SHAW 16 contains twenty-nine unpublished pieces by Shaw written between 1877 and 1950. The most significant is a ten-page draft synopsis of Man and Superman (the original manuscript draft of the play has been lost) in a contemplated five-act version, providing scholars with a hitherto unavailable ur-text. Equally important for the biographical and artistic insights they offer are the early literary efforts found in Shaw's first opus notebook, including an extended narrative-verse fragment of 1877 set in Dublin; a polemic (his first) on oakum picking and prison conditions; a criticism of organists and orchestral conductors; and an attempted evaluation of contemporary arts and letters in 1878. We find Shaw, through the persona of a female narrator, creating in his own image a fictional memoir of the young Hector Berlioz; offering an ironic vindication of housebreakers (in anticipation of Heartbreak House); exploring the seamy side of the prizefight ring; examining "exhausted" genres of Victorian art in 1880; defining the "true signification of the term Gentleman"; lecturing on Socialism and the family and on realism as the goal of fiction; and penetratingly considering the future of marriage in a rejected book review, one of four included in the volume. The dimensions of Shaw's political views may be examined through nearly a dozen commentaries on politics and on war and peace, ranging from the Boer War (an 1899 draft letter to the press, "Why Not Abolish the Soldier?") and 1903 municipal elections to U.S. Liberty Loans, the Italo-Abyssinian War, "how to talk intelligently" about the Second World War, and the implications of the hydrogen bomb in the nuclear age. For good measure, the volume concludes with two brief playlets, previously unrecorded. The editors have arranged these pieces individually or grouped by theme and genre as near to chronological order as possible, and the reader is brought closer to the original manuscripts by the retention of Shaw's stylistic and spelling inconsistencies, and by transliteration of the shorthand notations he frequently inserted between lines or in the margins. Each text is supplemented by an editorial note providing its provenance and a detailed physical description of the manuscript.
The definitive portrait of the powerful, corruption-ridden Teamsters union and its legendary president, Jimmy Hoffa—organizer, gangster, convict, and conspirator—with a new afterword by the author James Riddle “Jimmy” Hoffa was one of the most fascinating and controversial figures in twentieth-century America. His remarkable journey from young union organizer to all-powerful head of the International Brotherhood of Teamsters is an epic tale worthy of a Hollywood blockbuster, jam-packed with intrigue, subterfuge, violence, and corruption. His successes were monumental, his fall truly spectacular, and his bizarre disappearance in the summer of 1975 remains one of the great mysteries in American history. Widely considered to be the definitive volume on the career and crimes of Jimmy Hoffa, The Hoffa Wars, by acclaimed investigative journalist Dan E. Moldea, is an eye-opening, extensively researched account of the steady rise and fall of an ingenious, ambitious man who was instrumental in transforming a small union of seventy-five thousand truckers into the most powerful labor brotherhood in world. Shocking disclosures in Moldea’s no-holds-barred account include the devil’s bargain that put Hoffa and his union in the pockets of the Mob, Hoffa’s role in the joint CIA-Mafia plots to kill Cuban leader Fidel Castro, the deal Hoffa made with US president Richard Nixon that released the disgraced Teamster president from prison eight years early, and the truth behind Hoffa’s eventual disappearance and likely murder. But perhaps the most startling revelation of all concerns the integral part Jimmy Hoffa played, in concert with underworld kingpins Carlos Marcello and Santos Trafficante, in America’s most terrible twentieth-century crime: the assassination of President John F. Kennedy.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
Before the First World War there existed an intellectual turmoil in Britain as great as any in Germany, France or Russia, as the debates over Nietzsche and eugenics in the context of early modernism reveal. With the rise of fascism after 1918, these debates became more ideologically driven, with science and vitalist philosophy being hailed in some quarters as saviours from bourgeois decadence, vituperated in others as heralding the onset of barbarism. Breeding Superman looks at several of the leading Nietzscheans and eugenicists, and challenges the long-cherished belief that British intellectuals were fundamentally uninterested in race. The result is a study of radical ideas which are conventionally written out of histories of the politics and culture of the period.
