Aleph is a machine mentality overseeing a future Earth largely bereft of humans, most of whom have sublimed into a virtuality.Remaining are the smug but cautious adherents of science. Amanda, still a teen at age 30, is a skilled violinist and mathematician but craves the applause of the Mall for some daring exploit. In a nearby enclave live the rustic, non-scientific people who worship the god of their choice. In the center of their poly-religious valley a wicked tower has emerged, surely a tool of evil temptation. Far below, a supersonic railroad is being constructed. Amanda conceives a dangerous feat: to enter the valley and descend to the rushing train, hitching a mad ride to the next city. Using a cyber "Liar bee," she buzzes the ear of young Matthewmark, who chafes under the restrictions of his own narrow society. He agrees to aid Amanda and her friend Vikram Singh, but the scheme goes horribly wrong. Vik dies; Matthewmark's brain is seriously damaged, although he recovers with advanced neurological prostheses. This treatment, condemned by his own people, allows him contact with the AI Aleph. In a series of startling moves, Amanda graduates to adulthood (and her modish clipped speech patterns give way to this new sophistication), while Matthewmark explores uncanny and sometimes very funny opportunities in the Alephverse, climaxing in the dismantling of the solar system and its embrace by the hyperuniverse beyond ours. This is the Singularity, at last, the Transcension, and everyone lives happily ever after, for rather mindboggling values of "lives" and "happily.
A millennium from now, global warming has gone into retreat as the Sun's dynamics convulse. The great ice returns, driving humankind back to its primitive origins. Here, bands of brutal warriors wage war in the bitter cold. Xaraf Firebridge, powerful young son of a barbarian chieftain, enrages his sire by adopting the pacifistic doctrine of an outland mystic, Darkbloom. Before he can break his vow and slay his father, he is drawn into a temporal wormline and flung a further million years into the Earth of the Failing Sun. Clever and determined, Xaraf wanders landscapes haunted by prospects of doom and overseen by a trio of godlike Powers. Since childhood he has dreamed of a beautiful young woman. His fate, he sees, is to rescue her from captivity--and perhaps save the whole world, now moved into the outer solar system and lit by a string of tiny orbiting suns. He has yet to meet his true foe, the dragon whose history stands opposed to humankind's. But which will prove to be this world's mythic Galahad?
Aboriginal anthropologist Alf Dean Djanyagirnji, with his autistic nephew Mouse, seek evidence that the Rainbow Serpent is a desert myth sprung from the ancient skeleton of a dinosaur. Instead, they find a gate that teleports them into a vault miles beneath sacred Uluruh, the huge eroded monolith once dubbed Ayers Rock by the white invaders. They are not alone. American and Russian scientists and military personnel have drilled into the Vault, and only Mouse's damaged brain can communicate with the Vault intelligence. Elsewhere, in California's Big Sur, former hippie physicist and student of the occult Dr. Bill DelFord is commissioned to explain an equally ancient ruin on the far side of the moon. A non-human, extraterrestrial intelligence? A long forgotten intelligent dinosaur species destroyed at the apex of their civilization by the cataclysmic asteroid impact 66 million years ago? Or something worse? What these researchers and explorers find, step by incredible step, is a bond between that vanished species and human consciousness, mortal and post-mortem. The Dreaming (originally published under the misleading title The Dreaming Dragons) is a headlong cascade of mythology and advanced physics, hurtling toward an unexpected apotheosis.
A millennium from now, global warming has gone into retreat as the Sun's dynamics convulse. The great ice returns, driving humankind back to its primitive origins. Here, bands of brutal warriors wage war in the bitter cold. Xaraf Firebridge, powerful young son of a barbarian chieftain, enrages his sire by adopting the pacifistic doctrine of an outland mystic, Darkbloom. Before he can break his vow and slay his father, he is drawn into a temporal wormline and flung a further million years into the Earth of the Failing Sun. Clever and determined, Xaraf wanders landscapes haunted by prospects of doom and overseen by a trio of godlike Powers. Since childhood he has dreamed of a beautiful young woman. His fate, he sees, is to rescue her from captivity--and perhaps save the whole world, now moved into the outer solar system and lit by a string of tiny orbiting suns. He has yet to meet his true foe, the dragon whose history stands opposed to humankind's. But which will prove to be this world's mythic Galahad?
