During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
Fireflies in the Delta is an examination of why innocent inmates in jail confess to crimes they did not commit. A deputy sheriff, motivated by an illicit love affair and hunger for power, gets an illiterate vagrant to confess to a murder commited by his lover's brothers. A newly elected, idealistic District Attorney refuses to use the false confession as the resolution of the case. This unwittingly draws him into a power struggle with the diabolical deputy and those in the criminal justice system aligned with him. The resolution of this struggle may be too true to life for many readers.
Musicals of the 1990s felt the impact of key developments that forever changed the landscape of Broadway. While the onslaught of British imports slowed down, the so-called Disneyfication of Broadway began, a trend that continues today. Beauty and the Beast and The Lion King became long-running hits, followed by more family-friendly musicals. The decade was also distinguished by a new look at revivals—instead of slavishly reproducing old shows or updating them with campy values, Broadway saw a stream of fresh and sometimes provocative reinventions, including major productions of My Fair Lady, Damn Yankees, Carousel, Show Boat, and Chicago. In The Complete Book of 1990s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1990s. This book discusses the era’s major hits (Miss Saigon, Crazy for You, Rent), notorious flops (Shogun, Nick & Nora, The Red Shoes), controversial shows (Passion, The Capeman), and musicals that closed during their pre-Broadway tryouts (Annie 2: Miss Hannigan’s Revenge, Whistle Down the Wind). In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sandra Bernhard, Michael Feinstein, Patti LuPone, Liza Minnelli, and Mandy Patinkin. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1990s Broadway Musicals provides a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
At a time when global politics is being reshaped, the accountability of those we put in power has never been more vital. In Making Up the Numbers, Dan Boyle, former chairman of the Green Party, applies his first-hand experience of non-traditional politics in Ireland to assess the role of minor parties in government and in coalition. This book is an essential contribution to our understanding of the 'others' vote in Irish politics.
Many problems in general relativity are essentially geometric in nature, in the sense that they can be understood in terms of Riemannian geometry and partial differential equations. This book is centered around the study of mass in general relativity using the techniques of geometric analysis. Specifically, it provides a comprehensive treatment of the positive mass theorem and closely related results, such as the Penrose inequality, drawing on a variety of tools used in this area of research, including minimal hypersurfaces, conformal geometry, inverse mean curvature flow, conformal flow, spinors and the Dirac operator, marginally outer trapped surfaces, and density theorems. This is the first time these topics have been gathered into a single place and presented with an advanced graduate student audience in mind; several dozen exercises are also included. The main prerequisite for this book is a working understanding of Riemannian geometry and basic knowledge of elliptic linear partial differential equations, with only minimal prior knowledge of physics required. The second part of the book includes a short crash course on general relativity, which provides background for the study of asymptotically flat initial data sets satisfying the dominant energy condition.
It is September 1996 when college roommates Dennis Carew and Curt Tobinesk realize they share the same frustration about academic life and the separate demons they battle every day. After they decide on a whim to take life by the horns, the young men set out in the dark of the night on an unplanned road trip from Pennsylvania to Delaware in search of Gretchen Sorenz, Denniss lost love. The night is long and the road is full of secrets. To pass the time, Dennis relates the story of how he met, fell in love with, and ultimately lost the girl of his dreams. Curt has his own story to tell. This night marks the seventh anniversary of his fathers death, a loss Curt has never completely overcome. As the two friends trade chapters for miles, it becomes mandatory for both to finish their stories before reaching the end of the road, where Gretchen waits. Finding Gretchen will be hard enough. Winning her back may take a miracle. In this tale of darkness, faith, love, and heroism, two young men, troubled for different reasons, find common ground in a unifying, magical goal that leads them on an unforgettable adventure to find the inner-peace they both so desperately need. Dan Krzyzkowski attended Lafayette College in Easton, Pennsylvania, where he earned a degree in psychology. He is the author of the novels The Caller and One-Lane Bridge. A writer and fisherman, Krzyzkowski lives in Hunterdon County, New Jersey, and works for the US Postal Service.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
Who was the Apostle Peter? Was he the first Pope? This book examines the scriptures, along with ancient writings, to study Peter's relationship with Jesus, and the history of the early church. The life and ministry of Peter are examined, and interpretation of the "upon this rock I will build my church" statement in Matthew 16 is given, by examining other scriptural references, and the writings of early Christian leaders.
