“Able, patient and often witty . . . provides a critically useful case study of a period when the level of distortion reached dramatic new heights.” (New York Times Book Review) One scarcely knows whether to laugh or cry. The spectacle presented, in Cynthia Russett's splendid book, of nineteenth-century white male scientists and thinkers earnestly trying to prove women inferior to men—thereby providing, along with "savages" and "idiots," an evolutionary buffer between men and animals—is by turns appalling, amusing, and saddening. Surveying the work of real scientists as well as the products of more dubious minds, Russett has produced a learned yet immensely enjoyable chapter in the annals of human folly. At the turn of the century science was successfully challenging the social authority of religion; scientists wielded a power no other group commanded. Unfortunately, as Russett demonstrates, in Victorian sexual science, empiricism tangled with prior belief, and scientists' delineation of the mental and physical differences between men and women was directed to show how and why women were inferior to men. No other work has treated this provocative topic so completely, nor have the various scientific theories used to marshal evidence of women's inferiority been so thoroughly delineated and debunked. Erudite enough for scholars in the history of science, intellectual history, and the history of women, this book with its stylish presentation will also attract a larger mainstream audience. Winner of the Berkeley Conference of Women Historians Book Award
One scarcely knows whether to laugh or cry. The spectacle presented, in Cynthia Russett's splendid book, of nineteenth-century white male scientists and thinkers earnestly trying to prove women inferior to men--thereby providing, along with "savages" and "idiots," an evolutionary buffer between men and animals--is by turns appalling, amusing, and saddening. Surveying the work of real scientists as well as the products of more dubious minds, Russett has produced a learned yet immensely enjoyable chapter in the annals of human folly. At the turn of the century science was successfully challenging the social authority of religion; scientists wielded a power no other group commanded. Unfortunately, as Russett demonstrates, in Victorian sexual science, empiricism tangled with prior belief, and scientists' delineation of the mental and physical differences between men and women was directed to show how and why women were inferior to men. These men were not necessarily misogynists. This was an unsettling time, when the social order was threatened by wars, fierce economic competition, racial and industrial conflict, and the failure of society to ameliorate poverty, vice, crime, illnesses. Just when men needed the psychic lift an adoring dependent woman could give, she was demanding the vote, higher education, and the opportunity to become a wage earner! No other work has treated this provocative topic so completely, nor have the various scientific theories used to marshal evidence of women's inferiority been so thoroughly delineated and debunked. Erudite enough for scholars in the history of science, intellectual history, and the history of women, this book with its stylish presentation will also attract a large nonspecialist audience.
One scarcely knows whether to laugh or cry. The spectacle presented, in Cynthia Russett's splendid book, of nineteenth-century white male scientists and thinkers earnestly trying to prove women inferior to men--thereby providing, along with "savages" and "idiots," an evolutionary buffer between men and animals--is by turns appalling, amusing, and saddening. Surveying the work of real scientists as well as the products of more dubious minds, Russett has produced a learned yet immensely enjoyable chapter in the annals of human folly. At the turn of the century science was successfully challenging the social authority of religion; scientists wielded a power no other group commanded. Unfortunately, as Russett demonstrates, in Victorian sexual science, empiricism tangled with prior belief, and scientists' delineation of the mental and physical differences between men and women was directed to show how and why women were inferior to men. These men were not necessarily misogynists. This was an unsettling time, when the social order was threatened by wars, fierce economic competition, racial and industrial conflict, and the failure of society to ameliorate poverty, vice, crime, illnesses. Just when men needed the psychic lift an adoring dependent woman could give, she was demanding the vote, higher education, and the opportunity to become a wage earner! No other work has treated this provocative topic so completely, nor have the various scientific theories used to marshal evidence of women's inferiority been so thoroughly delineated and debunked. Erudite enough for scholars in the history of science, intellectual history, and the history of women, this book with its stylish presentation will also attract a large nonspecialist audience.
“Able, patient and often witty . . . provides a critically useful case study of a period when the level of distortion reached dramatic new heights.” (New York Times Book Review) One scarcely knows whether to laugh or cry. The spectacle presented, in Cynthia Russett's splendid book, of nineteenth-century white male scientists and thinkers earnestly trying to prove women inferior to men—thereby providing, along with "savages" and "idiots," an evolutionary buffer between men and animals—is by turns appalling, amusing, and saddening. Surveying the work of real scientists as well as the products of more dubious minds, Russett has produced a learned yet immensely enjoyable chapter in the annals of human folly. At the turn of the century science was successfully challenging the social authority of religion; scientists wielded a power no other group commanded. Unfortunately, as Russett demonstrates, in Victorian sexual science, empiricism tangled with prior belief, and scientists' delineation of the mental and physical differences between men and women was directed to show how and why women were inferior to men. No other work has treated this provocative topic so completely, nor have the various scientific theories used to marshal evidence of women's inferiority been so thoroughly delineated and debunked. Erudite enough for scholars in the history of science, intellectual history, and the history of women, this book with its stylish presentation will also attract a larger mainstream audience. Winner of the Berkeley Conference of Women Historians Book Award
Women Writers in the United States is a celebration of the many forms of work - written and social, tangible and intangible - produced by American women. Furthering their work in The Oxford Companion to Women's Writing in the United States, Davis and West document the variety and volume of women's work in the United States in a clear and accessible timeline format. They present information on the full spectrum of women's writing - including fiction, poetry, biography, political manifestos, essays, advice columns, and cookbooks - alongside a chronology of developments in social and cultural history that are especially pertinent to women's lives. This extensive chronology illustrates the diversity of women who have lived and written in the United States and creates a sense of the full trajectory of individual careers. A valuable and rich source of information on women's studies, literature, and history, Women Writers in the United States will enable readers to locate familiar and unfamiliar women's texts and to place them in the context out of which they emerged.