Every age has characteristic inventions that change the world. In the 19th century it was the steam engine and the train. For the 20th, electric and gasoline power, aircraft, nuclear weapons, even ventures into space. Today, the planet is awash with electronic business, chatter and virtual-reality entertainment so brilliant that the division between real and simulated is hard to discern. But one new idea from the 19th century has failed, so far, to enter reality—time travel, using machines to turn the time dimension into a two-way highway. Will it come true, as foreseen in science fiction? Might we expect visits to and from the future, sooner than from space? That is the Time Machine Hypothesis, examined here by futurist Damien Broderick, an award-winning writer and theorist of the genre of the future. Broderick homes in on the topic through the lens of science as well as fiction, exploring some fifty different time-travel scenarios and conundrums found in the science fiction literature and film.
A time machine may be one family’s only salvation as the world hurtles toward an apocalypse in this cyberpunk thriller. Technology has started to accelerate at a terrifying rate. By the mid‐twenty-first century, we might see a Singularity: a convergence of artificial intelligence, advanced nanotechnologies for building things at the atomic scale, precise genomics, and other wonders. What happens after that? Will the descendants of today’s humanity become gods or demons, or simply destroy themselves? And will we be among their number, carried along by rejuvenation and immortality treatments? For Natalie and her irritatingly beautiful young sister Suzanna, these are no longer abstract questions. The familiar world is on the brink of crisis. Dumped by her live‐in boyfriend and stuck back at home with her parents, Nat is not a happy person. And her father, Hugh, is acting like a mad scientist. What the hell is he building out there in the garage? When Hugh frog‐marches his family into the garage, it looks as if he has really gone mad, and they are due to perish even before the plague wipes out all life on Earth. But the machine Hugh has been working on hurls them all—not forgetting their dog Ferdy—ever further into the future, and the escapade doesn't stop until the very end of time and space.
Long before William Shakespeare, tales were told of the Dane Ameleth whose noble father was murdered by the uncle who swiftly weds new widow Gerutha. Must Ameleth repay this crime by killing his uncle? The White Abacus dares to reconfigure the best known version of the classic tale, Shakespeare's Hamlet, to create a futuristic revenge drama with an entirely different outcome. Telmah is an inventive genius. Ophelia is no sobbing suicide but rather the impressive Warrior Rose, who shockingly revises the fate of her lover. In this exotic future history, the galaxy is open to anyone who passes through a hex gate, whether hu (augmented human) or ai (artificial mind). Telmah's close friend is the ai Ratio, newly embodied to the Real. Like all members of his asteroid tribe, Telmah is forbidden to use the hex transport system, since that would doom his rebirth. Out of this agonizing dilemma comes a feverish pursuit of truth and duty, love and near-madness, in an endlessly startling future where nothing turns out the way you expect.
A time machine may be one family’s only salvation as the world hurtles toward an apocalypse in this cyberpunk thriller. Technology has started to accelerate at a terrifying rate. By the mid‐twenty-first century, we might see a Singularity: a convergence of artificial intelligence, advanced nanotechnologies for building things at the atomic scale, precise genomics, and other wonders. What happens after that? Will the descendants of today’s humanity become gods or demons, or simply destroy themselves? And will we be among their number, carried along by rejuvenation and immortality treatments? For Natalie and her irritatingly beautiful young sister Suzanna, these are no longer abstract questions. The familiar world is on the brink of crisis. Dumped by her live‐in boyfriend and stuck back at home with her parents, Nat is not a happy person. And her father, Hugh, is acting like a mad scientist. What the hell is he building out there in the garage? When Hugh frog‐marches his family into the garage, it looks as if he has really gone mad, and they are due to perish even before the plague wipes out all life on Earth. But the machine Hugh has been working on hurls them all—not forgetting their dog Ferdy—ever further into the future, and the escapade doesn't stop until the very end of time and space.
Climbing Mount Implausible showcases a writer's growth though nearly fifty years of questing into the future. It includes his first published stories, plus detailed notes on his own evolution as a writer, his recent Philip K. Dick tribute, "Dead Air," and an outrageously funny collaboration with Paul Di Filippo, "Cockroach Love.
