This work offers a critical examination of 130 commercially-released film comedies of the 1970s. It considers the socio-political circumstances of each year of the decade, then critiques each film released that year with a focus on its effect on the film industry and the art of big screen comedy, as well as the emergence of talents whose work influenced (or was influenced by) the zeitgeist of the decade. Covering popular titles like M*A*S*H, Blazing Saddles, American Graffiti, The Bad News Bears, Smokey and the Bandit and many more, it argues that the 1970s may rightly be considered the last golden age of film comedy.
This work offers a critical examination of 130 commercially-released film comedies of the 1970s. It considers the socio-political circumstances of each year of the decade, then critiques each film released that year with a focus on its effect on the film industry and the art of big screen comedy, as well as the emergence of talents whose work influenced (or was influenced by) the zeitgeist of the decade. Covering popular titles like M*A*S*H, Blazing Saddles, American Graffiti, The Bad News Bears, Smokey and the Bandit and many more, it argues that the 1970s may rightly be considered the last golden age of film comedy.
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo. Many composers, conductor, and performers would come to regard bel canto dramatic operas as decorative and vapid until Maria Callas and Tulio Serafin demonstrated the heights this genre of opera could reach. However, opera directors and opera performers of late who have expressed an interest in reviving selected masterpieces from the bel canto tradition have found themselves confronted with the problem of locating tenors versed in the vocal techniques necessary to carry the high tessituras. In Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique, Dan H. Marek explores the extraordinary life of Rubini in order to frame this special period in the history of opera and connect the technique of the castrati who were among Rubini’s instructors. Drawing on the work of Berton Coffin, Marek offers long-sought answers to the challenges presented by high tessitura of bel canto operas for tenors. To further assist working singers, Giovanni Battista Rubini and the Bel Canto Tenors includes over 60 pages of exercises written by Rubini himself before 1840, which Marek, for the first time ever has adapted to acoustical phonetics. Professional singers, teachers and their students, vocal coaches, and opera conductors will find this work indispensable as the only English-language work on high tessitura for tenor and soprano singing.
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
Natural right - the idea that there is a collection of laws and rights based not on custom or belief but that are "natural" in origin - is typically associated with liberal politics and freedom. But during the French Revolution, this tradition was interpreted to justify the most repressive actions of the violent period known as the Terror." "In The Terror of Natural Right, Dan Edelstein argues that the revolutionaries used the natural right concept of the "enemy of the human race" - an individual who has transgressed the laws of nature and must be executed without judicial formalities - to authorize three-quarters of the deaths during the Terror. But the significance of the natural right did not end with its legal application. Edelstein argues that the Jacobins shared a political philosophy that he calls "natural republicanism," which assumed the natural state of society was a republic and that natural right provided its only acceptable laws. Ultimately, he argues that what we call the Terror was in fact only one facet of the republican theory that prevailed from Louis's trial until the fall of Robespierre." "A work of historical analysis, political theory, literary criticism, and intellectual history, The Terror of Natural Right challenges prevailing assumptions of the Terror to offer a new perspective on the Revolutionary period."--BOOK JACKET.
The Italian singing technique Bel Canto instructs, "He who knows how to breathe and how to pronounce, knows how to sing." Singing: The First Art incorporates the techniques of Bel Canto along with those of masters like Berton Coffin and Manuel Garcia to promote and facilitate vocal excellence. Many concepts are described, from correct posture and alignment to improving and maintaining proper breathing, from good pronunciation and diction to producing an even, pure tone, and from vocal ranges to singing within and smoothly shifting between vocal registers. Mannes Vocal Faculty member Dan H. Marek effectively breaks down these complicated concepts with clear exercises, helping the vocal student to achieve freedom and complete control over his or her instrument. A primary section on the history of singing stresses the importance of understanding vocal history while inspiring and motivating the student through the experiences of opera stars such as Enrico Caruso, Maria Callas, and Jussi Björling. The second section explains vocal techniques, including the use and proper pronunciation of the IPA (International Phonetic Alphabet), and provides 64 specific exercises with clearly defined goals designed to overcome faults and to develop vocal virtuosity. Complete instructions for transposing the exercises for both male and female voices are included, as well as drawings of the exercises, musical examples from vocal literature, excellent anatomical illustrations by Frank Netter, MD, and copious photographs of opera stars. Singing: The First Art is an invaluable text for students, professionals, singers, conductors, composers, and vocal medical professionals, or anyone interested in understanding and appreciating the vocal art.
