The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The fascinating stories behind what have been rightly called the "hottest books on the planet": The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest Through insightful commentary and revealing interviews, you will enter the unique world of Lisbeth Salander, Mikael Blomkvist---and of Stieg Larsson himself---discovering the fascinating real-life experiences and incidents involving Swedish politics, violence against women, and neo-Nazis that are at the heart of Larsson's work. John-Henri Holmberg, a Swedish author and close friend of Larsson for more than three decades, provides a unique insider's look into the secrets of the author's imaginative universe, his life, and his ideas for future books---including the mysterious "fourth book" in the series, which Larsson had started but not finished at the time of his death. Included within are answers to compelling questions on every Larsson fan's mind: · What makes the Lisbeth Salander character so unique and memorable? Why have so many people from all backgrounds and with all kinds of tastes found The Girl with the Dragon Tattoo so riveting? · What are the speculations---and what is the truth---about Stieg Larsson's tragic death at age fifty, just before the publication of his novels, and the bitter battle over his legacy? · What changes were made in the plots and translations of the novels after Larsson's death---and why? · How did Larsson's early interest in science fiction and American and British crime writers feed into his creation of the Millennium trilogy? · What were Larsson's ideas for the fourth book, and are there any clues to the plots he imagined for his ten-book series? Will we meet Lisbeth's twin sister, Camilla, or any of her other seven siblings that Zalachenko tells her she has? · Does Lisbeth Salander give feminism a new definition? · What will happen in the contentious battle between Stieg Larsson's life partner, Eva Gabrielsson, and his father and brother over the future of the books, as well as the billion dollars at stake in his legacy? · Who are the emerging Swedish crime writers we should pay attention to now? · And much, much more!
Rogue Agent is an exceptional series debut..." BestThrillers.com This 'Agent' series opener follows Tom Wiseman's Criminal Investigative Division investigation into a missing UN Helicopter, as it spirals into territory where dark, secretive, and powerful forces collude. Pitted against brutal contract killers and a lethal double agent from his past, Tom quickly discovers that going rogue and uncovering the truth at all cost, is a death sentence. “Fast-paced and packed with hard-hitting action, Dan J. Ford mixes conspiracies and suspense to serve up a fun, unique reading experience that hits all the right notes. Strap in for this one!” — Ryan Steck, The Real Book Spy and author of OUT FOR BLOOD.
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Living Life to the Fullest forges new understandings of the lives, hopes, and desires of children and young people with ‘life-limiting’ or ‘life-threatening’ impairments. Aimed at undergraduate students, this book contributes to contemporary political and theoretical debates about the human in an age of global precarity and austerity.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
This MIE volume covers methods for a multitude of topics among which are computational methods, laboratory methods, enzyme optimization, binding proteins/antibodies, and screening technologies.Table of Contents-Methodology-Applications-Opzimization and Screening-Applications-Directed Evolution of Enzymatic Function-Applications-Evolution of Biosynthetic Pathways-Devices, Antibodies and Vaccines
This book is aimed to explain the creation of artworks and their evaluation, and offers a new concept of aesthetics and beauty of artworks. Following and reconstructing Peircean realist epistemology, Aesthetics is one of the three normative sciences, along with Logic (Theoretic) and Ethics, which are the three different modes of representing reality. Aesthetics is the mode of artistic representation of reality, and the created artworks are judged beautiful when proven as an aesthetic true representation of reality. Artists aim to represent reality truly, and hence, beautifully, in order to enhance our knowledge of it and to afford us insights on how to better conduct our life in society.
What a strike from Mike Sheron - what a thronker!' screamed Dan Walker, now the host of Football Focus. And with that description of the kind of ferociously struck shot that would knock over a pig if it caught it full in the face, the cult of the Thronker - and eventually this book - was born. Glorifying everything that is weird and wonderful about the beautiful game, Dan Walker's Football Thronkersauruscontains hilarious stories and facts that will answer almost any football question you could possibly think of, from which outfield player went 20 years without scoring a goal, to which player had to watch Willy Wonka and the Chocolate Factorybefore every game? The Thronkersaurushas these, and plenty more, covered. Laced with a load of Dan's daft stories from inside the world of broadcasting and his football-crazy childhood, the Thronkersaurusis the ultimate celebration of football, its ridiculous characters and its incredible history.