Who am I? And how do I fit into the world? These are the questions individuals ask themselves to make sense of their lives. Power, Intimacy and the Life Story addresses the human quest for identity. The author reinterprets some of the classic writings in psychology as he shows how each of us constructs a life story in order to meet the identity challenge and create a sense of unity and purpose in our lives. Written for the social scientist, practicing clinician, educated layperson, and student, this compelling study describes how we construct stories that are organized by the two general life themes of power and intimacy. Using the results of questionnaires and interviews with both college students and older adults, the author illustrates an innovative way of understanding human lives in literary terms.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
A Kirkus Reviews Best Book of 2023 The New York Times bestselling historian makes his historical fiction debut with an explosive novel set during the Hundred Years' War. July 1346. Ten men land on the beaches of Normandy. They call themselves the Essex Dogs: an unruly platoon of archers and men-at-arms led by a battle-scarred captain whose best days are behind him. The fight for the throne of the largest kingdom in Western Europe has begun. Heading ever deeper into enemy territory toward Crécy, this band of brothers knows they are off to fight a battle that will forge nations, and shape the very fabric of human lives. But first they must survive a bloody war in which rules are abandoned and chivalry itself is slaughtered. Rooted in historical accuracy and told through an unforgettable cast, Essex Dogs delivers the stark reality of medieval war on the ground – and shines a light on the fighters and ordinary people caught in the storm.
David Grenville, the scion of a wealthy and influential family with roots well-entrenched in the "American experience," meets and falls in love with Anna Kraley, the daughter of Eastern European immigrants. But their love affair is doomed from the beginning. David is the Catholic priest of the church that Anna's family attends. When Anna discovers that she is pregnant, David's family helps her flee to Chicago where she gives birth to her son, Mark. Upon returning to her parent's home, she hides Mark's true paternity from her family and friends. Anna also shelters Mark from the truth of his birth, fabricating a father that never really existed. Yet a woman who once loved David seeks revenge and wants to expose Mark to the truth of his parentage. Can Mark survive the knowledge of his parents' illicit love affair? Through a series of flashbacks and reminiscences, La Salle County contrasts the lives of David and Mark. As father and son review their lives, their stories reflect their coming of age during the turbulent times that marked the past century.
From the Ground Up is the journey of real estate magnate Dan Hoffler, a person from a very modest family, a kid with average grades and a big smile, who succeeded in business on the force of personality and a strong belief in himself. HofflerÕs story is rife with life lessons on finding success, coping with controversy, and always enjoying life. He is a world traveler and big game hunter who tells of his harrowing pursuit of polar bear, rhino, and mountain sheep in some of the most remote and dangerous regions in the world. The book includes anecdotes from NFL Hall of Famer Bruce Smith, U.S. Senator Mark Warner and former Virginia Governor Doug Wilder.
Three exposés of corruption—behind the NFL, the Teamsters and Jimmy Hoffa, and Ronald Reagan—from an investigative reporter who “never relents” (The Washington Post). Interference: A shocking exposé of widespread corruption and mob influence throughout the National Football League—on the field, in the owners’ boxes, and in the corporate suites. “[A] true and terrifying picture of a business whose movers and shakers seem to have more connections to gambling and the mob than to touchdowns and Super Bowls.” —Keith Olbermann The Hoffa Wars: The definitive portrait of the powerful, corruption-ridden Teamsters union and its legendary president, Jimmy Hoffa—organizer, gangster, convict, and conspirator—whose disappearance in 1975 remains one of the great unsolved mysteries. “Mr. Moldea’s view of [the Hoffa] wars, which reached its greatest intensity when Robert Kennedy was Attorney General, may explain not only Mr. Hoffa’s disappearance, but the assassination of John Kennedy as well.” —The Wall Street Journal Dark Victory: A “smoldering indictment” of the corrupt influences that rescued Ronald Reagan’s acting career, made him millions (resulting in a federal grand jury hearing), backed his political career, and shaped his presidency (Library Journal). “[Moldea] has, through sheer tenacity, amassed an avalanche of ominous and unnerving facts. [Dark Victory is] a book about power, ego, and the American way.” —Los Angeles Times
