Contains 52 weeks (from September 2012 through August 2013) of Bible lessons based on the International Sunday School Lessons (ISSL) series. Includes Bible background and commentary, daily home Bible readings, and lesson suggestions for adult and youth classes.
Musicals of the 1990s felt the impact of key developments that forever changed the landscape of Broadway. While the onslaught of British imports slowed down, the so-called Disneyfication of Broadway began, a trend that continues today. Beauty and the Beast and The Lion King became long-running hits, followed by more family-friendly musicals. The decade was also distinguished by a new look at revivals—instead of slavishly reproducing old shows or updating them with campy values, Broadway saw a stream of fresh and sometimes provocative reinventions, including major productions of My Fair Lady, Damn Yankees, Carousel, Show Boat, and Chicago. In The Complete Book of 1990s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1990s. This book discusses the era’s major hits (Miss Saigon, Crazy for You, Rent), notorious flops (Shogun, Nick & Nora, The Red Shoes), controversial shows (Passion, The Capeman), and musicals that closed during their pre-Broadway tryouts (Annie 2: Miss Hannigan’s Revenge, Whistle Down the Wind). In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sandra Bernhard, Michael Feinstein, Patti LuPone, Liza Minnelli, and Mandy Patinkin. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1990s Broadway Musicals provides a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Anti-Semitism has featured in the history of Western civilization since the Greeks. What the twentieth century has seen through the lens of the holocaust has been happening for over 3000 years. Dan Cohn-Sherbok traces the origins of anti-Semitism and its manifestations, from political opposition to racial persecution and religious and philosophical justification for some of history's most outrageous acts. Against this background of intolerance and persecution, Cohn-Sherbok describes Jewish emancipation from the late eighteenth century and its gradual transformation into the parallel political and nationalistic ideal of Zionism. This book offers a clear and readable account of why anti-Semitism has featured so strongly in world history and provides extensive discussion of the issues. Unlike most studies of the subject, it does not focus exclusively on Christian anti-Semitism, but explores the origins of Arab and organized communist anti-Semitism and Nazi racism. It is essential reading not only for history students and theologians, but anyone interested in finding out why the Jews have been hated and murdered.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
One man shares the story of his transformation from evangelical Christian to atheist and examines the train of thought that brought him there. After almost twenty years of evangelical preaching, missionizing, and Christian songwriting, Dan Barker “threw out the bathwater and discovered that there is no baby.” In Godless, Barker describes the intellectual and psychological path he followed in moving from fundamentalism to freethought. Godless includes sections on biblical morality, the historicity of Jesus, biblical contradictions, the unbelievable resurrection, and much more. It is an arsenal for skeptics and a direct challenge to believers. Along the way, Barker relates the positive benefit readers will experience from learning to trust in reason and human kindness instead of living in fear of false judgment and moral condemnation. Advance Praise for Godless “Valuable in the human story are the reflections of intelligent and ethical people who listen to the voice of reason and who allow it to vanquish bigotry and superstition. This book is a classic example.” —Christopher Hitchens, author of God is Not Great “The most eloquent witness of internal delusion that I know—a triumphantly smiling refugee from the zany, surreal world of American fundamentalist Protestantism—is Dan Barker.” —Richard Dawkins, author of The God Delusion “Godless was a revelation to me. I don’t think anyone can match the (devastating!) clarity, intensity, and honesty which Dan Barker brings to the journey—faith to reason, childhood to growing up, fantasy to reality, intoxication to sobriety.” —Oliver Sacks, author of Musicophilia “In Godless, Barker recounts his journey from evangelical preacher to atheist activist, and along the way explains precisely why it is not only okay to be an atheist, it is something in which to be proud.” —Michael Shermer, publisher of Skeptic Magazine “Godless is a fascinating memoir and a handbook for debunking theism. But most of all, it is a moving testimonial to one man’s emotional and intellectual rigor in acclaiming critical thinking.” —Robert Sapolsky author of Why Zebras Don’t Get Ulcers
Add extra interest and depth to your study of the Doctrine & Covenants with these little-known stories and facts from Church history. With one story for each section, you'll soon discover the details history has tucked away. Fascinating and informative, this book is perfect for sharing with friends and family and guaranteed to spice up your scripture study!