For pro hockey goon Shane Bronkovsky, things are going south. Disgraced pro-hockey enforcer Shane “Bronco” Bronkovsky crashes his motorcycle in the Chihuahuan Desert in New Mexico. Injured, helpless, and robbed by mysterious passersby, he is eventually rescued by one of the locals, Tammy DeWitt, who takes Shane to the hardscrabble ranch she runs. While shocked to discover the ranch raises rattlesnakes, Shane comes to relish the honest work and peace he finds there. His life quickly becomes entangled with those of the local denizens, including the ranch’s children, as he and Tammy grow closer. Through the lives he touches and the people he helps, Shane strives for redemption. Yet, as he struggles to tame the demons within and adjust to life away from the spotlight of professional sports, his past and present collide in an explosive climax.
Instead of starring in the NFL, injured All-American Bart “Bulldog” Dobbins is now forced to earn his living as a rookie investigative reporter. His first assignment is exposing the plight of disabled veterans from the mid-east war. Forced to dig for the truth, he uncovers deadly outcomes surrounding veteran patients being used as research guinea pigs for an HIV vaccine to combat AIDS. As veteran study patients turn up dead or infected with the HIV virus, Bart races to unravel the deadly thread between TRIFEM (the vaccine’s maker) and the FDA. Greed, murder, and vengeance are intertwined with passion and fierce loyalty. Bart must use all his tenacity against the enemies trying to silence him, and to avoid becoming the next victim of an overdose of truth.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
Australia's engagement with Asia from 1944 until the late 1960s was based on a sense of responsibility to the United Kingdom and its Southeast Asian colonies as they navigated a turbulent independence into the British Commonwealth. The circumstances of the early Cold War decades also provided for a mutual sense of solidarity with the non-communist states of East Asia, with which Australia mostly enjoyed close relationships. From 1967 into the early 1970s, however, Commonwealth Responsibility and Cold War Solidarity demonstrates that the framework for this deep Australian engagement with its region was progressively eroded by a series of compounding, external factors: the 1967 formation of ASEAN and its consolidation by the mid-1970s as the premier regional organisation surpassing the Asian and Pacific Council (ASPAC); Britain's withdrawal from East of Suez; Washington's de-escalation and gradual withdrawal from Vietnam after March 1968; the 1969 Nixon doctrine that America's Asia-Pacific allies must take up more of the burden of providing for their own security; and US rapprochement with China in 1972. The book shows that these profound changes marked the start of Australia's political distancing from the region during the 1970s despite the intentions, efforts and policies of governments from Whitlam onwards to foster deeper engagement. By 1974, Australia had been pushed to the margins of the region, with its engagement premised on a broadening but shallower transactional basis.
What makes a person liberal or conservative? Why does the Democratic Party scare off so many possible supporters? When does our "injustice trigger" get pulled, and how can fairness overcome our human need to look for a zero-sum outcome to our political battles? Tapping into a pop culture zeitgeist linking Bugs Bunny, Taylor Swift, and John Belushi; through popular science and the human brain; to our political predilections, arguments, and distrusts, Daniel Meegan suggests that fairness and equality are key elements missing in today's society. Having crossed the border to take up residency in Canada, Meegan, an American citizen, has seen first-hand how people enjoy as rights what Americans view as privileges. Fascinated with this tension, he suggests in America the Fair that American liberals are just missing the point. If progressives want to win the vote, they need to change strategy completely and champion government benefits for everyone, not just those of lower income. If everyone has access to inexpensive quality health care, open and extensive parental leave, and free postsecondary education, then everyone will be happier and society will be fair. The Left will also overcome an argument of the Right that successfully, though incongruously, appeals to the middle- and upper-middle classes: that policies that help the economically disadvantaged are inherently bad for others. Making society fair and equal, Meegan argues, would strengthen the moral and political position of the Democratic Party and place it in a position to revive American civic life. Fairness, he writes, should be selfishly enjoyed by everyone.