Dedicated to the memory of George Lefevre in recognition of his exhaustive cytogenetic analysis of the X chromosome, The Genome of Drosophila melanogaster is the complete compendium of what is known about the genes and chromosomes of this widely used model organism. The volume is an up-to-date revision of Lindsley and Grell's 1968 work, Genetic Variations of Drosophila melanogaster. The new edition contains complete descriptions of normal and mutant genes including phenotypic, cytological, molecular, and bibliographic information. In addition, it describes thousands of recorded chromosome rearrangements used in research on Drosophila. This handbook and its accompanying polytene chromosome maps, are sturdily bound into the book as foldouts and available as a separate set, are essential research tools for the Drosophila community. - Describes phenotype, cytology, and molecular biology of all recorded genes of Drosophila melanogaster, plus references to the literature - Describes normal chromosome complement, special chromosome constructs, transposable elements, departures from diploidy, satellite sequences, and nonchromosomal inheritance - Describes all recorded chromosome rearrangements of Drosophila melanogaster as of the end of 1989 Contains the cytogenetic map of all genes as of mid-1991 - Contains the original polytene maps of C.B. Bridges, plus G. Lefevre's photographic equivalents, and the detailed maps of the chromosome arms produced by C.B. and P.M. Bridges - All maps are reprinted as high-quality foldouts sturdily bound into the volume - Maps may also be purchased separately in an eight-map packet, for laboratory and student use
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
This worldwide reference guide to over 300 Army, Air Force, Navy, Marine Corps and Coast Guard installations includes information on locations, climates, housing and schools, personal services, recreational opportunities and local attractions, as well as detailed maps and base information. An ideal companion for servicemembers, defense contractors and military travelers.
In The Silence of Bartleby, Dan McCall proposes a new reading of Herman Melville's classic short tale "Bartleby, The Scrivener." McCall discuss in detail how "Bartleby has been read in the last half-century by practitioners of widely used critical methodologies--including source-study, psychoanalytic interpretation, and Marxist analysis. He argues that in these elaborate readings of the tale, the text itself may be lost, for critics frequently seem to be more interested in their own concerns than in Melville's. Efforts to enrich "Bartleby" may actually impoverish it, preventing us from experiencing the sense of wonder and pain that the story provides. McCall combines close readings of Melville's tale with a lively analysis of over four decades of commentary, and he includes the complete text of story itself as an appendix, encouraging us to read the story on its own terms.
First Published in 2003. This volume charts the history of anthracite coal mining industry and developments around the Josiah White rolling mill in Philadelphia, the Lehigh Coal Mining Company created in 1972 in Pennsylvania, Canal and railroad developments, John Leisenring and Sharpe, Leisenring and Co; and Westmoreland from 1794 to 1999.
4-H Stories from the Heart presents inspirational and heartfelt stories by 4-Hers, volunteers, and staff that will inspire, amuse, and bring back fond memories. For more than a century, the 4-H movement has touched the lives of millions of people, one experience at a time. You will read how over 60,000,000 people have learned to step up and lead in a complex and changing world. Don Floyd, President and CEO, National 4-H Council Reading these 4-H stories will warm your heart, help clear your head, remind you why we extend our hands to serve, and yes, provide you with healthy, wholesome laughter! These stories resonate and capture the essence of 4-H. Lisa Lauxman, Division Director, 4-H Youth Development, NIFA USDA This is an amazing collection of stories from all across the country. Some of the stories may sound familiar, while others will be new and unique. But all of these stories will touch your heart. Earl McAlexander, President, National Association of Extension 4-H Agents In a little over a century, 4-H has evolved from a program primarily designed for training rural youth in new agricultural technologies to the worlds largest youth development program. The 4-H experience creates amazing tales best told by those who lived them. 4-H Stories from the Heart offers a wide variety of stories by current and former 4-Hers, volunteers, and professionals; some as young as six years old and others eighty plus! The stories are sometimes funny, sometimes poignant, and often inspiring, but they all come from the heart. Learn how a teacher from a poor Mississippi school district leveraged a $1,0004-H grant to enable her students to change their world. Chuckle over Horse Vandal Strikes at the County Fair, Banned from the Barn, and Manure Happens. Discover how a dead chicken helped win a poultry contest, and why a new 4-H agent told his 4-Hers to steal canes from old folks. 4-H Stories from the Heart is a project of the National Association of Extension 4-H Agents. Proceeds will be used to create an endowment for the National 4-H Hall of Fame that recognizes and celebrates those who have made a significant impact on 4-H from local to national levels.
