The name Joseph Addison was once synonymous with the finest of English prose. Eminent writers from Voltaire to Lord Macaulay to John Steinbeck considered him a consummate master to be studied and emulated. According to Benjamin Franklin, Addison’s writings "contributed more to the improvement of the minds of the British nation, and polishing their manner, than those of any other English pen whatever." While his influence lives on in the sound and style of English today, the fame of this literary role model has faded from popular awareness. The Addisonian spirit, which ushered in an exceptional era of domestic peace in Britain and provided inspiration for the French and American Revolutions, coded many of the constitutional, political, and social agreements we continue to live with today. This book, the first comprehensive monograph of Addison in half a century, considers Addison’s contribution through an in-depth exploration of his writings, political work, social life, and theatrical stagings.
The name Joseph Addison was once synonymous with the finest of English prose. Eminent writers from Voltaire to Lord Macaulay to John Steinbeck considered him a consummate master to be studied and emulated. According to Benjamin Franklin, Addison’s writings "contributed more to the improvement of the minds of the British nation, and polishing their manner, than those of any other English pen whatever." While his influence lives on in the sound and style of English today, the fame of this literary role model has faded from popular awareness. The Addisonian spirit, which ushered in an exceptional era of domestic peace in Britain and provided inspiration for the French and American Revolutions, coded many of the constitutional, political, and social agreements we continue to live with today. This book, the first comprehensive monograph of Addison in half a century, considers Addison’s contribution through an in-depth exploration of his writings, political work, social life, and theatrical stagings.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The subject of coupled instabilities is a fascinating field of research with a wide range of practical applications, particularly in the analysis and design of metal structures. Despite the excellent body of existing results concerning coupled instability structural behaviour, this situation has not yet been adequately translated into design rules or specifications. In fact, only to a small extent do modern design codes for metal structures take advantage of the significant progress made in the field. This book, which contains all the invited general reports and selected papers presented at the Third International Conference on "Coupled Instabilities in Metal Structures". (CIMS '2000), should provide a meaningful contribution towards filling the gap between research and practice.
West Berlin, 1979. Helen Abell oversees the CIA's network of safe houses, rare havens for field agents and case officers amidst the dangerous milieu of a city in the grips of the Cold War. Helen's world is upended when she overhears a meeting between two people unfamiliar to her speaking a coded language that hints at shadowy realities. Before the day is out, she witnesses a second unauthorized encounter, one that will place her in the sight lines of the most ruthless and dangerous man at the agency. What she has witnessed will have repercussions that reach across decades and continents into the present day, when, in a farm town in Maryland, a young man is arrested for the double murder of his parents, and his sister takes it upon herself to find out why he did it.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Despite significant progress due to public health campaigns and other policy efforts, smoking continues to be a serious health threat throughout the world. In addition, sedentary lifestyles, poor diet, and obesity continue to be major causes of chronic diseases. The Health Impact of Smoking and Obesity and What to Do about It synthesizes a vast quantity of recent data on the benefits and cost-effectiveness of both clinical and public health interventions in addressing the risk factors of smoking and obesity. A large proportion of chronic disease is preventable. The Health Impact of Smoking and Obesity and What to Do about It provides solid evidence and practical advice to health care planners, decision-makers, and frontline providers alike. The volume discusses various approaches to measuring disease burden and setting health care targets, and provides a summary of interventions of proven effectiveness. Taking into account the vital lessons learned from the experience of tobacco control over forty years, and focusing on the current state of the evidence for obesity control, the study stresses the importance of comprehensive strategies that deal with both individual behaviour changes and the need to encourage social contexts that enhance healthy choices and lifestyles.
Neurology is one of the most fascinating areas of medical science and general biology but it has traditionally been limited to some dedicated aspects only. However, modern neuroscience has embarked on exciting and diverse frontiers related to the causes, diagnosis, and treatment of neurological disease and nowadays, neurology has become multidisciplinary. There are many books available that deal with only one key concept of neurology but a book with a multidisciplinary approach is lacking so far. This book emphasizes all the conventional and applied divisions associated with neurology in reference to medical physiology and general biology and covers all aspects to integrate the topics of inter-related approaches. It provides complete information on each aspect of neurodegenerative disorders and brain injury, including autonomic nervous system, neuro-oncology, cerebellar ataxias, spinal cord disorders, neuro-ophthalmic disorders, and neuro-otological disorders such as dizziness, vertigo, imbalance, and hearing impairments, in a concise and informative way. It highlights the challenges related to neurological disorders along with their ongoing molecular mechanisms and treatments. The book provides simple and reader-friendly representations and artwork that will help in understanding the concepts.
