THE STORY: In the tradition of great American plays, Daisy Foote explores the institution of the American family in HIM. Two siblings struggling to keep the family store afloat must decide which is a priority: their father's final wishes or their financia
THE STORY: In the tradition of great American plays, Daisy Foote explores the institution of the American family in HIM. Two siblings struggling to keep the family store afloat must decide which is a priority: their father's final wishes or their financia
THE STORY: BHUTAN follows a New England family's ups and downs after the death of their father. Frances Conroy wonders how she ended up here. Her mother is driving her crazy. Her aunt is stalking a married man. Her brother is in prison. She dreams
The Christian Church (Disciples of Christ) has an uneasy relationship with its Hispanic constituency. Machado probes the history of this tension by examining the Disciples' interaction with Hispanics in Texas around the turn of the 20th century. The Church's inability to develop significant ties with Hispanics resulted in the creation of a small church that exists on both the geographical and denominational margins of the Christian Church.
This practical resource shows you how to apply Sam Wineburgs highly acclaimed approach to teaching, "Reading Like a Historian," in your middle and high school classroom to increase academic literacy and spark students curiosity. Chapters cover key moments in American history, beginning with exploration and colonization and ending with the Cuban Missile Crisis.
This book presents an important re-theorisation of gender and anti-Semitism in medieval biblical drama. It charts conflicts staged between dramatic personae in plays that represent theological transitions, including the Incarnation, Flood, Nativity and Bethlehem slaughter. Interrogating the Christian preoccupation with what it asserted was a superseded Jewish past, it asks how models of supersession and typology are subverted when placed in dramatic dialogue with characters who experience time differently. The book employs theories of gender, performance, anti-Semitism, queer theory and periodisation to complicate readings of early theatre’s biblical matriarchs and patriarchs. Dealing with frequently taught plays as well as less familiar material, the book is essential reading for specialist, undergraduate and postgraduate researchers working on medieval performance, gender and queer studies, Jewish-Christian studies and time.
This fascinating study explores a remarkable ethnic-Canadian literature in close textual and contextual terms for the first time. It lays a groundwork for future comparative research in the field of ethnic Canadian studies, and challenges assumptions about cultural identity and human experience of the "new.
This volume investigates the early modern understanding of twinship through new readings of plays, informed by discussions of twins appearing in such literature as anatomy tracts, midwifery manuals, monstrous birth broadsides, and chapbooks. The book contextualizes such dramatic representations of twinship, investigating contemporary discussions about twins in medical and popular literature and how such dialogues resonate with the twin characters appearing on the early modern stage. Garofalo demonstrates that, in this period, twin births were viewed as biologically aberrant and, because of this classification, authors frequently attempt to explain the phenomenon in ways which call into question the moral and constitutional standing of both the parents and the twins themselves. In line with current critical studies on pregnancy and the female body, discussions of twin births reveal a distrust of the mother and the processes surrounding twin conception; however, a corresponding suspicion of twins also emerges, which monstrous birth pamphlets exemplify. This book analyzes the representation of twins in early modern drama in light of this information, moving from tragedies through to comedies. This progression demonstrates how the dramatic potential inherent in the early modern understanding of twinship is capitalized on by playwrights, as negative ideas about twins can be seen transitioning into tragic and tragicomic depictions of twinship. However, by building toward a positive, comic representation of twins, the work additionally suggests an alternate interpretation of twinship in this period, which appreciates and celebrates twins because of their difference. The volume will be of interest to those studying Shakespeare and Renaissance Literature in relation to the History of Emotions, the Body, and the Medical Humanities.
The paintings by Daisy Cook document activities of family and farm life in southwest Missouri at the turn of the century. Daisy painted subjects entirely from memories of her childhood.
The paintings by Daisy Cook document activities of family and farm life in southwest Missouri at the turn of the century. Daisy painted subjects entirely from memories of her childhood.
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