THE FORENSIC ANALYSIS, COMPARISON AND EVALUATION OF FRICTION RIDGE SKIN IMPRESSIONS An accessible, highly practical introduction to the ACE framework fingerprint examiners use to analyse, compare and evaluate friction ridge skin impressions. When friction ridge skin (the skin on the undersides of the hands and feet) contacts a surface an impression of it may be left behind. Impressions that are left inadvertently, for example at a scene where a crime is alleged to have been committed are known as ‘marks’. Impressions taken intentionally from a person, for example as a result of their arrest are known as ‘prints’. The Forensic Analysis, Comparison and Evaluation of Friction Ridge Skin Impressions offers step-by-step instruction to examiners tasked with identifying people by the marks they leave behind. Assuming no previous knowledge of the subject, this easy-to-use guide breaks down the ACE (Analysis, Comparison and Evaluation) framework into 10 key questions that provide clear guidance on: establishing the most evidentially valuable mark; the type of details the mark may reveal; the effects of distortion; how to determine which area of skin is most likely to have made the mark, and more. Author Dan Perkins draws upon his years of experience to equip fingerprint examiners with the key skills needed to carry out the appropriate analysis, comparison and evaluation of friction ridge skin impressions. Presents a stepwise approach designed for both novice and more experienced fingerprint examiners Discusses all aspects of ACE, including the formation of fingerprints, documentation, suitability, and orientation Contains references to relevant research, real-world case studies, and hundreds of impressions the reader can analyse and compare Includes five detailed appendices covering fabrication, transplantation and forgery, verification, bias, activity level propositions, and errors The Forensic Analysis, Comparison and Evaluation of Friction Ridge Skin Impressions is an indispensable ACE ‘checklist’ for trainees in the field of fingerprint comparison and identification, qualified fingerprint examiners and forensic science students.
Covering 100 outrageous topics, Now I Know is the ultimate challenge for any know-it-all who thinks they have nothing left to learn. Praise for the Webby Award-winning newsletter: “I eagerly read Now I Know every day. It’s always fresh, always a surprise, and always interesting!” —Jimmy Wales, founder of Wikipedia and Wikia Did you know that there are actually twenty-seven letters in the alphabet, or that the US had a plan to invade Canada? And what actually happened to the flags left on the moon? Even if you think you have a handle on all thing’s trivia, you’re guaranteed a big surprise with Now I Know. From uncovering what happens to lost luggage to New York City’s plan to crack down on crime by banning pinball, this book will challenge your knowledge of the fascinating stories behind the world’s greatest facts.
Clue by Candlelight mysteries are the perfect little read for someone on the go. After all, you have all the clues, but can you guess whodunit? Three months after the events of returning to Warren House, retired detective, Archibald Clayborn is settling into his new life. Leigh Carter, still coming to terms with his mother’s arrest, is at loggerheads with his late father’s business partner, Mr. Tracey Mars. At wit’s end, the Warren Estate family solicitor has invited both men to Warren House in the hopes of resolving the matter once and for all. With construction underway and new staff to oversee, playing host to two arguing parties is the last thing on Clayborn’s mind. But before a deal can be struck, Warren House is plagued once again by death. With tempers flaring and patience fraught, Clayborn once again has his work cut out for him, for this case will even test our sleuth’s ability to catch the killer! Perhaps you can help him out? Fans of Clue, Nancy Drew, and Agatha Christie won’t want to miss this little gem. Bonus audio version available.
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Epstein takes readers on a funky ride through baseball and America in the swinging '70s in this wild pop-culture history of baseball's most colorful and controversial decade. Includes 8-page photo insert.
Crosby, Holiday, Sinatra, Fitzgerald, Garland, and Streisand were the major interpreters of the American songbook, and this is the interlocking story of their lives and careers. Here is the epic tale of how these artists dominated American popular music over a fifty-year period, a roller coaster ride that gains momentum through the 1930s and '40s, reaches a crest of magical creativity in the 1950s and early '60s, and then crashes down by the early 1970s, a half century when the great American songbook dominated the airwaves and the fight for racial equality came to the forefront. Ella was beloved in her time, and she is still beloved. Frank is still the king of the songbook, but Bing's legacy is just as vital once you start listening to his unprecedented 1930s output. The best songs from Judy's greatest triumph, her 1963–64 TV series, are shared endlessly online. The legend of Billie grows by the year, and the basis of this should be appreciation and wonder for her own great artistry in the 1930s. Barbra is a living legend and still a commercial force to be reckoned with, the last exemplar of the songbook and its glories. All six of these singers reach out to us and show us new ways of expression and new ways to dream. Their song is largely ended but the melody lingers on.
