By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own—only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
In Praise of the Baal Shem Tov is the first complete English translation of the tales surrounding the Besht, a rabbi and kabbalistic practitioner whose teachings bolstered the growing Hasidic movement in the eighteenth century. An important source on the life, philosophy, and mystical works of the Besht, In Praise of the Baal Shem Tov also reveals the daily life and concerns of eastern European Hasidic Jews in the late 1700s.
Covering customs, rituals, legends, words and images in Jewish traditions as they were kept and transmitted in different historical and cultural setting over centuries, this book presents a window into Jewish civilization as well as an original and important work of folklore scholarship. The 750 alphabetically organized entries cover Jewish folk traditions concerning the Bible, Kabbalah, astrology and mysticism; traditions from China to the Americas; folk appreciation of Jewish history; folk proverbs; folk music; traditions about sanctuary in the Holy land; the great scholars who worked to preserve traditions; folk arts; customs and practices; beliefs about afterlife, the Messiah, angles, ghosts and demons; folk medicine; and much more. Featuring illuminating sidebars and illustrations, this historical and multicultural resource on Jewish folklore should prove valuable to students and researchers, as well as general readers.
Folktales from Eastern Europe presents 71 tales from Ashkenasic culture in the most important collection of Jewish folktales ever published. It is the second volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives at The University of Haifa, Israel (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Ashkenasic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition
Joseph Dan, the Gershom Scholem Professor of Kabbalah Emeritus at the Hebrew University and long-time Professor of Jewish Studies at the Freie Universitat Berlin, is one of the most influential figures in the fields of Jewish mystical thought, homiletical and ethical literature, modern Messianism and Hasidism, and contemporary 'belles-lettres'. His studies of the diverse aspects of Jewish creativity, with close attention to the dialectics of religious-cultural continuity versus historical innovation, provide a comprehensive overview of the complex history of Jewish thought and its multiple creative faces. It is precisely for this reason, to honor Joseph Dan's multifaceted research, that his many colleagues, students, and friends, scattered among universities around the world, have decided to focus their contributions in this Festschrift on the continuing process of creation and re-creation in Jewish thought throughout the centuries. Contributors: Philip Alexander, Dan Ben-Amos, Peter Schafer, Margarete Schluter, Bernard McGinn, Klaus Herrmann, Herbert Davidson, Annelies Kuyt, Haym Soloveitchik, Eli Yassif, Gerold Necker, Marc Saperstein, Giuseppe Veltri, Aviezer Ravitzky, Avinoam Rosenak, Kimmy Caplan, Saverio Campanini, Eric Jacobson, Yair Zakovitch, Rachel Elior, David Weiss Halivni, Avigdor Shinan, Avraham Grossman, Giulio Busi, Moshe Hallamish, Chava Turniansky, Jacob Elbaum, Hagit Matras, Joseph Hacker, Raya Haran, Arnold J. Band, Hamutal Bar Yosef, Miri Kubovy, Naama ben Shahar.
Tales from the Sephardic Dispersion begins the most important collection of Jewish folktales ever published. It is the first volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The 71 tales here and the others in this series have been selected from the Israel Folktale Archives, Named in Honor of Dov Noy, The University of Haifa (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Sephardic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition.
Thanks to these generous donors for making the publication of the books in this series possible: Lloyd E. Cotsen; The Maurice Amado Foundation; National Endowment for the Humanities; and the National Foundation for Jewish Culture Tales from Arab Lands presents tales from North Africa, Yemen, Lebanon, Syria, and Iraq in the latest volume of the most important collection of Jewish folktales ever published. This is the third book in the multi-volume series in the tradition of Louis Ginzberg?s timeless classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives (IFA), named in Honor of Dov Noy, at The University of Haifa, a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This series is a monument to a rich but vanishing oral tradition. This series is a monument to a rich but vanishing oral tradition.
By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own—only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
In Praise of the Baal Shem Tov is the first complete English translation of the tales surrounding the Besht, a rabbi and kabbalistic practitioner whose teachings bolstered the growing Hasidic movement in the eighteenth century. An important source on the life, philosophy, and mystical works of the Besht, In Praise of the Baal Shem Tov also reveals the daily life and concerns of eastern European Hasidic Jews in the late 1700s.
Interest in Jewish mysticism is, in our generation, widespread and growing. From Hebrew schools to Hollywood, people of all backgrounds and levels of knowledge are pursuing the subject. Books, magazines, journals, and classes are rapidly growing in number. One result of this burst of interest and popularization of Jewish mysticism is the problem of misinformation. The need for reliable source material has become crucial. This four-volume work by Professor Joseph Dan is a monumental event in the publishing history of English-language reference books on the subject of Jewish mystical thought and practice. Professor Dan's credentials are of the highest order. The recipient of the Israel Prize (considered to be Israel's highest honor), Joseph Dan is the Gershom Scholem Professor of Kabbalah at the Hebrew University of Jerusalem, and continues to be a visiting professor at some of the most prestigious institutions of higher learning in the world.
In this illuminating history, Dan Cohn-Sherbok traces the development of Jewish history from ancient times to the present day. Containing over 100 maps and 30 photographs, this is a comprehensive atlas of Jewish history designed for students and the general reader. It is ideally suited for those courses in Jewish or Biblical Studies, serving as a handy reference guide as well as a textbook.
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