With a Foreword by Bruce Springsteen In Someplace Like America, writer Dale Maharidge and photographer Michael S. Williamson take us to the working-class heart of America, bringing to life—through shoe leather reporting, memoir, vivid stories, stunning photographs, and thoughtful analysis—the deepening crises of poverty and homelessness. The story begins in 1980, when the authors joined forces to cover the America being ignored by the mainstream media—people living on the margins and losing their jobs as a result of deindustrialization. Since then, Maharidge and Williamson have traveled more than half a million miles to investigate the state of the working class (winning a Pulitzer Prize in the process). In Someplace Like America, they follow the lives of several families over the thirty-year span to present an intimate and devastating portrait of workers going jobless. This brilliant and essential study—begun in the trickle-down Reagan years and culminating with the recent banking catastrophe—puts a human face on today’s grim economic numbers. It also illuminates the courage and resolve with which the next generation faces the future.
Sergeant Steve Maharidge returned from World War II an angry man. The only evidence that he'd served in the Marines was a photograph of himself and a buddy tacked to the basement wall. On one terrifyingly memorable occasion his teenage son, Dale, witnessed Steve screaming at the photograph: “They said I killed him! But I didn't kill him! It wasn't my fault!” After Steve died, Dale Maharidge began a twelve-year quest to face down his father's wartime ghosts. He found more than two dozen members of Love Company, the Marine unit in which his father had served. Many of them, now in their eighties, finally began talking about the war. They'd never spoken so openly and emotionally, even to their families. Through them, Maharidge brilliantly re-creates Love Company's battles and the war that followed them home. In addition, Maharidge traveled to Okinawa to experience where the man in his father's picture died and meet the families connected to his father's wartime souvenirs. The survivors Dale met on both sides of the Pacific Ocean demonstrate that wars do not end when the guns go quiet—the scars and demons remain for decades. Bringing Mulligan Home is a story of fathers and sons, war and postwar, silence and cries in the dark. Most of all it is a tribute to soldiers of all wars—past and present—and the secret burdens they, and their families, must often bear.
Homeland is Pulitzer Prize winning author Maharidge's biggest and most ambitious book yet, weaving together the disparate and contradictory strands of contemporary American society-common decency alongside race rage, the range of dissenting voices, and the roots of discontent that defy political affiliation. Here are American families who can no longer pay their medical bills, who've lost high-wage-earning jobs to NAFTA. And here are white supremacists who claim common ground with progressives. Maharidge's approach is rigorously historical, creating a tapestry of today as it is lived in America, a self-portrait that is shockingly different from what we're used to seeing and yet which rings of truth.
Zoë Vanderlip is missing. The Ark is empty. And nobody on McGee Ridge can agree about what exactly happened to her. Earthquake-rattled and clinging to the thousand-foot cliffs of the Northern California coast, McGee Ridge is nestled in one of a very few truly wild places left in the Lower 48. It is also home to a band of off-grid outlaws who vanished behind the famed Redwood Curtain in the 1960s, and whose time there is swiftly coming to an end. Will Spector, a burned-out journalist for the LA Times, arrived here to build a wilderness cabin for himself in the 90s, after spending a decade as a war correspondent. In a community that subsists mainly off illegal cannabis farming, Will is an outlier. As is Zoë Vanderlip, the revered matriarch of the original 60s settlers, whose adult son Klaus is one of the largest growers in the region. Unlike nearly everyone else, neither Will nor Zoë has ever grown marijuana, but when Zoë suddenly goes missing from her home--a large hand-built structure known as the Ark--the industry's competing forces can no longer be ignored. Pairing up with Daniel Likowski, a principled but mysterious grower whose business has been crushed by legalization, Will finds himself swept into a world of lost idealism and desperate loners, mobsters and corporate shell companies, violence and hypocrisy, all operating beneath the canopy of an ancient forest teetering at the very edge of the continent. Spurned on by both his journalistic zeal and a strange love for the place and its people, Will's investigation is journey to understand not just what happened to Zoe, but all of them. In this atmospheric rural noir, Pulitzer Prize-winning journalist Dale Maharidge's debut novel plunges readers into a country that has existed for decades beyond the bounds of America-at-large, but nevertheless reflects the essential conflicts of our divided culture.
Motivated by a haunting graffito in the desert, journalist Dale Maharidge explores the realities of being poor in America in the coming decade, as pandemic, economic crisis and social revolution up-end the country.
Two behind-the-scenes players in the edward snowden story reflect on the meaning of snowden’s revelations in our age of surveillance One day in the spring of 2013, a box appeared outside a fourth-floor apartment door in Brooklyn, New York. The recipient, who didn’t know the sender, only knew she was supposed to bring this box to a friend, who would ferry it to another friend. This was Edward Snowden’s box—materials proving that the U.S. government had built a massive surveillance apparatus and used it to spy on its own people--and the friend on the end of this chain was filmmaker Laura Poitras. Thus the biggest national security leak of the digital era was launched via a remarkably analog network, the US Postal Service. This is just one of the odd, ironic details that emerges from the story of how Jessica Bruder and Dale Maharidge, two experienced journalists but security novices (and the friends who received and ferried the box) got drawn into the Snowden story as behind-the-scenes players. Their initially stumbling, increasingly paranoid, and sometimes comic efforts to help bring Snowden’s leaks to light, and ultimately, to understand their significance, unfold in an engrossing narrative that includes emails and diary entries from Poitras. This is an illuminating story on the status of transparency, privacy, and trust in the age of surveillance. With an appendix suggesting what citizens and activists can do to protect privacy and democracy.