This book explores the geography, climate, history, people, government, and economy of New York. All books in the It's My State! ® series are the definitive research tool for readers looking to know the ins and outs of a specific state, including comprehensive coverage of its history, people, culture, geography, economy and government.
Fourteen-year-old twins, Roxy and Kaine, have only one thing in common.They HATE each other.Kaine is loud, brash and brilliant at football.Roxy is heading for tennis superstardom.When tragedy strikes, their worlds are ripped apart.Can they come together before it's too late?
Before the First World War there existed an intellectual turmoil in Britain as great as any in Germany, France or Russia, as the debates over Nietzsche and eugenics in the context of early modernism reveal. With the rise of fascism after 1918, these debates became more ideologically driven, with science and vitalist philosophy being hailed in some quarters as saviours from bourgeois decadence, vituperated in others as heralding the onset of barbarism. Breeding Superman looks at several of the leading Nietzscheans and eugenicists, and challenges the long-cherished belief that British intellectuals were fundamentally uninterested in race. The result is a study of radical ideas which are conventionally written out of histories of the politics and culture of the period.
Sheer cliffs, avalanches, turbulent rivers, cold lakes, severe weather, grizzly bears - these are just a few of the ways you can die while visiting Glacier National Park. Since 1910 when the park was established, 296 people have perished within Glacier's boundaries, and many more somehow survived close calls with death. Death & Survival in Glacier National Park recounts their true tales, as well as stories of the brave and often heroic search-and-rescue professionals who put their lives on the line so that others might live.
Written by a local Glacier National Park experts.
Jam-packed with gripping stories of courage and survival against all odds.
Featuring the most complete chronology of all 296 deaths in Glacier National Park, including names, ages, locations, and causes.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
A New Yorker Best Book of the Year "Lively…and thought-provoking.” —Robert W. Howarth, Science The New York Times best-selling author on the source of great bounty—and now great peril—all over the world. Phosphorus has played a critical role in some of the most lethal substances on earth: firebombs, rat poison, nerve gas. But it’s also the key component of one of the most vital: fertilizer, which has sustained life for billions of people. In this major work of explanatory science and environmental journalism, Pulitzer Prize finalist Dan Egan investigates the past, present, and future of what has been called “the oil of our time.” The story of phosphorus spans the globe and vast tracts of human history. First discovered in a seventeenth-century alchemy lab in Hamburg, it soon became a highly sought-after resource. The race to mine phosphorus took people from the battlefields of Waterloo, which were looted for the bones of fallen soldiers, to the fabled guano islands off Peru, the Bone Valley of Florida, and the sand dunes of the Western Sahara. Over the past century, phosphorus has made farming vastly more productive, feeding the enormous increase in the human population. Yet, as Egan harrowingly reports, our overreliance on this vital crop nutrient is today causing toxic algae blooms and “dead zones” in waterways from the coasts of Florida to the Mississippi River basin to the Great Lakes and beyond. Egan also explores the alarming reality that diminishing access to phosphorus poses a threat to the food system worldwide—which risks rising conflict and even war. With The Devil’s Element, Egan has written an essential and eye-opening account that urges us to pay attention to one of the most perilous but little-known environmental issues of our time.
Ripper Notes: Murder by Numbers" is a collection of essays about the famous unidentified serial killer Jack the Ripper and related topics. Wolf Vanderlinden's questions the conventional wisdom about the time of death of Annie Chapman, the second of Jack's generally accepted victims, by a careful examination of the medical evidence and contradictions in witness testimony. Amanda Howard compares serial killers like Andrei Chikatilo, the BTK strangler, Albert Fish and the Green River Killer to see what they might tell us about the Ripper case. Also, Jeffrey Bloomfield gives the details on two forgotten cases of prostitutes murdered in London a few years before the more famous 1888 killings, Bernard Brown discusses the police officer who thought he almost caught the Whitechapel murderer, Des McKenna asks whether witnesses confused two different women as being Mary Kelly (generally considered the last Ripper victim) and Robert J. McLaughlin reports on a Punch & Judy-like theatre performance based upon the murders. There are also several short pieces looking at the latest news in Ripperology, the boom in books about the case, and similar topics. Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper case.
