This exquisite prose debut from a prize-winning poet is a poignant exploration of the author’s experiences with love, work, and the surprise of time’s passage. “Enchanting.... Zarin knits her stories together with an appealing and deeply intimate voice.” —Boston Globe Zarin charts the shifting and complicated parameters of contemporary life and family in writing that feels nearly fictional in its richness of scene, dialogue, and mood. The writer herself is the marvelously rueful character at the center of these tales, at first a bewildered young woman navigating the terrain of new jobs and borrowed apartments in a long-vanished New York City. By the end, whether describing a newlywed journey to Italy, a child’s life-threatening illness, Mary McCarthy’s file cabinet, or the inner life of the New Yorker staff, this history of the heart shows us how persistent the past is in returning to us with entirely new lessons.
A daring, heartbreaking novel, Inverno is the book that J. D. Salinger’s Franny Glass might have written a few decades into her adulthood. Caroline waited for fifteen minutes in the snow. After a little time had passed, she was simply waiting to see what would happen. It was entirely possible he would not come. If he did not come, she would be in a different story than the one she had imagined, but it was possible, she knew, to imagine anything. Inverno is a love story that stretches across decades. Inverno is also the story of Caroline, waiting in Central Park in a snowstorm for her phone to ring, yards from where, thirty years ago, Alastair, as a boy, hid in the trees. Will he call? Won’t he? The story moves the way the mind does: years flash by in an instant—now we are in the perilous world of fairy tale, now stranded anew in childhood, with its sorrows and harsh words. Ever-present are the complicated negotiations of the heart. This startling and brilliantly original novel by Cynthia Zarin, the author of An Enlarged Heart, is a kaleidoscope in which the past and the present shatter. Elliptical and inventive in the mode of Elizabeth Hardwick’s Sleepless Nights, Inverno is miraculous and startling. It asks, How does love make and unmake a life?
A selection of the dazzling work of one of the finest writers of her generation and winner of the Los Angeles Times Book Prize, a poet of elegant restraint, emotional depth, and moral vision Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the reader to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax. From the clarity of childhood memory to the maze of marriage and divorce, from her own consciousness—shaping landscapes of New York, Cape Cod, and Rome, to the shifting tides of history and the troubled conscience of a nation, her subject matter encompasses all of a woman's life, with passion—its risks, satisfactions, and shattering immediacy—her first and truest subject.
This exquisite prose debut from a prize-winning poet is a poignant exploration of the author’s experiences with love, work, and the surprise of time’s passage. “Enchanting.... Zarin knits her stories together with an appealing and deeply intimate voice.” —Boston Globe Zarin charts the shifting and complicated parameters of contemporary life and family in writing that feels nearly fictional in its richness of scene, dialogue, and mood. The writer herself is the marvelously rueful character at the center of these tales, at first a bewildered young woman navigating the terrain of new jobs and borrowed apartments in a long-vanished New York City. By the end, whether describing a newlywed journey to Italy, a child’s life-threatening illness, Mary McCarthy’s file cabinet, or the inner life of the New Yorker staff, this history of the heart shows us how persistent the past is in returning to us with entirely new lessons.
A selection of the dazzling work of one of the finest writers of her generation and winner of the Los Angeles Times Book Prize, a poet of elegant restraint, emotional depth, and moral vision Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the reader to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax. From the clarity of childhood memory to the maze of marriage and divorce, from her own consciousness—shaping landscapes of New York, Cape Cod, and Rome, to the shifting tides of history and the troubled conscience of a nation, her subject matter encompasses all of a woman's life, with passion—its risks, satisfactions, and shattering immediacy—her first and truest subject.
From acclaimed poet and New Yorker writer Cynthia Zarin comes a deeply personal meditation on two cities, Venice and Rome—each a work of art, both a monument to the past—and on how love and loss shape places and spaces. Here we encounter a writer deeply engaged with narrative in situ—a traveler moving through beloved streets, sometimes accompanied, sometimes solo. With her, we see, anew, the Venice Biennale, the Lagoon, and San Michele, the island of the dead; the Piazza di Spagna, the Tiber, the view from the Gianicolo; the pigeons at San Marco and the parrots in the Doria Pamphili. As a poet first and foremost, Zarin’s attention to the smallest details, the loveliest gesture, brings Venice and Rome vividly to life for the reader. The sixteenth book in the expanding, renowned ekphrasis series, Two Cities creates space for these two historic cities to become characters themselves, their relationship to the writer as real as any love affair.
