Few would dispute the pitching greatness of Sandy Koufax--but was Paul Pettit better? Jim Baxes was once compared to the great Pie Traynor yet few baseball fans have ever heard of him. John Elway was undeniably one of the greatest quarterbacks in pro football history but could he have been an even better baseball player? For most fans greatness is measured in trophies and awards and confirmed by consistency over time. During his 70 years in baseball, renowned scout George Genovese witnessed some of the most talented players ever to play the game--some of them unknown to fans. He recalls the careers of unsung greats like Nestor Chavez, Matt Harrington and Derek Tatsuno, who never gained lasting fame despite unrivaled talent.
The Ecstatic Imagination provides the first general theory of psychedelic experiences. Merkur refutes several theories that have been used to explain single categories of psychedelic experience, and offers instead a unitary theory that is applicable to all varieties. The book treats self-reports of psychedelic experiences as a wealth of neglected data which forms the basis to expand the psychoanalytic model of human imagination. An exhaustive phenomenology of the varieties of LSD, mescaline, and psilocybin experiences in Western and Native American cultures is joined together with psychoanalytic theories drawn from the classical, ego psychological, and object relations schools. Where existing theories prove inadequate to the discussion of data, original formulations are offered. The result is a rigorously psychoanalytic approach to the process of self-actualization.
A reformer who was always colorful, provocative, and controversial, Dan Walker became a political maverick, taking on Mayor Richard J. Daley’s vaunted Chicago machine and the powerful incumbent Richard Ogilvie to become the governor of Illinois. The Maverick and the Machine tells the dramatic story of Walker’s rise from dirt-poor beginnings to the pinnacle of power in Illinois and his conviction on charges of bank fraud that landed him in federal prison. This frank volume also probes the inner sanctum of the governorship and reviews the investigations of Governor Blagojevich’s administration and the criminal trial of former governor George Ryan. Best Memoir of 2008, San Diego Book Awards Illinois State Historical Society Certificate of Excellence, 2008
One of the year's Top Ten Books on Religion and Spirituality (Booklist), Being Alive and Having to Die is the story of the remarkable public and private journey of Reverend Forrest Church, the scholar, activist, and preacher whose death became a way to celebrate life. Through his pulpit at the prestigious Unitarian Church of All Souls in New York, Reverend Forrest Church became a champion of liberal religion and a leading opponent of the religious right. An inspired preacher, a thoughtful theologian and an eloquent public intellectual, Church built a congregation committed to social service for people in need, while writing twenty five books, hosting a cable television program, and being featured in People, Esquire, New York Magazine, and on numerous national television and radio appearances. Being Alive and Having to Die works on two levels, as an examination of liberal religion during the past 30 years of conservative ascendancy, and as a fascinating personal story. Church grew up the son of Senator Frank Church of Idaho, famous for combating the Vietnam War in the 1960s and the CIA in the 1970s. Like many sons of powerful fathers, he rebelled and took a different path in life, which led him to his own prominence. Then, in 1991, at the height of his fame, he fell in love with a married parishioner and nearly lost his pulpit. Eventually, he regained his stature, overcame a long-secret alcoholism, wrote his best books–and found himself diagnosed with terminal cancer. His three year public journey toward death brought into focus the preciousness of life, not only for himself, but for his ministry. Based on extraordinary access to Church and over 200 interviews with family, friends, and colleagues, Dan Cryer bears witness to a full, fascinating, at time controversial life. Being Alive and Having to Die is an honest look at an imperfect man and his lasting influence on modern faith.
An entertaining, deeply informative explanation of how high-level financial crimes work, written “with verve and wit” (The Sunday Times, London) by an industry insider who’s an expert in the field. The way most white-collar crime works is by manipulating institutional psychology. That means creating something that looks as much as possible like a normal set of transactions. The drama comes later, when it all unwinds. Financial crime seems horribly complicated, but there are only so many ways you can con someone out of what’s theirs. In Lying for Money, veteran regulatory economist and market analyst Dan Davies tells the story of fraud through a genealogy of financial malfeasance, including: the Great Salad Oil swindle, the Pigeon King International fraud, the fictional British colony of Poyais in South America, the Boston Ladies’ Deposit Company, the Portuguese Banknote Affair, Theranos, and the Bre-X scam. Davies brings new insights into these schemes and shows how all frauds, current and historical, belong to one of four categories (“long firm,” counterfeiting, control fraud, and market crimes) and operate on the same basic principles. The only elements that change are the victims, the scammers, and the terminology. Revealing some of the most famous frauds of the modern age, Davies explains how fraud has shaped the entire development of the modern world economy. For those “who like their true-crime stories laced with economics will enjoy these forays into the dark side” (Kirkus Reviews) this is a gripping and vivid look at modern market societies.