God wants to reveal himself through your story. Discover how he has written your life so far, and how he is leading you into the rest of your story. “This is a book worth reading. To make sense of your life. To discover the role God is giving you in his story.”—John Eldredge, bestselling author of Wild at Heart and Get Your Life Back Everyone wants clearer guidance from God on what to do with their future. In this insightful book, therapist and professor Dan Allender shows you how to listen to the stories of your life and identify the themes that God has written there. As you begin to understand both the hope and the heartache, you will gain a clearer sense of the meaning that God has written into every detail of who you are. You’ll also see how he invites you to join him in coauthoring the rest of your story. God is your Author, and he is showing you how to follow him into the future.
Aiming to provide a concise account of the Hebrew Bible, this text gives a brief account of the place of the Hebrew scriptures in Jewish life and thought, from the early Rabbinic period to the present day. This is followed by an outline of each of the 36 books of the Jewish canon, and a brief presentation of their contents, illustrated by quotations from scripture. The presentation follows the actual structure of the book.
With discernment and an eye for finding scriptural relevance in daily life, Dan Betzer shares a powerful collection of observation and insight from his beloved "Byline" radio and television programs in Godcast: Transforming Encounters with God. Contains 245 unique "godcasts" - read each in two minutes or less. Focused on life, the church, the bible, and a culture sometimes at odds with all of three. Each godcast includes a scriptural reference and a simple prayer. Unique collection for personal enrichment or as an empowering pastoral resource! An executive Presbyter of the General Council of the Assemblies of God, the senior pastor of the 10,000 member/adherent First Assembly of God Church in Fort Myers, Florida, and with over 60 years of media and ministry experience, Dan Betzer served as the familiar face and beloved voice for Revival time and Byline radio/TV for millions of viewers and listeners over a thousand radio and television stations. He continues to host daily television programs, has authored over 20 books, produced dozens of music and children's albums, and remains a dynamic and powerful speaker who has ministered in 61 nations.
During the first century of the republic, two modes of communication at a distance - telecommunications - were etched into lands inhabited by Native Americans; contested by rival European powers; and occupied by the United States. Both telecommunications systems supported this expanding US territorial empire but, despite this overarching commonality, they branched apart in other ways. One network was owned by the state and the other by capital, and the two branches of the telecommunications system developed disparate rate structures, patterns of access, and social and institutional relationships. During the decades after the Civil War their divergence became politically charged. Would one model prevail over the other? Going forward, would it be the government Post Office or the corporate telegraph that set the terms of telecommunications development? The Post Office was the nation's originating system for communication at a distance. Both before and long after it was elevated to a cabinet department in 1829, furthermore, the Post Office was by far the largest unit of the central state. In 1831, the nation's 8700 postmasters comprised three-quarters of federal civilian employment; half a century later (excluding temporary postal employees and ordinary and railway mail clerks and letter carriers), some 50,000 postmasters accounted for perhaps one-third of all civilian employees in the executive branch. Though its relative weight as a government employer diminished after this, its workforce continued to swell. During the last two antebellum decades, meanwhile, an emergent technology - the electrical telegraph - was passed quickly from the federal government to private capital. The two systems' institutional identities immediately began to contrast in other ways"--
Mission Driven Bureaucrats suggests that workers can often do better with more empowerment and less compliance-oriented management. Honig provides strategies for managers and suggestions for what everyday citizens can do to support the empowerment of bureaucrats in their governments.