An unexplored, fascinating history of nineteenth-century agrarian life, told through the engaging lens of three families central to the peppermint oil industry This unconventional history relates the engaging and unusual stories of three families in the late nineteenth and early twentieth centuries whose involvement in the peppermint oil industry provides insights into the perspectives and concerns of rural people of their time. Challenging the standard paradigms, historian Dan Allosso focuses on the rural characters who lived by their own rules and did not acquiesce to contemporary religious doctrines, business mores, and political expediencies. The Ranneys, a secular family in a very religious time and place; the Hotchkisses, who ran banks and printed their own money while the Lincoln administration was eliminating state banking; and the Todd family, who incorporated successful business practices with populist socialism, all highlight the untold story of rural America's engagement with the capitalist marketplace. The families' atypical attitudes and activities offer unexpected perspectives on rural business and life.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
A riveting work of investigative journalism that charts the rise of the dietary supplement craze and reveals the dangerous—and sometimes deadly—side of these highly popular and completely unregulated products. Over 60 percent of Americans buy and take herbal and dietary supplements for all sorts of reasons—to prevent illness (vitamin C), to ease depression (St. John’s wort), to aid weight loss (ephedra), to boost the memory (ginkgo biloba), and even to cure cancer (shark cartilage, bloodroot)—despite the fact that few of these “natural” supplements have been proven to be safe or effective. The vitamin and herbal supplement industry generates over $20 billion a year by selling products that promise to cure or fix, but are produced and marketed essentially without oversight. And while the media has been quick to sensationalize the benefits of supplements, few have taken a hard look at the dangers posed by many of the remedies flooding the market today. Award-winning journalist Dan Hurley breaks the silence for the first time in Natural Causes. From the snake-oil salesmen of the early twentieth century, to rise of the health food movement in the sixties and seventies, Hurley charts the remarkable growth of an industry built largely on fraud, and reveals the backroom politics that led to the passage of the Dietary Supplement Health and Education Act of 1994, which effectively freed the industry from FDA oversight. In unprecedented detail, he shows how supplement manufacturers have concealed the truth about dozens of untested treatments and the shocking rise in deaths, disfigurements, and life-threatening injuries caused by products deceptively promoted as “safe and natural.” Most importantly, he provides a telling look at why, in an age of unprecedented scientific advancement, we continue to buy and believe in remedies for which little evidence exists—and why the supplements we take to promote our health may be doing far more harm than good. As Hurley shows, the dietary supplement craze may be one of the greatest swindles ever perpetrated on the American public—one that feeds billions of dollars each year into the pockets of lobbyists, politicians, and any charlatan who wants to slap a label on a bottle and tout it as the next big “natural cure.” Blending hard facts with spellbinding personal stories, Natural Causes is a must-read for anyone who has ever popped a multivitamin or an herb, and provides a hard-hitting, frightening look at a cultural trend that is out of control.
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
Musicals of the 1990s felt the impact of key developments that forever changed the landscape of Broadway. While the onslaught of British imports slowed down, the so-called Disneyfication of Broadway began, a trend that continues today. Beauty and the Beast and The Lion King became long-running hits, followed by more family-friendly musicals. The decade was also distinguished by a new look at revivals—instead of slavishly reproducing old shows or updating them with campy values, Broadway saw a stream of fresh and sometimes provocative reinventions, including major productions of My Fair Lady, Damn Yankees, Carousel, Show Boat, and Chicago. In The Complete Book of 1990s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1990s. This book discusses the era’s major hits (Miss Saigon, Crazy for You, Rent), notorious flops (Shogun, Nick & Nora, The Red Shoes), controversial shows (Passion, The Capeman), and musicals that closed during their pre-Broadway tryouts (Annie 2: Miss Hannigan’s Revenge, Whistle Down the Wind). In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sandra Bernhard, Michael Feinstein, Patti LuPone, Liza Minnelli, and Mandy Patinkin. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1990s Broadway Musicals provides a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Shortlisted, 2024 SHARP Book History Book Prize, Society for the History of Authorship, Reading, and Publishing In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction. Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.
