This is the completely updated and revised edition to the bestselling tutorial and reference to J2EE Patterns. The book introduces new patterns, new refactorings, and new ways of using XML and J2EE Web services.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
The modern comic book shop was born in the early 1970s. Its rise was due in large part to Phil Seuling, the entrepreneur whose direct market model allowed shops to get comics straight from the publishers. Stores could then better customize their offerings and independent publishers could access national distribution. Shops opened up a space for quirky ideas to gain an audience and helped transform small-press series, from Teenage Mutant Ninja Turtles to Bone, into media giants. Comic Shop is the first book to trace the history of these cultural icons. Dan Gearino brings us from their origins to the present-day, when the rise of digital platforms and a changing retail landscape have the industry at a crossroads. When the book was first published in 2017, Gearino had spent a year with stores around the country, following how they navigated the business. For this updated and expanded paperback edition, he covers the wild retail landscape of 2017 and 2018, a time that was brutal for stores and rich for comics as an art form. Along the way he interviews pioneers of comics retailing and other important players, including many women; top creators; and those who continue to push the business in new directions. A revised guide to dozens of the most interesting shops around the United States and Canada is a bonus for fans.
In 1893, Sherlock Holmes and Henry James come to America together to solve the mystery of the 1885 death of Clover Adams, wife of the esteemed historian Henry Adams -- member of the Adams family that has given the United States two Presidents. Clover's suicide appears to be more than it at first seemed; the suspected foul play may involve matters of national importance. Holmes is currently on his Great Hiatus -- his three-year absence after Reichenbach Falls during which time the people of London believe him to be deceased. Holmes has faked his own death because, through his powers of ratiocination, the great detective has come to the conclusion that he is a fictional character. This leads to serious complications for James -- for if his esteemed fellow investigator is merely a work of fiction, what does that make him? And what can the master storyteller do to fight against the sinister power -- possibly named Moriarty -- that may or may not be controlling them from the shadows?
This cookbook and travelogue profiles daringly inventive grill masters with “colorful characters, inventive techniques and lip-smacking food” (Publishers Weekly, starred review). Twenty whole chickens bathed in garlic on a rig that resembles a cast-iron satellite dish . . . this is Extreme Barbecue, a tribute to the derring-do behind the craziest grilling contraptions in the country. Through in-depth profiles, outrageous photographs, and nearly one hundred personal recipes, this unique cookbook exalts in unprecedented cooking techniques and junkyard serendipity. These devices range from the Zen-like simplicity of a tin can on two heated flat stones to an awe-inspiring two-story mobile smoker complete with winding staircase. Whether it’s a front-end loader serving as a grilling rig in Kansas City or a 4,500-pound mobile bread baker in Portland, Oregon, this is BBQ like you’ve never seen—or tasted—before.
This book offers a comprehensive examination of midterm elections from the lens of communications and media coverage. Using a wide variety of methods, this contributed volume covers the differences, similarities, and challenges unique to midterm elections.
Once confined to the research laboratory, the genetic engineering of plants is now a big business that is changing the face of modern agriculture. Giant corporations are creating designer crops with strange powers-from cholesterol-reducing soybeans to plants that act as miniature drug factories, churning out everything from vaccines to insulin. They promise great benefits: better health for consumers, more productive agriculture-even an end to world hunger. But the vision has a dark side, one of profit-driven tampering with life and the possible destruction of entire ecosystems. In Lords of the Harvest, Daniel Charles takes us deep inside research labs, farm sheds, and corporate boardrooms to reveal the hidden story behind this agricultural revolution. He tells how a handful of scientists at Monsanto drove biotechnology from the lab into the field, and how the company's opponents are fighting back with every tool available to them, including the cynical manipulation of public fears. A dramatic account of boundless ambition, political intrigue, and the quest for knowledge, Lords of the Harvest is ultimately a story of idealism and of conflicting dreams about the shape of a better world.
