Tiré de "Catalogus : bulletin bibliographique trimestriel illustré des catalogues d'expositions d'art contemporain", no 39 (nouvelle série, printemps 2011), p. 61-62: "La production artistique de Dan Colen fait appel à la photographie, au document, à la peinture et à la sculpture. Elle prend la forme de tableaux de chewing-gums sur toile, de sculptures peintes, de textes peints inspirés du graffiti, d'installations de grande dimension, etc ... Le tout dans un style downtown new-yorkais appelé "Bowery school". Ce livre intitulé "Peanuts" est composé d'un choix de 95 images extraites d'un film 16 mm du même nom réalisé par l'artiste en 2010 le montrant déambulant dans New York parmi les habitants, mangeant des cacahuètes et laissant derrière lui les coques d'arachides comme trace de son passage. Ce livre de Dan Colen, accompagné d'essais de Gunnar B. Kvaran, Mary Blair Taylor, Matt Kenny, Ellen Langan et Francesco Stocchi, a été réalisé à l'occasion de l'exposition de l'artiste à l'Astrup Fearnley Museum of Modern Art d'Oslo, du 20 janvier au 24 avril 2011.
Gathers letters written between Dan Rowan, the popular TV comedian, and John D. MacDonald, the mystery writer, and provides a behind-the-scenes look at network television
Spanning the architectural history of the country house from the disarming Elizabethan charm of South Wraxall, the classical rigour of Kinross in Scotland, the majesty and ingenuity of Hawksmoor's Easton Neston, the Palladian sweep of Wentworth Woodhouse, with over 300 rooms and frontage of 600 feet, the imperial exuberance of Clandeboye, through to the ebullient vitality of Lutyens' Marshcourt, the stories of these houses tell the story of our nation. All are the are buildings of the greatest architectural interest, each with a fascinating human story to tell, and all remain private homes that are closed to the public. But their owners have opened their doors and allowed Dan Cruickshank to roam the corridors and rummage in the cellars as he teases out the story of each house - who built them, the generations who lived in them, and the families who lost them. Along the way he has uncovered tales of excess and profligacy, tragedy, comedy, power and ambition. And as these intriguing narratives take shape, Dan shows how the story of each house is inseparable from the social and economic history of Britain. Each one is built as a wave of economic development crests, or crumbles. Each one's architecture and design is thus expressive of the aims, strengths and frailties of those who built them. Together they plot the psychological, economic and social route map of our country's ruling class in a rich new telling of our island story.
In the summer of 1960, four of us, students at Atlanta (Michigan) High School, embarked on a pulpwood cutting operation as a way to earn spending money for the coming school year. While scrounging around my dad’s sawmill shed for some tools to use in our enterprise, we found an old sign painted by one of his lumberjacks. It read, “CAN’T HARDLY LUMBER COMPANY.” Not then realizing how prophetic it would be, we took the sign for our pulpwood site. Our experiences that summer, mostly humorous in hindsight, provided the grist for several of the stories and vignettes in this volume. Others chronicle Betty Powell’s 1942 joke on the sheriff, Doug King’s barn-raising bee, and the great porcupine hunt of 1956. All provide a glimpse into northern Michigan life as we experienced it back in the day. After graduating from Atlanta (Michigan) High School in 1961, DAN STEVENS earned B.S. and M.A. degrees from The University of Michigan and a Juris Doctor from T.M. Cooley Law School. He returned to Montmorency County as a businessman and lawyer and represented northeastern Michigan in the Michigan House of Representatives for two terms. Later he served as a policy coordinator for the Florida Governor and was the County Attorney for Hendry County, Florida, over thirteen years. He and his wife Sarah now split their time between Atlanta, Michigan, and Tallahassee, Florida.
Focusing on individual patient needs, Cancer Chemotherapy, Immunotherapy and Biotherapy: Principles and Practice, Seventh Edition, provides thorough, comprehensive information from Drs. Bruce A. Chabner, Dan L. Longo, and an authoritative team of clinicians and scientists working at renowned cancer centers across the globe. It covers fundamental information about mechanism of action, pharmacokinetics, clinical toxicity, and drug interactions, all essential to the safe and effective use of the drug.
Soho - illicit, glamorous, sordid, louche, poverty-stricken, squalid, exhilarating. One of Britain's best-loved historians, Dan Cruickshank, grants us an intimacy with centuries of rich and varied history as he guides us around the Soho of the last five hundred years. We learn of its original aspirations towards respectability, how it became London's bohemian quarter and why it was once home to its criminal underworld. The bars, clubs, theatres and their frequenters are described with detail that evokes the heart of the district. The history of Soho is written in its surviving architecture. Cruickshank points out the streets that were the stamping grounds of criminal dynasties and directs our attention towards the homes of renowned prostitutes, revealing Georgian sexual mores and surprising visitors - amongst them eighteenth-century painter Joshua Reynolds, whose peculiar 'caprice' was simply drawing the girls. Soho has been home to characters as diverse as Mrs Goadby's girls to the Maltese mafia, and Cruikshank draws these threads together with kaleidoscopic verve. Even as he mourns some of the changes, he pays testament to the district's resilience. He observes how the common denominator over the centuries is that it has always been a destination for immigrants: from French Huguenots to the East European Jewish community and recent Chinese diaspora - and that this is the foundation of its spirit and success.
The perfect guide to the hidden history of London's streets.' BBC History Magazine In Cruickshank's London, Britain's favourite architectural historian describes thirteen walks through one of the greatest cities on earth. From the mysterious Anglo-Saxon origins of Hampstead Heath, via Christopher Wren's magisterial City churches, to the industrial bustle of Victorian Bermondsey, each walk explores a crucial moment in our history - and reveals how it helped forge the modern city. Along the way, Cruickshank peppers the book with vivid photographs, sketches and maps, so you can immediately follow in his footsteps. Every street in London contains a story. This book invites you to hear them. ___ 'An inspiringly illustrated guide to walks across London . . . It proves how much we can miss if we don't pay close attention to our surroundings.' Country Life 'All power to Cruickshank and his intrepid and knowledgeable kind. We need them.' Times Literary Supplement
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