Blood Vengeance by Dan L. Faulkner Blood Vengeance is a thrilling tale of murder, love, fortitude, and the choice between what is right and what is easy. John Urbain, the novel’s hero, is a tough, seasoned helicopter pilot who happens to be in the right place at the right time: criminals are planning to murder a woman on the highway right below his chopper. He intervenes and, because of his bravery, he and the woman named Leann fall deeply in love. The tale takes many twists and turns and some sordid details of John’s past come to light, tainting the heroic perception that the media has given him. He must choose to save those he can save and, in the process, stop a murdering psychopath from committing any more atrocious crimes.
It's the summer of 1942, and FBI agent Joe Lucas has come to Cuba at the behest of the Director to keep an eye on Ernest Hemingway in the Caribbean. Lucas thinks of it as a demotion-a babysitting job for a famous writer who has decided to play spy, assembling a team of misfits including an American millionaire, a twelve-year-old Cuban orphan, a Spanish jai alai champion and more in a would-be espionage ring Hemingway dubs the "Crook Factory." But when Hemingway uncovers a critical piece of intelligence that both threatens his life and endangers the political landscape, the fate of the free world and the life of one of its most preeminent writers lies in the hands of the FBI's most ruthless agent.
This volume introduces the early Christian ideas of history and history writing and shows their value for developing Christian communities of the patristic era. It examines the ways early Christians related and transmitted their history: apologetics, martyrdom accounts, sacred biography, and the genre of church history proper. The book shows that exploring the lives and writings of both men and women of the ancient church helps readers understand how Christian identity is rooted in the faithful work of preceding generations. It also offers a corrective to the individualistic and ahistorical tendencies within contemporary Christianity.
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy form, such as The Producers and Spamalot. In The Complete Book of 2000s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 2000 through the end of 2009. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Patti LuPone, Chita Rivera, and Martin Short. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of black-themed shows and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 2000s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Everyone has an opinion about whether or not Donald Trump colluded with the Russians to defeat Hillary Clinton in 2016. The number of actors involved is staggering, the events are complicated, and it’s hard to know who or what to believe. Spygate bypasses opinion and brings facts together to expose the greatest political scandal in American history. Former Secret Service agent and NYPD police officer Dan Bongino joins forces with journalist D.C. McAllister to clear away fake news and show you how Trump’s political opponents, both foreign and domestic, tried to sabotage his campaign and delegitimize his presidency. By following the names and connections of significant actors, the authors reveal: • Why the Obama administration sent a spy connected to the Deep State into the Trump campaign • How Russians were connected to the opposition research firm hired by the Clinton campaign to find dirt on Trump • How the FBI failed to examine DNC computers after they were hacked, relying instead on the findings of a private company connected to the DNC and the Obama administraton • Why British intelligence played a role in building the collusion narrative • What role Ukrainians played in legitimizing the perception that Trump was conspiring with the Russians • How foreign players in the two events that kickstarted the Trump-Russia collusion investigation were connected to the Clinton Foundation, and • What motivated the major actors who sought to frame the Trump campaign and secure a win for Hillary Clinton
This fascinating study of medieval warfare examines the vital role of castles during the English civil wars of the 15th century. The Wars of the Roses comprise one of the most fascinating periods in medieval history. Much has been written about the leading personalities, bitter dynastic rivalries, political intrigues, and the rapid change of fortune on the battlefields of England and Wales. However, there is one aspect that has been often overlooked, the role of castles in the conflict. Dan Spencer’s original study traces the use of castles from the outbreak of civil war in the 1450s during the reign of Henry VI to the triumph of Henry VII some thirty years later. Using a wide range of narrative, architectural, financial, and administrative sources, Spencer sheds new light on the place of castles within the conflict, demonstrating their importance as strategic and logistical centers, bases for marshaling troops, and as fortresses.
Overview: Although the most vital and innovative trend in contemporary music, techno is notoriously difficult to define. What, exactly, is techno? Author Dan Sicko offers an entertaining, informed, and in-depth answer to this question in Techno Rebels, the music's authoritative American chronicle and a must-read for all fans of techno popular music, and contemporary culture.
A remote island is haunted by wedding crashers from beyond the grave. Dan Poblocki is back with a new spooky ghost story perfect for fans of Mary Downing Hahn and John Bellairs.There is an island, far off the coast of Maine, where the ghosts of the past are restless.Josie Sandoval and Eli Barker are strangers when they board the ferry to Stone's Throw, traveling to the isolated island for a wedding. Then an immense storm blows in, and the wedding party is left stranded with no way to contact the mainland... and no idea that they have been targeted for revenge by the undead. The only clues to the danger they're in are a scrap of an old Nazi uniform -- and an unfamiliar voice, crying out for help in German... Josie and Eli soon realize there's much more to worry about than guest lists and flowers. It's up to them to uncover the chilling history of Stone's Throw Island and put its ghosts to rest -- or this dream wedding will become an absolute nightmare.
