René Girard (1923–2015) was one of the leading thinkers of our era—a provocative sage who bypassed prevailing orthodoxies to offer a bold, sweeping vision of human nature, human history, and human destiny. His oeuvre, offering a “mimetic theory” of cultural origins and human behavior, inspired such writers as Milan Kundera and J. M. Coetzee, and earned him a place among the forty “immortals” of the Académie Française. Too often, however, his work is considered only within various academic specializations. This first-ever biographical study takes a wider view. Cynthia L. Haven traces the evolution of Girard’s thought in parallel with his life and times. She recounts his formative years in France and his arrival in a country torn by racial division, and reveals his insights into the collective delusions of our technological world and the changing nature of warfare. Drawing on interviews with Girard and his colleagues, Evolution of Desire: A Life of René Girard provides an essential introduction to one of the twentieth century’s most controversial and original minds.
In this fifth book in the Victoria Trumbull series, the ninety-two-year-old sleuth finds herself embroiled in a series of murders after she is fired from her job as West Tisbury correspondent for The Island Enquirer (the editor claims the newspaper needs a younger look). Victoria, determined to show that age is no barrier to news papering, immediately throws her weight behind The Grackle, intent on turning the two-page West Tisbury newsletter into a formidable competitor of the Enquirer. And it looks as though she will. In the meantime, the Enquirer's narcissistic editor has been receiving a series of obituaries, each naming him as the deceased. He would dismiss them as a sick joke, but the obituaries follow the actual deaths of people close to him. Rather than going to the police, he grudgingly rehires Victoria to uncover the identity of the obituary writer. Victoria knows almost everybody on the Island, and she may be the only person who can solve the mystery before the editor needs a genuine obituary of his own. In The Paperwhite Narcissus, as in the four previous books in the series, Cynthia Riggs explores the rich and varied setting of Martha's Vineyard in a way that only a native Islander can. The story glides from Wasque, the desolate southeast corner of Chappaquiddick, to the Coast Guard boat ramp in Menemsha; from the elegantly maintained Captains' houses in Edgartown to the wild Atlantic Ocean beach at Quansoo. A delightfully cozy read, steeped in rich characters and a sense of place, this latest Victoria Trumbull mystery is sure to charm long-time fans and first-time readers.
The time for new approaches to White's work is overdue. Central to the present study are Edward Said's ideas about the role of the intellectual (and the writer) – of speaking “truth to power,” and also the importance of tracing the “affiliations” of a text and its embeddedness in the world. This approach is not incompatible with Jung's theory of the 'great' artist and his capacity to answer the deep-seated psychic needs of his people. White's work has contributed in many different ways to the writing of the nation. The spiritual needs of a young nation such as Australia must also comprehend its continual urge towards self-definition. Explored here is one important aspect of that challenge: white Australia's dealings with the indigenous people of the land, tracing the significance of the Aboriginal presence in three texts selected from the oeuvre of Patrick White:Voss (1957), Riders in the Chariot (1961), and A Fringe of Leaves (1976). Each of these texts interrogates European culture's denigration of the non-European Other as embedded in the discourse of orientalism. One central merit of White's commanding perspective is the constant close attention he pays to European hubris and to the paramount autonomy of indigenous culture. There is evidence even of a project which can be articulated as a search for the possibility of white indigeneity, the potential for the white settler's belonging within the land as does the indigene.
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
Repetition and Race explores the literary forms and critical frameworks occasioned by the widespread institutionalization of liberal multiculturalism by turning to the exemplary case of Asian American literature. Whether beheld as "model minorities" or objects of "racist love," Asian Americans have long inhabited the uneasy terrain of institutional embrace that characterizes the official antiracism of our contemporary moment. Repetition and Race argues that Asian American literature registers and responds to this historical context through formal structures of repetition. Forwarding a new, dialectical conception of repetition that draws together progress and return, motion and stasis, agency and subjection, creativity and compulsion, this book reinterprets the political grammar of four forms of repetition central to minority discourse: trauma, pastiche, intertextuality, and self-reflexivity. Working against narratives of multicultural triumph, the book shows how texts by Theresa Cha, Susan Choi, Karen Tei Yamashita, Chang-rae Lee, and Maxine Hong Kingston use structures of repetition to foreground moments of social and aesthetic impasse, suspension, or hesitation rather than instances of reversal or resolution. Reading Asian American texts for the way they allegorize and negotiate, rather than resolve, key tensions animating Asian American culture, Repetition and Race maps both the penetrating reach of liberal multiculturalism's disciplinary formations and an expanded field of cultural politics for minority literature.