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
General George Crook planned and organized the principal Apache campaign in Arizona, and General Nelson Miles took credit for its successful conclusion on the 1800s, but the men who really won it were rugged frontiersmen such as Al Sieber, the renowned Chief of Scouts. Crook relied on Sieber to lead Apache scouts against renegade Apaches, who were adept at hiding and raiding from within their native terrain. In this carefully researched biography, Dan L. Thrapp gives extensive evidence for Sieber’s expertise, noting that the expeditions he accompanied were highly successful whereas those from which he was absent met with few triumphs. Perhaps the greatest tribute to his abilities was paid by a San Carlos Apache who, no matter how miserable life might become, because, he said, Sieber would find him even if he left no tracks.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--
This book, a second edition, includes new data from the 2010 Census of India and NSS reports on consumer expenditure (2011-12), health and education (2014) to examine poverty in China and India, and how it connects with minorities. Poverty has generally become less acute in both China and India, thanks to an impressively rapid growth especially between 2010 and 2015 when the rest of the world including the US and the EU slowed down following the economic recession of 2008. But the issues of income and non-income inequalities (especially malnutrition in India), marginalization and social exclusion remain as acute as ever in both countries. As well as the use of new primary material in every chapter, the book also critically examines new relevant studies and responds to global perspectives on minority issues. It canvasses a broad range of subjects from global terrorism and civil wars in Libya and Syria, to the Arab Spring and the emergence of Islamic fundamentalism and the Islamic State (ISIS).
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Problems of Living: Perspectives from Philosophy, Psychiatry, and Cognitive-Affective Science addresses philosophical questions related to problems of living, including questions about the nature of the brain-mind, reason and emotion, happiness and suffering, goodness and truth, and the meaning of life. It draws on critical, pragmatic, and embodied realism as well as moral naturalism, and brings arguments from metaphysics, epistemology, and ethics together with data from cognitive-affective science. This multidisciplinary integrated approach provides a novel framework for considering not only the nature of mental disorders, but also broader issues in mental health, such as finding pleasure and purpose in life. - Draws on the strongest aspects of polar positions in philosophy and psychiatry to help resolve important perennial debates in these fields - Explores continuities between early philosophical work and current cognitive-affective sciences, including neuroscience and psychology - Employs findings from modern cognitive-affective science to rethink key long-standing debates in philosophy and psychiatry - Builds on work showing how mind is embodied in the brain, and embedded in society, to provide an integrated conceptual framework - Assesses both the insights and the limitations of cognitive-affective science for addressing the big questions and hard problems of living
In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy form, such as The Producers and Spamalot. In The Complete Book of 2000s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 2000 through the end of 2009. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Patti LuPone, Chita Rivera, and Martin Short. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of black-themed shows and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 2000s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
From the award-winning author of Safe Houses—an "intelligent, tense and sharply written espionage thriller” (Wall Street Journal) about a CIA agent and a young expat who find themselves caught up in a dangerous world, whose secrets, if revealed, could have disastrous repercussions for them both. When CIA agent Claire Saylor is told that she’ll be going undercover in Hamburg to pose as the wife of an academic who has published a controversial interpretation of the Quran’s promise to martyrs, she assumes the job is a punishment for past unorthodox behavior. But when she discovers her team leader is Paul Bridger, another Agency maverick, she realizes there may be more to this mission than meets the eye—and not just for professional reasons. Meanwhile, across town in Hamburg, Mahmoud, a recent Moroccan émigré, begins to fall under the sway of a group of radicals at his local mosque. The deeper he’s drawn into the group, the greater the danger he faces, and he is soon torn between his obligations to them and his feelings toward a beautiful Westernized Muslim woman. As Claire learns the truth about her mission, and Mahmoud grows closer to the radicals, the danger between them builds and spells disaster far beyond the CIA.
