In a 1984 interview with longtime friend Edna O’Brien, Philip Roth describes her writing as “a piece of fine meshwork, a net of perfectly observed sensuous details that enables you to contain all the longing and pain and remorse that surge through the fiction.” The phrase “fine meshwork” can apply not only to O’Brien’s writing but also to the connective threads that bind her work to others’, including, most illuminatingly, Roth’s. Since the publication of their first controversial novels in the 1950s and 1960s, Roth and O’Brien have always argued against the isolation of mind from body, autobiography from fiction, life from art, and self from nation. In Fine Meshwork, Dan O’Brien investigates the shared concerns of these two authors, now regarded as literary icons in their home countries. He traces their fifty-year literary friendship and the striking parallels in their books and reception, bringing together what, at first glance, seem to be quite disparate milieus: the largely feminist and Irish scholarship on O’Brien with Jewish and American perspectives on Roth. In doing so, and in considering them in a transnational context, he argues that the intertwined nature of their writing symbolizes the far-ranging symbiosis between Irish literature and its American—particularly Jewish American—counterpart.
A journalist/novelist debunks many of the myths associated with the creative process and shows how to access our natural perceptions and hidden resources to attain clarity of mind, body and spirit. Includes interviews and examples of 'creators from the spirit'"--Provided by publisher.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
From Alex Price's on-field karaoke session to Rob Quiney's resurrection of a dead seagull and Shane Watson's formidably funny front pad, these are the moments of physical slapstick and verbal repartee that make Australian cricket unique. Some moments are instant classics while some take decades to pay off and, naturally, some involve players getting hit in the nuts. In 100 Funniest Moments in Australian Cricket, sports journalist, comedy writer and well-known cricket tragic Dan Liebke takes us on a hilarious journey through cricket history, showing us that good cricket is good, but funny cricket is amazing.
As a student of American history, as a hunter, horseman, and former Marine, and as someone passionate about the West, Dan Aadland had long felt a kinship with Theodore Roosevelt. One day, on a single-footing horse, lever-action rifle under his knee, Aadland set out to become acquainted with TR as only those who shared his experiences could. In Trace of TR documents that quest, inviting readers to ride along and get to know Theodore Roosevelt through the western environment that so profoundly influenced him.
This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable for explaining the viewpoint effects that can arise in dramatic texts. To expand on the large number of examples discussed throughout the book, the penultimate chapter consists of an extended analysis of a single play. This book is relevant to scholars in a range of areas, including linguistics, literary studies and cognitive science.
The statue was knee-high, but it carried a fortune in gold and gems, plus centuries of fame in the art world. Everyone wanted it, and for some no price was too high—love, money, or murder … Then Killain barged in. The redhead made the first pitch, and she had Killain twanging like a hopped-up fiddle—but not one note about the statue. The Blonde tried to bargain across a wide-screen bed, and she convinced Johnny that he should negotiate—but not about the statue. The Ape had a simple proposition: Hand over the statue or I’ll beat in your head! This annoyed Johnny Killain. Much bloodshed and many murders later …
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
Written by an internationally renowed authority in geriatric psychiatry, this text discusses the most common emotional problems affecting the elderly: memory loss, depression, anxiety, sleeping problems, alcohol and drug abuse, and others. Each problem is addressed in a consistent format highlighting: the nature and scope of the problem the etiological factors involved a diagnostic workup treatment strategies The focus is on providing the health practitioner with information and specific strategies to diagnose the nature of the problem and to resolve the difficulties, as the situation dictates. This updated edition includes new information on managed care for older adults--clearly illustrating for the professional how mental health care is financed. The author's pragmatic, problem-oriented approach and his illustrative case vignettes make the book an invaluable reference for all who work with this challenging, underserved, and rapidly growing population.
