Of enduring historical and contemporary interest, the anatomy theater is where students of the human body learn to isolate structures in decaying remains, scrutinize their parts, and assess their importance. Taking a new look at the history of anatomy, Cynthia Klestinec places public dissections alongside private ones to show how the anatomical theater was both a space of philosophical learning, which contributed to a deeper scientific analysis of the body, and a place where students learned to behave, not with ghoulish curiosity, but rather in a civil manner toward their teachers, their peers, and the corpse. Klestinec argues that the drama of public dissection in the Renaissance (which on occasion included musical accompaniment) served as a ploy to attract students to anatomical study by way of anatomy’s philosophical dimensions rather than its empirical offerings. While these venues have been the focus of much scholarship, the private traditions of anatomy comprise a neglected and crucial element of anatomical inquiry. Klestinec shows that in public anatomies, amid an increasingly diverse audience—including students and professors, fishmongers and shoemakers—anatomists emphasized the conceptual framework of natural philosophy, whereas private lessons afforded novel visual experiences where students learned about dissection, observed anatomical particulars, considered surgical interventions, and eventually speculated on the mechanical properties of physiological functions. Theaters of Anatomy focuses on the post-Vesalian era, the often-overlooked period in the history of anatomy after the famed Andreas Vesalius left the University of Padua. Drawing on the letters and testimony of Padua's medical students, Klestinec charts a new history of anatomy in the Renaissance, one that characterizes the role of the anatomy theater and reconsiders the pedagogical debates and educational structure behind human dissection.
Of enduring historical and contemporary interest, the anatomy theater is where students of the human body learn to isolate structures in decaying remains, scrutinize their parts, and assess their importance. Taking a new look at the history of anatomy, Cynthia Klestinec places public dissections alongside private ones to show how the anatomical theater was both a space of philosophical learning, which contributed to a deeper scientific analysis of the body, and a place where students learned to behave, not with ghoulish curiosity, but rather in a civil manner toward their teachers, their peers, and the corpse. Klestinec argues that the drama of public dissection in the Renaissance (which on occasion included musical accompaniment) served as a ploy to attract students to anatomical study by way of anatomy’s philosophical dimensions rather than its empirical offerings. While these venues have been the focus of much scholarship, the private traditions of anatomy comprise a neglected and crucial element of anatomical inquiry. Klestinec shows that in public anatomies, amid an increasingly diverse audience—including students and professors, fishmongers and shoemakers—anatomists emphasized the conceptual framework of natural philosophy, whereas private lessons afforded novel visual experiences where students learned about dissection, observed anatomical particulars, considered surgical interventions, and eventually speculated on the mechanical properties of physiological functions. Theaters of Anatomy focuses on the post-Vesalian era, the often-overlooked period in the history of anatomy after the famed Andreas Vesalius left the University of Padua. Drawing on the letters and testimony of Padua's medical students, Klestinec charts a new history of anatomy in the Renaissance, one that characterizes the role of the anatomy theater and reconsiders the pedagogical debates and educational structure behind human dissection.
God’s Welcome: A Co-Creative Vision of the Spiritual Exercises of St. Ignatius for Women By: Cynthia Byers Walter While remaining true to the original Spiritual Exercises of St. Ignatius, God’s Welcome presents the exercises in a more dialogical format that respects the range of experience of twenty-first century seekers. Conceived as a response to the issues women typically face when making the Exercises, this book appeals to anyone interested in a deeper, co-creative, and cooperative relationship with God through Jesus Christ. Using the Ignatian pattern of a daily discipline of prayer, God’s Welcome takes the seeker through a journey of about nine months, in which spiritual growth is informed not only by Holy Scripture, but by the scripture of daily life and experience.
Are you in bondage to your childhood? Do you suffer from a deep seeded loneliness that you think no one knows about? Are you unable to forgive no matter how hard you try? This is my story of how with God's help I was able to claim victory and enter into His joy. A joy I could only read about in the Bible... yet it always seemed unattainable no matter how hard or how long I prayed. It was a long and drawn out journey learning how to fully and wholly surrender my will over to the Father. My hope is that by reading my story your journey to wholeness can be shortened. That you too can receive victory and begin entering in to the joy of the Lord.
Too often our broken hearts hold us back from living extraordinary lives. Transparent and unapologetic, Cynthia exposes the faulty beliefs that once left her feeling worthless, not enough, and shares how "Girl You Got This" helped her to move pass not good enough to more than enough. Sometimes finding your strength means to dig deep and find that hurting little girl on the inside of you and heal her heart. Learning how to love Keith taught me how to love myself, but most importantly, it taught me how to Love God.
Within is the Fountain is a conversation with God held by Leonora Nichols while living on Monticello Mountain in Charlottesville Virgina. Each morning she arose and for 10 years she transcribed the Voice that spoke to her. Part meditation, part journey "Within is the Fountain" can change your life and has the true ring of divinity in it's pages.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.