How do we transform the wreckage of our identities? Cynthia Dewi Oka’s evocative collection answers this question by brimming with what we salvage from our most deep-seated battles. Reflecting the many dimensions of the poet’s life, Salvage manifests an intermixture of aesthetic forms that encompasses multiple social, political, and cultural contexts—leading readers to Bali, Indonesia, to the Pacific Northwest, and to South Jersey and Philadelphia. Throughout it insistently interrogates what it means to reach for our humanity through the guises of nation, race, and gender. Oka’s language transports us through the many bodies of fluid poetics that inhabit our migrating senses and permeate across generations into a personal diaspora. Salvage invites us to be without borders.
In her third collection, Indonesian American poet Cynthia Dewi Oka dives into the implications of being parents, children, workers, and unwanted human beings under the savage reign of global capitalism and resurgent nativism. With a voice bound and wrestled apart by multiple histories, Fire Is Not a Country claims the spaces between here and there, then and now, us and not us. As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other. Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.
How do we transform the wreckage of our identities? Cynthia Dewi Oka’s evocative collection answers this question by brimming with what we salvage from our most deep-seated battles. Reflecting the many dimensions of the poet’s life, Salvage manifests an intermixture of aesthetic forms that encompasses multiple social, political, and cultural contexts—leading readers to Bali, Indonesia, to the Pacific Northwest, and to South Jersey and Philadelphia. Throughout it insistently interrogates what it means to reach for our humanity through the guises of nation, race, and gender. Oka’s language transports us through the many bodies of fluid poetics that inhabit our migrating senses and permeate across generations into a personal diaspora. Salvage invites us to be without borders.
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