An unsettling story of corruption and exploitation in the Ocean State from slave ships to politics. Over thirty thousand slaves were brought to the shores of colonial America on ships owned and captained by James DeWolf. When the United States took action to abolish slavery, this Bristol native manipulated the legal system and became actively involved in Rhode Island politics in order to pursue his trading ventures. He served as a member of the House of Representatives in the state of Rhode Island and as a United States senator, all while continuing the slave trade years after passage of the Federal Slave Trade Act of 1808. DeWolf's political power and central role in sustaining the state's economy allowed him to evade prosecution from local and federal authorities--even on counts of murder. Through archival records, author Cynthia Mestad Johnson uncovers the secrets of James DeWolf.
Alexander Ashley has decided women of the ton are more interested in status than love. His game is seduction and nothing more. His feelings regarding aristocratic ladies leads to an outlandish idea—prove a servant can be taught to be as ladylike as those born to it. And the beautiful Inis Fitzgerald might be just the woman for his plan. Inis Fitzgerald escaped her home in Dublin to avoid an arranged marriage and is now working for a rakishly handsome lord who seems to enjoy bucking convention as much as she does. She plays along with his little game, pretending she knows nothing about being a lady. It doesn’t take long before Alex discovers Inis is every bit as much of an aristocrat as the women he’s sworn only to seduce and not love... Each book in the Rake Trilogy series is STANDALONE: * A Rake's Redemption * A Rake's Revenge * A Rake's Rebellion
Canadian literature, and specifically the teaching of Canadian literature, has emerged from a colonial duty to a nationalist enterprise and into the current territory of postcolonialism. From practical discussions related to specific texts, to more theoretical discussions about pedagogical practice regarding issues of nationalism and identity, Home-Work constitutes a major investigation and reassessment of the influence of postcolonial theory on Canadian literary pedagogy from some of the top scholars in the field.
The various monsters that people 1950s sf - giant insects, prehistoric creatures, mutants, uncanny doubles, to name a few - serve as metaphorical embodiments of a varied and complex cultural paranoia."--BOOK JACKET. "Hendershot provides both theoretical discussion of paranoia and close readings of sf films in order to construct her argument, elucidating the various metaphors used by these films to convey a paranoiac view of a society forever altered by the atomic bomb."--BOOK JACKET.
For more than a century, American communities erected monuments to western pioneers. Although many of these statues receive little attention today, the images they depict—sturdy white men, saintly mothers, and wholesome pioneer families—enshrine prevailing notions of American exceptionalism, race relations, and gender identity. Pioneer Mother Monuments is the first book to delve into the long and complex history of remembering, forgetting, and rediscovering pioneer monuments. In this book, historian Cynthia Culver Prescott combines visual analysis with a close reading of primary-source documents. Examining some two hundred monuments erected in the United States from the late nineteenth century to the present, Prescott begins her survey by focusing on the earliest pioneer statues, which celebrated the strong white men who settled—and conquered—the West. By the 1930s, she explains, when gender roles began shifting, new monuments came forth to honor the Pioneer Mother. The angelic woman in a sunbonnet, armed with a rifle or a Bible as she carried civilization forward—an iconic figure—resonated particularly with Mormon audiences. While interest in these traditional monuments began to wane in the postwar period, according to Prescott, a new wave of pioneer monuments emerged in smaller communities during the late twentieth century. Inspired by rural nostalgia, these statues helped promote heritage tourism. In recent years, Americans have engaged in heated debates about Confederate Civil War monuments and their implicit racism. Should these statues be removed or reinterpreted? Far less attention, however, has been paid to pioneer monuments, which, Prescott argues, also enshrine white cultural superiority—as well as gender stereotypes. Only a few western communities have reexamined these values and erected statues with more inclusive imagery. Blending western history, visual culture, and memory studies, Prescott’s pathbreaking analysis is enhanced by a rich selection of color and black-and-white photographs depicting the statues along with detailed maps that chronologically chart the emergence of pioneer monuments.