In 1958, Edward Teller, father of the H-bomb, unveiled his plan to detonate six nuclear bombs off the Alaskan coast to create a new harbor. However, the plan was blocked by a handful of Eskimos and biologists who succeeded in preventing massive nuclear devastation potentially far greater than that of the Chernobyl blast. The Firecracker Boys is a story of the U.S. government's arrogance and deception, and the brave people who fought against it-launching America's environmental movement. As one of Alaska's most prominent authors, Dan O'Neill brings to these pages his love of Alaska's landscape, his skill as a nature and science writer, and his determination to expose one of the most shocking chapters of the Nuclear Age.
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
SQL Server 2008 introduces many new features that will change database administration procedures; many DBAs will be forced to migrate to SQL Server 2008. This book teaches you how to develop the skills required to successfully administer a SQL Server 2008 database; no prior experience is required. The material covers system installation and configuration/architecting, implementing and monitoring security controls, configuring and managing network communications, automating administration tasks, disaster prevention and recovery, performance monitoring, optimizing and ensuring high availability, as well as major SQL Server 2008 components including Integration Services, Reporting Services, Analysis Services, and Service Broker.
The cross of Christ is undeniably central to the Christian faith. But, how can the cruelty and brutality of a two-thousand-year-old Roman cross touch base with a hedonistic world that has been so desensitized towards violence? Within the postmodern setting of a body-obsessed culture, Christianity urgently requires an innovative and stimulating way of understanding the cross and its atoning significance. At the heart of this book is the Naked Christ--an emblem through which the author draws on the rich resources of the Christian tradition in its portrayal of the cross. He explores how the metaphors of nakedness and clothing can encapsulate aspects of atonement and enable them to be understood within a variety of contemporary contexts. The Naked Christ is a useful resource for anyone seeking fresh ways to express what the cross of Christ means to contemporary culture.
Collected first-hand accounts of British men and women serving their country during World War I, as discovered through the Herts At War community project. In Hertfordshire Soldiers of The First World War the authors explore a series of individual case studies of Hertfordshire men who served in various theaters during the First World War, all of which had been uncovered as part of the Herts At War community project. This unique collection of largely unknown accounts includes stories from the Western Front, Gallipoli, Salonika, Mesopotamia, East Africa, Egypt, and even Russia in the fight against the Bolsheviks in 1919. The Herts At War team uncovered many letters and objects in the course of their research, including men who were Victoria Cross winners to those whose courage or bravery went unrecognized, as well as stoicism on the Home Front. One of the most moving of these surrounds a photograph which was found in the hands of Sergeant Percy Buck as he lay fatally wounded in a shell hole in 1917. On the back of the photograph of his wife and young son he had written his address and asked for whoever found the image to post it to his loved ones in the event of his death. Sergeant Buck would have assumed it would be a British comrade who would find the photograph, but the person who recovered it was a German soldier who subsequently sent it on to the grieving, but grateful, family. The war memorials of Hertfordshire contain the names of over 23,000 men and women who gave their lives whilst in the service of their country during the Great War; some of their tales are uncovered here. Indeed, the poignant collection of stories, anecdotes, and artifacts revealed in this book bring the First World War to life in an unusual and highly moving fashion.
Dan Boothby had been drifting for more than twenty years, without the pontoons of family, friends or a steady occupation. He was looking for but never finding the perfect place to land. Finally, unexpectedly, an opportunity presented itself. After a lifelong obsession with Gavin Maxwell's Ring of Bright Water trilogy, Boothby was given the chance to move to Maxwell's former home, a tiny island on the western seaboard of the Highlands of Scotland. Island of Dreams is about Boothby's time living there, and about the natural and human history that surrounded him; it's about the people he meets and the stories they tell, and about his engagement with this remote landscape, including the otters that inhabit it. Interspersed with Boothby's own story is a quest to better understand the mysterious Gavin Maxwell. Beautifully written and frequently leavened with a dry wit, Island of Dreams is a charming celebration of the particularities of place.
