional baseball today.
Boasting one of the oldest Scenic Byway programs in the country, Maine offers diverse landscapes such as the Western Mountains and the rugged Down East coastline. Scenic Maine Road Trips is the first of its kind to explore the outstanding character, tradition, culture, and wilderness to be discovered along these routes. This exploration through photographs, maps, informative text and sidebars will help you discover the real Maine that exists beyond Route 1 or I-95.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
This book provides comprehensive information on the geography, history, governmental structure, economy, cultural diversity, and landmarks of Colorado. The state's song is included.
With virtually every poll in America citing crime as one of the public's biggest concerns, in late 1994 and early 1995, the Dallas Morning News sent a questionnaire to every man and woman in the country on Death Row, asking some 75 questions about their crimes, their experiences, their attitudes, etc. The survey was drafted by the News with input from a veteran capital murder prosecutor, a Death Row appeals lawyer, a criminologist, a forensic psychiatrist, a Death Row warden and a former Death Row inmate. The paper received received more than 700 responses.The result is the first in-depth, comprehensive national survey of Death Row inmates. This book is an expansion of the paper's four-installment series that appeared in 1997.
No progressive rock band could ever be said to be a household name, but Van der Graaf Generator, who celebrated their fiftieth anniversary in 2018, rarely enjoyed that distinction even in the households of many prog fans. VdGG, and the band’s main creative force, Peter Hammill, only really had one foot in prog – the other pivoted between more straight-ahead rock, wild experimentation, and at times, brutal noise. While VdGG’s initial run ended prematurely, the band eventually came full-circle, reforming in 2005 and still going strong. Both Hammill and VdGG have been lauded as musicians’ musicians by such luminaries as Peter Gabriel, David Bowie, Julian Cope, Mark E. Smith, and Johnny Rotten. This book will explore what these musicians, and legions of dedicated fans, found so inspiring over the years: all of the VdGG albums, including Pawn Hearts and Godbluff as well as several solo Hammill albums crucial to the VdGG story, are discussed in these pages, including a handful of essential live recordings, experiments, and collaborations. Nothing like this analysis of the band has been published before, and this book will prove an invaluable guide for navigating the Van der Graaf Generator sonic labyrinth. Dan Coffey is a librarian, critic, and poet. He has written extensively on experimental and avant-garde music for Avant Music News, Stereo Embers and Perfect Sound Forever, as well as publishing numerous book reviews for Foreword Magazine. He once interviewed VdGG in an electrical storm! Coffey lives in Iowa with his wife and son, and his ever-growing record collection.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
In a detailed engagement with the psychoanalytic theories of dreams, conscience, empathy, and creativity, Dan Merkur argues that the superego is an unconscious reasoning process, dedicated to the representation of the loved object. The superego's access to the repressed and devotion of time to single topics make it both more knowledgeable and more intelligent than the conscious ego. This is the final installment in Merkur's three-volume exploration of the psychoanalysis of religious experiences—volumes one and two are The Ecstatic Imagination: Psychedelic Experiences and the Psychoanalysis of Self-Actualization and Mystical Moments and Unitive Thinking, also published by SUNY Press.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
A landmark collection by New York Times journalist Dan Barry, selected from a decade of his distinctive "This Land" columns and presenting a powerful but rarely seen portrait of America. In the wake of Hurricane Katrina and on the eve of a national recession, New York Times writer Dan Barry launched a column about America: not the one populated only by cable-news pundits, but the America defined and redefined by those who clean the hotel rooms, tend the beet fields, endure disasters both natural and manmade. As the name of the president changed from Bush to Obama to Trump, Barry was crisscrossing the country, filing deeply moving stories from the tiniest dot on the American map to the city that calls itself the Capital of the World. Complemented by the select images of award-winning Times photographers, these narrative and visual snapshots of American life create a majestic tapestry of our shared experience, capturing how our nation is at once flawed and exceptional, paralyzed and ascendant, as cruel and violent as it can be gentle and benevolent.
In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy form, such as The Producers and Spamalot. In The Complete Book of 2000s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 2000 through the end of 2009. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Patti LuPone, Chita Rivera, and Martin Short. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of black-themed shows and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 2000s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
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