Scottsboro tells the riveting story of one of this country's most famous and controversial court cases and a tragic and revealing chapter in the history of the American South. In 1931, two white girls claimed they were savagely raped by nine young black men aboard a freight train moving across northeastern Alabama. The young men-ranging in age from twelve to nineteen-were quickly tried, and eight were sentenced to death. The age of the defendants, the stunning rapidity of their trials, and the harsh sentences they received sparked waves of protest and attracted national attention during the 1930s. Originally published in 1970,Scottsboro triggered a new interest in the case, sparking two film documentaries, several Hollywood docudramas, two autobiographies, and numerous popular and scholarly articles on the case. In his new introduction, Dan T. Carter looks back more than thirty-five years after he first wrote about the case, asking what we have learned that is new about it and what relevance the story of Scottsboro still has in the twenty-first century.
In The Silence of Bartleby, Dan McCall proposes a new reading of Herman Melville's classic short tale "Bartleby, The Scrivener." McCall discuss in detail how "Bartleby has been read in the last half-century by practitioners of widely used critical methodologies--including source-study, psychoanalytic interpretation, and Marxist analysis. He argues that in these elaborate readings of the tale, the text itself may be lost, for critics frequently seem to be more interested in their own concerns than in Melville's. Efforts to enrich "Bartleby" may actually impoverish it, preventing us from experiencing the sense of wonder and pain that the story provides. McCall combines close readings of Melville's tale with a lively analysis of over four decades of commentary, and he includes the complete text of story itself as an appendix, encouraging us to read the story on its own terms.
Shortlisted, 2024 SHARP Book History Book Prize, Society for the History of Authorship, Reading, and Publishing In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction. Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.
In the Craft of Writing series, aspiring writers will discover that-like carpentry, computer programming, or calculus, but often infinitely more fun-writing is a craft that anyone can learn. Talent helps, but persistence and following some basic rules of the trade are crucial. from fiction to journalism, with playwriting, screenwriting, and poetry in between, readers will learn about the history of the art form as well as getting practical tips on how to go about writing and selling their work. Each book has a chapter full of exercises for the aspiring writer, and all of the books in this series are written by professionals in the field.
Surf culture in the texas Coastal Bend began in the early 1960s when a few young men set up surfboard rental stands on the beach. By 1970, thousands of people had caught the surfing bug. In the decades that followed, dozens of surf shops and surfboard makers established themselves in Corpus Christi, Port Aransas, and nearby communities, coastal Bend surers won national championships for their wave-riding prowess, beating out: counterparts from the East Coast, California, and Hawaii. By the 21st century, Coastal Bend wave riders had become a force to be reckoned with, playing strong roles in local political movements that influenced public policy. Husband-and-wife team Dan Parker and Michelle Christenson, curators of the Texas Surf Museum, conducted hundreds of interviews and examined thousands of photographs to produce this book. Numerous Coastal Bend surfers assisted in the effort by contributing photographs from their private collections. Parker and Christenson are longtime Port Aransas surfers who work as newspaper jounralists. The Images of America series celebrates the history of neighborhoods, towns, and cities across the country. Using archival photographys, each title presents the distinctive stories from the past that shape the character of the community today. Arcadia is proud to play a part in the preservation of local heritage, making history available to all.
Combining biography with regional and national history, Dan T. Carter chronicles the dramatic rise and fall of George Wallace, a populist who abandoned his ideals to become a national symbol of racism, and later begged for forgiveness. In The Politics of Rage, Carter argues persuasively that the four-time Alabama governor and four-time presidential candidate helped to establish the conservative political movement that put Ronald Reagan in the White House in 1980 and gave Newt Gingrich and the Republicans control of Congress in 1994. In this second edition, Carter updates Wallace’s story with a look at the politician’s death and the nation’s reaction to it and gives a summary of his own sense of the legacy of “the most important loser in twentieth-century American politics.”
