The third published novel of D. H. Lawrence, taken by many to be his earliest masterpiece, tells the story of Paul Morel, a young man and budding artist.
David Herbert Richards Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct.-wikipedia
The Princess" is a short story by D. H. Lawrence.David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct.Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation. Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel.Lawrence's best-known short stories include "The Captain's Doll", "The Fox", "The Ladybird", "Odour of Chrysanthemums", "The Princess", "The Rocking-Horse Winner", "St Mawr", "The Virgin and the Gypsy" and "The Woman who Rode Away". (The Virgin and the Gypsy was published as a novella after he died.) Among his most praised collections is The Prussian Officer and Other Stories, published in 1914. His collection The Woman Who Rode Away and Other Stories, published in 1928, develops the theme of leadership that Lawrence also explored in novels such as Kangaroo, The Plumed Serpent and Fanny and Annie.The obituaries shortly after Lawrence's death were, with the notable exception of E. M. Forster, unsympathetic or hostile. However, there were those who articulated a more favourable recognition of the significance of this author's life and works. For example, his longtime friend Catherine Carswell summed up his life in a letter to the periodical Time and Tide published on 16 March 1930. In response to his critics, she claimed:In the face of formidable initial disadvantages and life-long delicacy, poverty that lasted for three quarters of his life and hostility that survives his death, he did nothing that he did not really want to do, and all that he most wanted to do he did. He went all over the world, he owned a ranch, he lived in the most beautiful corners of Europe, and met whom he wanted to meet and told them that they were wrong and he was right. He painted and made things, and sang, and rode. He wrote something like three dozen books, of which even the worst page dances with life that could be mistaken for no other man's, while the best are admitted, even by those who hate him, to be unsurpassed. Without vices, with most human virtues, the husband of one wife, scrupulously honest, this estimable citizen yet managed to keep free from the shackles of civilization and the cant of literary cliques. He would have laughed lightly and cursed venomously in passing at the solemn owls—each one secretly chained by the leg—who now conduct his inquest. To do his work and lead his life in spite of them took some doing, but he did it, and long after they are forgotten, sensitive and innocent people—if any are left—will turn Lawrence's pages and will know from them what sort of a rare man Lawrence was.
David Herbert Richards Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct.-wikipedia
Women in Love is D.H Lawrence's sequel to The Rainbow, and is widely considered by critics to be Lawrence's best novel. It tells the story of the young Brangwen sisters and their struggles with relationships and power during the time leading up to the first world war. Though controversial for its depictions of sexuality and the destructive power of some relationships, Women in Love is considered one of the best examples of twentieth century English literature ever written.
Aaron Sisson, is a union official in the coal mines of the English Midlands, trapped in a stale marriage. He is also an amateur, but talented, flautist. At the start of the story he walks out on his wife and two children and decides on impulse to visit Italy. His dream is to become recognised as a professional musician. During his travels he encounters and befriends Rawdon Lilly, a Lawrence-like writer who nurses Aaron back to health when he is taken ill in post-war London. Having recovered his health, Aaron arrives in Florence. Here he moves in intellectual and artistic circles, argues about politics, leadership and submission, and has an affair with an aristocratic lady. The novel ends with an anarchist or fascist explosion that destroys Aaron's instrument. Many incidents in the novel have direct parallels with events in Lawrence's own life.
The protagonist of this picaresque novel, Aaron Sisson, is a union official in the coal mines of the English Midlands, trapped in a stale marriage. He is also an amateur, but talented, flautist. At the start of the story he walks out on his wife and two children and decides on impulse to visit Italy. His dream is to become recognised as a professional musician.
Centering on race and empire, this book revolutionizes the history of management. From slave management to U.S. managers functioning as transnational experts on managing diversity, it shows how "modern management" was made at the margins. Even in "scientific" management, playing races against each other remained a hallmark of managerial strategy.
CMH 30-15. Army Historical Series. 2nd of three planned volumes on the history of Army domestic support operations. This volume encompasses the period of the rise of industrial America with attendant social dislocation and strife. Major themes are: the evolution of the Army's role in domestic support operations; its strict adherence to law; and the disciplined manner in which it conducted these difficult and often unpopular operations.
This book focuses on the Colombian Violencia, the undeclared civil war between the Liberal and Conservative parties that raged from the late 1940s to early 1960s. It presents the information as a narrative history. There is also an array of appendixes, maps, and photographs.
Spanning the era from the end of Reconstruction (1877) to 1920, the entries of this reference were chosen with attention to the people, events, inventions, political developments, organizations, and other forces that led to significant changes in the U.S. in that era. Seventeen initial stand-alone essays describe as many themes.
Investigates the intellectual and political roots of the National Resources Planning Board (NRPB). This work follows New Deal planning from the first use of social sciences in rational management in the 1890s, to the 1920s reform efforts, the creation of the NRPB in 1933, and its abolition in 1943.
A convenient source of critical commentary on the careers and works of acclaimed authors who died between 1800 and 1899. A cumulative title index is published separately (included in subscription).
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