I WAS DELIGHTED TO RECEIVE THIS NEW SUBMISSION BY Daniel Keller. The Laughter Factor presents laughter and humor as a form of therapy. The author claims laughter is essential to the emotions, the body and soul, and the survival of civilization.We all know that 'laughter is the best medicine' and Keller succeeds in proving this theory in his book. Humor is at the core of a whole and healthy personality. Kellar adroitly describes the healing power of laughter -- based on case studies from individual and group therapy sessions. He notes that we, as humans, neglect the power of laughter in our lives by taking humor for granted. We ignore the healthy impact of a good hearty laugh on the body:What happens, when our cheeks blush and our belly shakes the spasm of a guffaw, is more than a good feeling. Our vocal cords are sounding an elixir as old as Solomon's praise of a 'merry heart.' And modern medicine tells us that we are measurably cleansing our somatic pores. We now know that laughter catalyzes the endocrine system. Our pituitary gland releases pain-reducing chemicals. Endorphins and enkephalins trigger the sensation of pleasure.With a clear and lucid style, Keller offers the reader a wealth of information that applies humor to therapy, laughter, and life as a preventative medicine of salvific proportions. This makes for insightful and entertaining reading."Dan Keller's book touches what I felt when I wrote One Flew Over the Cuckoo's Nest. Both I and Randall Patrick McMurphy suggest you read it." -- Ken Kesey"Keller's book reminds us that laughter is the best medicine, far better than a dose of medicine. I recommend The Laughter Factor without a single reservation." -- Virginia Durr"Keller writes about humor with humor. He proves his point in story after story that humor really does make a difference."-- Conrad Hyers"I am delighted to see a book of the caliber Dan Keller has written on the role of humor in psychotherapy. I believe its value will be in the stories it tells." -- Gerald Piaget"Keller's work is masterful. It probes the light side of life, and the philanthropic justice of laughter." -- Tonea Stewart"Keller reminds us that when we go off the rails, laughter picks us up and puts us back on track. The Laughter Factor is a terrific book."-- David BouchierOne may judge the importance of a book partly in terms of content and partly in terms of need. On both counts Keller's The Laughter Factor is important. There is a dearth of literature available to the psychotherapist that applies humor theory to humor therapy. Anyone who has done counseling surely senses that humor - on the part of both therapist and client - can be a significant ingredient in the healing process, yet few have given the matter systematic reflection and application. Freud made a preliminary effort in this direction in his Wit and the Unconscious, and Keller draws upon his study; but many aspects of the subject remained to be developed, especially the uses of humor by the counselor and client. The Laughter Factor corrects this lacuna in our knowledge.Before Freud, none other than the great American therapist Mark Twain credited healing powers to humor (and to his profession) when he wrote in Tom Sawyer of the old man who "laughed joyously and loud, shook up the details of his anatomy from head to foot, saying that such a laugh was money in a man's pocket because it cut down the doctor's bills like everything!" That, in essence, is what Keller's book is about, including a chapter on recent research indicating the various positive effects of shaking up the details of one's anatomy from head to foot in hearty laughter.A book that might profitably be read in conjunction with Keller's book is Ken Kesey's One Flew Over the Cu
Announcing the newest release in our well-received Popular Encyclopedia series—The Popular Encyclopedia of Church History, an ideal resource for anyone who want a clear, user-friendly guide to understanding the key people, places, and events that shaped Christianity. General editors Ed Hindson and Dan Mitchell have extensive experience with producing reference works that combine expert scholarship and popular accessibility. Together with a broad range of well-qualified contributors, they have put together what is sure to become a standard must-have for both Bible teachers and students. With nearly 300 articles across 400 pages, readers will enjoy... a comprehensive panorama of church history from Acts 2 to today a clear presentation of how the church and its teachings have developed concise biographies of major Christian figures and their contributions fascinating overviews of key turning points in church history This valuable resource will enrich believers’ appreciation for the wonderful heritage behind their Christian faith.
Wrestling is as much a part of winter in Iowa as is snow and cold. Dreams of state championships begin in elementary school and, since 1972, come to fruitionor heartbreakingly fall shortat an arena in Des Moines in February or March. The tournament finals sell out, and individuals and teams carve their names on the sports history tree each year. Some champions were deaf, some were amputees, but all earn the respect of thousands for their work ethica hallmark of the states populace. Is this heaven? No, its better than that. Its high school wrestling in Iowa!
