You've played Over the Waterfall, marched along to Soldier's Joy and perhaps even found your fortune while trotting along on that Old Spotted Pony.Now it's time to take the next step; beyond the waterfall to the land of lesser-played tunes. Inside this volume are 40 challenging, unusual, interesting and dare I say-extraordinary tunes. As it includes standard notation, clawhammer banjo tablature, suggested chords and fiddle bow markings, this book is truly suitable for anyone. A number of old-time songs also include lyrics, so you can sing these great songs in the old-time style. Most of the tunes include notes about their history and recording references areprovided if you wish to hear how they were played and sung way back when. I encourage you to take the time to do that. It may jump start your stalled old-time music collection or as some folks say, start you a new one
Whether you already play old-time music, or you are just getting started, this is the book for you. Dan Levenson’s Master Collection of Old-Time Tunes presents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them. Some might call this a complete repertoire in a book in the following sense: It is a large (though not encyclopedic) collection of old-time fiddle tunes played in today’s sessions. Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Many folk banjoists draw influence from greats such as Pete Seeger, Woody Guthrie, The Weavers, Peter, Paul and Mary, and many others. These folk musicians traveled the country singing the folk songs that many of us now know, some of which are still played in jam sessions. First Lessons Folk Banjo is a great introduction to learning these types of folk songs on this wonderful instrument.Included are lessons on singing and playing backup with the banjo, strumming and picking exercises, and many classic folk songs. The music is written intablature, and the book comes with accompanying audio available for download online.
You asked for it and you got it! More tunes to play at festivals and jams or just sittin' at home with a friend or two. 62 more tunes with both basic and advancedstandard notation lines with suggested chords as well as a mandolin tablature line to get you going in the right direction and playing these old-time favorites. As in Old-Time Festival Tunes for Fiddle and Mandolin (MB21023BCD), you will find some of the tunes to be straightforward while others promise to be genuine finger twisters! The book revisits some of the author's old favorites and some time -tested standards. Includes access to online audio. The accompanying audio includes each tune on both fiddle and mandolin, with a separate CD for each instrument. There is also a clawhammer banjo companion to this book titled Old-Time Favorites for Clawhammer Banjo (MB30224BCD), which shares the same basic standard notation line in this volume
This book and accompanying audio include popular and lesser-known old-time tunes for the clawhammer banjo. This book is a followup to Dan Levenson's Old -Time Festival Tunes for Clawhammer Banjo (MB20313M ) and includes 62 more tunes of varying difficulty. Old favorites as well as new additions are presented, including many time-tested standards. The material is presented in standard notation and basic/advanced tablature. Suggested chords are also included to help you along the way. Fiddle players will enjoy the companion to this book, Old-Time Favorites for Fiddle and Mandolin (MB30225BCD), which sharesthe same basic standard notation. Includes access to online audio
This book and accompanying audio are an excellent introduction to the fiddle andold-time music. The lessons are designed to help the reader develop a solidfoundation on the instrument. The book employs a practical teaching style, rather than traditional methods and conventions. A brief history of the fiddle is presented first, followed by a visual overview of the instrument, basic technique and playing style. Twelve jam session tunes are included, along with a commentary on jam session etiquette and an extensive discography of suggested recordings. Theaudio includes slow and up-to-speed versions of all the exercises and tunes. Includes access to extensive online audio
First Lessons Clawhammer Banjo is an ideal book for beginners and banjo players interested in learning the clawhammer style. The book explains the basics of reading tablature, right hand technique, and other elements unique to clawhammer banjo. Included are classic songs such as Little Brown Jug, Cripple Creek, Old Joe Clark, Policeman, and much more. The book comes with accompanying audio available online for download.
A Clawhammer Christmas by Dan Levenson is a collection of 30 of the most loved Christmas songs transcribed in tablature for the 5-string banjo in the clawhammer style with chords provided for accompaniment instruments. Written in his clear and traditional style, Dan has finally made these holiday favorites accessible to all clawhammer banjo players with good basic skills. All songs have been written in one of the three basic old-time banjo tunings of G, double-C or G modal. This will allow you to find the tune in a fingering you know and easily capo to your preferred singing key. Build your skills as you entertain family and friends and maybe even yourself! Ring in the holiday season with the joyful sound of the 5-string banjo played clawhammer style and have a double-thumb, drop-thumb Clawhammer Christmas!
Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawhammer Banjo from Scratch - A Guide for the Claw-less! This book teaches clawhammer banjo the way we play, not the way others say. It really begins as though you really have NO knowledge of how to play the five string banjo clawhammer style. Based on Dan's innovative Meet the Banjo program (where Dan brings 15 banjos and teaches players who may have never held a banjo), this book assumes no prior experience. Beginning at the beginning, Dan presents a brief history of the 5-string banjo then goes over the parts of the banjo, holding the banjo, right and left hand positions and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. You are guided through the chords, the scale and then the individual notes of each of 12 jam session favorite tunes from scratch. Includes 2 reference CD's with all exercises, tunes (slow and up to speed), and a fiddle version of each tune.
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. the book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords. the basic version should be playable by those with general clawhammer skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download free fiddle versions of songs from this book.
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. This mandolin book includes two lines of standard notation - basic and advanced - as well as a mandolin tab line that can be interpreted for fiddle also. the basic version should be playable by those with general skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download the free mandolin versions of the songs from this book.Download the free fiddle versions of songs from this book.
Welcome to Gospel Tunes for Clawhammer Banjo. After many years of requests by you and the publisher, I have made this collection of Gospel favorites available to those of you who play the clawhammer banjo style. the versions of the tabs presented here are neither overly simple nor particularly complex. Anyone with basic clawhammer skills should be able to play the tab as written or get close enough so they can create a satisfying version of each tune for themselves.Should you find you need an instructional book, please get my Clawhammer Banjo from Scratch book with companion CD's (MB20190BCD) and the corresponding DVD's which are also available from Mel Bay. You may also wish to see Jack Hatfield's Old-Time Gospel Banjo Solos (MB96755BCD) for 3 finger bluegrass/Scruggs versions of many of the tunes presented here.
Whether you already play old-time music, or you are just getting started, this is the book for you. Dan Levenson’s Master Collection of Old-Time Tunes presents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them. Some might call this a complete repertoire in a book in the following sense: It is a large (though not encyclopedic) collection of old-time fiddle tunes played in today’s sessions. Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Wade Ward Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Wade Ward, with modern interpretations by Bob Carlin and Dan Levenson. This book is the second in a series of transcriptions of tunes from the old masters-in this case, Wade Ward-who gave definition to our style of old time clawhammer banjo playing. the repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio CD. the recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.
Fred Cockerham & Tommy Jarrell: Clawhammer Banjo Masters is a collection of 23 clawhammer banjo solos written in tablature. The pieces are transcribed as played by Fred Cockerham and Tommy Jarrell by Bob Carlin. Also included are moderninterpretations by Dan Levenson. This is the third book in a series of transcribed tunes from the old masters. Previous books are Kyle Creed - Clawhammer Banjo Master and Wade Ward - Clawhammer Banjo Master. Fred Cockerham and Tommy Jarrell both gave unique definition to the style of old-time clawhammer banjo playing. The repertoire, presented in tablature, is intended to be a starting point for your journey through the old-time music world. Each piece is presented in multiple arrangements, both on the page and in the online audio. Most of the recordings are played at learning tempos and correspond to the tablature. Includes access to online audio
Kyle Creed Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Kyle Creed, with modern interpretations by Bob Carlin and Dan Levenson. This book is the first in a series of transcriptions of tunes from the old masters-in this case, Kyle Creed-who gave definition to our style of old time clawhammer banjo playing. the repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio CD. the recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.
Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawhammer Banjo from Scratch - A Guide for the Claw-less! This book teaches clawhammer banjo the way we play, not the way others say. It really begins as though you really have NO knowledge of how to play the five string banjo clawhammer style. Based on Dan's innovative Meet the Banjo? program (where Dan brings 15 banjos and teaches players who may have never held a banjo), this book assumes no prior experience. Beginning at the beginning, Dan presents a brief history of the 5-string banjo then goes over the parts of the banjo, holding the banjo, right and left hand positions and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. You are guided through the chords, the scale and then the individual notes of each of 12 jam session favorite tunes from scratch. Includes 2 reference CD?s with all exercises, tunes (slow and up to speed), and a fiddle version of each tune.
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. the book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords. the basic version should be playable by those with general clawhammer skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download free fiddle versions of songs from this book.
Welcome to Gospel Tunes for Clawhammer Banjo. After many years of requests by you and the publisher, I have made this collection of Gospel favorites available to those of you who play the clawhammer banjo style. the versions of the tabs presented here are neither overly simple nor particularly complex. Anyone with basic clawhammer skills should be able to play the tab as written or get close enough so they can create a satisfying version of each tune for themselves.Should you find you need an instructional book, please get my Clawhammer Banjo from Scratch book with companion CD's (MB20190BCD) and the corresponding DVD's which are also available from Mel Bay. You may also wish to see Jack Hatfield's Old-Time Gospel Banjo Solos (MB96755BCD) for 3 finger bluegrass/Scruggs versions of many of the tunes presented here.
