Paul Burke is an ex-pro cyclist from Montréal, Canada who has settled down to a quiet, unproductive existence on the French Riviera. He’s managing to pay the bills, but spends most of his time just killing time. Then the Tour de France comes to town and Burke finds himself caught up in one death and then a second. As he tries to sort out what has happened, Burke knows life will never be the same for him‒and those around him.
An Economic Analysis of Crime and Justice: Theory, Methods, and Applications presents the applications of economic theory and econometric methods to various problems in criminology. The book is divided into three parts. Part I discusses models of criminal recidivism. The second part tackles the economic model of crime. Part III estimates cost functions for prisons. Specific chapters in the book cover topics on statistical analysis of qualitative outcomes; analysis of two measures of criminal activity: the arrest rate and the conviction rate; and long-run estimate of cost function for a group of Federal Correctional Institutions. Economists, correctional administrators, and criminal justice professionals will find the book a great source of information and insight.
Although modern English and Irish poetry arises from the different cultures of the two countries these poets have shared - throughout this century - the same editors and publishers, competed for the same prizes, and been judged, ostensibly, by the same standards. This book examines contexts for these exchanges over four decades - tracing the lineages of Yeats and Hardy from their meeting in 1912 through WWI, the 30s, the 60s, and the 90s, - to see what influences and ideas are exchanged and how poetic value accrues.
Providing an indispensable resource for students investigating sexual harassment in the United States, Sexual Harassment: A Reference Handbook is a comprehensive summary of history, current events, possible solutions, and resources. Sexual Harassment: A Reference Handbook provides readers with a comprehensive overview of the topic and connected issues. In addition to discussing the background and history of sexual harassment, it analyzes related problems and controversies and gives possible solutions. It also provides additional perspectives on sexual harassment by contributors and sketches of people and organizations, as well as documents, resources, and a timeline. This volume covers workplace harassment; street harassment; harassment in schools, the military, and prisons; and cyber harassment. The format gives readers a well-balanced perspective on this timely topic with multiple viewpoints showcased in essays by contributors who have experienced sexual harassment, adding depth and relevance. The volume discusses the history of sexual harassment and brings the topic to the present day, and additionally covers recent events and people who have been in the news while putting them in context. Readers can see how laws and awareness of sexual harassment have changed. Additional resources are provided to guide those who wish to further investigate the topic.
This race-against-the-clock adventure features a mutiny, castaways on a remote island, earthquakes, whale hunting, dastardly villains, man against the elements, a rescue mission, and offbeat humor. There's never a dull moment as "The Children of Captain Grant" search the globe for their long-lost father and brother.
Haunted by the disappearance of his mother when he was eight years old, detective Hud Matthews begins his own investigation to find out what really happened so many years before. When a rare murder occurs in the lakeside community, Hud's veteran skills are called upon to capture the killer. Pulled deep into the threads of the community with ties to the past, Hud quickly becomes a target, not only of the killer, but of those who wish the past to be left alone. As Hud gets closer to discovering the truth about the crimes, he has to face a choice of enforcing the law, or stepping outside of it to make sure that his version of justice is served. From the Trade Paperback edition.
From 1860 to 1900, many towns in Nevada sprang up to serve the mining camps in the area. These towns provided the breeding ground for a unique character known as "the mining camp gunman." This book delves into the violent and gritty lives of various Nevada characters, including gunfighting miner Dick Prentice, lawman and politico Leslie Blackburn, peace officer William McKee, ruthless killer Hank Parrish, outlaw escape artist John Burke and other characters.
