Whether you already play old-time music, or you are just getting started, this is the book for you. Dan Levenson’s Master Collection of Old-Time Tunes presents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them. Some might call this a complete repertoire in a book in the following sense: It is a large (though not encyclopedic) collection of old-time fiddle tunes played in today’s sessions. Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
You've played Over the Waterfall, marched along to Soldier's Joy and perhaps even found your fortune while trotting along on that Old Spotted Pony.Now it's time to take the next step; beyond the waterfall to the land of lesser-played tunes. Inside this volume are 40 challenging, unusual, interesting and dare I say-extraordinary tunes. As it includes standard notation, clawhammer banjo tablature, suggested chords and fiddle bow markings, this book is truly suitable for anyone. A number of old-time songs also include lyrics, so you can sing these great songs in the old-time style. Most of the tunes include notes about their history and recording references areprovided if you wish to hear how they were played and sung way back when. I encourage you to take the time to do that. It may jump start your stalled old-time music collection or as some folks say, start you a new one
Whether you already play old-time music, or you are just getting started, this is the book for you. Dan Levenson’s Master Collection of Old-Time Tunes presents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them. Some might call this a complete repertoire in a book in the following sense: It is a large (though not encyclopedic) collection of old-time fiddle tunes played in today’s sessions. Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Many folk banjoists draw influence from greats such as Pete Seeger, Woody Guthrie, The Weavers, Peter, Paul and Mary, and many others. These folk musicians traveled the country singing the folk songs that many of us now know, some of which are still played in jam sessions. First Lessons Folk Banjo is a great introduction to learning these types of folk songs on this wonderful instrument.Included are lessons on singing and playing backup with the banjo, strumming and picking exercises, and many classic folk songs. The music is written intablature, and the book comes with accompanying audio available for download online.
This book and accompanying audio are an excellent introduction to the fiddle andold-time music. The lessons are designed to help the reader develop a solidfoundation on the instrument. The book employs a practical teaching style, rather than traditional methods and conventions. A brief history of the fiddle is presented first, followed by a visual overview of the instrument, basic technique and playing style. Twelve jam session tunes are included, along with a commentary on jam session etiquette and an extensive discography of suggested recordings. Theaudio includes slow and up-to-speed versions of all the exercises and tunes. Includes access to extensive online audio
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. the book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords. the basic version should be playable by those with general clawhammer skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download free fiddle versions of songs from this book.
Welcome to Gospel Tunes for Clawhammer Banjo. After many years of requests by you and the publisher, I have made this collection of Gospel favorites available to those of you who play the clawhammer banjo style. the versions of the tabs presented here are neither overly simple nor particularly complex. Anyone with basic clawhammer skills should be able to play the tab as written or get close enough so they can create a satisfying version of each tune for themselves.Should you find you need an instructional book, please get my Clawhammer Banjo from Scratch book with companion CD's (MB20190BCD) and the corresponding DVD's which are also available from Mel Bay. You may also wish to see Jack Hatfield's Old-Time Gospel Banjo Solos (MB96755BCD) for 3 finger bluegrass/Scruggs versions of many of the tunes presented here.
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. This mandolin book includes two lines of standard notation - basic and advanced - as well as a mandolin tab line that can be interpreted for fiddle also. the basic version should be playable by those with general skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download the free mandolin versions of the songs from this book.Download the free fiddle versions of songs from this book.
You asked for it and you got it! More tunes to play at festivals and jams or just sittin' at home with a friend or two. 62 more tunes with both basic and advancedstandard notation lines with suggested chords as well as a mandolin tablature line to get you going in the right direction and playing these old-time favorites. As in Old-Time Festival Tunes for Fiddle and Mandolin (MB21023BCD), you will find some of the tunes to be straightforward while others promise to be genuine finger twisters! The book revisits some of the author's old favorites and some time -tested standards. Includes access to online audio. The accompanying audio includes each tune on both fiddle and mandolin, with a separate CD for each instrument. There is also a clawhammer banjo companion to this book titled Old-Time Favorites for Clawhammer Banjo (MB30224BCD), which shares the same basic standard notation line in this volume
This book and accompanying audio include popular and lesser-known old-time tunes for the clawhammer banjo. This book is a followup to Dan Levenson's Old -Time Festival Tunes for Clawhammer Banjo (MB20313M ) and includes 62 more tunes of varying difficulty. Old favorites as well as new additions are presented, including many time-tested standards. The material is presented in standard notation and basic/advanced tablature. Suggested chords are also included to help you along the way. Fiddle players will enjoy the companion to this book, Old-Time Favorites for Fiddle and Mandolin (MB30225BCD), which sharesthe same basic standard notation. Includes access to online audio
In Separating Abram and Lot: The Narrative Role and Early Reception of Genesis 13, Dan Rickett presents a fresh analysis of two of Genesis’ most important characters. Many have understood Lot as Abram’s potential heir and as an ethical contrast to him. Here, Rickett explores whether these readings best reflect the focus of the story. In particular, he considers the origin of these readings and how a study of the early Jewish and Christian reception of Genesis 13 might help identify that origin. In turn, due attention is given to the overall purpose of Genesis 13, as well as how Lot and his function in the text should be understood.
Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawhammer Banjo from Scratch - A Guide for the Claw-less! This book teaches clawhammer banjo the way we play, not the way others say. It really begins as though you really have NO knowledge of how to play the five string banjo clawhammer style. Based on Dan's innovative Meet the Banjo program (where Dan brings 15 banjos and teaches players who may have never held a banjo), this book assumes no prior experience. Beginning at the beginning, Dan presents a brief history of the 5-string banjo then goes over the parts of the banjo, holding the banjo, right and left hand positions and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. You are guided through the chords, the scale and then the individual notes of each of 12 jam session favorite tunes from scratch. Includes 2 reference CD's with all exercises, tunes (slow and up to speed), and a fiddle version of each tune.
In this work Dan Rottenberg shows how to successfully trace your Jewish family back for generations by probing the memories of living relatives; by examining marriage licenses, gravestones, ship passenger lists, naturalization records, birth and death certificates, and other public documents; and by looking for clues in family traditions and customs.
One of the year's Top Ten Books on Religion and Spirituality (Booklist), Being Alive and Having to Die is the story of the remarkable public and private journey of Reverend Forrest Church, the scholar, activist, and preacher whose death became a way to celebrate life. Through his pulpit at the prestigious Unitarian Church of All Souls in New York, Reverend Forrest Church became a champion of liberal religion and a leading opponent of the religious right. An inspired preacher, a thoughtful theologian and an eloquent public intellectual, Church built a congregation committed to social service for people in need, while writing twenty five books, hosting a cable television program, and being featured in People, Esquire, New York Magazine, and on numerous national television and radio appearances. Being Alive and Having to Die works on two levels, as an examination of liberal religion during the past 30 years of conservative ascendancy, and as a fascinating personal story. Church grew up the son of Senator Frank Church of Idaho, famous for combating the Vietnam War in the 1960s and the CIA in the 1970s. Like many sons of powerful fathers, he rebelled and took a different path in life, which led him to his own prominence. Then, in 1991, at the height of his fame, he fell in love with a married parishioner and nearly lost his pulpit. Eventually, he regained his stature, overcame a long-secret alcoholism, wrote his best books–and found himself diagnosed with terminal cancer. His three year public journey toward death brought into focus the preciousness of life, not only for himself, but for his ministry. Based on extraordinary access to Church and over 200 interviews with family, friends, and colleagues, Dan Cryer bears witness to a full, fascinating, at time controversial life. Being Alive and Having to Die is an honest look at an imperfect man and his lasting influence on modern faith.
First Lessons Clawhammer Banjo is an ideal book for beginners and banjo players interested in learning the clawhammer style. The book explains the basics of reading tablature, right hand technique, and other elements unique to clawhammer banjo. Included are classic songs such as Little Brown Jug, Cripple Creek, Old Joe Clark, Policeman, and much more. The book comes with accompanying audio available online for download.
Book and CD. The story of Badfinger is among the most tragic in the history of rock'n'roll. They were championed by the Beatles, yet their two principal songwriters committed suicide. An expose of the music business, Without You also serves as a tribute to the band's work. This revised edition includes a CD of over 72 minutes of music and interviews, 300 photos, complete listing of studio dates and concerts, and a discography.
