Mark and Daly Ford are living the good life in the San Fernando Valley of southern California. Busy building their security company, they are shocked when a long-time friend drowns unexpectedly in his pool, shaking their world. With no foul play or reason for the drowning indicated, they, along with their neighborhood poker group, are baffled. Just as the alarm of losing a good friend begins to subside, another friend from their group dies of a massive heart attack while working at a food bank. Both deaths appear to be innocent enough, but Daly's instincts from her years with the L.A.P.D.'s Behavioral Analysis Unit cause her to question if the deaths could be linked. But what is the common thread explaining the murders, if that's what they are?Mark and Daly thrust themselves into investigating if their friends' deaths could be more than coincidence ... and perhaps a deadly vendetta being carried out against their close-knit group. Worse yet, could the person behind these deaths be someone from within their group of friends? Mark and Daly plunge headlong into solving the mystery, joining forces with an eccentric scientist friend from their poker group with strong analytical skills. As bodies continue to pile up, they're joined by a police detective from Scotland Yard, Sean McClarey, on loan to Santa Monica PD. Still mourning the loss of his wife during childbirth, Sergeant McClarey throws himself into the case, bringing his respectful yet penetrating style to his interrogations. Will this band of friends be able to unravel the twisted intentions driving the serial killings in time? How many of their friends may die while they're piecing the puzzle together? Will Mark and Daly be next on the killer's list? Enjoy the twists and turns of this non-stop thriller leading to a surprising climax, punctuated by a psychopath's obsessions from the loss of family members under tragic circumstances. But is someone else in the shadows behind the poker group's rapidly dwindling numbers? All is not what it seems to be as these colleagues pursue what's behind their friends' demise and bringing the killer, or killers, to justice.
An exciting new special-ops adventure from the battle-tested vets who created the popular Starfist series Jorge Lavager, charismatic leader of the mysterious Union of Margelan, ferociously guards an agricultural research facility on the planet Atlas. What that facility conceals will prove whether Lavager is an idealist seeking to unify Atlas under a banner of freedom and prosperity—or a tyrant aiming to control all of Human Space. The Marines of Fourth Force Recon’s second platoon are dispatched to Atlas to uncover the truth. They will have to sneak past state-of-the-art surveillance equipment barring unlawful entry to the planet and land in a desolate area miles from their target. And if they discover lethal new weapons instead of legitimate research, the thirty-six Marines are to seize the compound—guarded by merciless, armed-to-the-teeth soldiers—and destroy it. But what the recon team finds on Atlas sets off a chain of events that will force some hard decisions on the Marines . . . and end in a deadly surprise.
Swift, silent, and deadly–they strike where no one else dares. Fear is the fastest-growing crop on Haulover, a newly colonized planet where someone–or something–is destroying isolated farmhouses. The unseen enemy strikes without warning, then disappears, leaving no stone standing, no trace of families or farm animals. When the Confederation receives a desperate plea for help, it’s time to send in the Marines. Impossible missions are a matter of course for Fourth Force Recon’s second platoon squads, and the situation at Haulover–with no witnesses and few clues–is no exception. But this assignment turns out to be even tougher and bloodier than usual because the devastation is a ploy–to lure the nine Marines into a trap, and to force them to bust the Confederation’s terrible secret wide open. And as for the Skinks lying in ambush on Haulover, they have no idea what trouble is . . . until they go up against a few good Marines.
Planet Haulover has been invaded by Skinks. Until now, the aliens' existence has been hushed up. But Force Recon's shocking report leaves the Confederation no choice but to mount a military campaign against these alien predators bent on human destruction. Meanwhile, back home, the Confederation's president is being denounced as a warmonger out to exterminate “harmless” aliens. If she loses the upcoming elections, the Confederation will have a lot more Skinks to worry about than the ones on Haulover. Newly promoted Lieutenant Charlie Bass and his third platoon have more pressing concerns, such as staying alive. But what would be a suicide mission for most—whether it's raiding a hidden Skinks base or destroying the enemy's most lethal weapons during a desperate firefight—is just another job for the Thirty-fourth FIST.
Who is Dennis Rodman? Readers flocked to find out with Bad As I Wanna Be, a confessional by Rodman himself that sold roughly 600,000 copies. But an autobiography rarely attains objectivity, nor tells the whole story. No Bull chronicles the life of America's Bad Boy - from the time his mother fled a broken marriage to Dallas with Dennis and his two sisters, to his early arrest for theft, to his emergence as a star at Southeastern Oklahoma State. Bickley follows Dennis during his rookie year and beyond with the Detroit Pistons, where he began to make headlines for more than his basketball talent, to suspensions while playing for the San Antonio Spurs, to his time with Michael Jordan and Chicago Bulls. We see Dennis Rodman on and off the court, and the reader can be sure no punches are pulled.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
A bold new contingent—Force Recon—joins the explosive Starfist space epic of marines at war. A Confederation army is besieged on the planet Ravenette, cut off by and facing destruction at the hands of a dozen Secessionist Coalition worlds arrayed against it. The outnumbered and outgunned forces cling precariously to their foothold, dubbed “Bataan” by the desperate men in their fighting bunkers. Reinforcements are on the way, but will they arrive in time? And even if they do, can they match the well-led, highly motivated enemy determined to destroy them in battle? But the Confederation commander holds a wild card, an elite force armed only with what they carry on their backs and in their heads: a small detachment of Marines who lightly go where others fear to tread, the Fourth Force Recon Company. For anyone else this mission would be suicide, but for these Marines, it’s just another day in the maelstrom.