Is politics strictly a means to an end—something that serves only the interests of individuals and the various associations of civil society such as families and charities? Or is a society’s political common good an end in itself, an essential component of full human flourishing? Responding to recent influential arguments for the instrumentality of the political common good, Matthew D. Wright’s A Vindication of Politics addresses a lacuna in natural law political theory by foregrounding the significance of political culture. Rather than an activity defined by law and government, politics emerges in this account as a cultural enterprise that connects generations and ennobles our common life. The instrumentalist argument, in Wright’s view, does not give a plausible account of, among other things, the value of patriotism—of the way Americans revere the Founders, for instance, or love the Declaration of Independence, or idolize Abraham Lincoln. Such political affections cannot be explained by an instrumental common good. Loyalty to one’s country is not like a commitment to a telephone company. As nasty as politics can be, we hope for more from it than the quid pro quo of a business transaction. To arrive at an adequate theoretical account of why that is, Wright brings historical theory from Aristotle to Burke into conversation with contemporary theorists from John Finnis to Amy Gutmann. In A Vindication of Politics he develops a case for the intrinsic value of politics in a way that underwrites a healthy patriotism—and strongly suggests that the political common good is a critical part of what it means to be fully human. The book offers new insight into the nature of the political common good and human sociability as well as their importance for making sense of the fundamental questions of American constitutional identity, principles, and aspirations.
Can television shows like Modern Family, popular music by performers like Taylor Swift, advertisements for products like Samuel Adams beer, and films such as The Hunger Games help us understand rhetorical theory and criticism? The Third Edition of The Rhetorical Power of Popular Culture offers students a step-by-step introduction to rhetorical theory and criticism by focusing on the powerful role popular culture plays in persuading us as to what to believe and how to behave. In every chapter, students are introduced to rhetorical theories, presented with current examples from popular culture that relate to the theory, and guided through demonstrations about how to describe, interpret, and evaluate popular culture texts through rhetorical analysis. Author Deanna Sellnow also provides sample student essays in every chapter to demonstrate rhetorical criticism in practice. This edition’s easy-to-understand approach and range of popular culture examples help students apply rhetorical theory and criticism to their own lives and assigned work.
Apocalyptic expectations of Armageddon and a New Age have been a fixture of the American cultural landscape for centuries. With the approach of the year 2000, such millennial visions seem once again to be increasing in popularity. Stephen O'Leary sheds new light on the age-old phenomenon of the End of the Age by proposing a rhetorical explanation for the appeal of millennialism. Using examples of apocalyptic argument from ancient to modern times, O'Leary identifies the recurring patterns in apocalyptic texts and movements and shows how and why the Christian Apocalypse has been used to support a variety of political stances and programs. The book concludes with a critical review of the recent appearances of doomsday scenarios in our politics and culture, and a meditation on the significance of the Apocalypse in the nuclear age. Arguing the Apocalypse is the most thorough examination of its subject to date: a study of a neglected chapter of our religious and cultural history, a guide to the politics of Armageddon, and a map of millennial consciousness.
The New York Yankees have, without question, dominated the sport of baseball as no team ever has. Tracing the rise of this championship franchise from the early 1900s to the present, Taking on the Yankees examines the Bronx Bombers' rise by contrasting them with their three greatest National League rivals: the New York Giants, the St. Louis Cardinals, and the Brooklyn Dodgers. Alongside the story of the Yankees' success, Henry D. Fetter chronicles baseball's growth from a fledgling sport into America's national pastime and, eventually, into a multi-billion-dollar industry. The result is an exceptional and unique history of the Yankees and a compelling portrayal of one hundred years of major league baseball. Fetter has written a new afterword for the paperback edition.
In this exploration of new possibilities for the reduction of workplace violence and occupational homicide within a variety of work environments, Kelleher examines the crimes of the lethal employee or ex-employee and develops a profile of characteristics and behaviors often associated with workplace violence or murder. This profile, in turn, can be used to recognize potential violence before it occurs, allowing employers to devise early and effective intervention strategies. The author develops the profile of the potentially lethal employee through behavioral science models and an analysis of case histories of incidents of occupational homicide.
This is the complete, year-by-year, team-by-team statistical history of the Eastern League, giving a unique view of this minor baseball league from its inception to its current status. The book traces how one league evolved through more than 80 years of history. Through the window of one league, one can also see how the game itself evolved from the early part of the 20th century unto the present.