Stories of women in the Bible have been interpreted by artists, writers, musicians, filmmakers, and biblical commentators for centuries. However, in many cases, these later interpreters have often adapted and altered the Bible to fit their own view(s) of the stories. Ironically, these later renderings usually serve as the basis for the generally accepted view(s) of biblical women. For example, many readers of the Bible assume that Eve is to blame for the disobedient act in the Garden of Eden, or that Delilah seduced Samson and then cut his hair. A closer look at these assumptions, though, reveals that they are not based on the Bible, but are mediated through the creations of later interpreters. In this book, the author examines eight such women's stories, and shows how later readers interact with the biblical stories to construct sometimes fanciful, sometimes faulty views of these women. Dan Clanton, Jr. broadens our awareness of the influence of these later readings on how we understand biblical women so that we can be more critical in our engagement with them, and become more familiar with what the Bible actually says about the women whose stories it contains.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
Local historian Seth Bate tells the story of the Walnut Valley Festival with reflections from staff, emcees, performers, campers, and characters from throughout its history. The Festival was launched in 1972 when a guitar maker, a farmer, and a businessman built their own music festival from the ground up. It has made the small town of Winfield into an annual destination for acoustic musicians and music lovers from around the world and it has always been participatory, with the informal campsite pickin' as much a part of the event as the stage shows and instrumental contests. The Walnut Valley Festival has always been proud of its deep-rooted traditions, but most of all, it is a community celebration.
I operated under the theory that a good union doesn't have to be dull."—Moe Foner "Don't waste any time mourning—organize."—Joe Hill Moe Foner, who died in January 2002, was a leading player in 1199/SEIU, New York's Health and Human Service Union, and a key strategist in the union's fight for recognition and higher wages for thousands of low-paid hospital workers. Foner also was the founder of Bread and Roses, 1199's cultural program created to add dimension and artistic outlets to workers' lives. Foner produced a musical about hospital workers; invited Woody Guthrie and Pete Seeger to perform for workers and their children; presented stars such as Ossie Davis and Ruby Dee, Sidney Poitier, Harry Belafonte, and Alan Alda; and installed the only permanent art gallery at a union headquarters. One of Foner's last projects was a poster series called "Women of Hope," which celebrates African American, Native American, Asian American, and Latina women including Maya Angelou, Maxine Hong Kingston, Septima P. Clark, and the Delaney sisters Sarah and Elizabeth. Today his legacy is the largest and most important cultural program of any union. Not for Bread Alone traces Foner's development from an apolitical youth whose main concerns were basketball and music to a visionary whose pragmatism paved the way for legislation guaranteeing hospital workers the right to unionize. Foner writes eloquently about his early life in Brooklyn as the son of a seltzer delivery man and about many of the critical developments in the organization of hospital workers. He provides an insider's perspective on major strikes and the struggle for statewide collective bargaining; the leadership styles of Leon Davis, Doris Turner, and Dennis Rivera; and the union's connection to key events such as the civil rights movement and the Vietnam War.
In this book Dan Dunn proposes that the biblical theme of life is extremely important and thus provides a helpful foundation for the theory and practice of evangelism. He makes a strong case for Christ-followers to embrace a life-based evangelistic vision as a way to help non-believers choose the full and vibrant life that God intends for them in Jesus. While making this strong case, he also urges readers to avoid casting aside other evangelistic visions (such as those based on discipleship, the kingdom, forgiveness, atonement, etc.). Instead, he invites us to add a life-based evangelistic vision to the possibilities available to us for helping people choose to follow Jesus and thus experience the life He makes possible for them.
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
Inspired by Exploring the Language of Poems, Plays and Prose, Mick Short's classic introduction to stylistics, Language and Style represents the state-of-the-art in literary stylistics and encompasses the full breadth of current research in the discipline. Written by leading scholars in the field, chapters cover a variety of methodological and analytical approaches, from traditional qualitative analysis to more recent developments in cognitive and corpus stylistics. Addressing the three, key literary genres of poetry, drama and narrative, Language and Style is divided into carefully balanced sections. Based on original research, each chapter demonstrates a particular analytic technique and explains how this might be applied to a text from one of the literary genres. Framed by helpful introductory material covering the foundational principles of stylistics, the chapters act as practical exemplars of how to carry out stylistic analysis. Comprehensive and engaging, this invaluable resource is essential reading for anyone interested in stylistics.