Growing up in the suburbs of New York City on Long Island, I took a keen interest in all forms of transportation, especially trains. Afer graduating college, I worked as an industrial engineer for private sector corporations progressing to a middle management position within a Fortune 25 Company. In 1983 I accepted a job opportunity with the Long Island Rail Road as an industrial engineer. The LIRR is a government-subsidized agency that is part of a larger regional organization called the Metropolitan Transportation Authority. The LIRR had embarked on a very ambitious improvement program to upgrade their physical plants. This plan included the construction of a new railcar maintenance facility. The new facility was to replace their one hundred year old maintenance shops. I was hired to develop facility layouts for the most advanced rail car maintenance facility in the country. Friends and professional colleagues advised me to decline the job offer. However, I was a railroad buff and the opportunity to work for a railroad overshadowed any tredpidations. For decades, the LIRR had bore the brunt of adverse publicity. I would often consider much of the critisism as being too harsh and misguided. Not long after commencing employment, my perspective of the LIRR would be completely transformed. The inefficient and workplace abuses I witnessed first hand could only flourish in publicly subsidized environment. My job required me to observe and analyze the maintenance and repair operations performed on commuter railcars. My next step was identifying more efficient methods. I would then implement these improvements into the design of the new railcar maintenance facilities. I was met with a wall of resistence and non-cooperation from the unionized workforce. The LIRR had languished in decades of inefficient work habits supplemented with managerial coplacency and rampant nepotism. I would operate in a very hostile environment that had no incentive to embrace improvements. It would be in the better interests of the unions to maintain low productivity and therefore justify the gross overstaffing that existed for decades. Upon completion of developing the facility layouts, the next phase of my responsibilities involved coordination with design consultants hired by the LIRR. The consultants were responsible for the architectural and structural designs of the new maintenance facility. The consultans typically were selected based on political connections and not their level of expertise. The design phase was muddled with incompetence and waste. Inept project management would add tens of millions of dollars and lengthly delays to the construction phase of the project. Upon completion of construction, a new regime intent on maintaining the status quo within the LIRR assues control of the new maintenance facility. The new regime is not committed to capitalizing on the labor efficiencies offered by the new facility. Key positions are then filled with managers' intent in preserving the traditional inefficient ways of the LIRR. My story concludes with the agendas of the new regime and conflicts with those who were trying to transform the LIRR into a socially responsible institution. My trials and tribulations along with personal victories and setbacks are all the basis of my book.
Sheer cliffs, avalanches, turbulent rivers, cold lakes, severe weather, grizzly bears - these are just a few of the ways you can die while visiting Glacier National Park. Since 1910 when the park was established, 296 people have perished within Glacier's boundaries, and many more somehow survived close calls with death. Death & Survival in Glacier National Park recounts their true tales, as well as stories of the brave and often heroic search-and-rescue professionals who put their lives on the line so that others might live.
Written by a local Glacier National Park experts.
Jam-packed with gripping stories of courage and survival against all odds.
Featuring the most complete chronology of all 296 deaths in Glacier National Park, including names, ages, locations, and causes.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
A broad, definitive history of the profound relationship between religion and movements for social change in America The United States has always had an active, vibrant, and influential religious Left. In every period of our history, people of faith have envisioned a society of peace and justice, and their tireless efforts have powered the social movements that have defined America’s progress: the abolition of slavery, feminism, the New Deal, civil rights, and others. In this groundbreaking, definitive work, McKanan treats the histories of religion and of the Left as a single history, showing that American radicalism is a continuous tradition rather than a collection of disparate movements. Emphasizing the power of encounter—between whites and former slaves, between the middle classes and the immigrant masses, and among activists themselves—McKanan shows that the coming together of people of different perspectives and beliefs has been transformative for centuries, uniting those whose faith is a source of activist commitment with those whose activism is a source of faith. Offering a history of the diverse religious dimensions of radical movements from the American Revolution to the present day, Prophetic Encounters invites contemporary activists to stand proudly in a tradition of prophetic power.
Kate McGillacutty coyly agrees to marry a man of her father's standards: a "real" man unafraid of hard work. She's certain she can convince the ruggedly suitable, undeniably charming Peter O'Rourke to play along for a price, but soon Peter has dreams of his own for his beautiful bride, and they don't include letting her out of his sight. Original.