Apacheria ran from the Colorado to the Rio Grande and beyond, from the great canyons of the North for a thousand miles into Mexico. Here, where the elusive, phantomlike Apache bands roamed, life was as harsh, cruel, and pitiless as the country itself. The conquest of Apacheria is an epic of heroism, mixed with chicanery, misunderstanding, and tragedy, on both sides. The author’s account of this important segment of Western American history includes the Walapais War, an eyewitness report on the death of the gallant lieutenant Howard B. Cushing, the famous Camp Grant Massacre, General Crook’s offensive in Apacheria and his difficulties with General Miles, and the formidable Apache leaders, including Cochise, Delshay, Big Rump, Chunz, Chan-deisi, Victorio, and Geronimo.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
This work offers a critical examination of 130 commercially-released film comedies of the 1970s. It considers the socio-political circumstances of each year of the decade, then critiques each film released that year with a focus on its effect on the film industry and the art of big screen comedy, as well as the emergence of talents whose work influenced (or was influenced by) the zeitgeist of the decade. Covering popular titles like M*A*S*H, Blazing Saddles, American Graffiti, The Bad News Bears, Smokey and the Bandit and many more, it argues that the 1970s may rightly be considered the last golden age of film comedy.
Terraforming is the process of modifying a planet, moon, or other body to a more habitable atmosphere, temperature, or ecology. The idea of terraforming or colonizing other planets has recently become a topic of intense scientific interest and public debate. Geoengineering and terraforming, at their core, have the same goal: to enhance or revive the ability of a specific environment to support human life, society, and industry. New Worlds: Colonizing Planets, Moons and Beyond examines extraterrestrial colonization plans with a critical eye. The ten chapters of the book provide a detailed review of the demographic and economic reasons behind this space imperative, technical and ecological solutions to improve the settlement of our own planet, enhancements of our current space industry. The book also covers interesting topics such as the terraformation of Mars, the moon, and other planets like Venus, colonizing the outer solar system (and beyond), and the ethical considerations in favor of space expansion. This simple, yet informative treatise is an essential read for anyone interested in the subject of space colonization.
Before the purpose-pitch that zips inches from the batter's head, before greenfly autograph-seekers stalk hotel lobbies, before thousands of fans stand up and boo in 50,000-seat stadiums, before the proverbial dog days of summer and the pressure-packed moments of October . . . there is sweet spring. The long hello. Baseball's early season. The words spring training have long held special power over baseball fans. They signal the arrival of fresh air and sunshine after a long winter devoid of bare feet and box scores. The chance to see the game up close and personal, in beautiful slow motion. No other sport undergoes this slow, glorious unfolding. And no other book captures baseball's rite of passage in all its magic. Come on a wild ride through spring training's many attractions and peculiarities, from Florida to Arizona, the National to the American League, the dugouts to Section D. Glimpse retirees in Hawaiian shirts singing "Take Me Out to the Ball Game," million-dollar players taking it easy on the field and in the bars, young rookies flashing their skills, grizzled vets going through the motions, wide-eyed children dressed from head to toe in their favorite team's garb. It's all here, from Alligator Alley to Cactus Way, sit-ups to sunblock, home runs to hangovers -- a lively tribute to America's favorite pastime in its purest, most wonderful form.
This updated compendium provides the linear algebra background necessary to understand and develop linear algebra applications in data mining and machine learning.Basic knowledge and advanced new topics (spectral theory, singular values, decomposition techniques for matrices, tensors and multidimensional arrays) are presented together with several applications of linear algebra (k-means clustering, biplots, least square approximations, dimensionality reduction techniques, tensors and multidimensional arrays).The useful reference text includes more than 600 exercises and supplements, many with completed solutions and MATLAB applications.The volume benefits professionals, academics, researchers and graduate students in the fields of pattern recognition/image analysis, AI, machine learning and databases.
This book, first published in 1980, is a close analysis of Britain’s defence policy in the latter years of the Cold War. It examines the factors that limited the choices available to the governments of the day, including technological advances, costs, changes in the balance of power, strategic thinking in both West and East, and the consequent implications for the development of forces and arms.
Comprehensive guide to vascular imaging and endovascular interventions. Covers diagnosis and treatment of numerous vascular disorders. Internationally recognised author team.
Gain mastery of the next generation modeling and animation software with this revised edition, chocked full of hands-on, real-world examples, insider tips, and inspirational graphics that go beyond the basics to help users create professional-level scenes and animations. The CD guides users through the features and provides dozens of sample files and demo versions of plug-ins.
Offering ten destinations in the Palmetto state, this guide directs you off the interstate, and introduces you directly to the people of South Carolina.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.