The story of Susanna and the Elders is one of the most interpreted and reproduced tales from the Apocrypha, and for good reason. In its compact narrative, it touches on attempted rape, female sexuality, abuse of power, punishment for the wicked, and voyeurism. The Good, the Bold, the Beautiful argues that the story of Susanna was written in the first century BCE, and Clanton provides a brief description of that century. He performs a narrative-rhetorical reading of Susanna and illustrates that the story uses sexual anxiety and desire to set up a moral dilemma for Susanna. That moral dilemma is resolved in two ways: Susanna's refusal to allow herself to be raped, and Daniel's intervention. Clanton argues that although the story has many mimetic features, it is the thematic function that is overriding, especially after Daniel's appearance. Put another way, the story's emphasis on Susanna, the Elders, and Daniel as "plausible people" is secondary to its stress on what those characters represent and the message it is relaying through those representations. Clanton analyzes chronologically selected aesthetic interpretations of the story found in the Renaissance. He shows that the prevailing artistic interpretation during the Renaissance focused on the mimetic, sexual aspects of the story because it deals with issues of patronage, and sex/gender that were current at the time. The Good, the Bold, the Beautiful argues that several Renaissance renderings provide counter readings that focus more on the value and themes in the story. These renderings provide models for readers to resist the sexually exploitative features of both the narrative and its interpretations. Clanton reflects on the need for the reader to resist potentially harmful interpretation, especially those that focus on the mimetic level of the story's rhetoric.
A collection of stories, photos, and memories for those who love the Chicago Cubs’ legendary ballpark. Wrigley Field occupies a sacred space in the hearts of Cubs fans and in the soul of Wrigleyville. With contributions from those in the stands, on the field, and behind the scenes over the years—among them Bob Costas, Rick Sutcliffe, Ferguson Jenkins, Steve Stone, and many more—this informal oral history salutes the legacy that has made Wrigley such an unforgettable part of baseball and Chicago for the last century. These one hundred stories reflect the variety of millions of Cubs fans around the world, from those whose relationship with the Friendly Confines has lasted a lifetime to those who are taking their seats up close to the ivy for the very first time.
Welcome to Gospel Tunes for Clawhammer Banjo. After many years of requests by you and the publisher, I have made this collection of Gospel favorites available to those of you who play the clawhammer banjo style. the versions of the tabs presented here are neither overly simple nor particularly complex. Anyone with basic clawhammer skills should be able to play the tab as written or get close enough so they can create a satisfying version of each tune for themselves.Should you find you need an instructional book, please get my Clawhammer Banjo from Scratch book with companion CD's (MB20190BCD) and the corresponding DVD's which are also available from Mel Bay. You may also wish to see Jack Hatfield's Old-Time Gospel Banjo Solos (MB96755BCD) for 3 finger bluegrass/Scruggs versions of many of the tunes presented here.
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. This mandolin book includes two lines of standard notation - basic and advanced - as well as a mandolin tab line that can be interpreted for fiddle also. the basic version should be playable by those with general skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download the free mandolin versions of the songs from this book.Download the free fiddle versions of songs from this book.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
Time surrounds us. It defines our experience of the world; it echoes through our every waking hour. Time is the very foundation of conscious experience. Yet as familiar as it is, time is also deeply mysterious. We cannot see, hear, smell, taste, or touch it. Yet we do feel it—or at least we think we feel it. No wonder poets, writers, philosophers, and scientists have grappled with time for centuries. In his latest book, award-winning science writer Dan Falk chronicles the story of how humans have come to understand time over the millennia, and by drawing from the latest research in physics, psychology, and other fields, Falk shows how that understanding continues to evolve. In Search of Time begins with our earliest ancestors' perception of time and the discoveries that led—with much effort—to the Gregorian calendar, atomic clocks, and "leap seconds." Falk examines the workings of memory, the brain's remarkable "bridge across time," and asks whether humans are unique in their ability to recall the past and imagine the future. He explores the possibility of time travel, and the paradoxes it seems to entail. Falk looks at the quest to comprehend the beginning of time and how time—and the universe—may end. Finally, he examines the puzzle of time's "flow," and the remarkable possibility that the passage of time may be an illusion. Entertaining, illuminating, and ultimately thought provoking, In Search of Time reveals what some of our most insightful thinkers have had to say about time, from Aristotle to Kant, from Newton to Einstein, and continuing with the brightest minds of today.
This all-encompassing textbook is an unrivalled guide to the history, belief and practice of Judaism, written by a scholar and rabbi who is also an experienced university teacher.
Counterterrorism and Investigative Detention explores the practice of investigative detention of terrorist suspects in the legal systems of the United States, the United Kingdom, and France. In addition to illuminating the characteristics, capabilities, and limitations of various investigative detention regimes, this book examines ways in which international law and national security imperatives have served as vectors for change and convergence in these otherwise divergent legal systems.
