American landscape architect, Dan Kiley, has transformed the landscapes of private houses, public institutions and vast urban spaces into magnificent places of natural beauty. Produced with the collaboration of Dan Kiley himself, this monograph considers the man and his oeuvre. Kiley sets out his working practices in an introduction that draws together decades of experience and a deep knowledge of nature. At the heart of the book are his most significant projects, grouped by the themes that have shaped his career. Each project features numerous photographs and plans, special sketches by Kiley, and accompanying texts. A reference section with an illustrated chronology and bibliography round off the book.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Dan Kiley has influenced generations of landscape designers, and his work has heightened our awareness of our surroundings through his lifelong tenet that the actions of people are integral to nature and its course. Despite his international renown, no comprehensive monograph has ever been published on Dan Kiley. Produced in close collaboration with the architect, this is the definitive book on the man and his oeuvre, from early projects to his most recent works.
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
In Blessings for Leaders, Dan Ebener skillfully weaves an understanding of one of the most powerful and familiar Bible passages with insights drawn from his experience developing faith-filled leaders in churches, businesses, and not-for-profit organizations. Each chapter begins with Scripture, reflects on the inward journey of leadership through the virtues associated with that Beatitude, and addresses some of the outward challenges of leadership. The book makes specific suggestions about mission, vision, core values, followership, conflict resolution, emotional intelligence, communication and listening, team-building, meeting facilitation, innovation, and leading change. Straightforward, easy to read, and filled with illuminating stories, this book is ideal for anyone searching for Christian insight into leadership and for groups journeying to a deeper understanding of Jesus' Vision for leadership.
A nameless man, bandaged from head to toe, stands alone in a field of fresh corpses and carnage. Blood drips from his sword, dying the virgin snow red. The battle may be over for now, but his one-man war has just begun. Mystery and intrigue surround this warrior, as clues about his past lead to a chilling confrontation in his future. The only certain thing in this world of ice and death is white-hot revenge.
Servant Leadership Models for Your Parish explores the practice of servant leadership in a church context. It presents seven behaviors practiced by leaders and members in high-performing parishes and provides real-life examples of these practices. The unique contribution of this work to the national discussion about parish life and leadership is its description of servant leadership and its explanation of how it works in a parish. This work suggests that parish life can be viewed in light of business principles such as the organizational behaviors of leaders and members in a Christian parish, and religious teaching, particularly the message of Jesus, who taught leaders to be servants and members to be disciples. Intended for pastors and parish leaders, pastoral associates and deacons, parish staff and lay members of parishes who are interested in leadership, it is sure to be indispensable reading for anyone who is interested in changing or improving the leadership, the activities, and the culture of their parish. +
Publisher's Note: Products purchased from 3rd Party sellers are not guaranteed by the Publisher for quality, authenticity, or access to any online entitlements included with the product. Thoroughly revised and reformatted, the sixth edition of Cancer Chemotherapy, Immunotherapy and Biotherapy reflects recent significant changes in cancer treatment. This newly streamlined edition contains full-color illustrations, more tables for quick reference, and new immunotherapy and molecular targeted therapy content that brings you fully up to date with the state of the art in all current cancer therapies.
Teaching, Learning and Research in Higher Education offers a combination of critical perspectives and practical advice that is ideally suited for individuals interested in enhancing their practice through analysis and critique. The aim is to promote a critical understanding of one’s own practices: to foster personal and professional formation through a reflexive engagement with one's environment and circumstances. At a practical level this means to continuously think about how to adjust practice rather than following a formulaic approach derived from any particular educational theory. Teaching, Learning and Research in Higher Education argues that academics can find space for their own agency in the midst of institutional policies and practices that serve to frame, as well as delimit and constrain, what counts as good academic work in teaching and research. This text bridges a gap between those books that provide a high-level analysis of contemporary higher education, the more practical texts on how to be a good teacher in higher education, and those texts which aim to improve teaching through better understanding of the learning process. Topical chapters include: Teacher-learner relationship, Learning groups, Practice-oriented learning, Teaching for diversity, e-learning, Assessment, Approaches to Staff Development, Quality assurance, Supervision and Research education, Doing research, and Teaching & Research. A must-have resource for higher education professions, academic developers, professionals, and anyone looking to improve their teaching and learning practices, Teaching, Learning and Research in Higher Education is also appropriate for continuing and professional development courses in the UK and teaching and learning courses in the US. Mark Tennant is Dean of the University Graduate School, University of Technology, Sydney. Cathi McMullen is Lecturer in the School of Marketing and Management at Charles Sturt University. Dan Kaczynski is Professor in the Educational Leadership department at Central Michigan University.