In this counter-historical novel, Leon Trotsky, the Russian revolutionary, survived the assassination attempt of August 1940. To prevent another such attempt, his protector, Mexican President Lázaro Cárdenas, had him moved to the small, isolated border town of Tijuana. There Trotsky, continues to write political analyses and books and attempts to lead his worldwide revolutionary organization, the Fourth International, though he is frustrated by his isolation from the center of developments in Europe. Watching over Trotsky, among others, are his bodyguard Ralph Bucek, a young leftist and baseball fan from Chicago, and the French-educated Mexican Army officer Colonel de la Fuente. Through them Trotsky learns about his new home, Tijuana, a surprisingly cosmopolitan town. Living with his wife Natalia and his grandson Sieva, served by secretaries and protected by bodyguards, Trotsky’s domestic circle is small and his life narrow. He is growing old and losing his sight. Then along come the Broadway theatrical agent Morrie Gold and his friend the stand-up comedienne Rachel Silberstein. Trotsky’s wife, Natalia, worried about his psychological well-being insists that he see the famous Freudian (and one-time Reichian) psychoanalyst Dr. David Bergman. While we observe Trotsky in exile, we also see Stalin in power, in his “Little Corner” in the Kremlin, in his dachas, with members of the Central Committee and with his daughter Svetlana. We see him planning the failed assassination of Trotsky in August 1940. In his reveries, we learn of his difficult life as a young man, his great love, his first child, his experiences in prison. We see Stalin carrying out the purges, executing the industrialization of Russia, dealing with Adolf Hitler, heading the Soviet Union in war. We watch as Stalin’s anti-Semitism drives the prosecution of Rudolf Slánsky for the supposed Tito-Trotsky plot in Czechoslovakia of as he goes after the Jewish doctors in the Soviet Union. As time goes on Trotsky is surprised that that his predictions for the post-war period don't seem to be working out. One day, Étienne, the Eastern European who worked for Trotsky’s International in Paris and who some believe may have murdered Trotsky’s son, appears in Tijuana, offering to serve as his Russian secretary. And Trotsky’s erstwhile ally Victor Serge visits and asks Trotsky to join him in an attempt to build a new socialist movement in post-war Europe. Meanwhile, Trotsky’s brilliant former secretary, the mathematician Jan van Heijenoort, has sworn to murder Stalin, but the odds are not good. With the coming of the Cold War, Senator Joseph McCarthy calls on Trotsky to testify before his committee. Was it a coincidence that Stalin and Trotsky died on the same day on the same day, March 5, 1953? Through all of this we see just what sort of a man Trotsky was.
How does an atheist respond to the question, What is the purpose of life? Barker helps you understand and appreciate why freely choosing to help and cooperate with others is the true path to finding purpose.
Covers types of research, reasoning and data, basic logic of quantitative and qualitative inquiry, major data collection strategies, and identification of research limitations. This book describes procedures for identifying limitations of research and rival explanations for research findings.
Development of the Nervous System, Fourth Edition provides an informative and up-to-date account of our present understanding of the basic principles of neural development as exemplified by key experiments and observations from past and recent times. This book reflects the advances made over the last few years, demonstrating their promise for both therapy and molecular understanding of one of the most complex processes in animal development. This information is critical for neuroscientists, developmental biologists, educators, and students at various stages of their career, providing a clear presentation of the frontiers of this exciting and medically important area of developmental biology. The book includes a basic introduction to the relevant aspects of neural development, covering all the major topics that form the basis of a comprehensive, advanced undergraduate and graduate curriculum, including the patterning and growth of the nervous system, neuronal determination, axonal navigation and targeting, neuron survival and death, synapse formation and plasticity. - Provides broad coverage of concepts and experimental strategies - Includes full color schematics and photographs of critical experiments - Outlines the molecular and genetic basis for most developmental events - Written at a level that is appropriate for advanced undergraduates and beyond - Includes designs of critical experiments that are easy to understand
Diamond, working directly with the National Hockey League and each of the individual teams, has created the most comprehensive resource on the sport. This edition has complete career data on all active NHL players plus more than 1,000 prospects and 400 photos.
This official publication of the National Hockey League chronicles the full history of Lord Stanley's celebrated trophy, presenting all the statistics, including complete records of every team and player to appear in the playoffs. A 16-page photo insert showcases the top performers and key moments in Cup history.
YouTube sensations Dan Howell (danisnotonfire) and Phil Lester (AmazingPhil) were just two awkward guys who shared their lives on the Internet…until now. Dan Howell and Phil Lester, avoiders of human contact and direct sunlight, actually went outside. Traveling around the world on tour, they have collected hundreds of exclusive, intimate, and funny photos, as well as revealing and candid side notes, to show the behind-the-scenes story of their adventure. Fans of Dan and Phil’s #1 New York Times bestseller, The Amazing Book Is Not on Fire, and their more than 10 million YouTube subscribers will love this full-color book featuring never-before-seen photos and stories from Dan and Phil.
Dan Lovett was an important part of Eyewitness News history. Al Primo, founder of the original Eyewitness News at WABC-TV in 1968 in New York Dan has always had a great passion for sports, and his knowledge comes crystal clear in this book. Plus, anybody with hair that good has to have something going just below it. Ron Franklin, former lead college football broadcaster on ESPN A mans man in the true sense of the word. He has the unmatched ability to put your mind into his story. A legendary storyteller; plus, he is a great friend and gentleman. Dan Pastorini, former Houston Oilers quarterback I tossed him out of my garage in gasoline alley at Indy, but felt bad about it because he was from my hometown. Dan came around and showed me he wanted to learn about racing. He is a great broadcaster and cares about my sport. A. J. Foyt, first four-time winner of the Indianapolis 500 I knew when I first hired him he would be a great broadcaster on the radio. He could talk about the farm report and make it the most important story of the day. Curt Brown, member of the Missouri Broadcasters Hall of Fame Dan knows how to tell the story in this book. If you like sports, youll Lovett. Sam Huff, hall of fame linebacker of the Giants and Redskins
The first comprehensive monograph surveying the expansive twenty-five-plus-year career of the highly influential artist, known for his rainbow-colored paintings, drawings, and emotive ceramic facepots. McCarthy is known for his gestural and intuitive artwork. His brightly colored paintings, with loose brushwork, depict figures in action: dancing, surfing, fishing, and skateboarding often against a rainbow-colored background. His ongoing series of ceramic facepots delight with their hand-built immediacy and invested emotionality. McCarthy who worked on fishing boats near Catalina Island and cites the Pacific Ocean as a lasting influence on his work. The beautifully curated book includes an 8-page gatefold and a French-fold jacket, which opens up to a collectible foldout poster.
In the winter of 2011/12, Lisson Gallery presented Allora & Calzadilla's third solo show at the gallery, Vieques Videos 2003-2011.Made over the course of a decade, the videos Returning a Sound (2004), Under Discussion (2005) and Half Mast/Full Mast (2
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