Now an Audible Original "THE DEAD DRINK FIRST" Sergeant Steve Maharidge returned from World War II an angry man. For a long time, the only evidence that remained of his service in the Marines was a photograph of himself and a buddy that he tacked to the basement wall. When his son, Dale Maharidge, set out to discover what happened to the friend in the photograph, he found that wars do not end when the guns go quiet. The scars and demons remain for decades. Bringing Mulligan Home is the book on which the hit Amazon Audible Original, The Dead Drink First, is based. Years after the initial publication of the book, Dale Maharidge and an ad-hoc team of committed researchers kept working to bring closure for Sgt. Maharidge, his family, and his mysterious friend. For fans of The Dead Drink First, this newly updated edition enriches and deepens the experience of the Audible Original, and provides---for the first time in print---a resolution to Maharidge's story of fathers and sons, war and the long oft-forgotten postwar for America's Greatest Generation.
Two behind-the-scenes players in the edward snowden story reflect on the meaning of snowden’s revelations in our age of surveillance One day in the spring of 2013, a box appeared outside a fourth-floor apartment door in Brooklyn, New York. The recipient, who didn’t know the sender, only knew she was supposed to bring this box to a friend, who would ferry it to another friend. This was Edward Snowden’s box—materials proving that the U.S. government had built a massive surveillance apparatus and used it to spy on its own people--and the friend on the end of this chain was filmmaker Laura Poitras. Thus the biggest national security leak of the digital era was launched via a remarkably analog network, the US Postal Service. This is just one of the odd, ironic details that emerges from the story of how Jessica Bruder and Dale Maharidge, two experienced journalists but security novices (and the friends who received and ferried the box) got drawn into the Snowden story as behind-the-scenes players. Their initially stumbling, increasingly paranoid, and sometimes comic efforts to help bring Snowden’s leaks to light, and ultimately, to understand their significance, unfold in an engrossing narrative that includes emails and diary entries from Poitras. This is an illuminating story on the status of transparency, privacy, and trust in the age of surveillance. With an appendix suggesting what citizens and activists can do to protect privacy and democracy.
Homeland is Pulitzer Prize winning author Maharidge's biggest and most ambitious book yet, weaving together the disparate and contradictory strands of contemporary American society-common decency alongside race rage, the range of dissenting voices, and the roots of discontent that defy political affiliation. Here are American families who can no longer pay their medical bills, who've lost high-wage-earning jobs to NAFTA. And here are white supremacists who claim common ground with progressives. Maharidge's approach is rigorously historical, creating a tapestry of today as it is lived in America, a self-portrait that is shockingly different from what we're used to seeing and yet which rings of truth.
Much of the contemporary crazy can be traced to the 1980s—America of the 2020s is living with the cultural shapeshifting rooted in that decade. Americans lived in a different reality in 1980: Vermont was the only state that let residents carry a concealed firearm without a permit. Twenty-four states now allow this—and numerous other gun laws have fallen by the wayside. When police were accused of wrongdoing, the default answer from society’s arbiters—courts, politicians, newspaper editors—was: “The police wouldn’t lie.” Editors steered clear of stories about rape and sexual violence. The word “homeless” wasn’t in common use. The fabric of the middle class had not yet begun fraying. America of the 2020s is living with cultural shapeshifting rooted in the 1980s. History, of course, is not a snapshot—it’s a film. To understand the United States today, we have to know the 1980s. American Doom Loop chronicles the first part of that moving picture, then brings the story forward. As a newspaper journalist, Dale Maharidge had a front-row seat to this decade, immersed in disparate worlds. He was in the Philippines during the last days of Dictator Ferdinand Marcos, witnessing the US lose a critical piece of its empire dating to the Spanish–American War; he traveled to Central America where the East-West conflict was playing out by proxy; he smuggled a Salvadoran family marked by death squads, driving them through trackless desert to the US border; he embedded with a group that was a precursor to the Oath Keepers; and he investigated police, who kept trying to get him fired. Through it all, Maharidge gained an invaluable view of a complicated decade that offers insight into our society today.
Winner of the Pulitzer Prize for Nonfiction in 1990 In And Their Children After Them, the writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in James Agee and Walker Evans’s inimitable Let Us Now Praise Famous Men, extending the project of conscience and chronicling the traumatic decline of King Cotton. With this continuation of Agee and Evans’s project, Maharidge and Williamson not only uncover some surprising historical secrets relating to the families and to Agee himself, but also effectively lay to rest Agee’s fear that his work, from lack of reverence or resilience, would be but another offense to the humanity of its subjects. Williamson’s ninety-part photo essay includes updates alongside Evans’s classic originals. Maharidge and Williamson’s work in And Their Children After Them was honored with the Pulitzer Prize for nonfiction when it was first published in 1990.
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