The Struggle Within is an accessible yet wide-ranging historical primer about how mass imprisonment has been a tool of repression deployed against diverse left-wing social movements over the last fifty years. Berger examines some of the most dynamic social movements across half a century: black liberation, Puerto Rican independence, Native American sovereignty, Chicano radicalism, white antiracist and working-class mobilizations, pacifist and antinuclear campaigns, and earth liberation and animal rights. Berger’s encyclopedic knowledge of American social movements provides a rich comparative history of numerous social movements that continue to shape contemporary politics. The book also offers a little-heard voice in contemporary critiques of mass incarceration. Rather than seeing the issue of America’s prison growth as stemming solely from the war on drugs, Berger locates mass incarceration within a slew of social movements that have provided steep challenges to state power.
Theoretically informed scholarship on early modern English utopian literature has largely focused on Marxist interpretation of these texts in an attempt to characterize them as proto- Marxist. The present volume instead focuses on subjectivity in early modern English utopian writing by using these texts as case studies to explore intersections of the thought of Jacques Lacan and Michel Foucault. Both Lacan and Foucault moved back and forth between structuralist and post-structuralist intellectual trends and ultimately both defy strict categorization into either camp. Although numerous studies have appeared that compare Lacan’s and Foucault’s thought, there have been relatively few applications of their thought together onto literature. By applying the thought of both theorists, who were not literary critics, to readings of early modern English utopian literature, this study will, on the one hand, describe the formation of utopian subjectivity that is both psychoanalytically (Oedipal and pre-Oedipal) and socially constructed, and, on the other hand, demonstrate new ways in which the thought of Lacan and Foucault inform and complement each other when applied to literary texts. The utopian subject is a malleable subject, a subject whose linguistic, psychoanalytical subjectivity determines the extent to which environmental and social factors manifest in an identity that moves among Lacan’s Symbolic, Imaginary, and Real.
During a time of high tension, terror and fear, the Irish Defence Forces faced the very real threat of the Irish State being plunged into a savagely sectarian civil war. The southern state faced a breakdown of law and order, severely challenged by manhunts, prison breaks, shoot-outs, kidnappings, bank robberies, subversive training camps, bomb-making factories, illegal weapons shipments, and border operations. Soldiering Against Subversion is the dramatic and previously untold story of the Irish Defence Forces’ critical role in defending the southern state against paramilitary forces during the worse years of the modern Troubles. Retired Lieutenant Colonel, Dan Harvey, describes the major operations via in-depth interviews with Irish Defence veterans, revealing how these brave men and women protected the state on home soil. From the kidnapping of Shergar and Quinsworth CEO Don Tidey, the manhunt and capture of INLA leader Dessie ‘the Border Fox’ O’Hare, the pandemonium as the Irish army quells a violent prison riot in Mountjoy in 1972, to the Irish navy’s efforts to thwart gun-running off the coast of Kerry, these first-hand accounts reveal the true story of the fight for the nation’s democracy.
Growing up is hard, but she's killing it! Wendy Lockheart has been known by many names—none of them her own. With each new school, she is assigned a new identity and a new foster family, but the same mission—kill whoever she is told to kill. Most agents in her network of female teen assassins begin training at age ten, but for Wendy it has encompassed her entire life. Abducted at birth, she was engulfed in a world of psychological manipulation, brainwashing, and physical training. At seventeen years old, Wendy is the most highly trained assassin in the agency. "Wendy Lockheart" is her twenty-fourth identity and one that won't be hers much longer, which is unfortunate. She finally found a place to call home. She has an inexplicable connection to her friend, Amaya. Her foster family is caring, and she loves her foster brother, Corey, who has cerebral palsy. Nonetheless, her days as "Wendy" are limited. They always are. After carrying out a hit on an alleged drunk driver, conflicting information leads Wendy to suspect corruption within the ranks of the agency. Intent on discovering the truth, Wendy intentionally botches an operation, making her the agency's next mark. As their dark intentions come to light, Wendy realizes she must destroy the organization that shaped her in order to discover the person she truly wants to be—that is, if they don't kill her first. Wonder Rush is a thrill ride through the dangerous world of a teen assassin, but it is also a journey of self-discovery—a coming-of-age tale under the most extreme circumstances. How can a girl develop her own personal identity when she never had one to begin with? Editorial Reviews: "An immersive and suspenseful teen spy thriller with some darker edges, a positive message, originality and depth." 