Antoni Muntadas (*Barcelona, 1942) is one of the most important contemporary Spanish artists. His work addresses social, political and communications issues, the relationship between public and private space within social framework, and investigates channels of information and the ways they are used to promulgate ideas and control and censor information. Working in different media, such as photography, video, publications, Internet and multi-media installations, Muntadas often speaks about the condition of being "in between" as a point of departure for his work. This "between" can be characterized as a place of ambiguity outside specific sites or destinations. This two-volume publication is the catalogue of the retrospective exhibition that will be held at the Museo Nacional de Arte Reina Sofi?a in Madrid in October 2011. The catalogue uses the same organizing principle as the Muntadas' exhibition that considers his oeuvre from the perspective of "constellations of space," with titles such as Micro Spaces, Power Spheres, The Construction of Fear or Translation Spaces. Each constellation is a comprehensive thematic unit of images, artist's writings as well as new and old texts by notable contributors from the field of contemporary art and theory. The second volume will contain a conversation between the director of the Museo Nacional de Arte Reina Sofi?a, Manuel Borja-Villel, and Muntadas, plus documentary material from the installation at the Museum.
This catalogue accompanies Siting Technology, an exhibition held at the Walter Phillips Gallery, Banff (November 12 - December 5, 1987). Curated by Daina Auguaitis, this exhibition brought together six artists who examine technology through their work; Dale Amundson, Diana Burgoyne, Mona Hatoum, Richard Kriesche, Nancy Paterson, Tom Sherman, and Nell Tenhaaf. As members of a critical community, the artists in this exhibition attempt to locate, site, and appropriate place for technology within their lives and their art practices. Through interactivity, technology becomes the primary subject of their artistic exploration, not simply the tool. Essays by Daina Augaitis, Diana Burgoyne, Richard Kazis, Nancy Paterson, Tom Sherman, and Nell Tenhaaf.
A retrospective of the iconic Northwest Coast artist's oeuvre shares insights into his blend of traditional materials and designs with innovative personal techniques, drawing on interviews with regional descendants to explain Edenshaw's heritage and the ways in which his achievements reflect Haida culture.
This major new artist’s monograph presents the works of legendary Canadian painter, sculptor and printmaker, Gordon Smith. Smith has been making work for decades and is most famed for his painted works of figurative abstraction, though he has an accomplished practice in hard edged abstraction as well as in traditional figurative painting. This book is the first to present all of Gordon’s different styles along with both contemporary and historical texts about his life and work in one volume. As such, Gordon Smith is the most comprehensive publication on this important twentieth and twenty first century artist to date. Something of a West-coast icon, Smith, now 93 years of age, rises at 5am daily to paint for three hours, before entertaining the plethora of significant figures that visit him such as Jeff Wall, Ian Wallace and Phylis Lambert. The impact Smith has had upon Canadian art is evidenced in the prestigious and varied collections within which his work is held: The Museum of Modern Art, New York; the Smithsonian Institution, Washington; the National Gallery of Canada, Ottawa; the Victoria and Albert Museum, London; to name but a few. This, most recent, publication on Smith’s life and work as an artist is the definitive edition charting all elements of Smith’s rich and diverse practice, a worthy testament to one of Canada’s most significant artists, and one as prolific today as ever before.
The most comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012. Wallace's work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace's work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace's practice: Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace's career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace's lasting career and marking his influence on contemporary art today."--Publisher's website.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.