No progressive rock band could ever be said to be a household name, but Van der Graaf Generator, who celebrated their fiftieth anniversary in 2018, rarely enjoyed that distinction even in the households of many prog fans. VdGG, and the band’s main creative force, Peter Hammill, only really had one foot in prog – the other pivoted between more straight-ahead rock, wild experimentation, and at times, brutal noise. While VdGG’s initial run ended prematurely, the band eventually came full-circle, reforming in 2005 and still going strong. Both Hammill and VdGG have been lauded as musicians’ musicians by such luminaries as Peter Gabriel, David Bowie, Julian Cope, Mark E. Smith, and Johnny Rotten. This book will explore what these musicians, and legions of dedicated fans, found so inspiring over the years: all of the VdGG albums, including Pawn Hearts and Godbluff as well as several solo Hammill albums crucial to the VdGG story, are discussed in these pages, including a handful of essential live recordings, experiments, and collaborations. Nothing like this analysis of the band has been published before, and this book will prove an invaluable guide for navigating the Van der Graaf Generator sonic labyrinth. Dan Coffey is a librarian, critic, and poet. He has written extensively on experimental and avant-garde music for Avant Music News, Stereo Embers and Perfect Sound Forever, as well as publishing numerous book reviews for Foreword Magazine. He once interviewed VdGG in an electrical storm! Coffey lives in Iowa with his wife and son, and his ever-growing record collection.
The Campo Indian Landfill War explores the timely and controversial topic of "environmental justice" through the story of an Indian tribe's struggle to develop its isolated and impoverished reservation by building a commercial garbage facility to serve the cities of Southern California. The environmental justice movement was born out of the conviction that the waste industry has targeted minority communities for facilities it can no longer locate in the backyards of those with greater access to political power. The Campo case is therefore an anomaly: The tribe is unified in supporting the landfill, while the project is opposed by their mostly white neighbors out of concern that it could contaminate the aquifer that is the sole source of drinking water for 400 square miles, and thereby render the entire region uninhabitable. The environmental justice community, including many Indians, charges that the waste industry is trying to exploit the poverty of the Campos and other tribes, making them offers they can't refuse for projects no one else wants, projects no one should want. The Campos admit the danger of exploitation, but contend that it is paternalistic - indeed racist - to assume that Indians are not smart enough to protect themselves in dealings with whites or wise enough to guard their reservation environment.
The cross of Christ is undeniably central to the Christian faith. But, how can the cruelty and brutality of a two-thousand-year-old Roman cross touch base with a hedonistic world that has been so desensitized towards violence? Within the postmodern setting of a body-obsessed culture, Christianity urgently requires an innovative and stimulating way of understanding the cross and its atoning significance. At the heart of this book is the Naked Christ--an emblem through which the author draws on the rich resources of the Christian tradition in its portrayal of the cross. He explores how the metaphors of nakedness and clothing can encapsulate aspects of atonement and enable them to be understood within a variety of contemporary contexts. The Naked Christ is a useful resource for anyone seeking fresh ways to express what the cross of Christ means to contemporary culture.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Dan Devine: Memoirs of a Hall of Fame Coach is the autobiography of the former University of Missouri and Notre Dame head football coach. As head coach at Arizona State, Devine accumulated a 27-3-1 record. From 1958-1970, he guided Missouri to a 93-37-7 mark. Devine also served as the head coach and Green Bay Packers. Inducted into the National Football Foundation Hall of Fame in 1985, his 1977 Notre Dame squad captured the National Championship. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
This fascinating study of medieval warfare examines the vital role of castles during the English civil wars of the 15th century. The Wars of the Roses comprise one of the most fascinating periods in medieval history. Much has been written about the leading personalities, bitter dynastic rivalries, political intrigues, and the rapid change of fortune on the battlefields of England and Wales. However, there is one aspect that has been often overlooked, the role of castles in the conflict. Dan Spencer’s original study traces the use of castles from the outbreak of civil war in the 1450s during the reign of Henry VI to the triumph of Henry VII some thirty years later. Using a wide range of narrative, architectural, financial, and administrative sources, Spencer sheds new light on the place of castles within the conflict, demonstrating their importance as strategic and logistical centers, bases for marshaling troops, and as fortresses.
In this highly readable and groundbreaking book, the ‘story’ of the castle is integrated into changes in warfare throughout this period providing us with a new understanding of their role.
A twisted collection of short stories that will slather your eyeballs with a sticky coating of horror! Reading this book is almost as fun as owning your very own "sex morgue!" From the author who brought you The House That Dripped Gore, And They All Died Screaming, Island of the People Drinkers and Monsturd: The movie tie-in novelization comes this truly warped, book-shaped thing with words and pictures printed on it.
Where was God when six million died? The twentieth century has never presented a more serious theological question. Over the past forty years it has haunted a series of writers. In this study, Dan Cohn-Sherbok explores the work of eight major Holocaust theologians. He argues that all ultimately fail to reconcile, as they must, the reality of suffering with the loving kindness of God. In the final chapter, he quarries from the Jewish tradition his own solution, which confronts the evil of Nazism but still leaves room for hope.