In the last decade, the proliferation of billions of new Internet-enabled devices and users has significantly expanded concerns about cybersecurity. How much should we worry about cyber threats and their impact on our lives, society and international affairs? Are these security concerns real, exaggerated or just poorly understood? In this fully revised and updated second edition of their popular text, Damien Van Puyvelde and Aaron F. Brantly provide a cutting-edge introduction to the key concepts, controversies and policy debates in cybersecurity today. Exploring the interactions of individuals, groups and states in cyberspace, and the integrated security risks to which these give rise, they examine cyberspace as a complex socio-technical-economic domain that fosters both great potential and peril. Across its ten chapters, the book explores the complexities and challenges of cybersecurity using new case studies – such as NotPetya and Colonial Pipeline – to highlight the evolution of attacks that can exploit and damage individual systems and critical infrastructures. This edition also includes “reader’s guides” and active-learning exercises, in addition to questions for group discussion. Cybersecurity is essential reading for anyone interested in understanding the challenges and opportunities presented by the continued expansion of cyberspace.
Early in the 21st century, after the Great Recession, poet and young mother Maggie Roche is harassed by a lovely woman, Sriyanie, and a famous neuroscientist, David Elfield. She doesn't know it yet, but she is about to become history's first time traveler. When agents from the far future attempt to kill her, in baffled fury she slingshots herself into the 7th millennium. Instantly she's on the run from the Ull Lords and their virtual reality devotees. These superbeings are cyborged humans constructed to live forever, with the ambition to rule the universe. Maggie is having none of this. Encountering an earlier version of Sriyanie, her fated future role in the formation of the multiverse falls upon her shoulder like a thunderous lightningbolt. A Being at the end of time she calls the Something wages endless war with its foes, the Ull Lords. Torn from her beloved child and her own time, Maggie must choose whether to accept this alienating path into an alternative cosmic history fit for a poet and a free woman.
In medical student August Seebeck's world, almost identical to ours, there are eleven months in a year. None of them is the month of August-until now, when the young orphan stumbles into the true, infinite universe, and becomes a Player in the Game of Worlds. And step by deranged step he meets his siblings: Avril, Decius, Jan, Jules, Maybelline, Septimus/Septima who is both male and female, Toby, the others. And outside his family, glorious, brilliant Lune, also a Player, is quickly his lover, with dreadful secrets of her own. These diverse warriors of the multiverse confront the terrible K-machines, who detest and slaughter humans... but then are the Seebeck family really human? What are these silver symbols engraved into their flesh? What is the true nature of the unending, unfolding cosmos, a meta-reality built from ontological computation, Lune's doctoral specialty? And how can August slay the looming Jabberwock using only the Sun-blazing Vorpal implant in his hand? What final transformation awaits the multiverse at Yggdrasil Station, at the death and dawn of spacetime, where all the heroes die and live again? In this astounding helter-skelter two-part novel, the answers to such questions emerge along a twisting path that will not set you free until you sit with August at a great thirteen-sided table and learn his destiny, and perhaps your own.
A COMIC SCIENCE FICTION MASTERPIECE! In the spirit of Monty Python, Arthur Schopenhauer and Douglas Adams, Striped Holes is science fiction with a sense of humor. Sopwith Hammil might be the nation's top chat-show host but his peace of mind is shattered when a time traveling bureaucrat lands on his couch. To save his life and the human race (They're turning the Sun off!), Sopwith must find a wife inside three hours. Turns out it's not that easy, Soppy. Meanwhile, popular astrologer and certified lifesaver O'Flaherty Gribble, a favorite guest on Sopwith's show, has discovered the Callisto Effect and how to build striped holes. And in a future that makes Nineteen Eighty-Four look like Brave New World or vice versa, beautiful Hsia Shan-Yun is about to have her brain scrubbed for knitting one of those striped holes, with frightful consequences. But luckily, O'Flaherty finds himself seated on a plane next to God. Tighten your belt, it's that kind of novel.
Science fiction has often been considered the literature of futuristic technology: fantastic warfare among the stars or ruinous apocalypses on Earth. The last century, however, saw, through John W. Campbell, the introduction of "psience fiction," which explores such themes of mental powers as telepathy, precognition of the future, teleportation, etc.--and symbolic machines that react to such forces. The author surveys this long-ignored literary shift through a series of influential novels and short stories published between the 1930s and the present. This discussion is framed by the sudden surge of interest in parapsychology and its absorption not only into the SF genre, but also into the real world through military experiments such as the Star Gate Program.
Two centuries ago, the first Enlightenment failed when its dream of reason smashed into the passions and fury of stubborn humans. Without a deep, broad understanding of the world, the emerging Enlightenment was left floundering, its best impulses perverted into the bloody excess of the French Revolution. Arguably, its idealism and noble goals led directly, and shockingly, to the 20th century's totalitarian nightmares. Now the 21st century is learning anew the Faustian hunger to know everything that can be known. But Enlightenment values of reason and tolerance, enriched by new knowledge, face a complex world no less eager to embrace medieval terrorism and ancient superstitions, a world bizarrely denying itself many of the fresh opportunities amd insights availed by science. Can we find cures for poverty, unhappiness, ignorance, the ruination of the planet, aging, and perhaps for death itself? If so, should we? Damien Broderick's own ferocious mind invites you to explore today's unexpected treasure-house of understanding-and provides enticing glimpses of tomorrow's.
