Distributed by the University of Nebraska Press for Caxton Press Great Meals Dutch Oven Style covers all aspects of dutch oven cooking. It will appeal to veteran black kettle chefs and to those preparing their first dishes using cast iron cookware.
Good Morning Gorgeous offers a unique perspective to women of all ages on how to be Confident, Courageous, and Convinced! This no-nonsense guide challenges women to know who they are, stand their ground and embrace life passionately with purpose. Dale Smith Thomas encourages women emphatically to take a clear-eyed look at themselves and their self-defeating behavior. realizing the responsibility starts with the woman looking in the mirror. In Good Morning Gorgeous, Dale reminds us that we should honor ourselves and hold our well-being sacred.
In 1861, Jimmy Carl Gray and Lew McManus travel west to escape the horrors of the American Civil War and to seek silver, wealth, and peace. Their plans are changed, however, when the Texas Brigade invades the New Mexico Territory. The ambitious miners are forced to join the Confederate Army, unable to avoid the war they left behind. Although mired in violence, Jimmy and Lew make the acquaintance of several intriguing characters. They meet a Mescalero Apache healer named Rodrigo Red Water, an unforgettable Colorado gold miner named Dirt Bradshaw, and even Wild Bill Hickock before he became a legend. The Southwest is a wild place, full of diverse people, who face battles and other struggles as their various stories unfold. In this wild and colorful journey through their lives, these characters discover love, fear, greed, and the thirst for revenge as they struggle to live through a war that tore a country apart.
Transition is the word we use to describe the time following significant change. In congregations, that change might be the departure of the pastor, a catastrophe such as Hurricane Katrina or 9/11, or simply the changes caused by growth. Transition calls for clergy with special training to respond to the needs generated by the special time. “Task, training, and time limit” are the hallmarks of transitional ministry. Trained intentional interim clergy must have the skill and experience to lead congregations during transition. However, transitional or interim ministry has a bad reputation in some places. As one diocesan leader said, “We have never had a church in this diocese that was so bad off that an interim was needed.” Indeed, there are some “sick” churches, but most congregations have some good things happening and some things that need attention. Intentional interim ministry can be medicine for the sick, but in most cases it is better compared to vitamins that are taken to promote health. This book seeks to clear up misconceptions about transitional ministry and present an accurate and up-to-date picture of transitional ministry and to describe the various settings in which this specialized ministry can be helpful. Chapter authors, all expert in transitional ministry in mainline Protestant denominations, include: Robert Friedrich, John Keydel, George Martin, Loren Mead, Barry Miller, Nancy Miller, Ineke Mitchell, Ken Ornell, Molly Dale Smith, and Rob Voyle.
Since the cultural conflicts over the Vietnam War and civil rights protests, poets and poetry have consistently raised questions surrounding public address, social relations, friction between global policies and democratic institutions, and the interpretation of political events and ideas. In Poets Beyond the Barricade: Rhetoric, Citizenship, and Dissent after 1960, Dale Smith makes meaningful links among rhetoric, literature, and cultural studies, illustrating how poetry and discussions of it shaped public consciousness from the socially volatile era of the 1960s to the War on Terror of today. The book begins by inspecting the correspondence and poetry of Robert Duncan and Denise Levertov, which embodies competing perspectives on the role of writers in the Vietnam War and in the peace movement. The work addresses the rational-critical mode of public discourse initiated by Jürgen Habermas and the relevance of rhetorical studies to literary practice. Smith also analyses letters and poetry by Charles Olson that appeared in a New England newspaper in the 1960sand drew attention to city management conflicts, land-use issues, and architectural preservation. Public identity and U.S. social practice are explored in the 1970s and ‘80s poetry of Lorenzo Thomas and Edward Dorn, whose poems articulate tensions between private and public life. The book concludes by examining more recent attempts by poets to influence public reflection on crucial events that led to the wars in Iraq and Afghanistan. By using digital media, public performance, and civic encounters mediated by texts, these poetic initiatives play a critical role in the formation of cultural identity today.