Forget Doris Day singing on the stagecoach. Forget Robin Weigert’s gritty portrayal on HBO’s Deadwood. The real Calamity Jane was someone the likes of whom you’ve never encountered. That is, until now. This book is a definitive biography of Martha Canary, the woman popularly known as Calamity Jane. Written by one of today’s foremost authorities on this notorious character, it is a meticulously researched account of how an alcoholic prostitute was transformed into a Wild West heroine. Always on the move across the northern plains, Martha was more camp follower than the scout of legend. A mother of two, she often found employment as waitress, laundress, or dance hall girl and was more likely to be wearing a dress than buckskin. But she was hard to ignore when she’d had a few drinks, and she exploited the aura of fame that dime novels created around her, even selling her autobiography and photos to tourists. Gun toting, swearing, hard drinking—Calamity Jane was all of these, to be sure. But whatever her flaws or foibles, James D. McLaird paints a compelling portrait of an unconventional woman who more than once turned the tables on those who sought to condemn or patronize her. He also includes dozens of photos—many never before seen—depicting Jane in her many guises. His book is a long-awaited biography of Martha Canary and the last word on Calamity Jane.
Bethany would love nothing more than to put her feet up on a desk and have a well-earned rest, but Lord Jud is preparing to bring the entire might of the Silver Knights against her. Since misery loves company, the northern lords are conspiring to murder her in her bed. There are spies and traitors everywhere, and some too close for comfort. So Bethany is going to do what she does best: war. May the Goddess have mercy upon their souls because she never will. And now, for the conclusion of the Tranquility series…prepare for Bethany’s last stand.
Your personal guide to one of Maine's most beloved lighthouses! Nubble Light has long been at the center of Maine's maritime history and lore, and is undoubtedly one of the state's greatest treasures...and All About Nubble Light is a treasure trove of facts, figures, history, and folklore surrounding this majestic beacon. Inside this book, you'll find: - The fascinating origins of Nubble Light and the history of the surrounding region - True tales of shipwrecks and daring rescues - Efforts undertaken for preservation - Stories of colorful keepers In addition, this book is filled with information for visiting and viewing the lighthouse. More than just a lighthouse handbook, this is your one-stop travel guide and reference source for touring and learning about this spectacular location on the southern Maine seacoast. Expert author Jeremy D'Entremont has also added a companion title, All About Portland Head Light, to his impressive body of work.
This book tells the story of the Scottish golf professionals who came to America in 1888 and struggled to earn a living and the respect of the wealthy amateur golf establishment and the United States Golf Association who controlled the sport. Charles "Chay" Burgess--founder of the New England PGA, teacher of three American national champions, and the savior of the Ryder cup--learned the game on ancient seaside links and competed against British greats. His arrival in the U.S. dramatically influenced the growth of golf and the reconciliation of differences between amateurs and professionals. In 1913, the American Francis Ouimet--a working-class unknown under Burgess' tutelage--won the U.S. Open against British celebrities Ted Ray and Harry Vardon. His triumph brought the game to mainstream America.
Some of the legendary gunmen of the Old West were lawmen, but more, like Billy the Kid and Jesse James, were outlaws. Tom Horn (1860–1903) was both. Lawman, soldier, hired gunman, detective, outlaw, and assassin, this darkly enigmatic figure has fascinated Americans ever since his death by hanging the day before his forty-third birthday. In this masterful historical biography, Larry Ball, a distinguished historian of western lawmen and outlaws, presents the definitive account of Horn’s career. Horn became a civilian in the Apache wars when he was still in his early twenties. He fought in the last major battle with the Apaches on U.S. soil and chased the Indians into Mexico with General George Crook. He bragged about murdering renegades, and the brutality of his approach to law and order foreshadows his controversial career as a Pinkerton detective and his trial for murder in Wyoming. Having worked as a hired gun and a range detective in the years after the Johnson County War, he was eventually tried and hanged for killing a fourteen-year-old boy. Horn’s guilt is still debated. To an extent no previous scholar has managed to achieve, Ball distinguishes the truth about Horn from the numerous legends. Both the facts and their distortions are revealing, especially since so many of the untruths come from Horn’s own autobiography. As a teller of tall tales, Horn burnished his own reputation throughout his life. In spite of his services as a civilian scout and packer, his behavior frightened even his lawless companions. Although some writers have tried to elevate him to the top rung of frontier gun wielders, questions still shadow Horn’s reputation. Ball’s study concludes with a survey of Horn as described by historians, novelists, and screenwriters since his own time. These portrayals, as mixed as the facts on which they are based, show a continuing fascination with the life and legend of Tom Horn.