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. This mandolin book includes two lines of standard notation - basic and advanced - as well as a mandolin tab line that can be interpreted for fiddle also. the basic version should be playable by those with general skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download the free mandolin versions of the songs from this book.Download the free fiddle versions of songs from this book.
In this work Dan Rottenberg shows how to successfully trace your Jewish family back for generations by probing the memories of living relatives; by examining marriage licenses, gravestones, ship passenger lists, naturalization records, birth and death certificates, and other public documents; and by looking for clues in family traditions and customs.
One of the year's Top Ten Books on Religion and Spirituality (Booklist), Being Alive and Having to Die is the story of the remarkable public and private journey of Reverend Forrest Church, the scholar, activist, and preacher whose death became a way to celebrate life. Through his pulpit at the prestigious Unitarian Church of All Souls in New York, Reverend Forrest Church became a champion of liberal religion and a leading opponent of the religious right. An inspired preacher, a thoughtful theologian and an eloquent public intellectual, Church built a congregation committed to social service for people in need, while writing twenty five books, hosting a cable television program, and being featured in People, Esquire, New York Magazine, and on numerous national television and radio appearances. Being Alive and Having to Die works on two levels, as an examination of liberal religion during the past 30 years of conservative ascendancy, and as a fascinating personal story. Church grew up the son of Senator Frank Church of Idaho, famous for combating the Vietnam War in the 1960s and the CIA in the 1970s. Like many sons of powerful fathers, he rebelled and took a different path in life, which led him to his own prominence. Then, in 1991, at the height of his fame, he fell in love with a married parishioner and nearly lost his pulpit. Eventually, he regained his stature, overcame a long-secret alcoholism, wrote his best books–and found himself diagnosed with terminal cancer. His three year public journey toward death brought into focus the preciousness of life, not only for himself, but for his ministry. Based on extraordinary access to Church and over 200 interviews with family, friends, and colleagues, Dan Cryer bears witness to a full, fascinating, at time controversial life. Being Alive and Having to Die is an honest look at an imperfect man and his lasting influence on modern faith.
Book and CD. The story of Badfinger is among the most tragic in the history of rock'n'roll. They were championed by the Beatles, yet their two principal songwriters committed suicide. An expose of the music business, Without You also serves as a tribute to the band's work. This revised edition includes a CD of over 72 minutes of music and interviews, 300 photos, complete listing of studio dates and concerts, and a discography.
Stories of women in the Bible have been interpreted by artists, writers, musicians, filmmakers, and biblical commentators for centuries. However, in many cases, these later interpreters have often adapted and altered the Bible to fit their own view(s) of the stories. Ironically, these later renderings usually serve as the basis for the generally accepted view(s) of biblical women. For example, many readers of the Bible assume that Eve is to blame for the disobedient act in the Garden of Eden, or that Delilah seduced Samson and then cut his hair. A closer look at these assumptions, though, reveals that they are not based on the Bible, but are mediated through the creations of later interpreters. In this book, the author examines eight such women's stories, and shows how later readers interact with the biblical stories to construct sometimes fanciful, sometimes faulty views of these women. Dan Clanton, Jr. broadens our awareness of the influence of these later readings on how we understand biblical women so that we can be more critical in our engagement with them, and become more familiar with what the Bible actually says about the women whose stories it contains.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
In this book Dan Dunn proposes that the biblical theme of life is extremely important and thus provides a helpful foundation for the theory and practice of evangelism. He makes a strong case for Christ-followers to embrace a life-based evangelistic vision as a way to help non-believers choose the full and vibrant life that God intends for them in Jesus. While making this strong case, he also urges readers to avoid casting aside other evangelistic visions (such as those based on discipleship, the kingdom, forgiveness, atonement, etc.). Instead, he invites us to add a life-based evangelistic vision to the possibilities available to us for helping people choose to follow Jesus and thus experience the life He makes possible for them.
Local historian Seth Bate tells the story of the Walnut Valley Festival with reflections from staff, emcees, performers, campers, and characters from throughout its history. The Festival was launched in 1972 when a guitar maker, a farmer, and a businessman built their own music festival from the ground up. It has made the small town of Winfield into an annual destination for acoustic musicians and music lovers from around the world and it has always been participatory, with the informal campsite pickin' as much a part of the event as the stage shows and instrumental contests. The Walnut Valley Festival has always been proud of its deep-rooted traditions, but most of all, it is a community celebration.