At the heart of Cynthia Thayer's debut novel, Strong for Potatoes, was the tender relationship between a girl and her grandfather, constantly evolving as their lives grew and changed. Now, in Thayer's second novel, she tackles another kind of relationship, one between strangers. Peter lost his wife and children in a fire years ago, yet the wounds are still as fresh as if it happened yesterday. He's turned into something of a hermit in a cabin on the coast of Maine, shearing sheep and gardening to live, an old Passamaquoddy woman his only friend. Elaine is eight months pregnant and on the run from her husband, a hard man more interested in control than love. Fear is simply a part of her life, fear for herself and her unborn child. When Elaine turns up outside Peter's cabin during one of Maine's worst winter storms in years, Peter can't turn her away into the ice. Holed up together in his one-room home, the two troubled, lonely adults clash, then slowly discover that friendship, support, and healing can come in the most unlikely places.
Everyone has heard of Method acting . . . but what about Modern acting? This book makes the simple but radical proposal that we acknowledge the Modern acting principles that continue to guide actors’ work in the twenty-first century. Developments in modern drama and new stagecraft led Modern acting strategies to coalesce by the 1930s – and Hollywood’s new role as America’s primary performing arts provider ensured these techniques circulated widely as the migration of Broadway talent and the demands of sound cinema created a rich exchange of ideas among actors. Decades after Strasberg’s death in 1982, he and his Method are still famous, while accounts of American acting tend to overlook the contributions of Modern acting teachers such as Josephine Dillon, Charles Jehlinger, and Sophie Rosenstein. Baron’s examination of acting manuals, workshop notes, and oral histories illustrates the shared vision of Modern acting that connects these little-known teachers to the landmark work of Stanislavsky. It reveals that Stella Adler, long associated with the Method, is best understood as a Modern acting teacher and that Modern acting, not Method, might be seen as central to American performing arts if the Actors’ Lab in Hollywood (1941-1950) had survived the Cold War.
[Levy's] recollections are delightful, loving, and unique."-New York Times "A lovely, loving memoir."-Blanche Wiesen Cook, Winner of the L.A. Times Book Prize for Eleanor Roosevelt, 1884--1933, Vol. 1 "[A] loving remembrance."-Kirkus Reviews One of the most admired women of the twentieth century, Eleanor Roosevelt will always be remembered for her remarkable achievements as First Lady, United Nations official, and passionate advocate for the causes she held close to her heart. Now, through fascinating anecdotes, many of them totally fresh, William Turner Levy-a close friend of the former First Lady-gives us an intimate look at Eleanor Roosevelt and the way she viewed the world. And with the help of acclaimed historian Cynthia Eagle Russett, we also see Eleanor Roosevelt's role in shaping American and international politics. In this rare book, we gain a cherished glimpse of the extraordinary Mrs. R-as if she were our friend, too. An enchanting portrait of Eleanor Roosevelt in all her human dimensions-with fascinating anecdotes of the people she knew and loved-this refreshing and affectionate memoir reveals the fun-loving, intelligent, and vibrant woman behind the public persona.
[Levy's] recollections are delightful, loving, and unique."-New York Times "A lovely, loving memoir."-Blanche Wiesen Cook, Winner of the L.A. Times Book Prize for Eleanor Roosevelt, 1884--1933, Vol. 1 "[A] loving remembrance."-Kirkus Reviews One of the most admired women of the twentieth century, Eleanor Roosevelt will always be remembered for her remarkable achievements as First Lady, United Nations official, and passionate advocate for the causes she held close to her heart. Now, through fascinating anecdotes, many of them totally fresh, William Turner Levy-a close friend of the former First Lady-gives us an intimate look at Eleanor Roosevelt and the way she viewed the world. And with the help of acclaimed historian Cynthia Eagle Russett, we also see Eleanor Roosevelt's role in shaping American and international politics. In this rare book, we gain a cherished glimpse of the extraordinary Mrs. R-as if she were our friend, too. An enchanting portrait of Eleanor Roosevelt in all her human dimensions-with fascinating anecdotes of the people she knew and loved-this refreshing and affectionate memoir reveals the fun-loving, intelligent, and vibrant woman behind the public persona.
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