Learn tips and tricks for all new flies sure to catch carp! Carp are one of the most widely distributed and abundant fish in North America. Their prodigious size and habit of finning in shallow water make them appear to be easy fly-fishing targets. In reality, most anglers quickly discover that they are extremely difficult to hook on a fly. It takes years to discover how to catch them consistently. The reason? Carp can be very selective about what flies they will take. This book will help to short-circuit that learning curve. Carp's selectivity can be boiled down to diet. Understanding what they are eating allows the angler to choose and tie a fly that will produce. The Orvis Beginner’s Guide to Carp Flies walks the flyfisherman through the steps of identifying the most likely food source, illustrating the best patterns that imitate that food, and discussing how to effectively present those flies. With detailed information on tying all of the important carp flies, this book eliminates months of trial and error in your fly selection. Skyhorse Publishing is proud to publish a broad range of books for fishermen. Our books for anglers include titles that focus on fly fishing, bait fishing, fly-casting, spin casting, deep sea fishing, and surf fishing. Our books offer both practical advice on tackle, techniques, knots, and more, as well as lyrical prose on fishing for bass, trout, salmon, crappie, baitfish, catfish, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
Contains up-to-date information on travel in the state of Georgia, with recommendations on lodging, restaurants, regional events, family activities, entertainment, and natural landmarks.
This book offers a comprehensive examination of midterm elections from the lens of communications and media coverage. Using a wide variety of methods, this contributed volume covers the differences, similarities, and challenges unique to midterm elections.
Alex's world is falling apart all around her! SKAR has developed the most powerful truth serum on the planet, making it the greatest threat to national security yet. To make matters worse, the BGO may be shutting down for good, and to top it all off, the Alex Prime that Alex summons to help turns out to be...a guy? Anything is possible in the series finale of Alex Unlimited!
From award-winning Boston Globe columnist Dan Shaughnessy, an “entertaining” (The Wall Street Journal) and nostalgia-filled retelling of the 1980s Boston Celtics’ glory years, which featured the sublime play of NBA legend Larry Bird. Today the NBA is a vast global franchise—a billion-dollar industry seen by millions of fans in the United States and abroad. But it wasn’t always this successful. Before primetime ESPN coverage, lucrative branding deals like Air Jordans, and $40 million annual player salaries, there was the NBA of the 1970s and 1980s—when basketball was still an up-and-coming sport featuring old school beat reporters and players who wore Converse All-Stars. Enter Dan Shaughnessy, then the beat reporter for The Boston Globe who covered the Boston Celtics every day from 1982 to 1986. It was a time when reporters travelled with professional teams—flying the same commercial airlines, riding the same buses, and staying in the same hotels. Shaughnessy knew the athletes as real people, losing free throw bets to Larry Bird, being gifted cheap cigars by the iconic coach Red Auerbach, and having his one-year-old daughter Sarah passed from player to player on a flight from Logan to Detroit Metro. Drawing on unprecedented access and personal experiences that would not be possible for any reporter today, Shaughnessy takes us inside the legendary Larry Bird-led Celtics teams, capturing the camaraderie as they dominated the NBA. Fans can witness the cockiness of Larry Bird (who once walked into an All-Star Weekend locker room, announced that he was going to win the three-point contest, and did); the ageless athleticism of Robert Parish; the shooting skills of Kevin McHale; the fierce, self-sacrificing play of Bill Walton; and the playful humor of players like Danny Ainge, Cedric “Cornbread” Maxwell, and M.L. Carr. For any fan who longs to return—for just a few hours—to those magical years when the Boston Garden rocked and the winner’s circle was mostly colored Boston Green, Wish It Lasted Forever is a masterful tribute to “the Celtics from 1982–1986 [that] is so good even fervent Celtics haters will have trouble putting it down” (New York Post).