In this study of John 1-12, the author develops the thesis that Jesus is the divine, incarnate Torah, and that Jesus as Torah is the conceptual center of the Fourth Gospel. An overarching goal of the treatise is to explore the Evangelist's portrait of Jesus as the fulfillment of the Mosaic law. Connected with this aim is the central thesis that the Messiah appears in the Gospel of John as the realization of all the law's redemptive-historical types, prophecies, and expectations. A corresponding major claim is that those who trust in Jesus for eternal life and heed his teaching satisfy fully the requirements of the moral law recorded in Scripture. An examination of John 1-12 substantiates the truth that Jesus is the perfection of the gift of the Tanakh. He existed in the beginning with the Father and Spirit as God. The eternal Torah is light and life, fulfillment and joy, in fellowship with the triune God for all eternity. The divine Tanakh, by becoming incarnate, revealed the glory of the Father and made the fullness of God's grace and truth available to humankind. The living Word not only provides salvation but in so doing unveils the loving and redeeming heart of the Father for all to see. The Son of God is the one to whom all the Old Testament luminaries--such as Abraham, Jacob, Moses, and Isaiah--pointed, and in whom their eschatological hopes were realized. The Anointed One is greater than and supreme over all the religious institutions once associated with the Jerusalem tabernacle and temple. Even such Jewish festivals as the Feast of Tabernacles, Pentecost, Dedication, and Passover find their fulfillment in the Messiah. This volume is appropriate for personal study and is also suitable as a college and seminary text.
The secrets of one of history’s greatest orators are revealed in “one of the most stunningly original works on Abraham Lincoln to appear in years” (John Stauffer, professor of English and history, Harvard University). For more than 150 years, historians have speculated about what made Abraham Lincoln truly great. How did Lincoln create his compelling arguments, his convincing oratory, and his unforgettable writing? Some point to Lincoln’s study of grammar, literature, and poetry. Others believe it was the deep national crisis that gave import to his words. Most agree that he honed his persuasive technique in his work as an Illinois attorney. Here, the authors argue that it was Lincoln’s in-depth study of geometry that made the president’s verbal structure so effective. In fact, as the authors demonstrate, Lincoln embedded the ancient structure of geometric proof into the Gettysburg Address, the Cooper Union speech, the first and second inaugurals, his legal practice, and much of his substantive post-1853 communication. Also included are Lincoln’s preparatory notes and drafts of some of his most famous speeches as well as his revisions and personal thoughts on public speaking and grammar. With in-depth research and provocative insight, Abraham Lincoln and the Structure of Reason “offers a whole new angle on Lincoln’s brilliance” (James M. Cornelius, Curator, Lincoln Collection, Abraham Lincoln Presidential Library and Museum).
In the decades since it was identified in 1981, HIV/AIDS has devastated African American communities. Members of those communities mobilized to fight the epidemic and its consequences from the beginning of the AIDS activist movement. They struggled not only to overcome the stigma and denial surrounding a "white gay disease" in Black America, but also to bring resources to struggling communities that were often dismissed as too "hard to reach." To Make the Wounded Whole offers the first history of African American AIDS activism in all of its depth and breadth. Dan Royles introduces a diverse constellation of activists, including medical professionals, Black gay intellectuals, church pastors, Nation of Islam leaders, recovering drug users, and Black feminists who pursued a wide array of grassroots approaches to slow the epidemic's spread and address its impacts. Through interlinked stories from Philadelphia and Atlanta to South Africa and back again, Royles documents the diverse, creative, and global work of African American activists in the decades-long battle against HIV/AIDS.
Study Guide to Geriatric Psychiatry is a question-and-answer companion that allows you to evaluate your mastery of the subject matter as you progress through The American Psychiatric Publishing Textbook of Geriatric Psychiatry, Fourth Edition. The Study Guide is made up of 203 questions divided into 34 individual quizzes of 5-10 questions each that correspond to chapters in the Textbook. Questions are followed by an Answer Guide that references relevant text (including the page number) in the Textbook to allow quick access to needed information. Each answer is accompanied by a discussion that not only addresses the correct response but also explains why other responses are not correct. The Study Guide's companion, The American Psychiatric Publishing Textbook of Geriatric Psychiatry has been revised and updated while continuing the tradition of providing both scholar and clinician with the practical skills and knowledge required for understanding mental disorders in later life. It offers an authoritative review of a wide range of topics written by leaders in geriatric psychiatry, gerontology, geriatric medicine, and geriatric nursing, offering a solid grounding in both basic science and clinical applications. It is enhanced by a wide array of quick-reference tables and charts, lists of key points, and extensive references and suggested readings that can help clinicians and students at all levels learn more about individual topics.
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