A landmark collection by New York Times journalist Dan Barry, selected from a decade of his distinctive "This Land" columns and presenting a powerful but rarely seen portrait of America. In the wake of Hurricane Katrina and on the eve of a national recession, New York Times writer Dan Barry launched a column about America: not the one populated only by cable-news pundits, but the America defined and redefined by those who clean the hotel rooms, tend the beet fields, endure disasters both natural and manmade. As the name of the president changed from Bush to Obama to Trump, Barry was crisscrossing the country, filing deeply moving stories from the tiniest dot on the American map to the city that calls itself the Capital of the World. Complemented by the select images of award-winning Times photographers, these narrative and visual snapshots of American life create a majestic tapestry of our shared experience, capturing how our nation is at once flawed and exceptional, paralyzed and ascendant, as cruel and violent as it can be gentle and benevolent.
The Hollywood Stars were the most inventive team in baseball history, known for their celebrity ownership and movie star following during the Golden Age of Hollywood. In Lights, Camera, Fastball: How the Hollywood Stars Changed Baseball, Dan Taylor delivers a fascinating look at the Hollywood Stars and their glorious twenty-year run in the Pacific Coast League. Led by Bob Cobb, owner of the heralded Brown Derby restaurant and known more famously as the creator of the Cobb salad, the Hollywood Stars took professional baseball to a new and innovative level. The team played in short pants, instigated rule changes, employed cheerleaders and movie-star beauty queens, pioneered baseball on television, eschewed trains for planes, and offered fans palatable delicacies not before served at ballparks. On any given night, Clark Gable, Jimmy Stewart, Barbara Stanwyck, Humphrey Bogart, and dozens more cheered on their favorite team from the boxes and grandstands of Gilmore Field. During the Hollywood Stars’ history, its celebrity owners pushed boundaries, challenged existing baseball norms, infuriated rivals, and produced an imaginative product, the likes of which the game had never before seen. Featuring interviews with former players, Lights, Camera, Fastball is an inside look at a team that was far ahead its time, whose innovations are still seen in professional baseball today.
Boasting one of the oldest Scenic Byway programs in the country, Maine offers diverse landscapes such as the Western Mountains and the rugged Down East coastline. Scenic Maine Road Trips is the first of its kind to explore the outstanding character, tradition, culture, and wilderness to be discovered along these routes. This exploration through photographs, maps, informative text and sidebars will help you discover the real Maine that exists beyond Route 1 or I-95.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
This book provides comprehensive information on the geography, history, governmental structure, economy, cultural diversity, and landmarks of Colorado. The state's song is included.
With virtually every poll in America citing crime as one of the public's biggest concerns, in late 1994 and early 1995, the Dallas Morning News sent a questionnaire to every man and woman in the country on Death Row, asking some 75 questions about their crimes, their experiences, their attitudes, etc. The survey was drafted by the News with input from a veteran capital murder prosecutor, a Death Row appeals lawyer, a criminologist, a forensic psychiatrist, a Death Row warden and a former Death Row inmate. The paper received received more than 700 responses.The result is the first in-depth, comprehensive national survey of Death Row inmates. This book is an expansion of the paper's four-installment series that appeared in 1997.
No progressive rock band could ever be said to be a household name, but Van der Graaf Generator, who celebrated their fiftieth anniversary in 2018, rarely enjoyed that distinction even in the households of many prog fans. VdGG, and the band’s main creative force, Peter Hammill, only really had one foot in prog – the other pivoted between more straight-ahead rock, wild experimentation, and at times, brutal noise. While VdGG’s initial run ended prematurely, the band eventually came full-circle, reforming in 2005 and still going strong. Both Hammill and VdGG have been lauded as musicians’ musicians by such luminaries as Peter Gabriel, David Bowie, Julian Cope, Mark E. Smith, and Johnny Rotten. This book will explore what these musicians, and legions of dedicated fans, found so inspiring over the years: all of the VdGG albums, including Pawn Hearts and Godbluff as well as several solo Hammill albums crucial to the VdGG story, are discussed in these pages, including a handful of essential live recordings, experiments, and collaborations. Nothing like this analysis of the band has been published before, and this book will prove an invaluable guide for navigating the Van der Graaf Generator sonic labyrinth. Dan Coffey is a librarian, critic, and poet. He has written extensively on experimental and avant-garde music for Avant Music News, Stereo Embers and Perfect Sound Forever, as well as publishing numerous book reviews for Foreword Magazine. He once interviewed VdGG in an electrical storm! Coffey lives in Iowa with his wife and son, and his ever-growing record collection.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
In a detailed engagement with the psychoanalytic theories of dreams, conscience, empathy, and creativity, Dan Merkur argues that the superego is an unconscious reasoning process, dedicated to the representation of the loved object. The superego's access to the repressed and devotion of time to single topics make it both more knowledgeable and more intelligent than the conscious ego. This is the final installment in Merkur's three-volume exploration of the psychoanalysis of religious experiences—volumes one and two are The Ecstatic Imagination: Psychedelic Experiences and the Psychoanalysis of Self-Actualization and Mystical Moments and Unitive Thinking, also published by SUNY Press.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy form, such as The Producers and Spamalot. In The Complete Book of 2000s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 2000 through the end of 2009. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Patti LuPone, Chita Rivera, and Martin Short. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of black-themed shows and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 2000s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
This revised edition features activities that can be used to develop, reinforce, and/or apply mathematical concepts. Activities can also be adapted for use with elementary students at a later time. They are closely keyed to the text and are ordered by the topics and skills within each chapter. References to these activities are in the margin of the main text.