Create inclusive educational environments that benefit ALL learners! As schools become more diverse with students of differing abilities and needs, this self-reflective and action-oriented guide helps you create and support more inclusive schools and classrooms that intentionally educate all students. Using the Five Essential Elements of Cultural Proficiency as a roadmap, this book presents: Students’ learning differences as just that – differences rather than deficits Strategies that show you how to break though the common barriers to culturally proficient and inclusive schooling Assessments that gauge your awareness and show you how to best serve every student’s needs
How and why did a medieval female saint from the Eastern Mediterranean come to be such a powerful symbol in early modern Rome? This study provides an overview of the development of the cult of Catherine of Alexandria in Renaissance Rome, exploring in particular how a saint's cult could be variously imaged and 'reinvented' to suit different eras and patronal interests. Cynthia Stollhans traces the evolution of the saint's imagery through the lens of patrons and their interests-with special focus on the importance of Catherine's image in the fashioning of her Roman identity-to show how her imagery served the religious, political, and/or social agendas of individual patrons and religious orders.
Providing an overview of the entertainment industry, this study includes entertainment economics, theories of entertainment, entertainment research, & covers different types of entertainment including media, sports, gaming, theme entertainment, travel & tourism, & live performance.
A feminist comparison of D.H. Lawrence (1885-1930) and James Joyce (1882-1941), providing new readings of a number of their most important works, including Lawrence's Man Who Died and Joyce's Finnegans Wake. Reexamining Lawrence and Joyce from the point of view of feminist psychoanalysis, Lewiecki-Wilson challenges the notion that the two novelists reside in opposing modernist camps, contending that in fact they exist along a continuum, with both engaged in a reimagination of gender relations. Annotation copyright by Book News, Inc., Portland, OR
Designed primarily for the international lawyer and international law student, this one-of-a-kind text introduces readers to legal analysis and communications used in the U.S. With customized exercises, examples, and illustrations, the authors, who together have more than seven decades of experience teaching legal writing, provide detailed instruction on the types of legal writing that international lawyers are most likely to engage in with U.S. lawyers. Organized for optimizing skills-building, the text begins with a contextual overview of the court system and the civil litigation process in the U.S., and then moves to structuring and communicating an objective analysis, briefing a case, and doing statutory analysis. The text delivers practical guidance on writing client letters, demand letters, office memos, and electronic correspondence. The authors emphasize structure, planning, and ethics in educating about the legal writing process. New to the Third Edition: New co-author Katrina Lee, Clinical Professor of Law, Director of LL.M. Legal Writing, Director of Program on Dispute Resolution, The Ohio State University Moritz College of Law; and former President of the Association of Legal Writing Directors Reorganized and streamlined chapters for a stronger and more concise presentation Expanded coverage of legal writing skills related to how to structure and formulate an objective legal analysis; how to write a formal office memo, client letters, and demand letters; and how to write professional emails and e-memos New mini TOCs at the start of each chapter that provide a handy “roadmap” of topics covered Updated material throughout Professors and students will benefit from: Detailed and summary table of contents, plus chapter roadmaps Glossary of terms for international readers Overviews of the U.S. government and court system, the common law system, and the civil litigation process Clear exposition supported by numerous exercises that cover the types of legal writing international lawyers are most likely to use Emphasis on an ethical, thorough, and structured writing process
The fourth edition of this innovative textbook introduces students to the main theories in international relations. It explains and analyzes each theory, allowing students to understand and critically engage with the myths and assumptions behind them. Each theory is illustrated using the example of a popular film. Key features of this textbook include: Discussion of all the main theories: realism and neo-realism, idealism and neo-idealism, liberalism, constructivism, postmodernism, gender, globalization, environmentalism, anarchism A new chapter on anarchism, debt and the Occupy Movement including use of the film, The Hunger Games New chapter brings the textbook up to date with reflections on the 2008 Global Financial Crisis and reactions to it by focusing on the myth this crisis generated, ‘We are the 99%’ Innovative use of narratives from films that students will be familiar with: Lord of the Flies, Independence Day, Wag the Dog, Fatal Attraction, The Truman Show, East is East, Memento, WALL-E and The Hunger Games Accessible and exciting writing style which is well-illustrated with film stills in each chapter, boxed key concepts and guides to further reading. This breakthrough textbook has been designed to unravel the complexities of international relations theory in a way that gives students a clearer idea of how the theories work, and of the myths associated with them.
