This book presents the R software environment as a key tool for oceanographic computations and provides a rationale for using R over the more widely-used tools of the field such as MATLAB. Kelley provides a general introduction to R before introducing the ‘oce’ package. This package greatly simplifies oceanographic analysis by handling the details of discipline-specific file formats, calculations, and plots. Designed for real-world application and developed with open-source protocols, oce supports a broad range of practical work. Generic functions take care of general operations such as subsetting and plotting data, while specialized functions address more specific tasks such as tidal decomposition, hydrographic analysis, and ADCP coordinate transformation. In addition, the package makes it easy to document work, because its functions automatically update processing logs stored within its data objects. Kelley teaches key R functions using classic examples from the history of oceanography, specifically the work of Alfred Redfield, Gordon Riley, J. Tuzo Wilson, and Walter Munk. Acknowledging the pervasive popularity of MATLAB, the book provides advice to users who would like to switch to R. Including a suite of real-life applications and over 100 exercises and solutions, the treatment is ideal for oceanographers, technicians, and students who want to add R to their list of tools for oceanographic analysis.
In this critical edition and translation of Nicole Oresme’s On Seeing the Stars, the renowned 14th-century natural philosopher proposes that the stars are not where they seem. And perhaps nothing is where it seems. In this earliest treatise on atmospheric refraction, Oresme uses optics and infinitesimals to help solve this vexing problem of astronomy. He is the first to propose that light travels along a curve through the atmosphere – two centuries before Hooke and Newton, who are credited with the discovery. Further, he calls all sense data into doubt. Oresme’s argument concerning the curvature of light is a major milestone in the history of science, confirming that Oresme was one of the most innovative scientists of the pre-modern world.
This wonderful collection of music for the mandolin includes bluegrass; old-time fiddle tunes; classical music (including the complete solo part for the Vivaldi mandolin concerto and the "Canzonetta" from Mozart's "Don Giovanni"); American, Irish, Jewish, Russian and Italian songs; reels; jigs; hornpipes; hymns and gospel songs; minstrel songs; patriotic; blues and jazz; children's songs; and cowboy and country ballads. This collection consists of over a hundred selections in standard music notation and TAB. Lyrics for singing and chord symbols for optional accompaniment is included. Also included are tremolo exercises, a guide to fingering, chord charts for guitar and mandolin, the history of the mandolin, and interesting comments about the history and performance of each song.
This beautifully illustrated, elegantly written textbook pairs the best research on the biochemical properties and physiological effects of medicinal plants with a fascinating history of their use throughout human civilization, revealing the influence of nature's pharmacopeia on art, war, conquest, and law. By chronicling the ways in which humans have cultivated plant species, extracted their active chemical ingredients, and investigated their effects on the body over time, Nature's Pharmacopeia also builds an unparalleled portrait of these special herbs as they transitioned from wild flora and botanical curiosities to commodities and potent drugs. The book opens with an overview of the use of medicinal plants in the traditional practices and indigenous belief systems of people in the Americas, Africa, Asia, and ancient Europe. It then connects medicinal plants to the growth of scientific medicine in the West. Subsequent chapters cover the regulation of drugs; the use of powerful plant chemicals—such as cocaine, nicotine, and caffeine—in various medical settings; and the application of biomedicine's intellectual frameworks to the manufacture of novel drugs from ancient treatments. Geared toward nonspecialists, this text fosters a deep appreciation of the complex chemistry and cultural resonance of herbal medicine, while suggesting how we may further tap the vast repositories of the world's herbal knowledge to create new pharmaceuticals.
The sinking of the Dorchester in the icy waters off Greenland shortly after midnight on February 3, 1942, was one of the worst sea disasters of World War II. It was also the occasion of an astounding feat of heroism—and faith. As water gushed through a hole made by a German torpedo, four chaplains—members of different faiths but linked by bonds of friendship and devotion—moved quietly among the men onboard. Preaching bravery, the chaplains distributed life jackets, including their own. In the end, these four men went down with the ship, their arms linked in spiritual solidarity, their voices raised in prayer. In this spellbinding narrative, award-winning author and journalist Dan Kurzman tells the story of these heroes and the faith—in God and in country—that they shared. They were about as different as four American clergymen could be. George Lansing Fox (Methodist), wounded and decorated in World War I, loved his family and his Vermont congregation—yet he re-enlisted as soon as he heard about Pearl Harbor. Rabbi Alex Goode was an athlete, an intellectual, and an adoring new father—yet he too knew, the day Pearl Harbor was bombed, that he would serve. Clark Poling (Dutch Reformed), the son a famous radio evangelist, left for war begging his father to pray that he would never be a coward. Father John Washington (Catholic), a scrappy Irish street fighter, had dedicated himself to the church after a childhood brush with death. Chance brought the chaplains together at a Massachusetts training camp, but each was convinced that God had a reason for placing them together aboard the Dorchester. Drawing on extensive interviews with the chaplains’ families and the crews of both the Dorchester and the German submarine that fired the fatal torpedo, Kurzman re-creates the intimate circumstances and great historic events that culminated in that terrible night. The final hours unfold with the electrifying clarity of nightmare—the chaplains taking charge of the dwindling supply of life jackets, the panic of the crew, the overcrowded lifeboats, the prayers that ring out over the chaos, and the tight circle that the four chaplains form as the inevitable draws near. In No Greater Glory, Dan Kurzman tells how four extraordinary men left their mark on a single night of war—and forever changed the lives of those they saved. Riveting and inspiring, this is a true story of heroism, of goodness in the face of disaster, and of faith that transfigures even the horror of war.
This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable for explaining the viewpoint effects that can arise in dramatic texts. To expand on the large number of examples discussed throughout the book, the penultimate chapter consists of an extended analysis of a single play. This book is relevant to scholars in a range of areas, including linguistics, literary studies and cognitive science.
Using Open Scenes as a "way in" to scripted material, this book establishes a foundational actor training methodology that can be applied to the performance of film or television acting, commercials, and theatrical realism. Unlike other methodologies, this unique approach is devoid of casting considerations or imposed identity, providing actors opportunities that do not rely on nor are restricted by age, gender, race, ethnicity, regional accent, body type, identity, or other defining or delimiting aspects that come into play during the casting process. This allows the actor to focus on personal authenticity as they develop their skills. This book will appeal to undergraduate students, acting teachers, and the contemporary actor seeking a career in film, television, or other electronic media. Visit the companion website www.usingopenscenestoactsuccessful.godaddysites.com for additional Open Scenes and more.
This book presents the R software environment as a key tool for oceanographic computations and provides a rationale for using R over the more widely-used tools of the field such as MATLAB. Kelley provides a general introduction to R before introducing the ‘oce’ package. This package greatly simplifies oceanographic analysis by handling the details of discipline-specific file formats, calculations, and plots. Designed for real-world application and developed with open-source protocols, oce supports a broad range of practical work. Generic functions take care of general operations such as subsetting and plotting data, while specialized functions address more specific tasks such as tidal decomposition, hydrographic analysis, and ADCP coordinate transformation. In addition, the package makes it easy to document work, because its functions automatically update processing logs stored within its data objects. Kelley teaches key R functions using classic examples from the history of oceanography, specifically the work of Alfred Redfield, Gordon Riley, J. Tuzo Wilson, and Walter Munk. Acknowledging the pervasive popularity of MATLAB, the book provides advice to users who would like to switch to R. Including a suite of real-life applications and over 100 exercises and solutions, the treatment is ideal for oceanographers, technicians, and students who want to add R to their list of tools for oceanographic analysis.
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