A clear, concise textbook on strategic planning using an interactive process from a leadership perspective that covers business, not-for-profits, and public entities.
Teaching with the Screen explores the forms that pedagogy takes as teachers and students engage with the screens of popular culture. By necessity, these forms of instruction challenge traditional notions of what constitutes education. Spotlighting the visual, spatial, and relational aspects of media-based pedagogy using a broad range of critical methodologies-textual analysis, interviews, and participant observation-and placing it at the intersection of education, anthropology, and cultural studies, this book traces a path across historically specific instances of media that function as pedagogy: Hollywood films that feature teachers as protagonists, a public television course on French language and culture, a daily television "news" program created by high school students, and a virtual reality training simulation funded by the US Army. These case studies focus on teachers as pedagogical agents (teacher plus screen) who unite the two figures that have polarized earlier debates regarding the use of media and technology in educational settings: the beloved teacher and the teaching machine.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
Seeing baseball played at Fenway is an experience like no other for Red Sox fans and rivals alike because the park reminds us of what baseball used to be. Fenway may not offer fans the best seats or even adequate parking, but when game-goers walk through the park's gate, the smell of hotdogs and roasted peanuts, the sight of Fenway's brilliant green grass and the roar of the Fenway faithful overwhelms the most jaded of baseball enthusiasts, even Yankee fans. At Fenway celebrates the rich history of Fenway Park home to the Boston Red Sox. Told through the wit and perceptions of Dan Shaughnessy, sports columnist for the Boston Globe and one of New England's most admired sportswriters, At Fenway is the writer's hometown tribute to the park how growing up with Fenway and the Red Sox affected his life and the lives of the many die-hard fans living in "Red Sox Nation." Author of The Curse of the Bambino, Shaughnessy takes readers on a walking tour of the fabled park itself, exploring every nook and cranny that makes Fenway unique. He traces the early history of Fenway from the day owner John I. Taylor broke ground for its construction in 1911 to the building material that went into the making of Fenway's "Green Monster" wall. In addition, Shaughnessy introduces readers to some of the unrecognized figures who keep Fenway's cherished traditions alive, including Helen Robinson, who has operated the park's switchboard for more than half a century, and head groundskeeper Joe Mooney, who "protects and defends the green, green grass of Fenway Park." A book that uniquely captures the spirit of Fenway Park and what it means to be a Boston Red Sox fan, At Fenway also explores the "good, bad, and ugly" moments that have nurtured Fenway's love-hate relationship with fans. From the dark day of January 5, 1920, when Babe Ruth left the Red Sox to play for the Yankees, to the Red Sox's 1967 Cinderella-story pennant victory; from Carlton Fisk's 1975 World Series home run to the crowd-silencing homer Bucky Dent hit that clinched the Yankees' 1978 playoff birth, At Fenway recalls the park's greatest and worst moments and talks with the players who created them. Rumors that the Red Sox will close Fenway in a few years have already provoked outrage among the faithful. Closing Fenway will mark the end of an era, and Dan Shaughnessy captures this era in all its tragic glory. At Fenway will be read and cherished by Red Sox fans and all fans of baseball as it ought to be.
An “original manga . . . story of revenge, brutal and primal” with action scenes “brimming with power and drama” and “striking” characters. (Publishers Weekly) In this land of ice and death . . . where often the only warmth to be found is in the salty splash of blood from your enemy . . . a lone warrior treks across the snow-covered wasteland. His entire body wrapped in bloodstained bandages, at first glance he looks like an escaped nightmare, a macabre creature animated by unnatural means. But this is no walking corpse. Oh, no—a heart beats strong and true within its skeletal cage, and the eyes . . . one look at the piercing eyes of this man, and you know he is more alive than most in this forsaken land. Whatever—whoever—ignited the fire behind his bloodshot eyes will rue the day he crosses their path. Gyakushu! is a glorious lullaby to fans of the blood-soaked samurai story. The Thief, the tragic lead character in this tale, is a bandaged shell of a man whose sole purpose for living is to kill his way to the ones that destroyed all he loved. If revenge is a forest filled with trees—the Thief will not stop until they are all reduced to kindling!