I operated under the theory that a good union doesn't have to be dull."—Moe Foner "Don't waste any time mourning—organize."—Joe Hill Moe Foner, who died in January 2002, was a leading player in 1199/SEIU, New York's Health and Human Service Union, and a key strategist in the union's fight for recognition and higher wages for thousands of low-paid hospital workers. Foner also was the founder of Bread and Roses, 1199's cultural program created to add dimension and artistic outlets to workers' lives. Foner produced a musical about hospital workers; invited Woody Guthrie and Pete Seeger to perform for workers and their children; presented stars such as Ossie Davis and Ruby Dee, Sidney Poitier, Harry Belafonte, and Alan Alda; and installed the only permanent art gallery at a union headquarters. One of Foner's last projects was a poster series called "Women of Hope," which celebrates African American, Native American, Asian American, and Latina women including Maya Angelou, Maxine Hong Kingston, Septima P. Clark, and the Delaney sisters Sarah and Elizabeth. Today his legacy is the largest and most important cultural program of any union. Not for Bread Alone traces Foner's development from an apolitical youth whose main concerns were basketball and music to a visionary whose pragmatism paved the way for legislation guaranteeing hospital workers the right to unionize. Foner writes eloquently about his early life in Brooklyn as the son of a seltzer delivery man and about many of the critical developments in the organization of hospital workers. He provides an insider's perspective on major strikes and the struggle for statewide collective bargaining; the leadership styles of Leon Davis, Doris Turner, and Dennis Rivera; and the union's connection to key events such as the civil rights movement and the Vietnam War.
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
Inspired by Exploring the Language of Poems, Plays and Prose, Mick Short's classic introduction to stylistics, Language and Style represents the state-of-the-art in literary stylistics and encompasses the full breadth of current research in the discipline. Written by leading scholars in the field, chapters cover a variety of methodological and analytical approaches, from traditional qualitative analysis to more recent developments in cognitive and corpus stylistics. Addressing the three, key literary genres of poetry, drama and narrative, Language and Style is divided into carefully balanced sections. Based on original research, each chapter demonstrates a particular analytic technique and explains how this might be applied to a text from one of the literary genres. Framed by helpful introductory material covering the foundational principles of stylistics, the chapters act as practical exemplars of how to carry out stylistic analysis. Comprehensive and engaging, this invaluable resource is essential reading for anyone interested in stylistics.
The story of Susanna and the Elders is one of the most interpreted and reproduced tales from the Apocrypha, and for good reason. In its compact narrative, it touches on attempted rape, female sexuality, abuse of power, punishment for the wicked, and voyeurism. The Good, the Bold, the Beautiful argues that the story of Susanna was written in the first century BCE, and Clanton provides a brief description of that century. He performs a narrative-rhetorical reading of Susanna and illustrates that the story uses sexual anxiety and desire to set up a moral dilemma for Susanna. That moral dilemma is resolved in two ways: Susanna's refusal to allow herself to be raped, and Daniel's intervention. Clanton argues that although the story has many mimetic features, it is the thematic function that is overriding, especially after Daniel's appearance. Put another way, the story's emphasis on Susanna, the Elders, and Daniel as "plausible people" is secondary to its stress on what those characters represent and the message it is relaying through those representations. Clanton analyzes chronologically selected aesthetic interpretations of the story found in the Renaissance. He shows that the prevailing artistic interpretation during the Renaissance focused on the mimetic, sexual aspects of the story because it deals with issues of patronage, and sex/gender that were current at the time. The Good, the Bold, the Beautiful argues that several Renaissance renderings provide counter readings that focus more on the value and themes in the story. These renderings provide models for readers to resist the sexually exploitative features of both the narrative and its interpretations. Clanton reflects on the need for the reader to resist potentially harmful interpretation, especially those that focus on the mimetic level of the story's rhetoric.
A collection of stories, photos, and memories for those who love the Chicago Cubs’ legendary ballpark. Wrigley Field occupies a sacred space in the hearts of Cubs fans and in the soul of Wrigleyville. With contributions from those in the stands, on the field, and behind the scenes over the years—among them Bob Costas, Rick Sutcliffe, Ferguson Jenkins, Steve Stone, and many more—this informal oral history salutes the legacy that has made Wrigley such an unforgettable part of baseball and Chicago for the last century. These one hundred stories reflect the variety of millions of Cubs fans around the world, from those whose relationship with the Friendly Confines has lasted a lifetime to those who are taking their seats up close to the ivy for the very first time.
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