Why were these two beautiful baby girls abandoned? What happened to their mysterious mother and their biological father? What roadblocks did Bessie, a young African-American woman, run into when attempting to bring up these two marvelous white children as her own daughters, along with her own biological daughter? For a while, no one seemed to care one way or the other, that is, until time had passed and the girls matured into their preteen years. When one of them displayed surprising athletic prowess, others became concerned. Was it racial motivation or greed that suddenly brought the human roaches out of the woodwork in an attempt to snatch the girls away from Bessie? Mom and her daughters faced steep odds in a rather bizarre court setting, but they managed to beat those odds, and the family continued to grow and thrive. This adorable and creative family eventually became darlings of the entire community. In time, the girls were referred to as the angels from the valley. But in life, sometimes, before you can become an angel, you have to experience hell. Sometimes, even angels have to cry. How does a family (or, for that matter, an entire community) react when hell raises its ugly head? This is an easy read as you navigate through the many unexpected twists and turns, some of them enlightening and still others extremely unpleasant.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
More than 13,000 historical markers line the roadsides of Texas, giving drivers a way to sample the stories of the past. But these markers tell only part of the story. In History Ahead, Dan K. Utley and Cynthia J. Beeman introduce readers to the rich, colorful, and sometimes action-packed and humorous history behind the famous (Charles Lindbergh, Will Rogers, The Big Bopper, and jazz great Charlie Christian) and the not-so-famous (Elmer "Lumpy" Kleb, Don Pedro Jaramillo, and Carl Morene, the "music man of Schulenburg") who have left their marks on the history of Texas. They visit cotton gins, abandoned airfields, forgotten cemeteries, and former World War II alien detention camps to dig up the little-known and unsuspected narratives behind the text emblazoned on these markers. Written in an anecdotal style that presents the cultural uniqueness and rich diversity of Texas history, History Ahead includes nineteen main stories, dozens of complementary sidebars, and many never-before-published historical and contemporary photographs. History Ahead offers a rich array of local stories that interweave with the broader regional and national context, touching on themes of culture, art, music, technology, the environment, oil, aviation, and folklore, among other topics. Utley and Beeman have located these forgotten gems, polished them up to a high shine, and offered them along with convenient maps and directions to the marker sites.
The year 1774 was a sea of turbulence in America. The brigantine Peggy Stewart sailed in this sea laden with a cargo of unbridled hatred and undying love. The tides of social change ebbed and flowed while the winds of newfound faith pushed those who had to cleave unto this ship to uncertain destinies. At a critical time for those touched by the Peggy Stewart, a simple message of faith reached across the Atlantic to transform despair into hope. Cleave is a word in English that though spelled the same has diametrically opposite meanings. The definitions of the word cleave found in modern dictionaries validates that it is indeed contradictory: cleave--to divide or cleave--to cling. This word is an apt description of today's American society. Ask almost anyone today about the political mood of the United States, and they will begin to describe how America is deeply divided United States. Many believe we have unreconcilable differences as never seen before. This novel seeks to contest this belief and to tell an old American story when our political cleave, a division, led to dreadful violence, right or wrong, but ultimately to a cleave, a clinging together and eventually the birth of a United States of America. What is often lost to most in a simple narrative of pre-Revolutionary history is the turmoil up and down the Atlantic Coast preceding and following the Tea Party in Boston. Our ship, the brigantine Peggy Stewart, sailed into infamy in this 1774 sea of turmoil on American land. Ordinary folks like you and I--farmers, merchants, seamen, and labors--were pulled and pushed by the tides and winds of social change. So we were then, so we are today. Are you aboard?2
In Out of Innocence, ten-year-old Chris Curry, the eldest of Audie Curryas four childrenaall by different fathersastruggles to maintain some sense of normalcy for himself and his three siblings. This is no easy job as audacious Audie, a planet without orbit, free-falls through the universe, dragging her four little moons in the wake of her destruction. Each dalliance with a new man and a new life in a new town for a new beginning ends up in the same sort of emotional rubble. The town of Halion and her latest aone true love, a Ricky Lee Steed, are exceptions only in the sense that they precipitate the most ruinous destruction. If not for Halion psychic Faye Louise Jacobs and her husband, J.Y., Chris would be doomed; however, with their help, he has a fighting chance to rise above the booze and drugs, the hatred and hopelessness, the predators and abuse, and the callousness and mean-spirited manipulations of a small Southern town.