What would it take to have a world where everyone had enough? How can we eliminate poverty, leave enough for nonhuman nature, and increase well-being? This book explores ways the reader can live their life, engage with cultural change, and engage with policy making, to build that world. We are presently on a path to environmental destruction, as our societies are driven by forces which leave many people without what they need to meet their basic needs, while also wasting vast resources on an unsatisfying consumer economy. The current system does not lead to a sense of wellbeing, even among those who are relatively materially comfortable. This book focuses on solutions for building a world of enough. It explains how we can reorient our thinking and take the steps necessary to transform our social systems. It looks at ways to reduce the insatiable desire for status and consumption that drive our economies. It focuses on emerging approaches to economics that take well-being as their goal and explores the policies that are crucial for getting there, such as reducing inequality, investing in public goods, and reducing work time. The book arms the reader with a variety of tools for building a world where everyone has enough for a good life.
Including among their number a signer of the Declaration of Independence and the founder of an ironworks, the Livingstons were a prominent family in the political, economic, and social life of colonial New York. Drawing on a rich array of sources, Cynthia Kierner vividly recreates the history of four generations of Livingstons and sheds new light on the development of both the elite ideology they represented and of the wider culture of early America. Although New York's colonial elite have been considered self-interested political intriguers, Kierner contends that the Livingstons idealized gentility and public-spiritedness, industry and morality. She shows how New York's most successful traders became gentlefolk without abandoning their entrepreneurial values, how they forged a distinct culture, and how the Revolution ultimately occasioned the rejection of elite political authority. Traders and Gentlefolk focuses on the lives of four members of the family: Robert Livingston, a Scottish emigrant who, with his wife Alida Schuyler, attained substantial political influence and acquired Livingston Manor; their son Philip, whose outstanding commercial talents secured his descendants' financial security; Philip's son, William, an outspoken civic leader and energetic supporter of American independence; and Robert R. Livingston, a jurist and diplomat whose aristocratic temperament prevented him from playing a vital role in post-Revolutionary politics.
In this wide-ranging biography, historian Cynthia Orozco examines the life and work of one of the most influential Mexican Americans of the twentieth century. Alonso S. Perales was born in Alice, Texas, in 1898; he became an attorney, leading civil rights activist, author and US diplomat. Perales was active in promoting and seeking equality for “La Raza” in numerous arenas. In 1929, he co-founded the League of United Latin American Citizens (LULAC), the most important Latino civil rights organization in the United States. He encouraged the empowerment of Latinos at the voting box and sought to pass state and federal legislation banning racial discrimination. He fought for school desegregation in Texas and initiated a movement for more and better public schools for Mexican-descent people in San Antonio. A complex and controversial figure, Alonso S. Perales is now largely forgotten, and this first-ever comprehensive biography reveals his work and accomplishments to a new generation of scholars of Mexican-American history and Hispanic civil rights. This volume is divided into four parts: the first is organized chronologically and examines his childhood to his role in World War I, the beginnings of his activism in the 1920s and the founding of LULAC. The second section explores his impact as an attorney, politico, public intellectual, Pan-American ideologue and US diplomat. Perales’ private life is examined in the third part and scholars’ interpretations of his legacy in the fourth.
Soul Power is a cultural history of those whom Cynthia A. Young calls “U.S. Third World Leftists,” activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the “long 1960s.” Nearly thirty countries in Africa, Asia, and Latin America declared formal independence in the 1960s alone. Arguing that the significance of this wave of decolonization to U.S. activists has been vastly underestimated, Young describes how literature, films, ideologies, and political movements that originated in the Third World were absorbed by U.S. activists of color. She shows how these transnational influences were then used to forge alliances, create new vocabularies and aesthetic forms, and describe race, class, and gender oppression in the United States in compelling terms. Young analyzes a range of U.S. figures and organizations, examining how each deployed Third World discourse toward various cultural and political ends. She considers a trip that LeRoi Jones, Harold Cruse, and Robert F. Williams made to Cuba in 1960; traces key intellectual influences on Angela Y. Davis’s writing; and reveals the early history of the hospital workers’ 1199 union as a model of U.S. Third World activism. She investigates Newsreel, a late 1960s activist documentary film movement, and its successor, Third World Newsreel, which produced a seminal 1972 film on the Attica prison rebellion. She also considers the L.A. Rebellion, a group of African and African American artists who made films about conditions in the Watts neighborhood of Los Angeles. By demonstrating the breadth, vitality, and legacy of the work of U.S. Third World Leftists, Soul Power firmly establishes their crucial place in the history of twentieth-century American struggles for social change.