Authors Brian Reich and Dan Solomon have seen how changes in both technology and society can affect the communications and operations of an organization. Now, with Media Rules!, they provide you with a framework for understanding this dynamic world. It doesn’t matter whether you’re in the business of disseminating information or producing products, this book will prepare you to distinguish yourself from the competition by creating new models to better serve your audience and harnessing the full potential that technology provides.
It's the early sixties, and the wife of Henry Sommers, the leader of the notorious Winter Hill Gang, is brutally murdered in her Boston hospital room, resulting in a gangland war lasting over thirty years and throwing a close-knit Irish family into a whirlpool of violence, deceit, and heartbreak. On Monster Hill, Henry's first reaction is to launch wholesale revenge against the man responsible for his wife's murder. But his somewhat level-headed lieutenant, Sammy Cunningham, convinces him getting even that way will only make things worse for him. Henry finally acquiesces. The problem is, he's already unleashed the northeast's most ruthless enforcer, Jay O'Malley, who'd do anything to please his boss, and, after discovering Sammy's begun an affair with his seventeen-year-old sister, Claire, to hurt Sammy.
The word Zulu means ‘heaven’, but for the suddenly besieged and minute British garrison at Rorke’s Drift, among them a key faction of Irish soldiers, it represented a hellish horde of warriors from the Zulu nation. A Bloody Night documents the terrifying struggle of these Irishmen as thousands of poorly armed but well-trained Zulus unexpectedly hurled themselves in a head-long, deadly onslaught against their hastily barricaded trading station and mission hospital. The battle, a defining clash in the 1879 Anglo-Zulu war, was a bare struggle for survival; the deeds and heroics of the Irish soldiers, subdued within the grand narrative, were no less exceptional than that of their English counterparts. Dan Harvey brings examples of their sheer resilience to the fore. The defence of Rorke’s Drift was an epic encounter and an exceptional piece of soldiering. Its tale of courage in adversity against impossible odds endures; the little-known but significant role of those Irishmen present is no less absorbing a story, and all the more intriguing for its unheralded heroism.
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The story of Susanna and the Elders is one of the most interpreted and reproduced tales from the Apocrypha, and for good reason. In its compact narrative, it touches on attempted rape, female sexuality, abuse of power, punishment for the wicked, and voyeurism. The Good, the Bold, the Beautiful argues that the story of Susanna was written in the first century BCE, and Clanton provides a brief description of that century. He performs a narrative-rhetorical reading of Susanna and illustrates that the story uses sexual anxiety and desire to set up a moral dilemma for Susanna. That moral dilemma is resolved in two ways: Susanna's refusal to allow herself to be raped, and Daniel's intervention. Clanton argues that although the story has many mimetic features, it is the thematic function that is overriding, especially after Daniel's appearance. Put another way, the story's emphasis on Susanna, the Elders, and Daniel as "plausible people" is secondary to its stress on what those characters represent and the message it is relaying through those representations. Clanton analyzes chronologically selected aesthetic interpretations of the story found in the Renaissance. He shows that the prevailing artistic interpretation during the Renaissance focused on the mimetic, sexual aspects of the story because it deals with issues of patronage, and sex/gender that were current at the time. The Good, the Bold, the Beautiful argues that several Renaissance renderings provide counter readings that focus more on the value and themes in the story. These renderings provide models for readers to resist the sexually exploitative features of both the narrative and its interpretations. Clanton reflects on the need for the reader to resist potentially harmful interpretation, especially those that focus on the mimetic level of the story's rhetoric.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
Mediators are often pulled in many directions—they want to help their clients reach a speedy agreement, ensure the agreement is fair, and avoid coercion so they can honor mediation’s primary value of party self-determination. Can we have it all? In this groundbreaking resource, Dan Simon and Tara West illustrate how self-determination can mean much more than the absence of coercion—it can mean the opportunity for participants to increase their sense of agency as they gain clarity and confidence to make their own decisions, including those that express their highest values. Offering psychological research, philosophical principles, and real-life mediation stories, the authors examine where self-determination belongs in relation to other values, such as fairness, protection, and efficiency, as they wrestle with how to apply their principles in particularly challenging divorces, workplace conflicts, and more. Readers will be challenged to think deeply about how their values and assumptions guide their practice, and they will be inspired to more fully embrace their commitment to self-determination.