A warmhearted story of a young widow with two small children and the brash bachelor with a checkered past, now seeking to overcome the odds and create a strong and loving family. Sequel to national award winner, Turn Back Time.
Men go out in the desert to find their puha–their power. Why can a woman not do the same? The girl wondered. She looked at her hands. Maybe this is a dream, she hoped. A medicine woman once told Wa Shana that if one could see their own hands in a dream, they could control their dream to learn many secrets. Wa Shana’s hands were cracked and bleeding, from days of scraping buffalo hides and tending the cooking fires. Her whole life was one of toil, drudgery and scolding from the older women of the village. The dizziness, this sense of being apart from her body, had started in mid-afternoon. Only a swallow or two remained in her goatskin bag; she needed to save it. Except for some pemmican and a small knife, she had no other provisions. What little status Wa Shana had in the tribe was gone. A woman’s power, her ‘puha’, came from being the center of a family—the power of drawing in a man, becoming the wife of a warrior, giving birth and raising children. Wa Shana no longer had any of that. She only had the reputation of humming strange songs to herself when she worked, which only intensified the tribe’s belief that she was possessed by an evil spirit. Amelia D. Smith 6002 Cayce Lane Columbia, TN 38401 931-626-2856 dalesmith105@gmail.com
The Tao of the Chessboard is not about chess although it contains chess puzzles, some cryptic chess jargon and many allusions to the "Royal Game." The Tao of the Chessboard is really an invitation to mastery. There are a multitude of influences converging in this one work: Jewish Wisdom Literature, New Testament literary conventions, Li Po and the Taoist poets, Zen Buddhist images and especially the wisdom of the Tao Te Ching. All of these pieces have been thrown up into the air and have landed on the chessboard to form a coherent whole. These verses invite the reader to a life of discipline and delight. The Tao of the Chessboard also contains two additional works: Forty Years in Haikuand Endgame: Selected Poetry. The former is akin to a spiritual autobiography that is intimately linked to nature and geography. The latter is an offering for the altar of Polyhymnia. DALE SMITH is a perennial student who occasionally earns a degree. He holds a B. A. from Southwest Baptist University (Bolivar, Missouri), an M. Div. from Southwestern Baptist Theological Seminary (Fort Worth, Texas) and an S. T. M from Yale University (New Haven, Connecticut). Dale is an avid reader, an amateur chess player and an itinerant preacher. He spends much of his time observing that "sitting quietly, doing nothing, Spring comes and the grass grows by itself." His dream is to visit the lands of Middle-earth and settle down in the Shire. However, he currently lives in Blue Springs, Missouri with Teresa and their halfling, Andrew.
Flying Red Horse is a book of lyric poetry about fatherhood and masculinity, and the conditions of whiteness that pressure those terms. It looks at the precarity of relationships between people and place in diverse geographic and racial contexts; it addresses the crisis of climate change; and it considers parental connections to children in uncertain global circumstances.
A long-hidden family secret. Possible infidelity. Death. Encephalitis. Child abuse. These are the hardships assailing Esther Zysset and her four sons against the backdrop of the Great Depression and World War II. Over years of dialogue with his brothers, Kenneth has compiled his family biography; each page is filled with heartache, written with love, and shrouded in mystery. My Mother's Sons weaves stories of growing up on a farm in the '20s and '30s, heading off to war, and growing into manhood. Esther is the central figure in this narrative as the loving but tough matriarch, and as answers come, other questions surface about the nature of the relationship between Esther and the pastor in her small Missouri town. Could it be that the four brothers—Raymond, Leonard, Gerry, and Kenneth—were not true biological brothers? Their mother went to her grave holding a long-hidden family secret. However, the key to unlocking the mystery was not buried with her. My Mother's Sons will take you back to the beginning—1920 Missouri—to highlight the struggles, sacrifices, sins, and ultimately survival of a generation born out of the Great Depression.
Sit yourself down to this spread of lyrics: An assemblage of songs to sing in your mind, With or without a tune, Whenever you feel so inclined; Matters to muse on from July to June.
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