Recall the experience of gathering in a festively decorated church sanctuary with a lighted candle in your hand, the sanctuary aglow in candlelight, singing the beloved Christmas hymn, “Silent Night, Holy Night.” These short stories, originally presented by the author during church candlelight services, are intended to elicit the thoughts and emotions that are unique to Christmas Eve. While the stories are the product of the author’s imagination, the author strives to be faithful to the story of Jesus’ birth and its meaning as found in Scripture. This book is designed to be used for personal enjoyment, devotional reading, presentation at a worship service, and group study.
These ancient yet compelling stories, passed down from generation to generation, are as timeless as the lessons they teach. The scenes and people may change, but God and his Word do not. The lives of these Bible characters will inspire, challenge, and encourage you in your walk with God.
From Abraham to Saul Bellow, from Moses Maimonides to Woody Allen, from the Baal Shem Tov to Albert Einstein, this comprehensive dictionary of Jewish biographies provides a first point of entry into the fascinating richness of the Jewish heritage. Modelled on the highly acclaimed Dictionary of Christian Biography (Continuum 2001) and with the advice of leading Jewish scholars, the Dictionary of Jewish Biography provides a rapid reference to those Jewish men and women who have, over the last four thousand years, contributed to the life of the Jewish people and the history of the Jewish religion. This dictionary will prove essential for general readers interested in the evolution of Judaism from ancient times to the present day, a perfect study aid for students and teachers. Designed as an accessible reference tool, this volume is an indispensable guide for anyone interested in the history of the Jewish people - the uninitiated will become initiated; the curious will become informed; the informed will now have a handy reference tool.
This book is written as a memoir of 40-plus years of working with human experiences of death, grief, and bereavement. The stories are all similar but uniquely different; similar in the sense that they all relate to varying issues embedded in loss. They are different in how each of these losses occur. The author invites the reader into a world of overwhelming grief brimming with raw emotions. The stories are true and tackle the capricious and unpredictable nature of death in a society that seeks to avoid and overcome the reality of death. Most of the stories are told from the perspective of a hospital chaplain working with real people. While these stories are profoundly sad, the author invites the reader to search for and find snippets of hope through a recommitment to life and living--constantly holding before the reader the dialectic tension that exists between life and death.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
In recent years, the Church has developed and restored many historical sites in order to commemorate past events and preserve their legacy. However, one place remains largely untouched: Far West, Missouri. Besides a few commemorative plaques, no physical evidence remains of what was once a thriving community of over 10,000 Saints. In this book, "Far West, Missouri: It Shall Be Called Most Holy," authors Dan and Janet Lisonbee bring to life Far West's rich and significant role in Church history. With the help of photographs, personal histories, eyewitness accounts, and other historical data, you'll come to appreciate the story of this unique area and relate to the people who lived there in a whole new way.
Trustworthy Scripture commentary together with fifty-two Bible lessons that follow the ISSL Scripture sequence combined with the King James Version of the Bible"--Page 4 of the cover. "Weekly lessons from September 2011 through August 2012; based on the International Sunday School Lesson (ISSL)"--Cover
In Axis of Glory, Dan Lioy conducts a biblical and theological analysis of the temple motif as a conceptual and linguistic framework for understanding Scripture. His investigation takes a fresh look at the topic, assesses a representative group of the Judeo-Christian writings through the various prisms of secondary literature, and offers a synthesis of what appears in the biblical data. The author notes that references and allusions connected with the temple motif crisscross the entire literary landscape of Scripture. An additional finding is that the presence of the shrine concept is comparable to a series of rhetorical threads that join the fabric of God's Word and weaves together its seemingly eclectic and esoteric narratives into a richly textured, multicolored tapestry. The author concludes that the Bible's theocentric and Christocentric emphases are heightened in their intensity and sharpened in their focus due to the temple motif making its way through the pages of the sacred text, beginning with the opening chapter of Genesis and ending with the final chapter of Revelation.
This book will shake your faith in Jesus Christ. History has hidden who Jesus really is. The information from reputable sources forces us to change our image of Jesus. We fail to see the struggles of a normal man in a Jewish life. While the narrative text struggles to remain true to the Gospel, it also uses information of recent discoveries. It leaves you wondering just what has come to us in the selective texts of the Bible and why other texts have not been put in the Bible by a faith that wanted only a God and not a men.
