Desperately fleeing for his life, Brad Evans escapes Manhattan and hides in a trailer in the country. There he writes an expos of Phasmatia, the world's first great Internet religion, and its megalomaniacal unholy messiah, Sky Fisher. As one of the trio of ad men who schemed to concoct Phasmatia, Evans certainly knows where all the skeletons are buried, and is ready to tellprovided he manages to live long enough. His close friend and co-conspirator, Stan Shiu, whose technical genius helped spark the religion's rapid rise, is already dead. The whistle-blower recounts the religion's genesis and its growth from a get-rich-quick Dot-Com scheme to the Next Big Thing, spreading like wildfire over the web and the planet. He also exposes the corruption and power lust that festers at the top, even while his hope for a potential new era of spirituality and faith burns brightly. The events in this gripping digital-age novel could easily happen tomorrow. Our wired age of social networks, virtual worlds, and media manipulation is examined in the context of humankind's timeless need for spiritual sustenance and divine hope.
Eastern Illinois Panthers Football chronicles the legend and lore of this storied program, from the early days under coach and university-auditor-of-accounting Otis Caldwell, to today's perennial Ohio Valley Conference powerhouse. Sports historian Dan Verdun sets down amazing details about EIU's 15 FCS playoff appearances, 7 OVC championships, 3 NFL head coaches, 2 Walter Payton Award winners, and the 1978 NCAA Division II national championship. Panther fans will recognize the names of Mike Shanahan, Darrell Mudra, Jeff Gossett, Sean Payton, Bob Spoo and Tony Romo, and many others. Dan Verdun tells these men's stories from extensive research and personal interviews. Find out fascinating details about key players and coaches - how they arrived at EIU, what they accomplished in their time wearing the blue and gray, as well as the paths their lives took once they played their last game and graduation day arrived. The greatest moments in EIU Panther football glory are recounted with fresh new insight. Read about the legendary days of quarterback Bill Glenn, who found success in the NFL of the 1940s. Relive the dominance and get the inside stories of the greatest teams in EIU football history. They're all here: the 1978 NCAA Division-II national champions, the 1980 runner-ups, the quarterfinalist 1982, 1986, 1989, and 2013 teams along with the 1995 and 2001 conference champions and playoff qualifiers. With far-ranging appeal, Eastern Illinois Panthers Football will interest those who identify as Panthers as well as sports fans who want to discover the merits of this fine football program. Focused on team members and their coaches over the entire history of EIU football, this book will inform and entertain all age groups.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Born and raised in Chicago, Detective John Lynch might just be about to die there too. Because one dark secret might be about to tear a whole city apart. A pious old woman steps out of the Sacred Heart confessional and is shot dead by a sniper with what at first appears to be a miraculous and impossible shot. Colonel Tech Weaver dispatches a team from Langley to put the shooter—and anyone else who gets in the way—in a body bag before a half-century of national secrets are revealed. Detective John Lynch, the son of a murdered Chicago cop, finds himself cast into an underworld of political corruption and guilty secrets, as he tries to uncover the truth about what’s really going on – before another innocent citizen gets killed. From the Trade Paperback edition.
As a Star Wars fan, you've seen the movies, from A New Hope to The Last Jedi, and beyond. And of course you've probably had a faux lightsaber battle or two, pretending to be Luke Skywalker, Rey, or maybe Kylo Ren. But can you name the seven actors who have portrayed Darth Vader? Do you know how Ralph McQuarrie helped shape the world of Star Wars? Are you familiar with Deak Starkiller, Darth Plagueis, or Drew Struzan? Have you seen the infamous Star Wars Holiday Special? 100 Things Star Wars Fans Should Know & Do Before They Die is the ultimate resource for true fans of the galaxy far, far away. In this revised and updated edition, Dan Casey has collected every essential piece of Star Wars knowledge and trivia, as well as must-do activites, and ranks them all from 1 to 100, providing an entertaining and easy-to-follow checklist for viewers old and new to progress on their way to fan superstardom.