Resurrecting the legend of Wyoming Amazons. In the summer of 1890, an army of teenage women with swords drawn and rifles at the ready marched resolutely toward the state capitol to deliver a message to Governor Francis E. Warren and the nation: women want equal rights. As Company K walked alongside women's suffrage pioneer Esther Morris, one could hear the rhythm of their feet keeping step in perfect cadence. Western history remembers murderers, outlaws, prostitutes and saloon girls but not the famous Girl Guards, whose military precision rivaled that of West Point cadets. Author Dan J. Lyon offers the definitive and evocative account of the young women warriors who defined the Equality State."--
Macon County occupies nearly 600 square miles of fertile farmland in the geographic center of Illinois. Abraham Lincoln made his first Illinois home here, on a pleasant bluff overlooking the Sangamon River, near presentday Harristown. On May 10, 1860, he was first nominated for the presidency in Decatur, the county seat. During the World War I era, Macon County boasted over a dozen hamlets and villages, including Warrensburg and Maroa, which both enjoyed opera houses and busy train stations. Maroa was home to John Crocker, who became a famous banker, while nearby Forsyth produced Black Bart, the infamous bank robber. After World War II, Decatur became known as the soybean capital of the world. And today, agricultural and industrial workers depend on one another, growing and processing the corn and soybeans that have made Macon County a self-sustaining economic engine.
A collection of essays, biographical profiles, and critical analyses by one of the twentieth century's leading jazz writers includes commentary on the work of jazz entertainers, including Duke Ellington, Ella Fitzgerald, John Coltrane, Dizzy Gillespie, and Louis Armstrong, as well as assessment of the role of jazz in contemporary culture and its influence on modern music.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
In Dan Zanes' House Party!, the Grammy Award-winning children's artist presents a huge collection of folk songs along with inspiration to start your own family band. Too often, new parents eager to share their love of music with their young children feel their options are limited to cuddly singing dinosaurs and well-meaning humans whose understanding of children’s music starts with “Kumbaya” and ends with “Puff the Magic Dragon.” For many sane adults, these choices are more abrasive than the most aggro noise-rock of their college years. Dan Zanes has spent the past 20 years creating a truly compelling body of children's music that music-loving parents can also get behind. A former 1980s indie rocker, Zanes' 13 children's albums have gained wide praise for their authentic arrangements and preservation of America's folk traditions. In Dan Zanes' House Party!, the Grammy Award–winning Zanes has curated a rich selection of folk songs that comprise an essential musical cross-section of the American experience and its multicultural, immigrant underpinnings. The selections include the standard songs we all know and love, along with folk classics. Each song is accompanied by a brief narrative on its historical context, followed by lyrics, notation, and chords. Among the songs you'll learn to play: "Erie Canal," "Pay Me My Money Down," "Titanic," "Waltzing Matilda," "The Farmer Is the One," "Wabash Cannonball," "Sloop John B.," "Old Joe Clark," "Skip to My Lou," "King Kong Kitchie," and "We Shall Not Be Moved." Dan Zanes' House Party! also includes informational sidebars throughout to give families the basics needed to pick up instruments and learn to more fully enjoy music as a family band. And in the back of the book, you'll find chord charts for guitar, ukele, and mandolin. More than just a collection of songs, Dan Zanes’ House Party! is part music book, part history lesson, and a work that all families can enjoy—together.
While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
In the BRAND NEW Christmas story “The LAST Noelle,” Santa’s daughter Noelle wants to experience normal high school life—but if Betty & Veronica interfere, will Santa put them on his naughty list?
Poor Gal: The Cultural History of Little Liza Jane chronicles the origins and evolution of a folk tune beloved by millions worldwide. Dan Gutstein delves into the trajectory of the “Liza Jane” family of songs, including the most popular variant “Li’l Liza Jane.” Likely originating among enslaved people on southern plantations, the songs are still performed and recorded centuries later. Evidence for these tunes as part of the repertoire of enslaved people comes from the Works Progress Administration ex-slave narratives that detail a range of lyrics and performance rituals related to “Liza Jane.” Civil War soldiers and minstrel troupes eventually adopted certain variants, including “Goodbye Liza Jane.” This version of the song prospered in the racist environment of burnt cork minstrelsy. Other familiar variants, such as “Little Liza Jane,” likely remained fixed in folk tradition until early twentieth-century sheet music popularized the melody. New genres and a slate of stellar performers broadly adopted these folk songs, bringing the tunes to far-reaching listeners. In 1960, to an audience of more than thirty million viewers, Harry Belafonte performed “Little Liza Jane” on CBS. The song was featured on such popular radio shows as Fibber McGee & Molly; films such as Coquette; and a Mickey Mouse animation. Hundreds of recognizable performers—including Fats Domino, Bing Crosby, Nina Simone, Mississippi John Hurt, and Pete Seeger—embraced the “Liza Jane” family. David Bowie even released “Liza Jane” as his first single. Gutstein documents these famous renditions, as well as lesser-known characters integral to the song’s history. Drawing upon a host of cultural insights from experts—including Eileen Southern, Carl Sandburg, Thomas Talley, LeRoi Jones/Amiri Baraka, Charles Wolfe, Langston Hughes, and Alan Lomax—Gutstein charts the cross-cultural implications of a voyage unlike any other in the history of American folk music.