Cricket is a game that has always attracted mavericks and characters. Cantankerous batsmen, lethal bowlers, criminal wicket keepers and philandering fielders feature as The Middle Stump looks at the good, the bad and the potentially dangerous of the cricket world. Dan has interviewed some of the biggest names in the game and those sitting on the knolls in the sun, and has spoken to everyone who is anyone in the cricket world. Now, based on years of cricket fandom and limited ability, he has collected the portraits of the most interesting players from recent years. Written in the same tongue-in-cheek and honest style that we have all come to love from The Middle Stump, this is a great read for all cricket fans.
This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable for explaining the viewpoint effects that can arise in dramatic texts. To expand on the large number of examples discussed throughout the book, the penultimate chapter consists of an extended analysis of a single play. This book is relevant to scholars in a range of areas, including linguistics, literary studies and cognitive science.
“Eerily beautiful . . . [Chaon] is the modern day John Cheever.”—Boston Sunday Globe “Powerful and disturbing . . . The shocks in this collection are many.”—The Washington Post These haunting, suspenseful stories by acclaimed author Dan Chaon feature scattered families, unfulfilled dreamers, anxious souls—lost, fragile, searching characters who wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and exist in a twilight realm, in a place by the window late at night when the streets are empty and the world appears to be quiet. But it is not, and neither are you. And since you cannot sleep, you stay awake. “Chaon is able to create fully realized characters in mere pages. . . . This collection is further proof that Chaon is one of the best fiction writers working right now.”—Omaha World-Herald “There are not many fiction writers who can do what Dan Chaon can do. . . . [He is] a literary force.”—The Philadelphia Inquirer “Intense and suspenseful . . . a highly recommended work, not to be missed.”—Library Journal (starred review) “Mesmerizing . . . gripping, masterful fiction.”—The Plain Dealer “Superbly disquieting.”—The New York Times Book Review Don’t miss the exclusive conversation between Dan Chaon and Emma Straub at the back of the book. Look for special features inside. Join the Circle for author chats and more.
Who am I? And how do I fit into the world? These are the questions individuals ask themselves to make sense of their lives. Power, Intimacy and the Life Story addresses the human quest for identity. The author reinterprets some of the classic writings in psychology as he shows how each of us constructs a life story in order to meet the identity challenge and create a sense of unity and purpose in our lives. Written for the social scientist, practicing clinician, educated layperson, and student, this compelling study describes how we construct stories that are organized by the two general life themes of power and intimacy. Using the results of questionnaires and interviews with both college students and older adults, the author illustrates an innovative way of understanding human lives in literary terms.
Demons. We all have them. They take various forms and affect us in different ways. Some are obvious like drugs and alcohol. Loneliness and depression and self-doubt are not so apparent if that is all you've known until college. In Holmes on the Range, Dan Holmes, Esquire wakes up one morning and realizes he is living his childhood dream. Wife, children, houses, cars, jewelry and cash flow from his legal practice are his. What he doesn't realize is that the demons that haunted him when he was growing up did not disappear as his career blossomed. Then life threw Dan a typical business-oriented speed-bump that he handled by building it into a mountain he could never scale. Those long silent core emotions led him, with eyes wide open, to risk his profession, his marriage, his community standing and his soul to keep things going. Lie built upon lie, larger thefts compounded smaller ones--time was purchased with ever bigger crimes against the community he served while he ignored his family life. Just live long enough for one more economic upturn and a few good deals to come along--everything will be fine. Or win the lottery. FBI agents came calling first. After pleading guilty, ex-attorney Dan Holmes entered the federal prison system for a ninety-six month stay not knowing if he could survive in a world he had seen only in the media. Penal rehabilitation turns out to be a life lived with four hundred other minimum security types in an open campus where any inmate can walk off the property. Accountants, lawyers, physicians, drug dealers, stock brokers, priests, the mentally retarded, the mentally ill, odd pranksters, clever scammers, and people more resembling barking dogs than human beings are all around him. The staff people are there in prison too, and everyone has mostly nothing to do, and a lot of time to do it in. Middle school without teachers--a way wicked wild world so few get to know close up. About the Authors: Sam Skinner was born and raised in Florida. He graduated from college and began a career in banking where he rose to Vice-President, Construction Loans. Then he changed career paths and worked as Chief Operating Officer for a real estate developer in Virginia. It was then that his life took a turn for the worse. He decided to be loyal to his employer when the employer committed bank fraud to try to secure takeout financing for his upside-down real estate portfolio. Sam did not call 911 and report the felonies as soon as he saw them, which is the letter of the law. His loyalty to an individual he liked and admired trumped his moral compass. When everything collapsed, Sam was indicted and pled guilty when the developer did not stand up and take responsibility for the frauds he alone had committed and authorized. Dan Holmes grew up in Philadelphia, Pennsylvania and went to law school after graduating college. He worked hard and became successful in his trade and was on his way to enjoying the fruits of his labor. Unfortunately, Dan wasn't prepared for the many trials that life makes you endure and, in his moment of testing, Dan failed miserably.