Novelist and scholar Damien Broderick offers an exhilarating report on the state of science fiction at the start of the millennium. In the 21st century, we see a new wave rising in SF: it's complex, transreal, slipstreamy, post-postmodern. It unleashes the strange!
n Damien Broderick’s haunting tale, “The Meek,” the survivors of humanity’s drive toward racial suicide must pay an awful price for their continued survival. John Glasby’s “Innsmouth Bane” tells how the alien entity Dagon first came to nineteenth-century America. In “Helen’s Last Will,” James C. Glass shows us that death may not always be “the end.” Charles Allen Gramlich’s “I Can Spend You” is a futuristic western which puts prospecting in a whole new light! “The Voice of the Dolphin in Air,” by Howard V. Hendrix, is a poignant tale of life and death on Mars and the LaGrange space stations. In Philip E. High’s “This World Is Ours,” David Hacket is given the task of revitalizing a declining city (and world), and finds himself facing an alien invasion. James B. Johnson’s “The Last American” is fighting to preserve the memory of the old U.S. of A.—in a last stand at the Alamo! In “Small World: A Small Story,” by Michael Kurland, Vanspeepe invents a new transportation device, hoping to change the world—and he does! “The Channel Exemption: A Sime~Gen Story,” by Jacqueline Lichtenberg, focuses on the tensions between Sime and Gen when a mixed party of humans is stranded on an alien planet. Gary Lovisi’s tale, “My Guardian,” tells how mankind is finally able to put an end to wars and mass killings. “Black Mist,” by Richard A. Lupoff, is a stunning mystery set at a Japanese research station on the Martian moon, Phobos. Don Webb, in his fascinating tale, “The Five Biographies of General Gerrhan,” demonstrates how easy it is for the professional writer to (mis)interpret, deliberately or otherwise, the story of a space hero. Twelve great reads by a dozen great writers!
This selection of the best critical articles from the well-known literary magazine, Australian SF Review, includes essays by John Bangsund, John Baxter, Martin Bridgstock, Jenny Blackford, Russell Blackford, Damien Broderick, John Foyster, Bruce Gillespie, Yvonne Rousseau, Norman Talbot, Michael J. Tolley, George Turner, and Janeen Webb, discussing the fiction of Robert A. Heinlein, Samuel R. Delany, George Turner, Wynne Whiteford, Keith Taylor, John Calvin Batchelor, J. R. R. Tolkien, Joanna Russ, and Josephine Saxton, among others. Complete with Introduction, Selected Bibliography, and Index.
Reading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre. Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers. Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney.
Science fiction explores the wonderful, baffling and wildly entertaining aspects of a universe unimaginably old and vast, and with a future even more immense. It reaches into that endless cosmos with the tools of rational investigation and storytelling. At the core of both science and science fiction is the engaged human mind--a consciousness that sees and feels and thinks and loves. But what is this mind, this aware and self-aware consciousness that seems unlike anything else we experience? What makes consciousness the Hard Problem of philosophy, still unsolved after millennia of probing? This book looks into the heart of this mystery - at the science and philosophy of consciousness and at many inspiring fictional examples - and finds strange, challenging answers. The book's content and entertaining style will appeal equally to science fiction enthusiasts and scholars, including cognitive and neuroscientists, as well as philosophers of mind. It is a refreshing romp through the science and science fiction of consciousness.
Science Fantasy blends science fiction AND fantasy, so it tends to be bolder and more highly colored than pure science fiction. In the middle of the last century, the British magazine SCIENCE FANTASY created its own distinctive strains of fantasy narrative, most famously by such writers as Brian W. Aldiss, J. G. Ballard, John Brunner, Michael Moorcock, and Thomas Burnett Swann, among others. This book looks closely at the whole trajectory of that lost magazine, from its birth in 1950 through 1967, when it was briefly called (SF) Impulse. John Boston provides a brilliantly insightful and often every funny account of the rise, evolution, and final fall of SCIENCE FANTASY, its writers, and its quirky editors. Boston is joined by writer and critic Damien Broderick, adding his own waspish and nostalgic comments. This volume, the first of three dealing with the history and development of the major British SF magazines, is a compelling night journey into the past, where the future took a turn down paths not often explored. It's a trip not to be missed.