God Invites You to Coauthor Your Future. It Starts with Reading Your Past. In this companion workbook to Dr. Dan Allender’s groundbreaking book To Be Told, you will find practical, easy-to-follow exercises to help you explore and embrace the stories of your life. The exercises inside will equip you to: ·recall past experiences and find the meaning God has written there ·understand how individual events fit into the bigger themes of your life ·write down your stories in a way that reflects God’s authorship of your life ·identify the passions that drive you, and see how God uses them to guide you into the future ·tell your story in a way that brings glory to God and reveals him to others Learn how to read and study your story, and then start telling it to others. God invites you to co-author with him the rest of your life’s story–a story that opens up your future and glorifies God.
Buried Treasure is a colorful smorgasboard of music. Revered musicians, actors, and pop culture icons each contribute their favourite albums to create a fantastically eclectic collection.
The Ultimate Guide to Sales Training is the go-to reference for sales managers, sales trainers, sales coaches, and sales consultants who want to increase a sales force's productivity by using these proven techniques: Building Mental Flexibility Anchoring Concepts for Easy Recall Encouraging Behavioral Change Covering a wide range of topics, The Ultimate Guide to Sales Training shows how to develop a selling system, prospect effectively, and qualify and disqualify prospects. The book also covers information on using power questioning techniques, handling objections, and includes solution selling guidelines and ideas for creating and delivering potent presentation practices. In addition, the author covers such hot topics as managing reps attitudes and how to close the sale. He also includes suggestions for overcoming buyer resistance and making change occur as well as getting beyond barriers that block decision-makers, and much, much more. Praise for The Ultimate Sales Training Handbook "This book should be on the desk of every sales manager and sales trainer. Dan Seidman created a treasure chest of ideas, concepts, skills-sets and motivation tools that are ready to be converted into cash." —Gerhard Gschwandtner, founder and publisher, Selling Power Magazine "Sales professionals throughout the world will discover performance improvement through this training encyclopedia. Dan Seidman is helping make sales training a major strategic driver for all organizations." —Tony Bingham, president and CEO, ASTD "Each chapter just might be the one piece that plugs the gap in your team's performance. Dan is truly earning the title Trainer to the World's Sales Trainers." —Willis Turner, CAE CSE, president and CEO, of Sales & Marketing Executives International
Wrestling is as much a part of winter in Iowa as is snow and cold. Dreams of state championships begin in elementary school and, since 1972, come to fruitionor heartbreakingly fall shortat an arena in Des Moines in February or March. The tournament finals sell out, and individuals and teams carve their names on the sports history tree each year. Some champions were deaf, some were amputees, but all earn the respect of thousands for their work ethica hallmark of the states populace. Is this heaven? No, its better than that. Its high school wrestling in Iowa!
Alexandra Benno can instantly summon parallel-dimension versions of herself. But these duplicates are always super-idealized: smart, fast, tough, and often the most beautiful girls in their world -- while Alex herself is a clumsy, frizzy-haired wallflower. So when the government recruits Alex for top-secret espionage work, it's always her alternate who gets the action, and, consequently, receives all the credit. Sick of being her own sidekick, will Alex be able to crack to Vosarak Code and complete her latest mission...or is she destined to live in her own shadow?
Everyone comes from somewhere: How They Made It is a savvy insider's tale that traces the career trajectories of a cross section of top selling recording artists, puncturing the mythologies of the music business to reveal the truths within. Hard work and persistence are the common themes, dispelling the notion of "overnight success." Artists covered include Jim Brickman, Green Day, Norah Jones, Maroon5, John Mayer, Alanis Morissette, OutKast, Rufus Wainright and Lee Ann Womack. * Author is well-known writer for Music Connection magazine, the best source for music business news published from Los Angeles.
America has always been rife with "mediums," but now it looks as though one girl is the real deal: Amy Titus -- a spacey, New-Age hippie chick from San Francisco. If Amy really can contact spirits, then the government has either a major ally or a potential threat to national security. When Amy disappears mysteriously, it's up to teen secret agent Alex to track down the missing medium. Is Amy what she appears to be? And can she really communicate with the parents whose death orphaned Alex so many years ago?
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