The essays in this volume have all been carefully chosen by Cynthia Chase to exemplify the most important strands in contemporary critical thought on Romantic literature, in particular the best of recent feminist, deconstructive, and new historicist writing. They include contributions from critics such as Paul de Man, Mary Jacobus, Marjorie Levinson and Jerome Christensen. The collection, with its substantial introduction and judicious selection of key work, explains the significance of recent critical debate by relating it to fundamental critical questions that define Romanticism. Through the course of their analyses the essays offer answers to perhaps the most essential question posed by the Romantic period: what is the role of language in history?
4 Stories of Love Spun at Historic Carousels Experience the early history of four iconic carousels that draw together four couples in whirling romances full of music and charm. Sophia’s Hope by Cynthia Hickey 1889 - Oak Bluffs, Martha’s Vineyard Sophia Blackwell is living the life of the wealthy, but on the outskirts of total acceptance. Drake Moreland believes her above his station. A misunderstanding between them threatens to shatter their dreams before they’ve begun. The Art of Romance by Patty Smith Hall 1895 - Crescent Park Amusement Park, Riverside, Rhode Island An interview with the artist painting the Crescent Park Carousel is what reporter Thomas West needs. Instead he finds Wells’s daughter, Jane, who is hiding secrets he’s desperate to uncover. Jane must do everything she can to save her ill father’s reputation . . .and her heart. Carousel of Love by Teresa Ives Lilly 1910 - Conneaut Lake, Pennsylvania For Tamara Brand, spending the summer at Expedition Park impersonating her wealthy debutante employee seemed like a dream come true until she meets Blake Conner; just a Carnie who runs the carousel. He seems to be the type of man, she would like to get to know better if she weren't pretending to be someone she isn't. But, is Blake who he appears to be? The Carousel Wedding by Susanne Dietze 1922 - Balboa Park, San Diego, California For June Lowell, a secretary at the Natural History Museum, being with scientist Martin Howard is as thrilling as a ride on the carousel by the museum, but a relationship is forbidden by management.
Violet Malone is a beauty beyond compare. Carefree. She has the world at her fingertips and a bright future ahead of her. Someone wants to steal that future. Someone wants to twist Violet's beauty into suffering and pain. There are monsters in the world, and this one is willing to pay a premium to ensure the innocent beauty cannot escape him. Every bounty, every job demands something new from Lionel "Beast" Plantier. This time he's been hired to kidnap an innocent maiden and deliver her to the devil in disguise. This time, the rejection, the repulsion and disgust caused by his horrible scars is taken from him with one soft, feminine caress. This time, he will risk everything to save an untouched beauty from a true monster, even marry her himself. But what will happen when this beauty is forced to marry a beast?
Cordelia Jameson is left alone after her brother’s death. He left her with $5000 which she knows won’t last forever and she doesn’t want to be alone. She wants a husband and children. She decides to become a mail-order bride and goes to Brides for the West to sign up. David Thomas survived his sociopath wife’s machinations. She was hung for attempted murder and kidnapping, though he would have divorced her in any case. He’d do anything to protect his four-year-old daughter Margie. But now that he’s moved out west, he realizes he needs someone to care for Margie and he needs a wife for himself since he wants more children, too. He’s vowed he won’t allow his emotions to get involved, not after what he went through with his first wife. While Cordelia is living at the boarding house, waiting for her mail-order groom, her brother’s former partner, Richard Lynch, finds her. He demands the money that her brother left her. She refuses and he backhands her sending her to the floor. If not for the interference of another of the brides, he might have beat her to death. When Cordelia leaves to marry David, she believes she’s left Richard behind her. But like a bad penny, he shows up in her new town making the same demands only this time he threatens Margie. Cordelia knows he won’t go away and even if she does give him the money, when he finds out that David is rich, he’ll be back again and again, blackmailing them. He has to be stopped. Now. But how?