Exploring the connections between the bard and the Scientific Revolution, this look into the minds of such Renaissance thinkers as Thomas Digges and Tycho Brahe shows how their theories were used in the works of Shakespeare.
Contemporary soil science and conservation methods of effective forestry Forests and the soils that serve as their foundation cover almost a third of the world’s land area. Soils influenced by forest cover have different properties than soils cultivated for agricultural use. Ecology and Management of Forest Soils provides a clear and comprehensive overview of the composition, structure, processes, and management of the largest terrestrial ecosystem. From composition and biogeochemistry to dynamics and management, this essential text enables readers to understand the vital components of sustainable, long-term forest soil fertility. The interaction of trees, animals, microbes, and vegetation alter the biology and chemistry of forest soils—these dynamics are also subject to human management, requiring conservationists to be conversant in the philosophy and methods of soil science. Now in its fifth edition, this classic text includes new coverage of uptake of organic nitrogen in forests, 15N retention studies, the effects of N additions on C accumulation, evidence-based examples of the dynamics of soils, and more. Extensive updates and revisions to topics such as spatial implications of megafires, long‐term organic matter accumulation, soil characterization, and molecular soil measurement techniques reflect contemporary research and practices in the field. This informative overview of forest soils integrates clear and accurate descriptions of central concepts and logically organized chapters to provide readers with foundational knowledge of major soil features, processes, measurement techniques, and management methods. This authoritative survey of the management and ecology of forest soils: Offers full-color photographs and illustrations, real-world examples and case studies, and clear overviews to each topic Presents up-to-date and accessible coverage of contemporary forest science literature and research Addresses topical issues relevant to areas such as ecology, forest management, conservation, and government policy Provides a comprehensive, global perspective on forest soils, from tropical to temperate to boreal Presents balanced coverage of soil science principles and their practical application to forest management Ecology and Management of Forest Soils offers students in areas of soil science and forestry, natural resource and environmental management, ecology, agronomy, and conservation an invaluable overview of the field, while providing forestry professionals an efficient and current work of reference.
Based on the gold-standard currency of tradition and success, few college basketball programs are richer in history than Wake Forest University’s. This reissue of Tales from the Wake Forest Demon Deacons Locker Room, first published in 2004, traces that vibrant history from the birth of the league to the growing successes of the team today. An original member of the Atlantic Coast Conference, the Demon Deacons have provided the acclaimed league with much of its color and character—not to mention many of its colorful characters. Author Dan Collins provides stories about legendary players like Muggsy Bogues, the 5’3” guard who defied the description of basketball as a big man’s game, and the glory days of Tim Duncan, the onetime aspiring Olympic swimmer who grew up to become a five-time NBA champion and one of the greatest players in the game. The book looks at great coaches like Richard Crozier, the director of the university gymnasium who introduced basketball to Wake Forest; coach Murray Greason, whose love for the game of basketball was second only to his love for his beagle hounds; and coach Bones McKinney, the hyperactive Baptist minister whose dual, and at times dueling, religions were based on the Bible and basketball. Tales from the Wake Forest Demon Deacons Locker Room chronicles how Wake Forest basketball survived the university’s relocation from the quaint town of Wake Forest to the city of Winston-Salem, and how the university has thrived with the support of its devoted fans. Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
Over a career spanning more than 50 years, veteran journalist Marvin Scott has seen it all. From international headlines to local heroes, the eleven-time Emmy Award–winner and member of the New York State Broadcasters Hall of Fame has covered the news with objectivity and integrity, bringing journalistic excellence to every level of reporting. Scott has interviewed six presidents, visited the frontlines of war in the Middle East and Asia, and witnessed the rise of America’s space program—all in a day’s work. Now, in As I Saw It: A Reporter’s Intrepid Journey, Scott reflects on the stories that have stuck with him personally over the years, and the people who gave them life. Alongside marches with Dr. Martin Luther King, Jr. and tense meetings with Yasser Arafat, Scott brings us Burt and Linda Pugach, the couple whose lifelong marriage was forged in deadly obsession; Abraham Zapruder, who shot history’s most infamous piece of film; Charlie Walsh, the everyman hero who gave the banks a run for their money; and Stephanie Collado, the eleven-year-old girl who needed a heart and touched his. From political scandals to hauntings at Amityville, local tragedies, triumphs and absurdities find their place alongside accounts of crime and redemption, war and celebrity on a national scale, all told with Scott’s signature passion and candor. As I Saw It pairs Scott’s unique storytelling and photography to give readers a new look at the singular experiences of a lifelong reporter, and the stories that shaped a generation.
