The celebrated novelist and poet presents a vivid history of Europe from Ancient Rome to the early 20thcentury in this restored, authoritative edition. Though D. H. Lawrence was one of the great writers of the twentieth century, his works were severely corrupted by the stringent house-styling of printers and the intrusive editing of timid publishers. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence in The Cambridge Editions. In 1918, a publisher at Oxford University Press approached D.H. Lawrence with the proposition of writing a textbook on European history. A great lover of history, Lawrence presents a lively narrative of European civilizations from the fall of Ancient Rome to the unification of Germany in the early twentieth century. This edition restores Lawrence’s original text, which had been censored before publication. It also identifies and analyzes Lawrence’s methods of using the sourcebooks on which his writing was based.
For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of 'Women In Love' or 'Lady Chatterley's Lover'? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels he was also a masterful poet (he wrote over 800 of them), a travel writer as well as an author of many classic short stories. Here we publish 'A Collier's Friday Night'. Once again Lawrence shows his hand as a brilliant writer. Delving into situations and peeling them back to reveal the inner heart.
After the release of D.H Lawrence's compelling novel, Sons and Lovers, which details a complicated and borderline abusive relationship between a mother and son, many critics sought issues with the content, accusing Lawrence of writing a shameful and incestuous novel. Amid this criticism, Lawrence was inspired to write Fantasia of the Unconscious, explaining the themes and topics that often find their way into his work while defending himself against the raging criticism of Sons and Lovers. Though Lawrence admits his bias, as well as acknowledging that he is not a scientist nor a scholar, he supports his psychoanalytic claims and raises concerns that had previously been unvoiced. First, Lawrence debunks popular Freudian psychology and Oedipus theories, mainly to defend his novel, Sons and Lovers, which was semi-autobiographical, from the claims that the mother and son depicted in the novel had a sexual relationship. Lawrence continues to analyze social practices and expectations of marriage, raising children, education, and political action. He challenged the very idea of self, which is a cornerstone of Western culture. Furthermore, Lawrence articulates the mental struggles that exists between emotional and intellectual identities, discussing the polarity of each and the cases in which they intersect, causing a turmoil of contradiction. Though he is not trained in the science, D.H Lawrence spent a lifetime writing about human observations that others found too grotesque or taboo to acknowledge, allowing Lawrence to have a certain expertise on such issues. With psychoanalytic theory, Lawrence supports his views, theories, and philosophies that often invited controversy in the literary and social realm. With poem-like prose and abstract ideas, D.H Lawrence proposes theories that surprises and compels readers. Described as being ahead of its time, Fantasia of the Unconscious introduces ideas that can be examined in practice in modern society. With insight on topics of education, marriage, and social norms, Fantasia of the Unconscious is an illuminating guide to D.H Lawrence's other works. This edition of Fantasia of the Unconscious is now presented in an easy-to-read font and features a new, eye-catching cover design to cater to contemporary readers.
WITH AN INTRODUCTION BY HOWARD JACOBSON Women in Love begins one blossoming spring day in England and ends with a terrible catastrophe in the snow of the Alps. Ursula and Gudrun are very different sisters who become entangled with two frie
With beautiful prose and defined characters, England, My England is a collection of ten works of short fiction written by the provocative and controversial author, D.H Lawrence. Many of these stories are set during and revolve around World War Ⅰ, such as Wintry Peacock. When her husband goes off to war, a woman finds herself moving in with her in-laws as she eagerly waits for his return. Around the time he is meant to come home, a letter arrives for him, written in French. Sent by the husband's mistress, the letter details the affair he had, and that the mistress was with child because of it. Though the letter also warned of the mistress's plans to move to England with her baby to be with the husband, the wife was unable to translate the French, leading to a situation of unfortunate misdirect and miscommunication. Other stories among this collection focus on the unfair societal expectations of women. You Touched Me follows the story of an adopted son and dying patriarch blackmailing an eldest daughter into marrying the son. Samson and Delilah depicts the complicated reunion of a husband and wife after the husband had abandoned his wife and newborn child fifteen years prior. Fannie and Annie excellently portrays the societal pressure for women to settle for less as it depicts Fannie, a well-educated woman, returning to her hometown to marry an unmotivated man who has illicit affairs with other women. Exploring the opposite perspective of a similar situation, The Primrose Path inspects the consequences of a man who lives a fleeting lifestyle--jumping from place to place, job to job, and woman to woman. Features themes of love, feminism, and sexuality, D.H Lawrence explores complicated relationships during the 20th century amid a world war and unjust and harmful social expectations. England, My England explores issues of society with a dark and biting tone, creating narratives that are not easily forgotten, and relate to ever-present human struggles. This edition of England, My England by D.H Lawrence features a new eye-catching cover design and is printed in a font that is both modern and readable to cater to a contemporary audience.