A daring, heartbreaking novel, Inverno is the book that J. D. Salinger’s Franny Glass might have written a few decades into her adulthood. Caroline waited for fifteen minutes in the snow. After a little time had passed, she was simply waiting to see what would happen. It was entirely possible he would not come. If he did not come, she would be in a different story than the one she had imagined, but it was possible, she knew, to imagine anything. Inverno is a love story that stretches across decades. Inverno is also the story of Caroline, waiting in Central Park in a snowstorm for her phone to ring, yards from where, thirty years ago, Alastair, as a boy, hid in the trees. Will he call? Won’t he? The story moves the way the mind does: years flash by in an instant—now we are in the perilous world of fairy tale, now stranded anew in childhood, with its sorrows and harsh words. Ever-present are the complicated negotiations of the heart. This startling and brilliantly original novel by Cynthia Zarin, the author of An Enlarged Heart, is a kaleidoscope in which the past and the present shatter. Elliptical and inventive in the mode of Elizabeth Hardwick’s Sleepless Nights, Inverno is miraculous and startling. It asks, How does love make and unmake a life?
“With Saver’s text as your essential writing companion, you will have instant access to user-friendly, expertly crafted content that can help pave your way to publishing success. Hands down, it is my personal go-to reference!” –Linda Laskowski-Jones, MS, APRN, ACNS-BC, CEN, NEA-BC, FAWM, FAAN Editor-in-Chief, Nursing2024: The Peer-Reviewed Journal of Clinical Excellence “An easy-to-read treasure trove of information and tips from seasoned editors and other experts, this book is an amazing resource for nurses at any career phase. An upto- date gem of a book that deserves a wide audience.” –Sean Clarke, PhD, RN, FAAN Ursula Springer Professor in Nursing Leadership and Executive Vice Dean NYU Rory Meyers College of Nursing Editor-in-Chief, Nursing Outlook If you need to make the leap from single sentences to a published manuscript, you will find valuable help and resources in this fully updated fifth edition of Anatomy of Writing for Publication for Nurses. In this practical and useful guide, lead author and editor Cynthia Saver removes the fear and confusion surrounding the writing and publishing process. Along the way, 25 of nursing’s top writing experts and decision-makers share important insights to help you craft a quality manuscript and get it accepted for publication. Learn how to: -Use artificial intelligence responsibly (and how it is misused in publishing) -Enhance dissemination of your work using video and graphical abstracts -Understand the evolving publishing terminology -Improve your writing skills -Create effective titles, abstracts, and cover letters -Write review articles, including systematic, scoping, and integrative reviews -Report evidence-based practice projects or qualitative, quantitative, and mixed methods studies -Write collaboratively with professionals in other healthcare disciplines -Turn your dissertation or DNP project into a published article -Understand preprints, reporting guidelines, and publication legal/ethical issues -Promote your work via posters and social media TABLE OF CONTENTS Part I: A Primer on Writing and Publishing Chapter 1: Anatomy or Writing Chapter 2: Finding, Refining, and Defining a Topic Chapter 3: How to Select and Query a Publication Chapter 4: Finding and Documenting Sources Chapter 5: Organizing the Article Chapter 6: Writing Skills Lab Chapter 7: All About Graphics Chapter 8: Submissions and Revisions Chapter 9: Writing a Peer Review Chapter 10: Publishing for Global Authors Chapter 11: Legal and Ethical Issues Chapter 12: Promoting Your Work Part II: Tips for Writing Different Types of Articles Chapter 13: Writing the Clinical Article Chapter 14: Writing the Research Report Chapter 15: Writing the Review Article Chapter 16: Reporting the Quality Improvement or Evidence-Based Practice Project Chapter 17: Writing for Presentations Chapter 18: From Student Project or Dissertation to Publication Chapter 19: Writing for Continuing Professional Development Activity Chapter 20: Writing the Nursing Narrative Chapter 21: Think Outside the Journal: Alternative Publication Options Chapter 22: Writing a Book or Book Chapter Chapter 23: Writing for a General Audience Part III: Appendices A: Tips for Editing Checklist B: Proofing Checklist C: Publishing Terminology D: Guidelines for Reporting Results E: Statistical Abbreviations F: What Editors and Writers Want G: Publishing Secrets from Editors
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