5/5 — Reedsy Discovery "The 'outside the lines' premise and the detail with which McKeon develops the events that have led to Wendy's current situation make this a highly engaging read that will interest adults as well as younger readers." 10/10 — The BookLife Prize "Blending a 'coming of age' story that is simply packed from cover to cover with cliff-hanger suspense, Wonder Rush is one compulsive page turning thriller of a read and showcases author Dan McKeon's impressively entertaining narrative storytelling style." — Midwest Book Review
Why is the North East the most distinctive region of England? Where do the stereotypes about North Easterners come from, and why are they so often misunderstood? In this wideranging new history of the people of North East England, Dan Jackson explores the deep roots of Northumbrian culture--hard work and heavy drinking, sociability and sentimentality, militarism and masculinity--in centuries of border warfare and dangerous and demanding work in industry, at sea and underground. He explains how the landscape and architecture of the North East explains so much about the people who have lived there, and how a 'Northumbrian Enlightenment' emerged from this most literate part of England, leading to a catalogue of inventions that changed the world, from the locomotive to the lightbulb. Jackson's Northumbrian journey reaches right to the present day, as this remarkable region finds itself caught between an indifferent south and a newly assertive Scotland. Covering everything from the Venerable Bede and the prince-bishops of Durham to Viz and Geordie Shore, this vital new history makes sense of a part of England facing an uncertain future, but whose people remain as distinctive as ever.
Write Well to Sell Big! In the age of e-mail and instant communication, great sales copy is indispensable to closing a deal. But too many sales letters end up in the junk file or the wastebasket. In this new edition of his top-selling book, author Dan Kennedy explains why some sales letters work and most don't. And he shows how to write copy that any business can use. Among other things, he provides: Completely updated text and examples Great headline formulas New exercises to spark creativity The best way to use graphics Kennedy is the most successful, highly paid direct-response copywriter in the country. In this book, he shares his step-by-step formula so everyone can write letters that will nail the sale.
God Invites You to Coauthor Your Future. It Starts with Reading Your Past. In this companion workbook to Dr. Dan Allender’s groundbreaking book To Be Told, you will find practical, easy-to-follow exercises to help you explore and embrace the stories of your life. The exercises inside will equip you to: ·recall past experiences and find the meaning God has written there ·understand how individual events fit into the bigger themes of your life ·write down your stories in a way that reflects God’s authorship of your life ·identify the passions that drive you, and see how God uses them to guide you into the future ·tell your story in a way that brings glory to God and reveals him to others Learn how to read and study your story, and then start telling it to others. God invites you to co-author with him the rest of your life’s story–a story that opens up your future and glorifies God.
This book approaches the visual clues acknowledged by political philosophy, interested in the relationship of the philosophy and the politics of film. It also expresses and highlights a precise way of “looking at things”, indicating a frame able to verify the domain’s themes and constructs, in order not only to offer some illustrating insights, but also to provide reflections able to re-define the relationship between film and political philosophy. It will appeal to the wider academic community, PhD students, professors, and researchers with an interest in political philosophy, postmodern philosophy, media studies and cultural studies.
When Kenneth Johnson's science fiction miniseries V premiered in 1983, it netted more than 40 percent of the television viewing audience and went on to spawn a sequel, a weekly series, novelizations, comic books and a remake. Yet the 2009 V reboot was cancelled in its second season, despite a robust premiere. Both versions were products of their respective times, but the original was inspired by classic works by the likes of Sinclair Lewis and Leo Tolstoy. Johnson's predilection for literature and history helped give his telling of V a sense of heart and depth that the contemporary version sorely lacked. Featuring exclusive interviews with cast and crew, this book examines V's cultural impact and considers the future of the franchise.