Drawing on a combined expertise in improvisational theatre and psychiatry, author team Dan O'Connor and Dr. Jeff Katzman show readers how improv skills are the perfect antidote to loneliness and isolation. I know what you're thinking: Hold on...improv? Like getting on a stage in front of an audience? What if that's not my thing? Don't worry: this isn't a book about becoming an improv theater expert, and it's not really a book about performing. It's a book about loneliness--about our feelings of disconnection and isolation, ones that we may have been experiencing since long before the pandemic. More importantly, it's a book about becoming unlonely--by borrowing from the collaborative and creative tools of improv. Authors of Life Unscripted Jeff Katzman, a professor of psychiatry at the University of New Mexico, and Dan O'Connor, multifaceted actor, writer, and director, have created a process they call Ensembling that helps us build an ensemble of relationships in our lives and more deeply enjoy the groups we already belong to. This is a process of becoming a little vulnerable with each other, and of embracing the moment in which we find ourselves. Drawing on concepts from narrative improvisational theatre and depth psychology, the authors present us with the skills we need to connect with each other more actively and meaningfully. To ensemble or not to ensemble--that is not a question. With the rise of loneliness and isolation in an increasingly virtually connected society, we must find ways to come together. We must ensemble!
A resourceful and thorough study of an important issue in New Testament and systematic theology, this book is one that takes human action and reception into full account. Where does God's revelation reside--in the event or in the interpretation? If history is about the creation of meaning, what does it mean to say that God reveals God's self in history? Dan Via addresses these and related issues in this original volume.
This book should be value for all those who are interested in enhancing their self-understanding. It should also serve as useful classroom text for undergraduates and advanced students in personality and social psychology, counselling and psychotherapy.
This handbook deals with the question of how people can best live and work with others who come from very different cultural backgrounds. Handbook of Intercultural Training provides an overview of current trends and issues in the field of intercultural training. Contributors represent a wide range of disciplines including psychology, interpersonal communication, human resource management, international management, anthropology, social work, and education. Twenty-four chapters, all new to this edition, cover an array of topics including training for specific contexts, instrumentation and methods, and training design.
How the partnership between Ford and the UAW, forged through more than fifty pivotal events, transformed their capacity to combine good jobs with high performance. In 2009, the Ford Motor Company was the only one of the Big Three automakers not to take the federal bailout package. How did Ford remain standing when its competitors were brought to their knees? It was a gutsy decision, but it didn't happen in isolation. The United Auto Workers joined with Ford to make this possible—not only in 2009, but in a series of more than fifty pivotal events during three decades that add up to a transformation that simultaneously values work and delivers results. The pivotal events—some planned and some unplanned; some at the facility level and some at the enterprise level –were not all successful. All had the potential, however, to further the transformation, and all provide insight into how large-scale system change really happens. The authors—each with years of experience with Ford, the UAW, and the industry—provide an unprecedented inside look at how core operating assumptions are shifted and at the emergence of integrated operating systems for quality, safety, and other aspects of the enterprise. It is a transformation built on a foundation of dignity and mutual respect, guided by a vision of combining good jobs with high performance.
