In the real world of serious applications, developers discover that much of their job is not coding loops and variables, but in dealing with the many mundane facets of the development process. There are many tools to choose from, there are many developers involved, there are lots of files to keep track of, and the application is larger and more complicated than they realized. And there is never enough time.
Nothing is too outrageous for Damon Wayans. Whether he's talking about family, celebrities, racism, relationships, politics, or sex, Damon takes no prisoners. And in Bootleg, he brings it all on, uncut and uncensored: Marriage... What are the scariest words known to man? "Till death do us part." Why not until my car breaks down? Or until I run out of money? I hate marriage counselors. This is the biggest scam in the world. Someone figured out a way that women can do the things they love best at the same time: talk and spend money. Thoughts on celebrities, like Oprah, Mike Tyson, Dr. Kevorkian, Gary Coleman, and... There's something worse than having HIV, ask 0.J.Imagine being alienated from the world, totally alone with no one wanting to have anything to do with you. I'll take the Ebola virus over what he got. When I found out that Steven Spielberg has two black kids, I was amazed. Where did he get these kids from? Were they props left over from The Color Purple? "The Dozens, a Favorite Childhood Game... "Damon, your mother is so fat she has to take her pants off just to get into her pockets." "Yeah, well, your mother's so poor she can't even pay attention." "Oh, yeah, well your sister is so ugly, they have to tie a pork chop around her neck so that the dog will play with her." "Yeah, well, your mother is so black every time she goes to night school the teachers mark her absent." Living in LA... I'm afraid of earthquakes, especially because I have kids to think about. I remember once after a big earthquake I was standing outside my house, butt-naked, thinking, "Man, I hope them kids make it out here. And I hope they're smart enough to wake up their mama, `cause this place is shaking." Black Leaders... I must have been asleep the day they elected Al Sharpton as the black representative. He is the only leader in history to show up to a rally wearing a tight red velour sweat suit with a roller in the front of his hair. Filled with laughs, craziness, and lots of truth, Bootleg will leave you hurting for more! Who went and told Magic Johnson that he should do a talk show? Anybody who repeatedly says "bassetball" doesn't have any business doing a talk show. I'm sure that sometimes in his life someone tried to correct him. When he was a little boy his mom must've tried: Magic's Mother: Hey, Earvin, what are you going to be when you grow up? Magic: I wanna play BASSETBALL. Magic's Mother: Now, Earvin, its called BAS-KET-BALL. BASKETBALL. Magic: That's what I said, BASSETBALL. BASSETBALL, BASSETBALL. Magic's Mother: Well, baby, I hope you can play it, 'cause you sure can't say it.
What is this book about? The Extreme Programming (XP) methodology enables you to build and test enterprise systems quickly without sacrificing quality. In the last few years, open source developers have created or significantly improved a host of Java XP tools, from XDoclet, Maven, AntHill, and Eclipse to Ant, JUnit, and Cactus. This practical, code-intensive guide shows you how to put these tools to work — and capitalize on the benefits of Extreme Programming. Using an example pet store application, our expert Java developers demonstrate how to harness the latest versions of Ant and XDoclet for automated building and continuous integration. They then explain how to automate the testing process using JUnit, Cactus, and other tools, and to enhance project management and continuous integration through Maven and AntHill. Finally, they show you how to work with XP tools in the new Eclipse IDE. Complete with real-world advice on how to implement the principles and practices of effective developers, this book delivers everything you need to harness the power of Extreme Programming in your own projects. What does this book cover? Here are some of the things you'll find out about in this book: How to automate the building of J2EE apps and components with Ant and XDoclet Techniques for automating Java testing using JUnit Procedures for automating servlet, JSP, and other J2EE testing using Cactus Ways to automate Swing testing with Jemmy, JFCUnit, and Abbot How to manage projects using Maven Techniques for automating continuous integration with AntHill and Cruise Control How to harness plugins for JUnit, Cactus, and Ant in the Eclipse IDE Ways to implement Extreme Programming best practices Who is this book for? This book is for enterprise Java developers who have a general familiarity with the XP methodology and want to put leading Java XP tools to work in the development process.
The exploitation of superior US systems for the collection, analysis and distribution of information currently undermines US leadership in the context of transatlantic crisis management. The USA's clear lead in information technology creates political liabilities with respect to both allies and adversaries, while political-technical tradeoffs warrant a more open approach to information systems, information production, and information sharing among allies. Clearly distinguishing the role of information in winning wars versus managing crises, this book extends existing models for how breakdowns occur in international bargaining. Allies, who share preferences but not the resolve of a coalition leader, are brought into the explanation for war as a rational outcome of incomplete information. Case studies ranging from Cold War Berlin to the War in Iraq illustrate how national classified systems that underwrite large margins of victory in conventional combat fail to inspire trust among allies during the crucial, preceding stage of crisis bargaining. The volume offers powerful arguments for a new direction in defence transformation.