An Introduction to the Theory of Knowledge, 2nd Edition guides the reader through the key issues and debates in contemporary epistemology. Lucid, comprehensive and accessible, it is an ideal textbook for students who are new to the subject and for university undergraduates. The book is divided into five parts. Part I discusses the concept of knowledge and distinguishes between different types of knowledge. Part II surveys the sources of knowledge, considering both a priori and a posteriori knowledge. Parts III and IV provide an in-depth discussion of justification and scepticism. The final part of the book examines our alleged knowledge of the past, other minds, morality and God. In this extensively revised second edition there are expanded sections on epistemic luck, social epistemology and contextualism, and there are new sections on the contemporary debates concerning the lottery paradox, pragmatic encroachment, peer disagreement, safety, sensitivity and virtue epistemology. Engaging examples are used throughout the book, many taken from literature and the cinema. Complex issues, such as those concerning the private language argument, non-conceptual content, and the new riddle of induction, are explained in a clear and accessible way. This textbook is an invaluable guide to contemporary epistemology.
Chet McGill, the dedicated VP of sales at AlphaMax Manufacturing, is under fire. Trident, their biggest client, is being pursued, aggressively, by a new competitor. At the same time, Chet is feeling off-balance as he preps for a golf tournament in which he's partnered with Reggie Ward, Trident's VP of Operations. Faced with big problems and with all eyes on him, Chet learns to get back to the what's most important to his company, his clients and himself in PLUGGED. In the spirit of Who Moved My Cheese and the highly readable style of Patrick Lencioni and Jeffrey Gitomer, Krissi and Dan Bar offer a simple parable that is engaging, engrossing and empowering. PLUGGED teaches readers to 'shoot for PAR', a simple, proven method to achieve success in just 3 useful steps: Prioritize. Focus on what matters most. Adapt. See change as an opportunity Be Responsible. Take ownership of the outcome.
A male novelist finds himself in a web of lies and aliases in his quest to get published. PhD candidate Mitch Samuel's life isn't going exactly according to plan: his girlfriend just dumped him (to be fair, he did forget to pick her up at the airport), his estranged father has landed in the hospital, and his literary masterpiece-one part Shakespeare, one part Steinbeck, and all parts lyrical epic-has been rejected for the umpteenth time. However, after a chance encounter at Starbucks with the queen of women's fiction- Katharine Longwell-who seems to take a liking to him, he senses an opportunity for literary riches, if not reputation. After telling her that his (imaginary) female cousin is an aspiring chick-lit author, he secures a promise from her that she'll help his "cousin" get published. The only problem is, Mitch needs a manuscript, and fast. Unfortunately, try as he might to get inside a woman's head by reading Vogue and Cosmo, watching Oxygen and Oprah, nothing seems to work. That's when his roommate Bradley suggests that he try a dance class at the studio where Bradley's sister Marie takes lessons. Self-conscious about his own skills, and unwilling to reveal his true intentions, Mitch attends the first class under an alias: Jason Gallagher, pharmaceutical rep. What could go wrong? Nothing, except that Mitch/Jason quickly finds himself hooked on dancing, and on the charming Marie. Who has no idea who he really is. Or that he knows her brother. Or why he's there. Suddenly, his novel-writing project is becoming a lot more than he bargained for...
An "Old Money" Family Meets Murder Shakespearean scholar and philanthropist Ezra Bainbridge, patriarch of one of Erin, Ohio's wealthiest old families, lives quietly and happily at his Stratford Court compound with three triplet daughters until accusations of elder abuse roil the family. Amateur sleuth Sebastian McCabe and his friend Jeff Cody are drawn into the controversy as objective observers but are soon ensnared in a puzzling series of horrendous murders, each one of which is marked by the presence of a flower. It takes McCabe and Cody to figure out the meaning of these floral tributes, but not until it is almost too late. At the center Stratford Court, and of the mystery, is an English garden around which stand the homes of Ezra Bainbridge and his daughters, all of them named for Shakespearean characters-Ophelia, the professor; Desdemona, the rebel; and Portia, the social climber. The story finds Erin much changed by the COVID-19 pandemic, with some of our old friends gone forever and others transformed. Readers of the early Ellery Queen mystery novels will find more than a passing similarity to those classics, from The English Garden Mystery title of the novel to the "Challenge to the Reader" at the point in the book where all the clues have been presented.