Musicals of the 1990s felt the impact of key developments that forever changed the landscape of Broadway. While the onslaught of British imports slowed down, the so-called Disneyfication of Broadway began, a trend that continues today. Beauty and the Beast and The Lion King became long-running hits, followed by more family-friendly musicals. The decade was also distinguished by a new look at revivals—instead of slavishly reproducing old shows or updating them with campy values, Broadway saw a stream of fresh and sometimes provocative reinventions, including major productions of My Fair Lady, Damn Yankees, Carousel, Show Boat, and Chicago. In The Complete Book of 1990s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1990s. This book discusses the era’s major hits (Miss Saigon, Crazy for You, Rent), notorious flops (Shogun, Nick & Nora, The Red Shoes), controversial shows (Passion, The Capeman), and musicals that closed during their pre-Broadway tryouts (Annie 2: Miss Hannigan’s Revenge, Whistle Down the Wind). In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sandra Bernhard, Michael Feinstein, Patti LuPone, Liza Minnelli, and Mandy Patinkin. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1990s Broadway Musicals provides a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
John Boileau and Dan Black tell the stories of some of the 30,000 underage youths -- some as young as fourteen -- who joined the Canadian Armed Forces in the Second World War. This is the companion volume to the authors' popular 2013 book Old Enough to Fight about boy soldiers in the First World War. Like their predecessors a generation before, these boys managed to enlist despite their youth. Most went on to face action overseas in what would become the deadliest military conflict in human history. They enlisted for a myriad of personal reasons -- ranging from the appeal of earning regular pay after the unemployment and poverty of the Depression to the desire to avenge the death of a brother or father killed overseas. Canada's boy soldiers, sailors and airmen saw themselves contributing to the war effort in a visible, meaningful way, even when that meant taking on very adult risks and dangers of combat. Meticulously researched and extensively illustrated with photographs, personal documents and specially commissioned maps, Too Young to Die provides a touching and fascinating perspective on the Canadian experience in the Second World War. Among the individuals whose stories are told: Ken Ewing, at age sixteen taken prisoner at Hong Kong and then a teenager in a Japanese prisoner of war campRalph Frayne, so determined to fight that he enlisted in the army, navy and Merchant Navy all before the age of seventeenRobert Boulanger, at age eighteen the youngest Canadian to die on the Dieppe beaches
This book examines overlaps, differences, and complementarities between narratology and stylistics, and shows the consequences of this examination for the practical analysis of prose narrative. Narratology identifies discourse as one of its two main objects of study (story being the other), and stylistics, of course, designates style as its concern. Too often, however, work in each of these fields proceeds without attention to developments in the other. This book corrects that situation by looking beneath the superficial similarities between the “discourse” of narratology and the “style” of fictional stylistics. The author shows that the two seemingly interchangeable terms actually refer to different textual elements. For example, both narratology and stylistics identify point of view as an important element of discourse and style, respectively, but each approach conceives of it differently and thus analyzes it differently. This book argues that the different analyses are complementary and shows how they can be brought together. This synthesis leads to richer conceptions of point of view as well as more comprehensive and precise analyses of its functions and effects in individual narratives. For its theoretical and interpretive contributions, this book will appeal to scholars and students in narrative studies, literary stylistics, and literary theory and criticism.
EVERYONE, AT SOME POINT DURING THEIR LIVES, HAS BEEN HUMILIATED AND EMBARASSED BY THE ACTIONS OF SOMEONE ELSE. IT MAY HAPPEN DURING THEIR SCHOOL YEARS, DURING THEIR YEARS IN THE WORKPLACE OR DURING THEIR MARRIAGE. "SWEET REVENGE" IS A COLLECTION OF TWENTY-ONE SHORT STORIES ANALYZING CASES WHERE A PERSON HAS BEEN EMBARASSED AND HUMILIATED AND THE MEANS BY WHICH "THE VICTIM" GETS REVENGE AGAINST THE PERSON THAT EMBARASSED OR HUMILIATED THEM.