After his release from the U.S. Army, former Special Forces Lieutenant Eric LaGrange retired to Damascus. His days are quiet until CIA case officer Roger Shaw knocks at his door and invites him to join the spy world. Shaw needs an asset who understands the Middle East, someone who will help stop the bad guys from killing innocent people. Shaw and LaGrange have gathered intelligence that a terrorist group called the Followers of the Cleric has planned something big. They must work quickly to determine the targetsboth in the United States and the Middle East. Kamal ibn-Sultan, a known terrorist and leader of an international Islamic group, has orders to destroy an ambitious oil pipeline project that reaches from the Caspian Sea to Turkeys Mediterranean coast. Spearheaded by Ambassador Elizabeth Paige, the pipeline serves to help the former Soviet bloc countries develop stronger economies. Paige expects some backlash from the project, but she has no idea of the depth of the threat of danger.
Dan Billany's The Trap, first published in 1950, still stands - in the opinion of M.R.D. Foot - as 'one of the most powerful English novels to come out of the [Second World War].' It echoes the wartime experiences of its author, who is believed to have died in 1943 while on the run from an Italian POW camp, but not before entrusting the manuscripts of The Trap to safekeeping. The book's narrator, army lieutenant Michael Carr, tells of his early years in Cornwall, of the girl he met and loved there, and of the hard times her family endured between the wars. These troubles and joys give way to the tragedy of war, and the book's narrative becomes one of comradeship, suspense and fighting in the North African desert. 'The Trap is an outstanding novel by a writer of natural genius... written with great force and honesty... profoundly impressive.' Times Literary Supplement
Media events are a central communication tactic used by political communicators in political campaigns and in governmental affairs. Each president has an advance staff that creates mediagenic events to influence the news media, generate coverage and excitement, construct favorable political images, and persuade voters. Advance men and women are visual speechwriters who focus not only on what the politician says, but also on how the candidate looks and the visual message communicated by the event. This timely and groundbreaking work examines media events and advance in political communication by exploring: (1) how media events are conceived and staged, (2) the role of advance in an overall communication strategy, (3) how media events holistically function to generate a rhetorical impact, and (4) the implications of politically communicating by media event. This book gives readers the tools and background necessary to both analyze and understand media events and to create their own. Media events and advance are a significant element of political communication that has not been systematically or comprehensively studied, and Schill's innovative work ably fills this major gap in the literature.
Peter feels compelled to help a wounded German pilot, but he doesn't want to be a traitor--especially not to his father, who is off fighting the Nazis. A moving story about the moral dilemmas of war. Summer 1941: For Peter, the war is a long way away, being fought by his father and thousands of other British soldiers against the faceless threat of Nazism. But war comes frighteningly close to home one night when a German jet is shot down over the neighboring woods. With his feisty new friend Kim, Peter rushes to the crash site to see if there's anything he can salvage. What he finds instead is a German airman. The enemy. Seriously wounded and in need of aid...Continuing in the tradition of thought-provoking literature about the Second World War, Dan Smith's MY FRIEND THE ENEMY is a thrilling adventure that also personalizes the moral dilemmas faced by the children left behind on the home front.
This fresh interpretation explains how an untutored musician changed music while at the same time playing an inadvertent role in the youth rebellion that has shaped the Baby Boomer generation into the 21st century. Elvis Aaron Presley was born in a two-room house in Tupelo, MS, on January 8, 1935. He died at his Memphis home, Graceland, on August 16, 1977. In those 42 years, Elvis made an indelible impression on pop culture the world over. Elvis Presley, Reluctant Rebel: His Life and Our Times probes both the man and his influence, delving deeply into the personality of its protagonist, his needs and motivations, and the social and musical forces that shaped his career. Elvis's musical talents and liabilities are explored, as are his records, films, and live performances and his relationship with his manager, Colonel Tom Parker, whom he allowed to manipulate him as a money-making machine. Readers will learn about Elvis's personal life, his devotion to conventional religious and political beliefs, and his decline into self-destruction and death. Finally, the book explores Elvis's impact on the musical and racial revolutions of the 1950s and 1960s, his legacy, and his importance in shaping a generation of Baby Boomers.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
When a prominent New York businesswoman discovers her husband's dead body, her life is shuddered. As she awaits the arrival of a homicide detective, the story of Valerie's past unfolds. Her life has been a torrent of success and tribulation. This extraordinary fiction novel weaves together an unforgettable cast of characters in this fast-moving and gripping story. It grabs the reader from the start and continues to build up steam. Valerie had turned her talent into the lucrative real estate market of New York's luxury residences, while her ballet career blossoms. When she decides to withdraw from a real estate venture, her partner convinces her husband, a prominent New York attorney to assume her place in the project, take control of it and seek funds for it's completion. He introduces him to a former Russian vice- admiral and his shadowy associates, whose funds help turn around the joint venture and the ambitious project then moves forward, as the approval of it's phase one by the city's planning board is at hand. Christopher, Valerie's husband meets stiff opposition by Sarah Whitmore, a mysterious new planning board member, whose resistance is met with Christopher's wrath. Here is a stunning tale of intrigue, romance, betrayal and greed, as Sarah Whitmore is entangled in a war of nerves against Christopher Ames and her success is twisted amid powerful forces and events as a masterful finale’ looms ahead, where a woman- pursued by foes and friends alike holds a stunning surprise of her own.