Dan Jones has an enviable gift for telling a dramatic story while at the same time inviting us to consider serious topics like liberty and the seeds of representative government." —Antonia Fraser From the New York Times bestselling author of The Plantagenets, a lively, action-packed history of how the Magna Carta came to be—by the author of Powers and Thrones. The Magna Carta is revered around the world as the founding document of Western liberty. Its principles—even its language—can be found in our Bill of Rights and in the Constitution. But what was this strange document and how did it gain such legendary status? Dan Jones takes us back to the turbulent year of 1215, when, beset by foreign crises and cornered by a growing domestic rebellion, King John reluctantly agreed to fix his seal to a document that would change the course of history. At the time of its creation the Magna Carta was just a peace treaty drafted by a group of rebel barons who were tired of the king's high taxes, arbitrary justice, and endless foreign wars. The fragile peace it established would last only two months, but its principles have reverberated over the centuries. Jones's riveting narrative follows the story of the Magna Carta's creation, its failure, and the war that subsequently engulfed England, and charts the high points in its unexpected afterlife. Reissued by King John's successors it protected the Church, banned unlawful imprisonment, and set limits to the exercise of royal power. It established the principle that taxation must be tied to representation and paved the way for the creation of Parliament. In 1776 American patriots, inspired by that long-ago defiance, dared to pick up arms against another English king and to demand even more far-reaching rights. We think of the Declaration of Independence as our founding document but those who drafted it had their eye on the Magna Carta.
A major new history of the Crusades with an unprecedented wide scope, told in a tableau of portraits of people on all sides of the wars, from the author of Powers and Thrones. For more than one thousand years, Christians and Muslims lived side by side, sometimes at peace and sometimes at war. When Christian armies seized Jerusalem in 1099, they began the most notorious period of conflict between the two religions. Depending on who you ask, the fall of the holy city was either an inspiring legend or the greatest of horrors. In Crusaders, Dan Jones interrogates the many sides of the larger story, charting a deeply human and avowedly pluralist path through the crusading era. Expanding the usual timeframe, Jones looks to the roots of Christian-Muslim relations in the eighth century and tracks the influence of crusading to present day. He widens the geographical focus to far-flung regions home to so-called enemies of the Church, including Spain, North Africa, southern France, and the Baltic states. By telling intimate stories of individual journeys, Jones illuminates these centuries of war not only from the perspective of popes and kings, but from Arab-Sicilian poets, Byzantine princesses, Sunni scholars, Shi'ite viziers, Mamluk slave soldiers, Mongol chieftains, and barefoot friars. Crusading remains a rallying call to this day, but its role in the popular imagination ignores the cooperation and complicated coexistence that were just as much a feature of the period as warfare. The age-old relationships between faith, conquest, wealth, power, and trade meant that crusading was not only about fighting for the glory of God, but also, among other earthly reasons, about gold. In this richly dramatic narrative that gives voice to sources usually pushed to the margins, Dan Jones has written an authoritative survey of the holy wars with global scope and human focus.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The Paradigm of the Kingdom of God This book traces redemptive history, from the Garden of Eden to the New Heaven and Earth, through the paradigm of the kingdom of God. Jesus Christ's saving work is the supreme event in all history, but it takes place within the context of the kingdom. When we follow God's plan of salvation through the kingdom's progress, the events unfold like an immense novel because we see God's divine providence revealed through both biblical and secular accounts. God initiates the kingdom paradigm when he tells Adam and Eve to be "fruitful and multiply . . . and rule" (Gen. 1:28). This is a mandate to establish God's righteous kingdom on the earth, and it is repeated to Noah and then Israel. But the story of the Old Testament is that Adam and Eve, Noah and his family, and Israel, all sin and rebel and cannot establish God's kingdom. The New Testament tells us about Jesus Christ, the Son of God, coming to earth to become one of us. He begins His ministry by proclaiming, "The time is fulfilled, and the kingdom of God is at hand; repent and believe in the gospel" (Mark 1:15). Jesus begins to fulfill the kingdom mandate. He is fruitful and multiplies through spiritual children. And Jesus begins to rule: He teaches, casts out demons, calms storms, heals the sick, raises the dead, and feeds the hungry. He establishes a kingdom of His faithful followers. But Jesus must also die for their sins, and rise again, so that they can be declared righteous, fit for God's kingdom. After Jesus ascends to heaven and establishes the Church, the kingdom advances through the Church's ministry. Understanding redemptive history through the kingdom paradigm differs from the long standing interpretations of Dispensationalism and Covenantalism. These views are considered in this book, but the focus is on how the kingdom is central to God's design for history. Following its progress helps us see our location and roles in the fulfillment of God's divine plan. This can inform our faith and increase Church unity as we glorify God through His amazing plan of redemption.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Young J.V. Sullivan, the son of an American Army officer and a Russian pianist, has grown up on Army posts around the world. His prosperous Aunt Nora has welcomed him to her home on Cape Cod each summer, allowing him to contrast the American way of life with his overseas experiences. Despite a gift for languages, Sullivan is unsure of his future. He persists in studying marketing. He completes an MBA program at NYU during his father's second tour of duty in Manhattan and wonders about his future. Aunt Nora discovers young Sullivan may also be a gifted artist. She challenges him to complete a dozen portraits for her. If he accepts the challenge she agrees to pay him $1,000,000. "Why?" he asks. "Paint the portraits and you'll know if an art career is for you. If so, I salute you. If not, I'll have a dozen fine paintings and you'll have a million dollars." He accepts the challenge.