EVERYONE, AT SOME POINT DURING THEIR LIVES, HAS BEEN HUMILIATED AND EMBARASSED BY THE ACTIONS OF SOMEONE ELSE. IT MAY HAPPEN DURING THEIR SCHOOL YEARS, DURING THEIR YEARS IN THE WORKPLACE OR DURING THEIR MARRIAGE. "SWEET REVENGE" IS A COLLECTION OF TWENTY-ONE SHORT STORIES ANALYZING CASES WHERE A PERSON HAS BEEN EMBARASSED AND HUMILIATED AND THE MEANS BY WHICH "THE VICTIM" GETS REVENGE AGAINST THE PERSON THAT EMBARASSED OR HUMILIATED THEM.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
The internet defines Gerard Kane. But after a death in the family and a dumping, can going off-grid save him?His pursuit of something outside the saturation of data takes him from Cardiff, and a web of family members caught in cycles of selfies and online gambling or relationships which fade without their Instagram filter, to a new community in the Danish woodland.With relentless energy and precise observation, Dan Tyte's second novel focuses on modern social behaviours and the impact of technology on our lives, relationships and perceptions.This sharp and highly contemporary narrative probes into our dependence on the internet, and to what extent we might be able to free ourselves from this, a concern of immediate relevance to an increasing number of the population.
Come awake to a more creative life—by realizing clarity of mind, body and spirit. Creativity is basic to the very fiber of our being, and not—as many suspect—solely the privilege of a gifted few. When we silence the voice of creativity that lives within us, we confine our spirit. Award-winning author Dan Wakefield helps us to examine our reasons for not creating—debunking the myths—and shows us the path to a fulfilling, creative life. Drawing on examples from religion, philosophy, and literature, Wakefield teaches us that the key to unleashing our own inner creativity is in clarity of mind, body, and spirit. Releasing the Creative Spirit gives us practical guidance to demystify the creative process and to help each of us achieve this clarity by: Breaking the Myths—Explode the myths that creativity is only for the artistic elite, that creators must suffer, and that science and business can not be creative pursuits. Emptying—Learn ways to recognize and move beyond the tired routines in your life that deaden the senses and soul. Filling Up—Experience new sensations through simple practices that revive natural perceptions and unlock hidden creative resources. Creating—Try hands-on, practical exercises to explore the mystery of creativity in your life from a spiritual perspective. This passionate, personal guide draws on examples from the experiences of many creative people—Elaine Pagels (professor), Tom Wolfe (novelist), John Coltrane (jazz musician), Harold Kushner (rabbi), Danielle Levi-Alvares (yoga teacher), Stephen Hawking (physicist), and Phil Jackson (basketball coach), just to name a few—who each demonstrate one or more of the characteristics of someone who creates from the spirit. Creative People... Develop clarity as the source of creativity Take responsibility for their lives and work Regard age as an opportunity See obstacles as an invitation to create new solutions, techniques, and skills Recognize the body/mind/spirit connection Find surprising new ways to perform routine tasks ...and much more This fresh exploration of the creative spirit includes hands-on exercises to help you unlock your creative powers, inviting you to experience the artistic grace and pleasure that can exist in our everyday lives. You may discover, as many others have, that with creativity comes more joy, more laughter, and more accomplishment than you previously thought possible.
A journalist/novelist debunks many of the myths associated with the creative process and shows how to access our natural perceptions and hidden resources to attain clarity of mind, body and spirit. Includes interviews and examples of 'creators from the spirit'"--Provided by publisher.
HARRY LIVINGSTONE was a small town doctor from Listowel, Ontario when he felt the pull of patriotism that led him to volunteer in the First World War. In 1917, Livingstone found himself embarking on a strange journey that took him to China, where he would inspect,and ultimately travel back to Canada with, men who became known as the Chinese Labour Corps. Once in Canada, the Chinese under Livingstone's care travelled across Canada in secret trains bound for Halifax. All news about the trains and the men was censored. On board crowded ships, the men crossed the U-boat-infested Atlantic. They were then put to work to keep the war machine in motion — digging trenches, hauling supplies, repairing military vehicles, and the grisly job of cleaning up the battlefields. About 300,000 Chinese labourers were recruited by the British,French, and Russian allies during the First World War. Nearly 84,000 of them passed through Canada on their way to France. Livingstone and other officers kept diaries and journals, and wrote letters home telling of their experiences with the Chinese. From these first-person accounts as well as historical records and from rare letters written by Chinese labourers themselves, author Dan Black offers for the first time a full account of Canadians and the Chinese Labour Corps — a story that had mostly been unknown until now.
