Archaeology of the Central Mississippi Valley describes an archeological reconstruction of the preceding 11,000 years of an extraordinarily rich environment centered within the largest river system north of the Amazon. This book focuses on the lowlands of the Mississippi Valley from just north of the Ohio River to the mouth of the Arkansas River. Organized into 13 chapters, this book begins with an overview of the territory between the Ohio and Arkansas rivers. This text then attempts to humanize the archeological interpretations by reference to social organization, settlement system, economy, religion, and politics. Other chapters focus on understanding the nature of change through time in the Central Mississippi Valley. This book discusses as well the difference between an old braided stream surface and the younger meander belt system. The final chapter deals with the investigation of prehistoric Indian remains. This book is a valuable resource for archeologists, zoologists, and scientific hobbyists.
The Steuben Village sits on the bank of the Illinois River in Marshall County, Illinois.Nearby are nine burial mounds. In 1955 and 1956, researchers dug five test pits in the village and excavated several of the mounds. In addition to burials, the crew found thousands of artifacts, including pottery, chipped and ground stone tools, and items made from copper, bone, and shell. The artifacts and radiocarbon dates indicate two Hopewell occupations, the earliest about 2,000 years ago.
Houston and Southeast Texas have an ancient, storied prehistory. Using data from hundreds of archeological site reports, a changing coastal landscape modeled through time in 3D, historical information on Native Americans taken from the accounts of the earliest European visitors, and digital GIS mapping to weave it all together, this book recounts the development of the physical landscape of this region and the cultures of its Native American inhabitants from the peak of the last ice age until the Spanish colonial era. Its 504 pages are illustrated with nearly 350 full color maps, charts, drawings and photographs.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
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