Fundamentals of Electric Propulsion Understand the fundamental basis of spaceflight with this cutting-edge guide As spacecraft engineering continues to advance, so too do the propulsion methods by which human beings can seek out the stars. Ion thrusters and Hall thrusters have been the subject of considerable innovation in recent years, and spacecraft propulsion has never been more efficient. For professionals within and adjacent to spacecraft engineering, this is critical knowledge that can alter the future of space flight. Fundamentals of Electric Propulsion offers a thorough grounding in electric propulsion for spacecraft, particularly the features and mechanisms underlying Ion and Hall thrusters. Updated in the light of rapidly expanding knowledge, the second edition of this essential guide detailed coverage of thruster principles, plasma physics, and more. It reflects the historic output of the legendary Jet Propulsion Laboratory and promises to continue as a must-own volume for spacecraft engineering professionals. Readers of the second edition of Fundamentals of Electric Propulsion readers will also find: Extensive updates to chapters covering hollow cathodes and Hall thrusters, based on vigorous recent research New sections covering magnetic shielding, cathode plume instabilities, and more Figures and homework problems in each chapter to facilitate learning and retention Fundamentals of Electric Propulsion is an essential work for spacecraft engineers and researchers working in spacecraft propulsion and related fields, as well as graduate students in electric propulsion, aerospace science, and space science courses.
Dan W. Clanton, Jr. examines the presence and use of religion and Bible in Agatha Christie's Hercule Poirot novels and stories and their later interpretations. Clanton begins by situating Christie in her literary, historical, and religious contexts by discussing “Golden Age” crime fiction and Christianity in England in the late 19th-early 20th centuries. He then explores the ways in which Bible is used in Christie's Poirot novels as well as how Christie constructs a religious identity for her little Belgian sleuth. Clanton concludes by asking how non-majority religious cultures are treated in the Poirot canon, including a heterodox Christian movement, Spiritualism, Judaism, and Islam. Throughout, Clanton acknowledges that many people do not encounter Poirot in his original literary contexts. That is, far more people have been exposed to Poirot via “mediated” renderings and interpretations of the stories and novels in various other genres, including radio, films, and TV. As such, the book engages the reception of the stories in these various genres, since the process of adapting the original narrative plots involves, at times, meaningful changes. Capitalizing on the immense and enduring popularity of Poirot across multiple genres and the absence of research on the role of religion and Bible in those stories, this book is a necessary contribution to the field of Christie studies and will be welcomed by her fans as well as scholars of religion, popular culture, literature, and media.