This cookbook and travelogue profiles daringly inventive grill masters with “colorful characters, inventive techniques and lip-smacking food” (Publishers Weekly, starred review). Twenty whole chickens bathed in garlic on a rig that resembles a cast-iron satellite dish . . . this is Extreme Barbecue, a tribute to the derring-do behind the craziest grilling contraptions in the country. Through in-depth profiles, outrageous photographs, and nearly one hundred personal recipes, this unique cookbook exalts in unprecedented cooking techniques and junkyard serendipity. These devices range from the Zen-like simplicity of a tin can on two heated flat stones to an awe-inspiring two-story mobile smoker complete with winding staircase. Whether it’s a front-end loader serving as a grilling rig in Kansas City or a 4,500-pound mobile bread baker in Portland, Oregon, this is BBQ like you’ve never seen—or tasted—before.
The Rebirth of Energy Security in America For the first time in decades, the US has a rare opportunity to realistically reject oil supplies from other nations. It’s a goal that has eluded us through eight presidencies. But recent advances in hydraulic fracturing (or fracking) technology have catapulted the US into its current position as the world’s #1 oil producer, surpassing energy powerhouses like Saudi Arabia. In The Switch, Dan K. Eberhart addresses a fascinating question: What would happen if the US became energy self-sufficient? • Would the Middle East look to China as its new ally and energy buyer? • Would petrostates find new markets or would their governments collapse as their oil revenues take a free fall? • Would the US lift the crude oil export ban and help friendly nations such as Ukraine free themselves from the yoke of Russian oil? • Would the US use its newfound energy wealth to become more isolationist and remove itself from the position of “global police force?” To answer these questions—and to explore the complex relationship between the US and foreign oil producers—Eberhart uses a combination of firsthand interviews, vignettes, and reporting. The result is a clear and engaging analysis of where America’s energy is coming from, where it could go, and how US energy is fundamentally shifting geopolitics and the domestic economy.
Since 1976, Dan Carpenter’s writing has appeared in the pages of the Indianapolis Star as a police reporter, book critic, and renowned op-ed columnist. In writing for the state’s largest newspaper, Carpenter has covered the life and times of some notable Hoosiers, as well as serving as a voice for the disadvantaged, sometimes exasperating the Star’s readership in central Indiana as the newspaper’s “house liberal.” Indiana Out Loud is a collection of the best of Carpenter’s work since 1993 and includes timely and engaging examinations of the lives of such intriguing people as wrestling announcer Sam Menacker, survivor of the James Jones People’s Temple massacre Catherine Hyacinth Thrash, Indianapolis African American leader Charles “Snookie” Hendricks, Atlas Grocery impresario Sid Maurer, and coaches James “Doc” Counsilman and Ray Crowe. The book also includes a healthy dose of literary figures, politicians, historians, knaves, crooks, and fools.
Gangster movie, Western, film noir, rom com, screwball, musical, even the Biblical epic... There are few genres left untouched and untwisted by sibling visionaries Joel and Ethan Coen. Since 1984's Blood Simple, the inscrutable brothers have effortlessly forged their own cinematic path, avoiding prevailing trends while crafting bold, stylish and witty movies that feel fresh and distinctive despite being deeply rooted in their creators' filmic passion and knowledge. This is a definitive guide to that path, bringing the reader through Joel and Ethan's 20 features (not counting the mezzanine) and exploring the themes, the tropes, the gags, the familiar faces - while also taking in all the Coen curios that litter this quirkily winding byway. From Texas to Minnesota, from Homer to Shakespeare, from Bluegrass to Busby Berkeley, from wrestling to bowling, from lost hats to severed toes, this book covers everything that one might reasonably consider (to use a word that would likely make Joel and Ethan wince) 'Coenesque'... And then some.
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