A decade before Dan Millman wrote his spiritual classic Way of the Peaceful Warrior, a motorcycle crash ended his Olympic dreams. Some years later, two thugs, one armed with a metal pipe, closed in to attack a young writer named Doug Childers. These two young men had no notion that they would one day meet, become friends, and draw upon their experiences to create a collection of inspiring stories about people whose lives were changed by extraordinary events. Each story in this newly revised volume (formerly titled Divine Interventions) describes a unique journey across a metaphorical bridge to a higher reality. These stirring accounts of the lives of ordinary people as well as iconic figures, past and present, will awaken in readers a renewed faith in the mysterious possibilities hidden in daily life.
This newly revised all-encompassing textbook is a guide to the history, beliefs and practice of Judaism. Beginning with the ancient Near Eastern background, it covers early Israelite history, the emergence of classical rabbinic literature and the rise of medieval Judaism in Islamic and Christian lands. It also includes the early modern period and the development of Jewry in the nineteenth and twentieth centuries. Extracts from primary sources are used throughout to enliven the narrative and provide concrete examples of the rich variety of Jewish civilization. Specially designed to assist learning, Judaism: • Introduces texts and commentaries, including the Hebrew Bible, rabbinic texts, mystical literature, Jewish philosophy and Jewish theology • Provides the skills necessary to understand these step-by-step with the help of a companion website • Explains how to interpret the major events in nearly four thousand years of Jewish history • Supports study with discussion questions on the central historical and religious issues, and includes key reading for each chapter, an extensive glossary and index • Illustrates the development of Judaism, its concepts, observances and culture, with maps, photos, paintings and engravings • Links each chapter to a free companion website at www.routledge.com/cw/cohnsherbok which provides things to think about, things to do and tips for teachers as well as other online resources
A collection of inspiring stories of miracles, healings and divine presences on Earth depicts people throughout history, exploring how their faith in God guided them in their everyday lives. Reprint. 30,000 first printing.
There has never been a more vulnerable time for priests in the Catholic Church. Although the Catholic religion continues to play an important role in peoples lives around the world, the role of the priest has become publically scrutinized and questioned. In The Potter and His Earthen Vessels, author Dan Corcoran provides an objective, unadulterated perspective on the history of the role of the priest in the Catholic Church. Beginning with a historical look at the role of church leaders in the early Christian church, Corcoran expands on the characteristics that modern-day priests need to embody in order to effectively lead and minister to their churchesand honor God. The Potter and His Earthen Vessels also explores the inherent humanity of these men of God, all of whom are imperfectbut in whom God has entrusted his Word, endowing them with special gifts and talents. Priests from all time are Gods earthen vessels, and these servants of God can help make a difference in the lives of believers. Even though the priesthood is changing and has experienced difficulties in the past, a fresh and personal perspective on the lives of men who form the priesthood can offer us a way to understand the necessity of the priesthood for Gods kingdom and our eternal salvation.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
Don't let the Old Testament intimidate you! Modern revelation has provided the tools we need to understand and apply this timeless scripture. By citing prophetic revelation, Dan Barker helps you reach past strange customs and difficult descriptions to feel the power of the promises in the Old Testament. This indispensible study guide will change the way you feel about this important book of scripture.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The state of Israeli-Palestinian relations has led to political and religious chaos. In Crying in the Ears of Jerusalem, author Dan Eze demonstrates the shame surrounding this conflict, a conflict made from both falsely adopted principles and tortured politics. The path to restoring peace and bringing about a resolution is fraught with division. Eze provides insight to the coming end of the conflict and that insight stands in the Word of God. Crying in the Ears of Jerusalem discusses how God is resilient in showing that the holiness of the land is authentic and that he will answer the problem of the bad political choices. His truth is the most important piece of evidence to settle the conflict. Israel is the caretaker nation of the private land of God and the Jewish state is hard to find by the truth in the political peace process. God desired that peace should exist from the Promised Land and beyond. Putting out a call for the end to the war, Eze shares that peace is not cheap, but it can be achieved and it can exist within all of us and within everything that exists in our lives.