The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book, highly illustrated in full colour, reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of the book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context.
Self-help authors like Tom Peters and Stephen Covey, who have dominated best-seller lists over the last two decades, have exercised increasing influence on political, governmental, and educational organizations. By contrast, the topic of American success books-- texts that promise to help readers succeed by retrofitting their identity to meet workplace demands--has been ignored by scholars since the 1980s. John Ramage challenges the neglect of this hugely popular literature and revives a once-lively conversation among eminent critics about the social phenomenon represented in the work of Bruce Barton, Dale Carnegie, and Norman Vincent Peale, among others. Using literary texts from Don Quixote to Catch-22 to gloss the discussion, Ramage utilizes Kenneth Burke's rhetorical theory to understand symbolic acts and social issues and brings together earlier commentaries within a new critical framework. He considers the problematic and paradoxical nature of success and examines its meaning in terms of its traditional dialectic partner, happiness. A synopsis of seventeenth- to nineteenth-century forerunners prefaces this analysis in which Ramage links literary code heroes with the activities of twentieth-century business leaders to determine whether, in the search for authenticity, the heroic individual or the corporation is ultimately served. This comprehensive study chronicles the legitimation of the success book genre, enumerates rhetorical strategies used to win over readers, and supplies the historical context that renders each book's message timely. After considering some of the dangers of crossing disciplinary borders, as exemplified by Deborah Tannen's work, Ramage critiques Stanley Fish's theoretical strictures against this practice, finally summoning academic critics to action with a strong call to exert greater influence within the popular marketplace.
Justin D. Garrison provides an original and groundbreaking analysis of Ronald Reagan’s imagination as it was expressed mainly in his presidential speeches. He argues that the predominant strain of Reagan’s imagination is "chimeric," that is, imbued with a high degree of optimism, romantic dreaminess, naiveté, and illusion. Reagan spoke often about religion, democracy, freedom, conservatism, progress, America’s role in the world, the American people, the American Founding, and peace. These are for him important symbols, which together express his general vision of politics and human existence. These symbols have to be analyzed in depth in order to understand who Reagan really was and what he represented to his admirers. The book concludes that Reagan’s vision contains many dubious elements that present dangers for practical politics and claims that the popularity of Reagan’s imagination among Americans suggests a problematic self-understanding. Surpassing, existing works on Reagan’s ideas and speeches, this book systematically explains the general quality and major components of Reagan’s vision, and it draws upon political theory, aesthetics, and American political thought to analyze his imagination.
Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements. Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.” Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.
The Third Duke of Portland served twice as Prime Minster and had a long and distinguished political career from 1760s to the 1780s. This study details how he was transformed from a pillar of the grand Whiggery (he was the brother-in-law of Georgiana, Duchess of Devonshire) into the figurehead for would-be Tories. The book also examines how he played an important public role in many of the political crises of his era (including the French Revolution and the Union) as well as a hidden role in British history (he was involved in the secret service and political corruption).
Kipling's Imperial Boy opens by examining the significance of boyhood in the evolution of European modernity. Chapter one shows how closely the figure of the adolescent (the 'boy') is associated with questions of imperial expansion and consolidation. The chapters that follow take up Rudyard Kipling's fiction of the imperial boy, emphasizing the imaginative link between adolescence and cultural hybridity and offering detailed readings of The Jungle Book, Stalky & Co ., and Kim.