In post-Civil War America, three women find themselves embarking on unexpected journeys as mail order brides, each facing unique challenges and discovering love in the most surprising ways. Nellie Wallace, a young widow with two children, seeks to escape her cruel in-laws and find stability in San Francisco. Blake Malone, a saloon owner needing a family to secure his business plans, becomes her unlikely match. As Nellie and Blake navigate their new life together, they must confront dangerous threats and unexpected emotions, realizing that the fight for love and family may be their toughest battle yet. Annie Markum risked everything to become a mail order bride, only to find herself a penniless widow with a newborn daughter. Desperate to return to her disapproving father, she takes a job as a saloon cook, despite the stigma. Saloon owner Nick Cartwright, who once loved Annie from afar, now has a second chance. But Annie's dreams for her daughter's future clash with Nick's lifestyle, and they must decide if love is worth the ultimate sacrifice. When Annie discovers her late husband left her a fortune, newfound threats emerge, forcing her to fight for both her freedom and Nick’s safety. Cora Jones thought her future was set when she sailed to San Francisco to marry Harry Belcher. But everything changes when her presumed-dead fiancé, Asa Woods, appears. Caught between two men, Cora decides to let them both court her to make her choice. In a whirlwind of emotions and decisions, Cora must choose between the familiar past and a promising future. Through danger, determination, and the power of love, Nellie, Annie, and Cora each find their place in a changing world, proving that even in the wildest of circumstances, love can find a way.
Erin O’Toole is no stranger to violence. Growing up surrounded by one of the most powerful gangs in New York, Erin learned how to survive. But when her little brother is killed in a gang war, Erin swears she’ll never be part of her father’s world. Desperate to escape the pain of her loss and a future she doesn't want, she risks everything to become a mail-order bride. After years of being on the wrong side of justice, Henry Jacobs has made things right. Now he is a peaceful blacksmith in Central City in the Colorado Territory and all he wants is a wife and children of his own. One look at Erin, and Henry falls for his feisty new bride. But Henry has secrets that could tear their marriage apart. When a man from Henry’s past threatens his new life, Henry finds he has no choice but to become a man she’ll hate in order to save the woman he loves.
In post-Civil War America, three courageous women embark on transformative journeys as mail order brides, each finding unexpected love and facing unique challenges in the most surprising ways. Sophia Hayes thought she had her future planned out until her fiancé left her for her more beautiful sister. Determined to start anew, she agrees to become a mail order bride, hoping to find the family she always dreamed of. She marries Captain Robert Langley, a wealthy widower with four young children. Robert needs a wife to care for his family but believes love is not an option. When Sophia's scheming sister arrives to take what she wants, Sophia must fight for the love and family she has finally found. Amelia James has been a star on the New York stage since she was fifteen, but she longs for a life filled with genuine love, not just fame and fortune. Leaving her glamorous life behind, she becomes a mail order bride to wealthy prospector Phillip Dumont in San Francisco. Phillip, who raised his siblings alone after his mother abandoned them, needs a woman's touch for his sister but doesn't trust women with his heart. As Phillip and Amelia navigate their new life, an old enemy threatens their budding love, and Phillip must learn to trust Amelia to save his family. Violet Malone is a carefree beauty with a bright future until a sinister figure seeks to twist her beauty into suffering. Bounty hunter Lionel "Beast" Plantier, hired to kidnap Violet, is scarred and feared by many. However, one soft touch from Violet changes everything. Determined to save her from the true monster, Lionel marries her to protect her. Together, they must face the dangers that come with Violet's beauty and find love in the most unexpected of circumstances. In this trilogy of romance and resilience, Sophia, Amelia, and Violet each discover that even in the wildest circumstances, love can find a way. Through danger, determination, and the power of love, these three women forge new paths in a changing world, proving that sometimes, the heart’s journey is the most unpredictable adventure of all.
Cora Jones has a dilemma. She was engaged to be married but her fiancé Asa Woods was killed in the Civil War. She’d never been madly in love with Asa, but she did care for him deeply and grieved his loss. When she stopped grieving she decided she wanted to put everything behind her and became a mail order bride for Harry Belcher. Cora sailed to San Francisco to meet Harry. She’s checking into her hotel when she hears a voice from the past say her name. No, it can’t be. She turned to find Asa Woods behind her, just as Harry comes up to her, too. What’s a girl to do when one fiancé returns from the dead and she has another one calling to her from across the lobby? Cora decides to have both men court her in order to make up her mind. Who will she choose—the man back from the dead who wants her for his wife or the man who sent for her to be his bride?