Each year, starting in 1925, the Pennsylvania Railroad (PRR) commissioned a striking oil painting of a PRR engine in a dramatic setting, which was featured on a large wall calendar that the company distributed by the hundreds of thousands to customers and the public. Grif Teller painted 27 of the 33 scenes. This book reproduces Teller's calendar art and his other paintings in full color and recounts his life and career.
Mass incarceration and lower crime rates have not made city dwellers feel safe. Programs designed to deal with this problem focus on increased police protection. In this study, Lewis and Salem question the validity of these assumptions and the effectiveness of this approach. Their five-year investigation challenged theories that focused only on the psychological responses to victimization and failed to take into account the social and political environments within which such fears are created. From a “social control” perspective which informs their research and analysis, the authors examined the fear of crime in ten neighborhoods in Chicago, San Francisco, and Philadelphia which represent the range of communities typically found in urban areas. The authors contend that fear of crime is not related to exposure or knowledge about criminal events alone, but also stems from residents’ concerns about changes in their neighborhoods. Many people, they argue, are afraid of crime because they believe that they have lost control over their local communities. Their conclusions remain as valid as when this book was first published in 1986. Lewis and Salem consider ways to restore the control that community residents feel they have lost and consider the possibilities for a more equitable distribution of security in urban areas.
Cleveland sports journalist Dan Coughlin shares stories of some of the more unique individuals and events he covered over the course of his forty-five-year career.
London, 1920: Boston-bred Enoch Hale, working as a reporter for the Central News Syndicate, arrives on the scene shortly after a music hall escape artist is found hanging from the ceiling in his dressing room. What at first appears to be a suicide turns out to be murder . . . the first of several using the same modus operandi. What s the connecting factor among all the victims? Or isn't there one? That's what the dogged journalist Hale aims to find out. Covering the Hangman Murders brings him into contact with a diverse cast of witnesses and interview subjects that include Winston Churchill, William Butler Yeats, George Bernard Shaw, Alfred Hitchcock, and Ezra Pound. Hale, whose best friend in London is the chain-smoking poet and banker T.S. (Tom) Eliot even makes a pilgrimage to the Sussex Downs to get an opinion on the case from the great detective Sherlock Holmes. The trip is in vain, but he eventually does meet Holmes in a most surprising encounter. Through it all there is another mystery, which perhaps goes to the mystery of the human heart. What is the lovely music hall singer Sadie Briggs concealing from Hale just her past or also her present?
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The Assignment by Dan Gordon Carlos the Jackal is a terrorist without rules, without a conscience, without a heart. And no intelligence agency in the free world has been able to stop him. CIA agent Jack Shaw has seen what Carlos is capable of. Now he wants Naval Lt. Commander Annibal Ramirez to help him. Ramirez has a nice wife, two kids, a house in the suburbs...and Carlos' face. All Shaw has to do is train Ramirez to act like Carlos and kill him. Ramirez is Carlos' exact double, Shaw's pawn in a chilling game to trap the terrorist. And stripped of his morals, family ties, and his soul, Ramirez becomes his mirror image--a ruthless psychopath on a collision course with pure evil--where only one man will survive.
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