The bare mention of a mine of silver calls up in most minds visions of glittering wealth and a world of romantic situations and associations. All no doubt have read the story of the Indian hunter, Diego Hualca, who, in the year 1545, discovered the world-famous silver-mine of Potosi, Peru. How, while climbing up the face of a steep mountain in pursuit of a wild goat, this fortunate hunter laid hold upon a bush, in order to pull himself up over a steep ledge of rocks, and how the bush was torn out by the roots, when lo! wonderful store of wealth was laid bare. In the roots of the upturned bush, and in the soil of the spot whence it was torn, the eyes of the lone Indian hunter beheld masses of glittering silver. Having all our lives had in mind this romantic story, and having a thousand times pictured to ourselves the great, shining lumps of native silver, as they lay exposed in the black soil before that Indian, who stood alone in a far-away place on the wild mountain, we are apt to imagine that something of the same kind is to be seen wherever a silver-mine exists. Besides, we have all heard the stories told by the old settlers of the Atlantic States in regard to the wonderful mines of silver known to the Indians in early days. Hardly a State in the Union but has its legend of a silver-mine known to the red-men when they inhabited the country. This mine was pretty much the same in every State and in every region. Upon the removal of a large flat stone an opening resembling the mouth of a cavern was seen. Entering this, you found yourself in a great crevice in the rocks, and the sides of this crevice were lined with silver, which you forthwith proceeded to hew and chip off with a hatchet kindly furnished you by your Indian guide. You worked rapidly, as, according to contract, you had but a limited time to remain in the mine. When the Indian at your side announced your time up, the tomahawk was taken from your hand, even though you might have an immense mass detached, save a mere clinging thread. Only men who had saved the life of some Indian of renown were ever led to these silver caverns and they were invariably obliged to submit to be blindfolded, so that none of them were ever able to find their way back to the mines they had been shown. These and kindred stories have placed masses of native silver, and deposits of rich ores of silver very near to the surface of the ground, in the popular mind. No doubt there are many places in the world where native silver exists almost upon the present surface, as was the case in the Potosi mine, in Peru, and as was the case with the rich deposit of silver ore first found on the Comstock lode, but those who visit the present mines of the Comstock will find little in them that at all agrees with their preconceived notions of silver-mines. On the surface they will find nothing that is glittering, nothing that is at all romantic. The soil looks much the same as in any other mountainous region, and the rocks seem to have a very ordinary look to the inexperienced eye. The general hue of the hills is a yellowish-brown, and all about through the rents in the ashen-hued sagebrush which clothes the country, peep jagged piles of granite—the bones of the land, showing through its rags.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
Much of framing scholarship focuses either exclusively on the analysis of words or of visuals. This book aims to address this gap by proposing a six-step approach to the analysis of verbal frames, visual frames and the interplay between them—an integrative framing analysis. This approach is then demonstrated through a study investigating the way words and visuals are used to frame people living with HIV/AIDS in various communication contexts: the news, public service announcements and special interest publications. This application of integrative framing analysis reveals differences between verbal frames and visual frames in the same messages, underscoring the importance of looking at these frames together.
Acclaimed naval military expert Dan van der Vat argues that the disaster at the Dardanelles prolonged the war by two years, led to the Russian Revolution, forced Britain to the brink of starvation, and contributed to the destabilization of the Middle East. With never before published information on Colonel Geehl's mine laying operation, which won the battle for the Germans, The Dardanelles Disaster is essential reading for everyone interested in great naval history, Churchill's early career, and World War I.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
A new study of those excluded from the national narrative of the West. Dan Moos challenges both traditional and revisionist perspectives in his exploration of the role of the mythology of the American West in the creation of a national identity. While Moos concurs with contemporary scholars who note that the myths of the American West depended in part upon the exclusion of certain groups - African Americans, Native Americans, and Mormons - he notes that many scholars, in their eagerness to identify and validate such excluded positions, have given short shrift to the cultural power of the myths they seek to debunk. That cultural power was such, Moos notes, that these disenfranchised groups themselves sought to harness it to their own ends through the active appropriation of the terms of those myths in advocating for their own inclusion in the national narrative. that, because the construction of American culture was never designed to accommodate these outsiders, their writings display a division between their imagined place in the narrative of the nation and their effacement within the real West marked by intolerance and inequality.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
Combining the strength of the data analysis approach and the power of technology, the new edition features powerful and helpful new media supplements, enhanced teacher support materials, and full integration of the TI-83 and TI-89 graphing calculators.
The most widely read textbook in the history of medicine – made more essential to practice and education by an unmatched array of multi-media content Through six decades, no resource has matched the encyclopedic scope, esteemed scholarship, and scientific rigor of Harrison’s Principles of Internal Medicine, both as a textbook and as a clinical reference. It remains the most universally respected textbook in all of medical publishing and the pinnacle of current medical knowledge. The eighteenth edition of Harrison’s features expanded and more in-depth coverage of key issues in clinical medicine, pathophysiology, and medical education. The acclaimed Harrison’s DVD has been updated to include 53 chapters not found in the text; 14 all-new how-to videos commissioned specifically for Harrison’s; PowerPoint presentations on essential topics in medical education; and hundreds of bonus illustrations. Presented in two volumes NEW text design greatly enhances readability NEW chapters on cutting-edge topics in clinical medicine Expanded focus on global considerations of health and disease Editor-in-Chief: Dan Longo, MD (Boston, MA) is Professor of Medicine, Brigham and Women’s Hospital/Harvard Medical School.
Sonoma County was the real birthplace of wine in California. But with its wealth of agricultural abundance, the region could have become the Golden State's dairy capital, apple king, berry bastion, or even big cheese. The fact that Sonoma's wine ended up as its No. 1 commodity, and then went on to win international acclaim and comparison with the best wines in the world, is due to the dedication and hard work of people as rich and fertile in character as the soil they till. In Beyond the grapes : an inside look at Sonoma County, wine writers Richard Paul Hinkle and Dan Berger unearth the stories and histories behind the region's best wineries and their wines. These are tales of people who blend artistry, ancestry, love and respect for Nature, dreams, risk-taking, technology, toil and luck--and then bottle and label it with their own personalities. Photographer Jena-Paul Paireault, who has photographed Franc's most famous wineries, cam to California to capture the spirit of the 94 Sonoma wineries included here and displays them splendidly across the book's pages.
An excellent reference for new computer users who are somewhat intimidated by computer technology--or anyone looking for help learning the newest release of Excel. This book's friendly, market-proven approach combines solid instructions with light-hearted style full of wit and humor that takes the fear out of learning.
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