My friend Senator Dan Newberry is an extraordinary man of God. In his new book, The Rich Young Ruler, he tells the story of two brothers who were courageous enough to believe what God says about them and pursue God's best. This story will change the way you view your future and inspire you to live and dream big. ""John Bevere, author/minister, Messenger International Brothers John and Chuck Kindig spent their entire lives working on farms. ¬ Their father was a farmhand, as was his father before him. ¬ These were hardworking men with strong backs, faces tanned by the sun, and hands stained by the red dirt of Southwest Oklahoma. But one day John and Chuck dare to look beyond the next planting season and consider how they might change the course of their lives. Taking courage to move beyond what everyone, including themselves, had always assumed was to be their lot in life, the brothers ask advice from the most successful man they know. John and Chuck soon realize asking for advice may have been the easy part. With each bit of guidance received, they must learn how to apply the knowledge to achieve results and to manage success - which ultimately shapes their futures. Drawing from the wisdom of the Bible, with characters based on the stories of Joseph, Nehemiah, Solomon, Jesus Christ, and others, ¬ "The Rich Young Ruler" invites readers to follow John and Chuck on the journey to find their best future. Along the way, readers will discover the power of change and the principles needed to achieve success in their own pursuits.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
In the months after Appomattox, the South was plunged into a chaos that surpassed even the disorder of the last hard months of the war itself. Peace brought, if anything, an increased level of violence to the region as local authorities of the former Confederacy were stripped of their power and the returning foot soldiers of the defeated army, hungry and without hope, raided the already impoverished countryside for food and clothing. In the wake of the devastation that followed surrender, even some of the most virulent Yankee-haters found themselves relieved as the Union army began to bring a small level of order to the lawless southern terrain. Dan T. Carter's When the War Was Over is a social and political history of the two years following the surrender of the Confederacy -- the co-called period of Presidential Reconstruction when the South, under the watchful gaze of Congress and the Union army, attempted to rebuild its shattered society and economic structure. Working primarily from rich manuscript sources, Carter draws a vivid portrait of the political leaders who emerged after the war, a diverse group of men -- former loyalists as well as a few mildly repentant fire-eaters -- who in some cases genuinely sought to find a place in southern society for the newly emancipated slaves, but who in many other cases merely sought to redesign the boundaries of black servitude. Carter finds that as a group the politicians who emerged in the postwar South failed critically in the test of their leadership. Not only were they unable to construct a realistic program for the region's recovery -- a failure rooted in their stubborn refusal to accept the full consequences of emancipation -- but their actions also served to exacerbate rather than allay the fears and apprehensions of the victorious North. Even so, Carter reveals, these leaders were not the monsters that many scholars have suggested they were, and it is misleading to dismiss them as racists and political incompetents. In important ways, they represented the most constructive, creative, and imaginative response that the white South, overwhelmed with defeat and social chaos, had to offer in 1865 and 1866. Out of their efforts would come the New South movement and, with it, the final downfall of the plantation system and the beginnings of social justice for the freed slaves.
The focus of this book is community-based health care with community health workers as a critical workforce in health improvement. Professionals, policy makers, managers, and service providers need to grasp the critical fact that engaging people from their own perspective is vital to health-seeking behaviors. This book explores case studies illustrating experiences with community engagement and the techniques used for successful Community Based Health Care (CBHC). It will be of interest to students training to be health care professionals, service providers, and managers of health services, policy makers, researchers and academics.
The author examines the life and work of Slovenian-born Louis Adamic (1898-1951), a writer, editor, populist historian, and champion of immigrant contributions to the U.S. Coverage includes a chronological description of Adamic's life, from childhood in Slovenia to his death in 1951; Adamic and the emergence of cultural pluralism between the 1910s to 1940s; his rhetoric of social reform; his writing about second-generation immigrants; and his relevance to contemporary multiculturalism.
Houston and Southeast Texas have an ancient, storied prehistory. Using data from hundreds of archeological site reports, a changing coastal landscape modeled through time in 3D, historical information on Native Americans taken from the accounts of the earliest European visitors, and digital GIS mapping to weave it all together, this book recounts the development of the physical landscape of this region and the cultures of its Native American inhabitants from the peak of the last ice age until the Spanish colonial era. Its 504 pages are illustrated with nearly 350 full color maps, charts, drawings and photographs.
Sociopath John Cleaver calls a demon on the phone and challenges him to a fight to the death, only to be relentlessly stalked by a supernatural entity who always has the upper hand.
Sheer cliffs, avalanches, turbulent rivers, cold lakes, severe weather, grizzly bears - these are just a few of the ways you can die while visiting Glacier National Park. Since 1910 when the park was established, 296 people have perished within Glacier's boundaries, and many more somehow survived close calls with death. Death & Survival in Glacier National Park recounts their true tales, as well as stories of the brave and often heroic search-and-rescue professionals who put their lives on the line so that others might live.
Written by a local Glacier National Park experts.
Jam-packed with gripping stories of courage and survival against all odds.
Featuring the most complete chronology of all 296 deaths in Glacier National Park, including names, ages, locations, and causes.
Just fifteen years from now, the world has become polarized along ethnic and religious lines. Regional low-intensity wars have now been raging for thirty-five years. In the midst of the conflict, an Allied forces team from the 9th Mountain Squadron are shot down over the Nordic wilderness.
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