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The Paradigm of the Kingdom of God This book traces redemptive history, from the Garden of Eden to the New Heaven and Earth, through the paradigm of the kingdom of God. Jesus Christ's saving work is the supreme event in all history, but it takes place within the context of the kingdom. When we follow God's plan of salvation through the kingdom's progress, the events unfold like an immense novel because we see God's divine providence revealed through both biblical and secular accounts. God initiates the kingdom paradigm when he tells Adam and Eve to be "fruitful and multiply . . . and rule" (Gen. 1:28). This is a mandate to establish God's righteous kingdom on the earth, and it is repeated to Noah and then Israel. But the story of the Old Testament is that Adam and Eve, Noah and his family, and Israel, all sin and rebel and cannot establish God's kingdom. The New Testament tells us about Jesus Christ, the Son of God, coming to earth to become one of us. He begins His ministry by proclaiming, "The time is fulfilled, and the kingdom of God is at hand; repent and believe in the gospel" (Mark 1:15). Jesus begins to fulfill the kingdom mandate. He is fruitful and multiplies through spiritual children. And Jesus begins to rule: He teaches, casts out demons, calms storms, heals the sick, raises the dead, and feeds the hungry. He establishes a kingdom of His faithful followers. But Jesus must also die for their sins, and rise again, so that they can be declared righteous, fit for God's kingdom. After Jesus ascends to heaven and establishes the Church, the kingdom advances through the Church's ministry. Understanding redemptive history through the kingdom paradigm differs from the long standing interpretations of Dispensationalism and Covenantalism. These views are considered in this book, but the focus is on how the kingdom is central to God's design for history. Following its progress helps us see our location and roles in the fulfillment of God's divine plan. This can inform our faith and increase Church unity as we glorify God through His amazing plan of redemption.
There are a number of baseball players who live out a profound faith. There are also people of faith who love the game of baseball. To find people who understand the nuances of the game of baseball through a framework of theology is unique. A Theologian and a Baseball Fan: What Could Go Wrong? explores aspects of the game of baseball that evoke images from biblical stories and theological themes. Using a theological framework to analyze the game of baseball provides a much more interesting, if not deeper, experience of the game. It is much more than a game from this perspective. It is much more than life. Baseball becomes a reflection of the deepest meaning of life. Both baseball and faith can be described as journeys. The journey of faith begins in the wilderness as we pursue the call of God in our lives. The journey of baseball comes on two levels--one as a player striving to become a major leaguer and two as a fan whose love of baseball may be generational or dream inspired or both. We begin with the journeys of faith and baseball in section 1. Section 2 looks at the social and cultural context of faith and baseball. Both have experienced and initiated social change. Section 3 identifies how baseball and faith deal with rule breakers or sinners. Section 4 shows the relationship between baseball and faith in their unusual personalities and goals of perfection. Section 5 is a potpourri of theological images that can be found in baseball. Finally, any theological discussion requires consideration of sacrament. Maybe surprisingly, there are sacramental images in baseball. On one level, A Theologian and a Baseball Fan: What Could Go Wrong? is an autobiography of Dan Flanagan. He traces how he was first introduced to baseball through his playing days and into his professional involvement in broadcasting, which gave him access to major league baseball in a way he was unable to achieve as a player. His multiple universes of interest come together in this book. His years of biblical teaching is evident. The breadth of his reading adds interest. His years of playing the game provides a flavor of legitimacy of one who knows the game of baseball. A Theologian and a Baseball Fan: What Could Go Wrong? will challenge you and entertain you as a baseball fan and as a person of faith. It will expand your love of both!