Time travel, changing history, forestalling atrocities: it's not a job for the weak. For one thing, the things people in the future wear... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Every age has characteristic inventions that change the world. In the 19th century it was the steam engine and the train. For the 20th, electric and gasoline power, aircraft, nuclear weapons, even ventures into space. Today, the planet is awash with electronic business, chatter and virtual-reality entertainment so brilliant that the division between real and simulated is hard to discern. But one new idea from the 19th century has failed, so far, to enter reality—time travel, using machines to turn the time dimension into a two-way highway. Will it come true, as foreseen in science fiction? Might we expect visits to and from the future, sooner than from space? That is the Time Machine Hypothesis, examined here by futurist Damien Broderick, an award-winning writer and theorist of the genre of the future. Broderick homes in on the topic through the lens of science as well as fiction, exploring some fifty different time-travel scenarios and conundrums found in the science fiction literature and film.
A story for everyone who ever loved the work of the late, great SF writer Cordwainer Smith. From "An Introduction to 'The Ruined Queen of Harvest World'": Perhaps nobody in all the world had ever written the future so well, hauntingly, yearningly [as Cordwainer Smith]. And then he had gone, barely more than half a century old. We would never learn the rest of those stories, that history of the deep future, that golden journey—oh, oh, oh. Well, certainly I’m not foolish enough to imagine I might add to them, might emulate that distinctive voice building layer by layer its deceptively simple confection . . . But some reverberation of the voice of Cordwainer Smith drums away down inside, and finally I let it speak... not mimicry of the inimitable, but a respectful bow toward [Smith's] shade, with a wry grin and maybe a wink. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Born With the Dead (the novella) was nominated for every major science fiction award when it was originally published in 1974, winning the Nebula and Locus awards. The author now revisits the classic story with Australian author Damien Broderick. Broderick uses Robert Silverberg's original novella as a starting point for a brilliant leap into the far future, widening the scope and tenor of the original story by revisiting some of the subtler implications of the original story.
In the theater of your mind, explore the dazzling worlds of prize-winning Australian writer Damien Broderick. The Truth Machine: Kicked to death on a sidewalk by thugs, aged Nobel laureate Bruce is frozen for centuries in cryonic biostasis. When his chilled flesh is rebuilt and rejuvenated, he wakes in a placid future ruled by a world-commanding computer system, the Truth Machine. But is this utopia or oppressive horror-heaven or hell? Transmitters: Science fiction had its own secret masters, the fanzine editors who preceded today's internet bloggers and tweeters. In a jargon all their own, they transmitted joy and jollity and feuding enmity-and some still do. In this cast of delightful oddballs, Joseph hopes to detect messages from the end of the universe while his girlfriend Caroline dances at the edge of madness. Ray and Marj tussle with the suburban in-laws. Brian spoofs a talkback host. 1984, that fabled year, looms. "The portrait of a generation is incisive"-George Turner. Besterman: What if Hamlet were not Prince of Denmark but Lord Besterman, scion of the Director of the Recombinant Engineering Cartel on asteroid Pallas? What if Besterman's uncle Feng slew his father by hurling him into a black hole? What if Ratio, a robot from Earth, visits the small world to thwart the murderous conflict that could explode across the worlds? And what of Folly, an Ophelia with iron in her soul? Reinventing Shakespeare is a bold gamble, but Broderick is the writer to carry it off in style. ABOUT THE AUTHOR: Damien Broderick was Theodore Sturgeon Award finalist in 2010 and 2011, and winner of the A. Bertram Chandler Award for Outstanding Achievement in Science Fiction, 2010.
Cross-dimensional agent Lulu Branigan has to ride herd on "the teeming multiplicity of the superverse." But then she ventures to a dimension where she no longer has the upper hand.
Jenny Kane loves weird science--but it's gone way, WAY out of control. Her mother's moved out, her dad's still moping around, and she's not sure how to cope any longer. And she keeps getting these weird phone calls from a scientist named Rod who's...where?...when?--another time zone? Another time altogether? Another reality? But that'd be crazy, wouldn't it? She also has the strangest feeling that she's done all this before. Who's this odd boy she just crashed into--this Tristan? How does she even know his name--or the fact that he can perform parlor-type "magic" tricks? Hilarious, exciting, touching, ZONES is a classic adventure of time travel: a great SF adventure that grabs you with its opening lines--and then never lets you go!