In 1935 Betsy Throckmorton’s father lures her from a New York job with Time magazine back to Claybelle, Texas, with the promise that she can be the editor of his Claybelle Standard-Times. Betsy brings along her husband, Ted Winton, an easterner and Yale graduate to whom she is constantly explaining Texas. Ted will run Ben Throckmorton’s radio station, KVAT, where Booty and Them Others sing in rivalry with the better known WBAP Light Crust Doughboys. In Texas, it’s the middle of the Depression and the Drought. And Prohibition is barely over, liquor still a controversy. Every city has its hobo camp, and Claybelle has the Star of Hope Mission. But it is also the time of new oil money, high living, infidelity, and tangled love triangles. Betsy and Ted chain-smoke and drink often and long, they wouldn’t miss a Paschal High School or TCU football game, they party at the Casino on Jacksboro Highway, and dine at Claybelle’s Shadylawn Country Club. Betsy is a serious journalist though, and she sets out to change the paper, clashing with the managing editor when she claims international not state news belongs on page one. She clashes with the columnists when she tries to sharpen their leads. The Texas Murder Machine becomes her big story, when she suspects that Texas Rangers may be killing innocent young men to collect rewards offered by the Texas Bankers Association. Betsy’s journalistic determination leads to a personal tragedy that changes her life forever—and makes her a determined, relentless newswoman. Fast Copy is a page-turner that combines romantic comedy with the best of the thriller genre. But it’s much more. Dan Jenkins captures Texas in the mid-1930s with a clarity that brings it alive, and his affection for Texas, Fort Worth, and TCU are revealed on every page. Only a native like Jenkins would include the minute details of a TCU-SMU game, the new zephyr stainless steel railroad train, the T&P railroad station, the Fort Worth Cats, and LeGrave Field. His portrait of Claybelle and its leading society folks is tongue-in-cheek funny and right on the mark. Texans should treasure this book for years to come.
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Kate McGillacutty coyly agrees to marry a man of her father's standards: a "real" man unafraid of hard work. She's certain she can convince the ruggedly suitable, undeniably charming Peter O'Rourke to play along for a price, but soon Peter has dreams of his own for his beautiful bride, and they don't include letting her out of his sight. Original.
In 1865, Indiana State University began classes as many other future regional state universities would: as a "normal school," a school that specialized in training teachers, usually in one- or two-year programs. By 1933, Indiana State had won the name Teachers College and had begun offering graduate-level education. In A History of Indiana State University, Dan Clark explores the history of Indiana State's institutional transformation against the backdrop of the amazing expansion of public education and the scope of higher education in the United States during this period. Starting with the origins of the normal school and the need for professional teachers to help construct the educational infrastructure of Indiana, Clark examines how the faculty and students pushed the school to conform to increasingly popular traditional collegiate ideals, broadening their curriculum and student extracurricular life (athletics and Greek life), until by the 1920s Indiana State had transformed itself into a teachers college. A History of Indiana State University offers an invaluable guide to the history of this beloved Indiana institution, and details the underappreciated impact that normal schools had in providing an educational opportunity to less privileged aspiring students.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Ripper Notes: How the Newspapers Covered the Jack the Ripper Murders" is a collection of essays about press reports of the notorious Whitechapel serial killer as well as other related topics. "When the People Were in Terror" by Norman Hastings republishes for the first time a comprehensive series of early 20th century articles about the impact the Whitechapel murders had on society, from the police investigation of the crimes to the fear that gripped the public. "The Murder in Cartin's Court" by Don Souden looks at how the early newspaper reports seriously bungled the facts of the death of Mary Jane Kelly, the fifth (and last) of the canonical five Ripper victims. "The London Police: The View from the Irish Press" by Alan Sharp examines how journalists reacted to the police investigation, concentrating on reports printed in Ireland. Other contents include Stewart P. Evans with new information on the legends that psychic Robert Lees solved the case, Wolf Vanderlinden looking for the meaning behind several contemporary newspaper reports, and several other short pieces. Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper case.
On June 9, 1865, while traveling by train to London with his secret mistress, 53-year-old Charles Dickens -- at the height of his powers and popularity, the most famous and successful novelist in the world and perhaps in the history of the world -- hurtled into a disaster that changed his life forever. Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research . . . or something more terrifying? Just as he did in The Terror, Dan Simmons draws impeccably from history to create a gloriously engaging and terrifying narrative. Based on the historical details of Charles Dickens's life and narrated by Wilkie Collins (Dickens's friend, frequent collaborator, and Salieri-style secret rival), Drood explores the still-unsolved mysteries of the famous author's last years and may provide the key to Dickens's final, unfinished work: The Mystery of Edwin Drood. Chilling, haunting, and utterly original, Drood is Dan Simmons at his powerful best.
Whether fighting in Spanish Civil War or struggling against the anti-leftist bigotry of the 1950s, the characters in this memoir of a twentieth-century American family reveal the struggles of progressives in a conservative nation.
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