Slaveholders were preoccupied with presenting slavery as a benign, paternalistic institution in which the planter took care of his family and slaves were content with their fate. In this book, Eugene D. Genovese and Elizabeth Fox-Genovese discuss how slaveholders perpetuated and rationalized this romanticized version of life on the plantation. Slaveholders' paternalism had little to do with ostensible benevolence, kindness and good cheer. It grew out of the necessity to discipline and morally justify a system of exploitation. At the same time, this book also advocates the examination of masters' relations with white plantation laborers and servants - a largely unstudied subject. Southerners drew on the work of British and European socialists to conclude that all labor, white and black, suffered de facto slavery, and they championed the South's 'Christian slavery' as the most humane and compassionate of social systems, ancient and modern.
Eugene O'Neill is the only American dramatist ever to have received the Nobel Prize for Literature. He wrote over 50 plays; a number are virtually unknown by the general public; several are considered classics of the American stage; all of them demonstrate, in one way or another, how O'Neill challenged the conventional boundaries of the drama of his time and thereby paved the way for modern American theatre. This volume will provide guides to eight of O'Neill's plays that are most often studied in schools and colleges: The Hairy Ape, Anna Christie, The Emperor Jones, Desire Under the Elms, Ah, Wilderness!, The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. More than almost any other author in any fictional genre, O'Neill's works are highly autobiographical. The love/hate relationships he had with the members of his own family resonate throughout his dramatic works. The son of an alcoholic and a morphine addict, he struggled with chemical dependency throughout his life, but determined to be an artist or nothing, he eventually gave up drinking and fulfilled his artistic ambitions, transforming the traumatic experiences of his life into compelling drama. O'Neill's drama provides insights into the complexities of human behavior and raises questions about the forces, both external and internal, that shape human lives.
History in all its forms is more popular nowadays than ever. History programmes on television can attract audiences in the millions, as do top heritage sites, while growing numbers of people pursue family and local history and join historical re-enactment societies. A bestselling history book can nowadays outsell a popular novel, something almost unimaginable fifty years ago. Who are the men and women who have helped make the past of such absorbing interest to the present, and how have they done so? In his stimulating anthology of essays about the life and work of some of our leading historians, Daniel Snowman provides a vivid snapshot of history and historians in our new century. Included in Historians are: Jeremy Black, John Brewer, Asa Briggs, Peter Burke, David Cannadine, Linda Colley, Norman Davies, Natalie Zemon Davis, Christopher Dyer, Richard J. Evans, Niall Ferguson, Felipe Fernández-Armesto, Orlando Figes, Eric Foner, Roy Foster, Antonia Fraser, Eric Hobsbawm, Geoffrey Hosking, Lisa Jardine, John Keegan, Ian Kershaw, John Morrill, Laurence Rees, Lyndal Roper, Simon Schama, Peter Stansky, David Starkey, Theodore Zeldin.
Addressing the pathology of the heart and cardiovascular system from a forensic perspective, Pathology of the Heart and Sudden Death in Forensic Investigations guides the pathologist toward the effective resolution of cases. It critically reviews pertinent facts by revisiting pathologic findings and comparing them to etiopathogenic hypotheses, prop
The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. No matter how confidently the sequence of apocalypse and millennium seems to be affirmed in some of the major works of the period, the issue is always in doubt: the fear that millennium may not ensue emerges as a significant, if often repressed, theme in the great works of the period. Related to it is the tension in Romantic poetry between conflicting models of history itself: history as teleology, developing towards end time and millennium, and history as purposeless cycle. This subject-matter is traced through a selection of works by the major poets, partly through an exposition of their underlying intellectual traditions, and partly through a close examination of the poems themselves.
Our top selling introductory accounting product Accounting Principles helps students succeed with its proven pedagogical framework, technical currency and an unparalleled robust suite of study and practice resources. It has been praised for its outstanding visual design, excellent writing style and clarity of presentation. The new eighth edition provides more opportunities to use technology and new features that empower students to apply what they have learned in the classroom to the world outside the classroom.
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