This book approaches the visual clues acknowledged by political philosophy, interested in the relationship of the philosophy and the politics of film. It also expresses and highlights a precise way of “looking at things”, indicating a frame able to verify the domain’s themes and constructs, in order not only to offer some illustrating insights, but also to provide reflections able to re-define the relationship between film and political philosophy. It will appeal to the wider academic community, PhD students, professors, and researchers with an interest in political philosophy, postmodern philosophy, media studies and cultural studies.
This book introduces a new conceptual category to philosophical and political discourse, namely Hecate-isms, which can be applied to post–postmodernist theory. This concept is defined here as resulting from the philosophical and political mechanisms of the rule of three, and as representing a tri-phase construction of homo triplex, including elements such as prosperity–security–freedom and distance–power–security. The book will appeal to the wider academic community, to PhD students, professors, and researchers with an interest in political philosophy, political science, postmodern philosophy, and cultural studies.
Today, we know what the Black Sea is not from a strategic perspective, but we do not know what it is. This strategic indecision is the explanation for all the conflicts, frozen or not, explicit or tacit, and all the political and geopolitical tensions that are now taking place in this space and that are becoming endemic. The story of the Black Sea continues... This text is the first encyclopaedia explicitly dedicated to the geopolitics of the Black Sea, written for Western audiences, an academic research which appeals to the wider academic community, PhD students, professors, and researchers, and to any reader interested in geopolitics, history, international relations, economy, sociology, history, and geography.
This book approaches the visual clues acknowledged by political philosophy, interested in the relationship of the philosophy and the politics of film. It also expresses and highlights a precise way of “looking at things”, indicating a frame able to verify the domain’s themes and constructs, in order not only to offer some illustrating insights, but also to provide reflections able to re-define the relationship between film and political philosophy. It will appeal to the wider academic community, PhD students, professors, and researchers with an interest in political philosophy, postmodern philosophy, media studies and cultural studies.
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