With immigration fulfilling the role of population maintenance in many Western democracies, how should newcomers be welcomed? Pfeffer argues that states ought to promote group integration for communities that have settled through immigration, facilitating the development of group institutions that enable communication with the receiving society.
I've been using AutoCAD for 22 years and have written a hundred books on the subject. I reviewed many CAD books back in the days when book reviews were common in CAD publications; some were innovative, others were just sad. But for nearly a decade, it's been mostly silence on the book review front. Then earlier in the summer, a book arrived in the mail from Sybex: AutoCAD Secrets Every User Should Know by Dan Abbott. Reading it, I got excited: here's a book for every AutoCAD user, even old-timers like me." - Ralph Grabowski, Editor, upFront.eZine.com: The Business of CAD Learn the "why" behind the "how" in this one-of-a-kind reference packed with tips and techniques from award-winning AutoCAD expert Dan Abbott. This info-packed guide reveals some of the best kept AutoCAD secrets on technical standards, AutoLISP programming, DOS functions, scripts, 3D, and everything in between. Based on his popular "Things Every AutoCAD User Should Know" session at Autodesk University and other industry events, Dan gives you the answers to frequently asked AutoCAD questions in his direct and entertaining style while using real-world case studies to put your skills into practice. Read it cover to cover or dive right in to the sections you need most, then get ready to improve your productivity, save more time, and become an AutoCAD all-star.
Focusing on individual patient needs, Cancer Chemotherapy, Immunotherapy and Biotherapy: Principles and Practice, Seventh Edition, provides thorough, comprehensive information from Drs. Bruce A. Chabner, Dan L. Longo, and an authoritative team of clinicians and scientists working at renowned cancer centers across the globe. It covers fundamental information about mechanism of action, pharmacokinetics, clinical toxicity, and drug interactions, all essential to the safe and effective use of the drug.
Merkur proposes an alternative to the traditional psychoanalytic explanation of mystical experiences as regression to the solipsism of earliest infancy. He does this by viewing unitive thinking as a line of cognitive development, and mystical moments as creative inspirations on unitive topics. Utilizing classical self-reports by Christian, Jewish, and Muslim mystics, Patanjali's Yoga Sutras, and modern Western peak experiences, Merkur argues that experiences of mystical union are manifestations of a broader category of psychological processes that manifest in scientific and moral thought, as well as in mysticism. Unconscious as well as conscious, unitive thinking is sometimes realistic and sometimes fantastic, in patterns that are consistent with cognitive development in general. Mystical moments of unitive thinking may be considered moments of creative inspiration that happen to make use of unitive ideas. Building on the psychoanalytic object-relations theory that the self is always in relationship with an object, Merkur argues that the solipsism of some varieties of mystical union always implies unconscious ideas of a love object who is transcendent.
Alfred Hitchcock's 1958 film "Vertigo" is one of the most dissected, discussed, and revered movies of all time. Writing with the full cooperation of the director's family and many crew members, Auiler offers up a remarkable in-depth re-creation of Hitchcock's signature thriller. 110 halftones throughout. 8-page color photo insert.
The New England Small College Athletic Conference has won glowing appraisals in the sporting press since its founding in 1971. Established to strengthen intercollegiate sports in harmony with the high academic standards of its members--11 prestigious liberal arts colleges--the NESCAC is committed to equity and inclusion in athletic programs, and to providing only need-based financial aid. The Conference's reputation attracts many gifted student athletes. Drawing extensively on campus archives, media reports and interviews, this book compares the NESCAC's lofty strategy to reality, with a focus on recruiting, admissions, financial aid and diversity goals.