This collection of essays by the author of Lady Chatterley’s Loverpresents his musings on literature, politics and philosophy in a newly restored text. Though D. H. Lawrence was one of the great writers of the twentieth century, his works were severely corrupted by the stringent house-styling of printers and the intrusive editing of timid publishers. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence in The Cambridge Editions. Between 1915–1925, D. H. Lawrence wrote a series of “philosophicalish” essays covering topics ranging from politics to nature, and from religion to education. Varying in tone from lighthearted humor to spiritual meditation, they all share the underlying themes of Lawrence’s mature work: “Be thyself.” As far as possible, the editors of the Cambridge Editions series have restored these essays to their original form as Lawrence wrote them. A discussion of the history of each essay is provided, and several incomplete and unpublished essays are reproduced in an appendix.
The Selected Novels of D. H. Lawrence contains the best-known and most provocative of the esteemed author’s novels—Lady Chatterley’s Lover, Sons and Lovers, Women in Love, The Rainbow, and The Plumed Serpent. Writing in the period leading up to and following the First World War, D. H. Lawrence’s work explores the nature of personal and sexual relationships in light of industrialization and the new culture of modernity. Persecuted for his strong opinions, Lawrence spent the second part of his career in an exile he referred to as his “savage pilgrimage,” while his work continued to be censored and misrepresented. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of 'Women In Love' or 'Lady Chatterley's Lover'? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels he was also a masterful poet (he wrote over 800 of them), a travel writer as well as an author of many classic short stories. Here we publish his travel writings 'Sea and Sardinia'. Once again Lawrence shows his hand as a brilliant writer. Delving into the landscapes and peeling them back to reveal the inner heart.
Aaron Sisson lives a humble life in the English Midlands. He works as a union official for the coal mines, but his real passion is music. As an amateur, but very talented flautist, Aaron dreams of a big career as a beloved musician. Though, with his small community and unglamorous job at the coal mine, this dream seems unattainable. Trapped in an unhappy marriage, and unsatisfied at work, Aaron becomes more and more frustrated with his life. Finally, when he feels that he cannot take it any longer, Aaron abandons his two kids and wife to run away to Italy. As he begins his journey Aaron feels hopeful for the first time in a long time. However, the journey proves to be more trouble than Aaron expected. When he falls ill, he befriends Rawdon Lilly, a cynical writer. After Rawdon nurses Aaron through his sickness, Aaron is free to continue on to Florence. Upon entering a social circle of intellectuals and artists, he experiences a higher level of conversation--discussions about politics, leadership, and expression. Feeling liberated, Aaron has an affair with an aristocratic woman, excited at all the new pleasures he is experiencing. Of course, it comes at a cost. In a city struggling in the aftermath of a war that wiped out generations, talks of revolution and change echo in the streets, and Aaron's eyes are opened to social and political problems he had never considered. With complicated characters and beautifully written prose, Aaron's Rod by the prolific author, D.H Lawrence, is a unique perspective on how World War Ⅰ affected the individual. Looking beyond just the death toll of the war, Aaron's Rod examines those who were left behind, the political turmoil that followed, and the emotional plight of the individual. With allusions to the bible and complicated questions on both the battle and partnership between art and intellect, Aaron's Rod poses thought-provoking questions about all levels of Western society. This edition of Aaron's Rod by D.H Lawrence is now presented in an easy-to-read font and features a unique and eye-catching new cover design. With these accommodations, Aaron's Rod is restored to its original genius while being updated to modern standards.
This collection of writings by the author of Sons and Lovers presents his thoughts on religion, art, psychology and politics in a newly restored text. Though D. H. Lawrence was one of the great writers of the twentieth century, his works were severely corrupted by the stringent house-styling of printers and the intrusive editing of timid publishers. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence in The Cambridge Editions. Written while he was dying, Apocalypse is Lawrence’s final book. In it, he presents both a radical criticism of our civilization and a statement of unwavering belief in man’s power to create “a new heaven and a new earth.” This volume also includes Lawrence’s review of Book of Revelationby John Orman, and his Introduction to The Dragon of the Apocalypseby Frederick Carter. The Appendixes also present previously unpublished material on Revelation.
The celebrated novelist and poet presents his philosophy of literature and art through an in-depth analysis of Thomas Hardy in this restored edition. Though D. H. Lawrence was one of the great writers of the twentieth century, his works were severely corrupted by the stringent house-styling of printers and the intrusive editing of timid publishers. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence in The Cambridge Editions. Originally intended to be a short critical work on fellow English novelist Thomas Hardy’s characters, D. H. Lawrence’s Study of Thomas Hardydeveloped into a sweeping articulation of his views on literature and art. Though Lawrence destroyed the original manuscript, the work was published posthumously. This restored and authoritative edition also includes essays spanning the whole of Lawrence’s writing career, with an introduction contextualizing them within Lawrence’s life and work.
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