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
“Not just a thorough guide to the history of apples and cider in this country but also an inspiring survey of the orchardists and cidermakers devoting their lives to sustainable agriculture through apples.”—Alice Waters “Pucci and Cavallo are thorough and enthusiastic chroniclers, who celebrate cider’s pomologists and pioneers with infectious curiosity and passion.”—Bianca Bosker, New York Times bestselling author of Cork Dork Cider today runs the gamut from sweet to dry, smooth to funky, made from apples and sometimes joined by other fruits—and even hopped like beer. In American Cider, aficionados Dan Pucci and Craig Cavallo give a new wave of consumers the tools to taste, talk about, and choose their ciders, along with stories of the many local heroes saving apple culture and producing new varieties. Like wine made from well-known grapes, ciders differ based on the apples they’re made from and where and how those apples were grown. Combining the tasting tools of wine and beer, the authors illuminate the possibilities of this light, flavorful, naturally gluten-free beverage. And cider is more than just its taste—it’s also historic, as the nation’s first popular alcoholic beverage, made from apples brought across the Atlantic from England. Pucci and Cavallo use a region-by-region approach to illustrate how cider and the apples that make it came to be, from the well-known tale of Johnny Appleseed—which isn’t quite what we thought—to the more surprising effects of industrial development and government policies that benefited white men. American Cider is a guide to enjoying cider, but even more so, it is a guide to being part of a community of consumers, farmers, and fermenters making the nation’s oldest beverage its newest must-try drink.
Book and CD. The story of Badfinger is among the most tragic in the history of rock'n'roll. They were championed by the Beatles, yet their two principal songwriters committed suicide. An expose of the music business, Without You also serves as a tribute to the band's work. This revised edition includes a CD of over 72 minutes of music and interviews, 300 photos, complete listing of studio dates and concerts, and a discography.
An anthology of short stories, set in the world of the popular roleplaying game WEREWOLF: THE APOCALYPSE. This is a vibrant modern-fantasy world, with a mythic & fantastic slant to today's environmental issues. The heroes of these tales are the Garou - tribal werewolves who are the defenders of Gaia, Mother Nature herself. The Garou must fight against the minions of the Wyrm, the dread monster trying to destroy the world through pollution & war. The stories in this book are from the legends of werewolves, & include many of the more popular hero tales & yarns told by the fire to scare the pups. Herein are legends stretching back to ancient Greece & tales told but yesterday in the boardrooms of the Wyrm's hi-tech corporations. From heroic myths of glory, honor & wisdom to a dark saga of the Black Spiral Dancers, these stories enrich the mythic tapestry of the roleplaying game setting. Among the writers are Nigel Findley (author of Shadowrun novels) & Dan Greenberg (award-winning game author). For order information call Rene Lilly at 404-292-1819.
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Dan Shanahan is a legend in modern hurling, a three-time All Star and winner of 'Player of the Year' in 2007. His time as an inter-county senior hurler coincided with the remarkable revival in Waterford's fortunes, which saw them win the Munster Final four times in the last decade. In this candid and revealing autobiography, Dan speaks about his love of the game, which grew out of an idyllic childhood in Lismore and his apprenticeship with the Lismore club. He first made his mark as a senior player with Waterford in 1998, under the management of Gerald McCarthy. But it was when Justin McCarthy took over as manager in 2002 that the Waterford team really began to shine, Dan sharing the glory with such outstanding players as Tony Browne, Eoin Kelly, John Mullane and Ken McGrath. Yet tensions between the players and manager built up in 2007/2008, culminating in a frustrated Dan famously refusing to shake Justin's hand in public. McCarthy resigned and was replaced by Davy Fitzgerald, who led Waterford to the 2008 All-Ireland Final. Dan's charisma and extraordinary goal-scoring ability earned him a place in Waterford hearts. His goal in extra time in the 2010 Munster Final against Cork proved what a vital player he remained, and was a fitting climax to a great career. He retired from inter-county hurling shortly after. A tattoo on Dan's arm reads: If you don't know me, don't judge me. It's a testament to Dan's determination to succeed in the face of adversity.
This comprehensive guide covers all aspects of beer and brewing in Colorado. • Features 149 breweries and brewpubs • Each brewery profile includes beers brewed, special features, visitor information, and the author's "Pick" of the best beer to try • Covers Denver and the Burbs, Northern Front Range, Southern Front Range, Central Rockies, Western Slope, and Southwest regions
Life is short. Vacations are shorter. Relax! Trust your trip to Frommer's. Choose the Only Guide That Gives You: Exact prices, so you can plan the perfect trip no matter what your budget. The latest, most reliable information—all completely up-to-date! Dozens of easy-to-read color maps. The widest and best selection of hotels and restaurants in every price range, with candid, in-depth reviews. All the practical details you need to make the most of your time and money. One-of-a-kind experiences and undiscovered gems, plus a new take on all the top attractions. Outspoken opinions on what's worth your time and what's not. A fresh, personal approach that puts the fun and excitement back into travel! It's a Whole New World with Frommer's. Find us online at www.frommers.com
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.