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Ripper Notes: Death in London's East End" is a collection of essays about the famous unidentified serial killer Jack the Ripper and related topics. Jennifer Pegg starts things off by documenting some of the major errors and discrepancies in the book "Uncle Jack" by Tony Williams and Humphrey Price, including a Victorian era document which appears to have been altered to try to implicate their suspect. Wolf Vanderlinden explores whether Inspector Walter Andrews of Scotland Yard really did go to America to chase Dr. Francis Tumblety in connection with the Whitechapel murders or if he was actually there to try to collect evidence for the Parnell Commission, which was trying link Irish leader Charles Parnell with terrorists. Robert Clack follows with a comprehensive look into the 1901 murder of prostitute Mary Ann Austin in the same lodging house that Ripper victim Annie Chapman was kicked out of 13 years earlier; this essay includes copious police reports, inquest testimony, a number of period illustrations and a suspect who may be linked to the earlier killings. Don Souden then debunks a number of tall tales that grew up around the case, including the ideas that victim Mary Kelly had a son living with her and that Catherine Eddowes knew who the Ripper was. Bernard Brown comes next with a short piece on a man called Inspector Death who worked in the East End. Andrew J. Spallek closes the main section by providing readers with directions on finding the burial sites of Jack the Ripper's victims. In addition, there is a look at some other possible victims of the killer, coverage of the 2006 Ripper conference, book reviews, news briefs and more. Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper case.
A tribute to the larger than life story of a hockey icon and hero. The hockey world mourned when Pat Quinn died in November 2014. Tough guys sobbed. Networks carried montages of Quinn's rugged hits, his steely-eyed glare, and his famous victories. Quinn made a few enemies over the years, but there was no one who didn't respect the tough working-class kid who had fought his way to the very top of the hockey world. He had butted heads with superstars, with management, and with the league itself. And he had also succeeded at every level, finishing his journeyman's career as the captain of an NHL team, then quickly emerged as one of the best coaches in the league. He gathered executive titles like hockey cards, and done things his own way, picking up a law degree along the way. He was brash, dour, and abrasive--and people loved him for his alloy of pugnacity and flair, his three-piece suits and cigars, his Churchillian heft and his scowl. In the end, the player who would never even have dreamed of being inducted into the Hall of Fame was the chair of the Hall's selection committee. That is Quinn's story: an underdog who succeeded so completely that his legacy has become the standard by which others are judged. Told by bestselling author Dan Robson, and supported by the Quinn family and network of friends, Quinn is the definitive account of one of the game's biggest personalities and most storied lives.
It is very common to read or hear that the biblical Gospels cannot be harmonized. In fact, many go so far as to mock any attempts at resolution as a fools errand. This phenomenon, often combined with other attacks on the biblical text, can cause Christians to doubt the trustworthiness of Scripture, along with adding fuel to the fire of those that would seek to discredit the faith. In Harmonizing the Gospels, Dan Jensen walks the reader through the Gospel of Matthew, carefully comparing it to the other three Gospels and demonstrating in a point-by-point fashion that no contradictions exist between the four biblical Gospels. Many works have addressed alleged contradictions among the Gospels as part of broader themes and therefore often do not address every major accusation of contradiction. Furthermore, many of these works are either highly technical or are at the very least somewhat technical. Harmonizing the Gospels, on the other hand, sufficiently answers the objections of skeptics while remaining highly readable for all audiences and avoiding many other subjects so as to keep the work reasonably short and manageable. Have your faith strengthened and learn how you can answer the accusations of alleged contradiction that are so often leveled at the Gospels by skeptics of the Bible by delving into Harmonizing the Gospels today.
Each one of us is a masterpiece created by God with unique gifts and potential for success. Every life matters, and Dr. Erickson seeks to show readers how to discover and develop their God-given purpose - finding that "Greater Yes" - so as to make the greatest possible impact on the lives of everyone around them. Included in the book are five interactive caluculation tools, to help discover and deploy your "yes.
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