It’s autumn in the Hudson Valley, and Kate McKay has some tricks up her sleeve for a deliciously spooky season at her Lickety Splits Ice Cream Shoppe. But with a cold-blooded murderer thrown into the mix, the scares are about to become a little too real . . . Kate receives the shock of a lifetime when she’s blindsided by an offer she can’t refuse. An assistant movie director desperately wants to shoot a key scene at Lickety Splits and she’s willing to pay big bucks to sweeten the last-minute deal. All Kate has to do is tolerate a bustling film crew for a few hours and provide one important prop—a scoop of handmade ice cream . . . But when up-and-coming actress Savannah Crane drops dead after spooning down some chocolate almond fudge, Kate’s first taste of Hollywood might be her last. Determined to clear her name, Kate finds herself churning through a long list of unsavory characters to catch the real killer lurking around town. As she uncovers the truth about the jealous rivals and obsessive stalkers who haunted Savannah’s life, Kate soon realizes that tangling with the late starlet’s “fans” could make this her most terrifying fall yet . . . Includes mouthwatering ice cream recipes from the Lickety Splits Ice Cream Shoppe!
Since the early 1990s, there has been a proliferation of memoirs by tenured humanities professors. Although the memoir form has been discussed within the flourishing field of life writing, academic memoirs have received little critical scrutiny. Based on close readings of memoirs by such academics as Michael Bérubé, Cathy N. Davidson, Jane Gallop, bell hooks, Edward Said, Eve Sedgwick, Jane Tompkins, and Marianna Torgovnick, Academic Lives considers why so many professors write memoirs and what cultural capital they carry. Cynthia G. Franklin finds that academic memoirs provide unparalleled ways to unmask the workings of the academy at a time when it is dealing with a range of crises, including attacks on intellectual freedom, discontentment with the academic star system, and budget cuts. Franklin considers how academic memoirs have engaged with a core of defining concerns in the humanities: identity politics and the development of whiteness studies in the 1990s; the impact of postcolonial studies; feminism and concurrent anxieties about pedagogy; and disability studies and the struggle to bring together discourses on the humanities and human rights. The turn back toward humanism that Franklin finds in some academic memoirs is surreptitious or frankly nostalgic; others, however, posit a wide-ranging humanism that seeks to create space for advocacy in the academic and other institutions in which we are all unequally located. These memoirs are harbingers for the critical turn to explore interrelations among humanism, the humanities, and human rights struggles.
During the period of the professionalization of American medicine, many authors were concerned with a concurrent urge to use their work as a means to convey their views about the meaning of the body and the origin and cure of disease. This book studies a range of these authors, including Louisa May Alcott, Charles W. Chesnutt, Margaret Fuller, Oliver Wendell Holmes, Jr., and William Dean Howells, among others.
The family, Cynthia Patterson demonstrates, played a key role in the political changes that mark the history of ancient Greece. From the archaic society portrayed in Homer and Hesiod to the Hellenistic age, the private world of the family and household was integral with and essential to the civic realm. Early Greek society was rooted not in clans but in individual households, and a man's or woman's place in the larger community was determined by relationships within those households. The development of the city-state did not result in loss of the family's power and authority, Patterson argues; rather, the protection of household relationships was an important element of early public law. The interaction of civic and family concerns in classical Athens is neatly articulated by the examples of marriage and adultery laws. In law courts and in theater performances, violation of marital relationships was presented as a public danger, the adulterer as a sexual thief. This is an understanding that fits the Athenian concept of the city as the highest form of family. The suppression of the cities with the ascendancy of Alexander's empire led to a new resolution of the relationship between public and private authority: the concept of a community of households, which is clearly exemplified in Menander's plays. Undercutting common interpretations of Greek experience as evolving from clan to patriarchal state, Patterson's insightful analysis sheds new light on the role of men and women in Greek culture.
An official publication of the Society for Vascular Nursing, the Second Edition of the Core Curriculum for Vascular Nursing provides the core knowledge needed by the novice entering the specialty. It also serves as a manual for the nursing instructor, a study guide for cardiovascular certification, and a reference for the experienced vascular clinician caring for the challenging vascular patient. Topics include the evolution of vascular nursing, vascular assessment and diagnosis, vascular nursing research, and guideline-directed medical, endovascular and surgical therapy for the treatment of carotid artery stenosis, aortic aneurysm, renal artery stenosis, vascular access, venous disease, vascular trauma, amputations, and lymphedema.
Brothers Among Nations represents an effort to show how central Natives were to the European colonial project by demonstrating that the formation of alliances was the only way for the nascent colonies to succeed.
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