With the narrative pull of a novel and the vibrancy of a play for voices, Damian Walford Davies's Witch offers a thrilling portrait of a Suffolk village in the throes of the witchcraft hunts of the mid-seventeenth century. The poems in this collection are dark spells, compact and moving: seven sections, each of seven poems, each of seven couplets, are delivered by those most closely involved in the 'making' of a witch. The speakers - from Thomas Love the priest, the villagers who slowly succumb to suspicion and counter-accusation, the 'discoverer of witches' Francis Hurst, and the 'witch' herself - authentically conjure a war-torn society in which religious paranoia amplifies local grievances to fever pitch. Witch is a damning parable that chimes with the terror and anxieties of our own haunted age.
Inspired by the lyrical, mythic mode of Italian sports journalism from the 1930s to the 1950s, Viva Bartali! is a biography-in-verse of the iconic Italian cyclist Gino Bartali (1914—2000), two-time winner of the Tour de France (1938, 1948), known both as 'Gino the Pious' because of his fervent Catholic faith, and as Ginettaccio ('Gino the Terrible'), owing to the short shrift he so often gave the Press. Conjuring Bartali at crux moments in his personal and professional career, through joy and tragedy, defeat and victory, the collection places us alongside the young rider proving his mettle and adding to his palmarès in the edgy atmosphere of Mussolini's Fascist Italy, whose political ideology he loathed. From amateur races to the professional one-day classics and on to Tour de France glory, Bartali is seen alongside his fellow riders as both vulnerable body and élite athlete; both cycling's hard man and fond and bereaved father; both kneeling believer and climbing god. The collection gives us an insight into the complex relationship that underpinned his great rivalry with the campionissimo ('champion of champions') Fausto Coppi – the 'man of glass' against Bartali's 'man of iron'. It was a rivalry that a divided a nation and defined a sport. We are with Bartali at the 1948 Tour de France when he takes a phone call from the Italian prime minister, who asks him to do his part in diffusing a political crisis that could have tipped over into violence. And we witness his remarkable secret missions in the saddle as a courier throughout Tuscany during World War 2, carrying forged identity documents that helped save the lives of hundreds of Italian Jews. It was a deed he never spoke about – one for which he was named 'Righteous Among the Nations' by Yad Vashem in 2013. "A fascinating, original take on the epic life and career of an Italian hero." John Foot, author of 'Pedalare! Pedalare!' "Stylish and sophisticated, this poetic record of an extraordinary life confirms Damian Walford Davies' status as one of the finest poets writing in Wales today." Jem Poster
A bilingual volume providing a glimpse of the lost mansions of Wales, including 74 striking black-and-white photographs by Paul White perfectly interwoven with the atmospheric prose of Damian Walford Davies and Sian Melangell Dafydd.
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.
This book is the first to survey Clive Hicks-Jenkins' work as a whole, and was published in celebration of the artist's 60th birthday. Its wide-ranging texts, written by poets, novelists and art historians based in Britain and the USA, address the themes inherent in Hicks-Jenkins' different bodies of work. The book will be welcomed by the artist's growing following of supporters and collectors and by all those with an interest in contemporary narrative painting.
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.
Cartographies of Culture: New Geographies of Welsh Writing in English offers a pioneering new examination of the links between maps and imaginative writing. Concerned to draw literary studies and geography into a fruitful dialogue, the book offers a genuinely interdisciplinary study of literary texts in relation to the spatialities of culture. Taking the anglophone literature of Wales as its main ‘data field’, the book offers a boldly imaginative and stringently theorised analysis of five literary ‘maps’. What emerges is nothing less than a new way of reading literature through, and as, maps.
With the narrative pull of a novel and the vibrancy of a play for voices, Damian Walford Davies's Witch offers a thrilling portrait of a Suffolk village in the throes of the witchcraft hunts of the mid-seventeenth century. The poems in this collection are dark spells, compact and moving: seven sections, each of seven poems, each of seven couplets, are delivered by those most closely involved in the 'making' of a witch. The speakers - from Thomas Love the priest, the villagers who slowly succumb to suspicion and counter-accusation, the 'discoverer of witches' Francis Hurst, and the 'witch' herself - authentically conjure a war-torn society in which religious paranoia amplifies local grievances to fever pitch. Witch is a damning parable that chimes with the terror and anxieties of our own haunted age.
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