The good-ole-boy heroes of Dan Jenkins' Semi-Tough and Life Its Ownself are back in this exuberant tale of football and other excesses. Rude Behavior finds Billy Clyde Puckett, former New York Giant football god and later television announcer, as general manager and part-owner of a new NFL team, the West Texas Tornadoes. His old drinking partner-in-crime and favorite receiver, Shake Tiller, has written a bestselling book, The Average Man's History of the World, and his nearly perfect wife, Barbara Jane, is in Hollywood, making a movie with Shake, who happens to be her old flame. Meanwhile, Billy Clyde's father-in-law, Big Ed Bookman, who is more Texas than oil and is majority owner of the Tornadoes, is trying to lure the old Giants coach, T.J. Lambert, to run his new team. And Billy Clyde has met a bartender named Kelly Sue Woodley, a wiseass beauty who works at a joint called "He Ain't Here" and causes some major marital discord. All these folks are back to take part in some serious fun, which in Jenkinsland means football, plenty of "young scotches," athletic exploits on the field and in the bedroom, a lot of riffs about the stupidity of "gubmint reg-you-layshuns," and the sublime beauty of country music. Hilarious, stubbornly retrograde, and laced with affection for everything Texas football stands for, Rude Behavior is vintage Dan Jenkins.
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Years ago, Burt Rutan told a reporter for Popular Mechanics, “If we make a courageous decision like the goal and program we kicked off for Apollo in 1961, we will see our children or grandchildren in outposts on other planets.” Legendary science-fiction writer Arthur C. Clark would later recall Rutan’s quote in a piece he wrote about SpaceShipOne and comment, “Fortunately, we need not rely solely on governments for expanding humanity’s presence beyond the Earth.” Burt Rutan’s Race to Space showcases Rutan’s herculean efforts to do just that. Smithsonian’s Air and Space Museum displays his most celebrated achievements, including SpaceShipOne, which won the coveted $10 million Ansari X Prize for private spaceflight; Voyager, which hangs with SpaceShipOne in the Milestones of Flight gallery; the Virgin Atlantic GlobalFlyer; and the VariEze. His many aerospace innovations preceding his most recently conceived designs, SpaceShipTwo and WhiteKnightTwo, chronicle a progressive, step-by-step attempt to break barriers with engineering know-how and a wondrous imagination, all the while remaining on the forefront of the burgeoning private spaceflight industry. Rutan’s X Prize triumph and subsequent spacecraft designs are not a beginning, nor an end, but are steps in Burt Rutan’s continuing adventure to expand humanity’s presence beyond the Earth and into space.
With its colorful landscape and wonderful diversity of plant and animal communities, the southwestern borderlands have attracted naturalists for centuries. As Col. Thomas Henry noted in 1853, there “are to be found many curious birds, peculiar to the country.” This book identifies more than 100 early ornithologists and explorers who entered the Southwest from 1528 to 1900, all of whom have contributed in significant ways to our understanding of the region’s avian life. Dan Fischer identifies those individuals who documented the natural history of the Southwest and summarizes their contributions to our knowledge about the region’s birds—particularly through discovering and naming them. He tells why the ornithologists came to the region, what they saw, who described and named the new discoveries, and who were the first to sketch or paint new birds. Beginning with accounts of the earliest Spanish explorers such as Cabeza de Vaca and Coronado, Fischer considers all who visited the region through the end of the nineteenth century, including such renowned naturalists as William Gambel, John McCown, Adolphus Heermann, Elliott Coues, Charles Bendire, and Henry Henshaw. In between, he recalls English mining speculators, French traders, army explorers, railroad surveyors, and more—all of whom contributed to ornithological knowledge. Although focusing on ornithologists, Fischer’s text reveals the wonderful variety of avian species in the region and their relationship with human history. Featuring a comprehensive bibliography, illustrations, and maps that portray the westward march of exploration, it is a major sourcebook for southwestern ornithology and an essential volume for anyone interested in birds.