WINNER OF THE 2021 BOOKER PRIZE A NEW YORK TIMES EDITORS’ CHOICE A modern family saga written in gorgeous prose by three-time Booker Prize-shortlisted author Damon Galgut. Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life’s unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt. Reunited by four funerals over three decades, the dwindling family reflects the atmosphere of its country—one of resentment, renewal, and, ultimately, hope. The Promise is an epic drama that unfurls against the unrelenting march of national history, sure to please current fans and attract many new ones. “Simply: you must read it.”—Claire Messud, Harper’s Magazine
Argues that the two popular women's magazines were pivotal in the combining of gender and commercialism at the turn of the century, and that publishers and advertisers conspired to create both a gendered commercial discourse and a commercial gender discourse for both men and women. Annotation copyright by Book News, Inc., Portland, OR
Stephen Douglas and the old Union lived out their last years together. It was the most critical time in the life of both the Illinois senator and his country. During most of the period 1857–1861 the American nation could still choose between adjustment of its sectional differences and civil war, and the man they called the Little Giant seemed the one statesman most likely to lead the country onto a course of compromise and reconciliation. But Douglas’ intense involvement with the American political scene—his great accomplishments in enacting the Compromises of 1850 and 1854, and his victory in the senatorial campaign of 1858—tended at times to disguise a growing alienation from the mainstream of American political life. By 1857 that alienation had reached acute proportions. In part, Douglas fell victim to his own virtues. He sought to be a nationalist in an age of sectionalism; he preached the value of compromise when most Americans questioned its worth. In other respects, Douglas’ political failures are less excusable. His attempt to convert an apparently amoral attitude toward slavery into a principle—popular sovereignty—found him dismissed by antislavery citizens as immoral and by proslavery citizens as unreliable. For too long, Douglas, professing to “care not” about the future of slavery, overlooked how much Americans could care once their consciences had been aroused or their way of life supposedly threatened. Douglas failed to win the presidential campaign of 1860 largely because he could satisfy neither the proponents nor the enemies of slavery. Yet if the last years of Douglas’ life were marred by failure, he was not ultimately the tragic figure some historians have suggested. During the campaign of 1860 a profound change began to take place in Stephen Douglas. The outmoded nationalism he had preached for so long began to give way to Unionism. In his eventual support of Lincoln and his defense of the Union, Douglas at last found a policy worthy of his great talents. Damon Wells first became interested in Stephen Douglas in 1959 after seeing a Broadway dramatization of the Lincoln-Douglas Debates. Later, his studies convinced him that playwright and historian alike were often unfair to Douglas. If Lincoln was to be a hero, then Douglas had to be cast as a villain. This study fills the need for a fresh and dispassionate look at Douglas and provides a fairer assessment than can be reached by simply endorsing contradictory views of apologists and critics. It places particular emphasis on the Little Giant’s struggle with President James Buchanan, the debates with Lincoln, the presidential campaign of 1860, Douglas’ complex relationship with the South, and a careful analysis of the elusive and at times exasperating principle of popular sovereignty.
This book represents the first major analysis of Anglo-Australian youth justice and penality to be published and it makes significant theoretical and empirical contributions to the wider field of comparative criminology. By exploring trends in law, policy and practice over a forty-year period, the book critically surveys the ‘moving images’ of youth justice regimes and penal cultures, the principal drivers of reform, the core outcomes of such processes and the overall implications for theory building. It addresses a wide range of questions including: How has the temporal and spatial patterning of youth justice and penality evolved since the early 1980s to the present time? What impacts have legislative and policy reforms imposed upon processes of criminalisation, sentencing practices and the use of penal detention for children and young people? How do we comprehend both the diverse ways in which public representations of ‘young offenders’ are shaped, structured and disseminated and the varied, conflicting and contradictory effects of such representations? To what extent do international human rights standards influence law, policy and practice in the realms of youth justice and penality? To what extent are youth justice systems implicated in the production and reproduction of social injustices? How, and to what degree, are youth justice systems and penal cultures internationalised, nationalised, regionalised or localised? The book is essential reading for researchers, students and tutors in criminology, criminal justice, law, social policy, sociology and youth studies.
Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. If postmodernism depended upon ironic distance, and Critical Design is all about questions, then emotive design runs hotter than this, confronting how designers are using feelings in what they make. Damon Taylor's original study considers these emotionally laden, highly authored works, often produced in limited editions and sold like art – objects such as a chair made from cuddly toys, a leather sofa that resembles a cow, and a jewellery box fashioned from human hair. Tracing the phenomenon back to the 'Dutch inflection' that began with Droog designers like Jurgen Bey and Hella Jongerius, Taylor conducts an analysis of the development of Design Art and looks for its origins in the uncanny explorations of surrealism. Offering a critique of Speculative Design, and an examination of the work of designers such as Mathias Bengtsson, whose work involves 'growing' furniture inside computers, Taylor asks what happens when the tangible melts into the datascape and design becomes a question of mobilities. In this way, Moving Objects examines contemporary issues of how we live with artefacts and what design can do.
A look at the lives of twenty-three American moral leaders shows how these hometown heroes acquired their moral goals and sustained them in the face of grave risk and sacrifice, working for everything from civil rights to the poor.
Senator John J Crittenden was a central figure in Kentucky and he fathered a remarkable family. The fame of the family patriarch has overshadowed the contributions of his children George and Thomas Crittenden who held significant commands during the Civil War. This title deals with the Civil War, and how George and Thomas fight on opposite sides.
Aims to shed new light on the issue of literacy in America, providing a social history that broadens the definition of literacy, considering who was reading what, under what circumstances and for what purposes. The book assesses trends in Americans' reading abilities and reading habits.
NEW BOOK BY DAMON WHITE. THE INEVITABLE VERSUS DESTINY is philosophical fiction, whereby, the two characters clash for conceptual superiority. The Inevitable, a force characterized by an insatiable desire for power and Destiny, an idea characterized by a benevolence to edify others by sharing wisdom and more, square off in face-offs. Example:"Destiny Reveals so that other revelations continue to open. The Inevitable Discloses so that other disclosures remain closed." The Inevitable attempts to use Destiny to use the rest of Us, while Destiny attempts to be used by Us to keep Us from being used by The Inevitable. Destiny is going to be used, Destiny just wants to be used properly. All too often we try to slip in The Inevitable in place of Our Destiny, and such leads to disastrous results and phony philosophical proclamations, such as, WAR IS INEVITABLE.If you have read another book like this one, it might have been the only other one. Enjoy!
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