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
What's the right price for your new product? Millionaire maker Dan S. Kennedy and pricing/marketing strategist Jason Marrs empower small business owners to take control of their profits by taking charge of the source: their price. Entrepreneurs are dared to re-examine their every belief about pricing and take a more creative, bold approach, using price to their extreme advantage and allowing them to be as profitable as possible. Liberating small business owners from all fear and timidity toward pricing, Kennedy and Marrs teach small business owners uncover how to avoid the 9 ultimate price and fee failures including excess concern about competitors’ lower prices, attracting customers who buy by price, and not offering premium pricing options. They also reveal how to discount without damage, the secret to price elasticity, how to break free from the price-product link, and, most importantly, how to set prices for the greatest profits. Kennedy and Marrs disclose little-known revelations about the power of pricing including: The 9 ultimate price and fee failures The trick behind discounting without devaluing The 5 price-related propositions to be concerned with The million-dollar secret behind “FREE” How to win price wars with competitors Includes access to price strategy support tools at www.simplepricingsystem.com Covers pricing strategies specific to recessions
This volume presents the first organized study of Jung's ethics. Drawing on direct quotes from all of his collected works, interviews, and seminars, psychoanalyst and religious scholar Dan Merkur provides a compendium of Jung’s thoughts on various topics and themes that comprise his theoretical corpus—from the personal unconscious, repression, dreams, good and evil, and the shadow, to collective phenomena such as the archetypes, synchronicity, the psychoid, the paranormal, God, and the Self, as well as his contributions to clinical method and technique including active imagination, inner dialogue, and the process of individuation and consciousness expansion. The interconnecting thread in Merkur's approach to the subject matter is to read Jung’s work through an ethical lens. What comes to light is how Merkur systematically portrays Jung as a moralist, but also as a complex thinker who situates the human being as an instinctual animal struggling with internal conflict and naturalized sin. Merkur exposes the tension and development in Jung’s thinking by exploring his innovative clinical-technical methods and experimentation, such as through active imagination, inner dialogue, and expressive therapies, hence underscoring unconscious creativity in dreaming, symbol formation, engaging the paranormal, and artistic productions leading to expansions of consciousness, which becomes a necessary part of individuation or the working through process in pursuit of self-actualization and wholeness. In the end, we are offered a unique presentation of Jung’s core theoretical and clinical ideas centering on an ethical fulcrum, whereby his moral psychology leads to a cure of souls. Jung’s Ethics will be of interest to academics, scholars, researchers, and practitioners in the fields of Jungian studies and analytical psychology, ethics, moral psychology, philosophy, religious studies, and mental health professionals focusing on the integration of humanities and psychoanalysis.
Social Research Methods by Example shows students how researchers carry out work on the cutting edge of social science. The authors illustrate every point through engaging, thought-provoking examples from real research. The language is jargon-free, making research methods less intimidating and more relatable. The text is divided into three major sections, the first of which introduces students to the principles of research through examples from various fields. The second section walks students through the major types of social science research, with each chapter focusing on a different technique. The third section shows students how to carry out basic quantitative data analysis in SPSS. The final chapter shows how technological advances have changed the way researchers are working, and looks at the direction of social science research in the future. Social Research Methods by Example not only introduces students to the principles of social science research, but gives them a toolbox to carry out their own. By the time they are finished with the book, students will be conversant with many of the most important studies in the history of social science. They will understand not only how to conduct research, but also how the field has evolved over time.
Gnosis traces the use of powerful gnostic visionary techniques from Hellenistic Gnosticism and Jewish merkabah mysticism, through Muhammad, the Ismaeilis, and theosophical Sufism to medieval neoplatonism, and renaissance alchemy.
Is there something you'd like to do, but your friends just don't get it? So what do you do? Do you trudge on alone, or do you just give up on it? After all, if your friends don't understand, why would anyone? But then someone unexpected comes along. Or was he there all the time? Author Dan Arnsan tells the story of such a dream in his book, Trevor's Tank. Ten-year-old Trevor is fascinated with tanks. His dream is to build a tank he can drive in the Veteran's Day parade. It's a big goal, and Trevor is off to a rocky start. His friends don't understand his fascination with tanks or why he wants to build one. Trevor quickly discovers his building skills aren't exactly up to the level needed for such a project. That's when he accepts help from a lonely neighbor, Mike, who helps him achieve it and deal with other issues along the way. Trevor's Tank deals with many issues ten-year-olds have. They face bullying and loneliness, especially when their fathers aren't around.
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