When the body of an American soldier is discovered in Cuban waters near the U.S. detention facility at Guantánamo, Revere Falk, a former FBI agent, is reassigned from his job interrogating an accused al-Qaeda operative to investigate the soldier’s mysterious death. Falk soon finds himself in a deadly game of intrigue that stretches from the charged waters of Guantánamo Bay to the polished halls of Washington. Every move Falk makes could be costly, and to make matters worse, a dark figure from his past reappears, brandishing a secret he thought he had safely buried. The Prisoner of Guantánamo is a daring look at life behind the barbed wire of Gitmo and a riveting portrayal of what goes on in the most secret levels of our government.
A celebration of the nuttiness and obsessives in all of us, RecordSetter is the new world record– setting phenomenon, a website that believes everyone can be the world’s best at something—and where 80,000 people a month come to prove it, or just enjoy watching. Corey Henderson and Dan Rollman, the creators of RecordSetter, are two entrepreneurs obsessed by world records who appear regularly on Late Night with Jimmy Fallon and host events in cities around the country. The RecordSetter Book of World Records captures all the exuberance, energy, and quirky good humor of the records and record-setters. Here are more than 300 of the longest, loudest, slowest, weirdest, coolest, and most-difficult-to-break world records. There are Food & Drink Records. Sports & Games Records. Records set by (not-so) average Joes, and records set by celebrities (Most Bunnies Snuggled in a Hammock by Cameron Diaz).
Georgian London evokes images of elegant mannered buildings, but it was also a city where prostitution was rife and houses of ill repute widespread in a sex trade that employed thousands. In London's Sinful Secret, Dan Cruickshank explores this erotic Georgian underworld and shows how it affected almost every aspect of life and culture in the city from the smart new streets that sprang up in Marylebone, to the squalid alleys around Charing Cross to the coffee houses, where prostitutes plied their trade, to the work of artists such as William Hogarth and Joshua Reynolds. Cruickshank uses memoirs, newspaper accounts and court records to create a surprisingly bawdy portrait of London at its most-mannered and, for the first time, exposes its secret, sinful underside. "A lively work of social history, full of surprises and memorable characters." - Kirkus Reviews
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
What is it to write a poem? What work do words do when placed with care and vision into the intensely charged space of poetic effort? How to Draw a Circle does not seek to answer those questions, but to encounter them as fully and honestly as one can. The thread running through the essays is an ongoing investigation into poetry as an epistemological experiment, one which binds the imagination to the worldly, and trusts that creative endeavor is a form of participation in the ongoing creation of the world. It does so in part by focusing on thinkers, poets, writers, and literary movements where such thinking for a while prevailed, from Socrates to Melville, Mythology to Romanticism. Here the poem is approached as something deeply rooted in human consciousness, done so not to make an atavistic claim about poetry's history, but to show the ways in which oldest tradition gives us ever-new eyes. The hope this book gathers around is that poetry—poetic expression, the wild wonder of working in words—turns us back toward the world in more vibrant, more open, more ethical ways. How to Draw a Circle summons lyric powers—not an argument, but a participation in the ways poetry works in us and on us.
Just a Minute Please is a compilation of daily devotionals written by Pastor Dan Luther Edwards for newspaper columns of several local Oklahoma newspapers in the 1940's.
This comprehensive, research-informed textbook reviews all aspects of traditional and contemporary theories and experience in youth ministry, but also points to the future by analyzing youth culture and charting innovative paradigms in the art and craft of teaching. The book is fueled by the urgent need in youth ministry to better reach students, to inform them about God’s will for their lives, and to encourage change in their lives beyond the youth group setting.Features include:• Website dedicated to the book, including chats hosted by the author• Scriptural instruction on reaching the minds, hearts, and souls of students• Cultural analysis of adolescents in ministry contexts and in the larger community• Explanation of learning styles: auditory, visual, tactile, kinesthetic• Explanation of multiple intelligences: imaginative, analytic, common sense, dynamic• Tips on creativity: where to find ideas, list of teaching methods
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