This text introduces tourism students to concepts drawn from critical theory, cultural studies and the social sciences. It does so with a light and readable touch, highlighting the ideas that underlie contemporary critical tourism studies in a practical and engaging way. Specifically, the authors examine how post-structuralist thought has led to a re-imagining of power relationships and the ways in which they are central to the production and consumption of tourism experiences. Eleven clear, relevant chapters provide an accessible introduction to tourism defining, explaining and developing the key issues and methods in this exciting field. These topics include: • Regulating Tourism • Commodifying Tourism • Embodying Tourism • Performing Tourism • Tourism and the Everyday • Tourism and the Other • Tourism and the Environment • Tourism and the Past • Tourism Mobilities • Researching Tourism A strong teaching text, this will be well received by lecturers seeking an authoritative, multi-disciplinary book on contemporary tourism and by students who want a practical, grounded introduction which understands their learning and research needs.
Sixty original tales of Sherlock Holmes -- which one is the best? In sixty essays, sixty Sherlockians make the case for each of the stories. Their arguments range from the playful to the academic, and are as varied as the authors themselves. As editor Christopher Redmond says, ""What they have written is compelling evidence that any one of the Sherlock Holmes stories can be the best; it’s all a matter of what the reader is looking for."" Sir Arthur Conan Doyle’s tales range from Victorian horror, to jewel heists, to society scandals. As these authors show, there's a Sherlock Holmes adventure for every taste. This volume benefits the Beacon Society. No royalties from the sale of this volume will be paid to either the authors or the editor. Royalties earned will, with the cooperation of the publisher, be turned over in their entirety to the Beacon Society, a not-for-profit organization of Sherlockians with the purpose of introducing young people to Sherlock Holmes through classrooms and libraries.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
How do we as Americans define our identities? How do our stories represent who we are-our successes, our failures, our past, our future? Stories of redemption are some of the most powerful ways to express American identity and all that it can entail, from pain and anguish to joy and fulfillment. Psychologist Dan P. McAdams examines how these narratives, in which the hero is delivered from suffering to an enhanced status or state, represent a new psychology of American identity, and in turn, how they translate to understanding our own lives. In this revised and expanded edition of The Redemptive Self, McAdams shows how redemptive stories promote psychological health and civic engagement among contemporary American adults. He reveals how different kinds of redemptive stories compete for favor in American society, as presented in a dramatic case study comparing the life stories constructed by Presidents George W. Bush and Barack Obama. McAdams provides new insight on race and religion in American narratives, offers a creative blend of psychological research and historical analysis, and explains how the redemptive self is a positive psychological resource for living a worthy American life. From the spiritual testimonials of the Puritans and the celebrated autobiography of Benjamin Franklin, to the harrowing stories of escaped slaves and the modern tales in Hollywood movies, we are surrounded by transformative stories that can inform how we make sense of our American identity. But is the redemptive life story always a good thing, and can anyone achieve it? While affirming the significance of redemptive life stories, McAdams also offers a cultural critique. Through no fault of their own, many Americans cannot achieve this revered story of deliverance. Instead, their lives are rife with contaminated plots, vicious cycles of disappointment, and endless pitfalls. Moreover, there may be a negative side to these beloved stories of redemption-they demonstrate a curiously American form of arrogance, self-righteousness, and naiveté that all bad things can be transformed. In this revised and expanded edition of the his award-winning book, McAdams encourages us to critically examine our own life stories-the good, the bad, the ups, the downs-in order to inform how we can benefit from them and shape a better future American identity.
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