Time travel is one of the staples of science fiction, right up there with aliens, space opera, and robots. Most science fiction authors have written at least one time travel story. This collection samples some of the best. TIME OUT, by Edward M. Lerner THESE STONES WILL REMEMBER, by Reginald Bretnor PROJECT MASTODON, by Clifford D. Simak 12:01 P.M., by Richard A. Lupoff TIME CONSIDERED AS A SERIES OF THERMITE BURNS IN NO PARTICULAR ORDER, by Damien Broderick TIME AND TIME AGAIN, by H. Beam Piper TRY, TRY AGAIN, by John Gregory Betancourt THE ETERNAL WALL, by Raymond Z. Gallun THE MAN FROM TIME, by Frank Belknap Long OF TIME AND TEXAS, by William F. Nolan THE EDGE OF THE KNIFE, by H. Beam Piper THROUGH TIME AND SPACE WITH FERDINAND FEGHOOT (10), by Grendel Briarton TIME BUM, by C.M. Kornbluth NEBOGIPFEL AT THE END OF TIME, by Richard A. Lupoff UNBORN TOMORROW, by Mack Reynolds LOST IN THE FUTURE, by John Victor Peterson THE WINDS OF TIME, by James H. Schmitz ARMAGEDDON -- 2419 A.D., by Philip Francis Nowlan THE MAN WHO SAW THE FUTURE, by Edmond Hamilton A TRAVELER IN TIME, by August Derleth THROUGH TIME AND SPACE WITH FERDINAND FEGHOOT (71), by Grendel Briarton FLIGHT FROM TOMORROW, by H. Beam Piper IN THE CRACKS OF TIME, by David Grace SWEEP ME TO MY REVENGE!, by Darrell Schweitzer THE SOLID MEN, by C.J. Henderson THROUGH TIME AND SPACE WITH FERDINAND FEGHOOT (Epsilon), by Grendel Briarton And don't forget to search this ebook store for "Wildside Megapack" to see many more entries in this series, covering westerns, mysteries, science fiction, pulp fiction, and much, much more!
My father is the Rev. Daimon Keith. At the age of twenty, he was abducted near a school playground by small gray aliens. Indeed, Daimon was taken up into UFOs not just that once, but from infancy, and over and again. It caused him to devote his middle years to the establishment of the Church of Jesus Christ, Time Traveler, and later Scionetics." Rosa "Flake" Rosch is a postmodern orphan. She's forgotten her mother, and her notorious abductee father Deems has vanished--again. "Dark Gray" is Rosa's unreliable memoir of her father's zany life, from his hapless prankster youth in Australia to apotheosis as a UFO guru in the 21st century. It's the story of Rosa's indomitable mother, her weird quasi-brother Ben, Zelda the horsewife, and our whole tormented era, as we blast into hyperreality. "Tilted on the hard slab, he knows the heavy stink of the place. What awful crap do they suck up with those lipless little mouths? The gray doctor touches his forehead with a needle--sharp, glinting--and pushes it hard into his skull." "That life may simultaneously reduce the living to both laughter and despair is a subject few novelists tackle in one bite. Damien Broderick and Rory Barnes succeed in the near-impossible task. "Dark Gray" stands as one of the two great realist novels to tackle the notoriously non-realist theme of contact with extraterrestrials. It resides on the same (astral) plane as Alison Lurie's magisterial "Imaginary Friends."... A quite brilliant achievement." --Rosaleen Love, author of "The Total Devotion Machine" Finalist for the Aurealis Award and the Ditmar Award.
In the mid-1960s, British science fiction and fantasy were convulsed by the "New Wave." This movement emerged from the SF magazines edited by John Carnell. Such brilliant NEW WORLDS and SCIENCE FANTASY writers as J. G. Ballard, Brian W. Aldiss, John Brunner, and Michael Moorcock heralded the rise of this new kind of fantastic fiction. John Boston and Damien Broderick's concluding volume of their critical trilogy examines the history and development of these important magazines--and the fiction that they championed. By the end of this period (1964), Carnell had set the stage for that major development in UK science fiction--the new wave adventures of the transformed NEW WORLDS, under the editorship of Moorcock--and had himself shifted gear into the next mode of SF publishing as editor of the paperback anthology series, New Writings in SF. Boston and Broderick's series will become the definitive critical histories of these important British magazines. Complete with indices of names and titles cited.
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