The Strange Case of Donald J. Trump provides a coherent and nuanced psychological portrait of the 45th president of the United States. Drawing on biographical events in Trump's life and on contemporary research and theory in personality, social, and developmental psychology, the book explores the personality traits and psychological dynamics that have shaped Trump's life, with an emphasis on the strangeness of the case - how Trump again and again defies psychological expectations regarding what it means to be a human being. The book's central thesis is that Donald Trump is the episodic man. He lives in the moment, outside of time, without an internal story to connect the discrete scenes in his life. As such, Trump perceives himself to be more like a superhero or a primal force, supernatural and timeless, rather than a flesh-and-blood human being with an inner life, a remembered past, and an imagined future. Trump's psychological status as the episodic man helps us understand both Trump's appeal (in the minds of millions) and his failings. The book's interpretation of Trump sheds new light on Trump's charisma, his deal making, his volatile temperament, his approach to personal relationships, his narcissism, and his emergence as a new kind of authoritarian leader in American history."--
The author of the New York Times bestseller The Plantagenets and The Templars chronicles the next chapter in British history—the historical backdrop for Game of Thrones The inspiration for the Channel 5 series Britain's Bloody Crown The crown of England changed hands five times over the course of the fifteenth century, as two branches of the Plantagenet dynasty fought to the death for the right to rule. In this riveting follow-up to The Plantagenets, celebrated historian Dan Jones describes how the longest-reigning British royal family tore itself apart until it was finally replaced by the Tudors. Some of the greatest heroes and villains of history were thrown together in these turbulent times, from Joan of Arc to Henry V, whose victory at Agincourt marked the high point of the medieval monarchy, and Richard III, who murdered his own nephews in a desperate bid to secure his stolen crown. This was a period when headstrong queens and consorts seized power and bent men to their will. With vivid descriptions of the battles of Towton and Bosworth, where the last Plantagenet king was slain, this dramatic narrative history revels in bedlam and intrigue. It also offers a long-overdue corrective to Tudor propaganda, dismantling their self-serving account of what they called the Wars of the Roses.
The name Joseph Addison was once synonymous with the finest of English prose. Eminent writers from Voltaire to Lord Macaulay to John Steinbeck considered him a consummate master to be studied and emulated. According to Benjamin Franklin, Addison’s writings "contributed more to the improvement of the minds of the British nation, and polishing their manner, than those of any other English pen whatever." While his influence lives on in the sound and style of English today, the fame of this literary role model has faded from popular awareness. The Addisonian spirit, which ushered in an exceptional era of domestic peace in Britain and provided inspiration for the French and American Revolutions, coded many of the constitutional, political, and social agreements we continue to live with today. This book, the first comprehensive monograph of Addison in half a century, considers Addison’s contribution through an in-depth exploration of his writings, political work, social life, and theatrical stagings.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
The Color of Time spans more than one hundred years of world history—from the reign of Queen Victoria and the American Civil War to the Cuban Missile Crisis and the beginning of the Space Age. It charts the rise and fall of empires, the achievements of science, industrial developments, the arts, the tragedies of war, the politics of peace, and the lives of men and women who made history.This illustrated narrative is a collaboration between a gifted Brazilian artist and a New York Times bestselling British historian. Marina Amaral has created two hundred stunning images, using rare photographs as the basis for her full-color digital renditions. Dan Jones has written a narrative that anchors each image in its context and weaves them into a vivid account of the world that we live in today.A fusion of amazing pictures and well-chosen words, The Color of Time offers a unique—and often beautiful—perspective on the past.
The Mobile & Ohio Railroad was the longest line in the nation when it was completed in spring of 1861--the final spike driven a few weeks after Confederate artillery shelled Fort Sumter. Within days, the M&O was swept up in the Civil War as a prime conveyor of troops and supplies, a strategic and tactical asset to both Confederate and Union armies, who fought to control it. Its northern terminus at Columbus, Kentucky saw some of the earliest fighting in the war. The southern terminus in Mobile, Alabama was the scene of some of the last. U. S. Grant, William T. Sherman, Nathan Bedford Forrest, Newton Knight of the "Free State of Jones" and others battled over the M&O, the Federals taking it mile-by-mile. This book chronicles the campaigns and battles for the railroad and the calamity endured by the civilians who lived along it.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
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